June Armstrong's songbook The Girona Suite - Eight Evocations For Piano features eight original and challenging compositions for grades five to seven standard, all inspired by the shipwreck of the Spanish galleas, the Girona.The pieces included in this songbook were all composed specifically for this collection by revered pianist and teacher June Armstrong. Her many years of experience in teaching have allowed her to craft compositions both subtle and powerful that stretch the ability of students while giving them an engaging story on which to base their expression and feeling when playing. Armstrong is an advocate of focusing learning on atmosphere and tonal awareness, which, when combined with the necessary techniques and theory, makes this songbook a learning tool that is theoretically sound and musically enticing.From the first page, the composer has shown her commitment to creating pieces specifically for students learning the Piano, as she writes of how many people, including former students, have inspired her. She then writes in detail about the historical context of the theme of the work, before giving more practical advice on the music itself and how to go about playing it. The friendly and warm approach that Armstrong brings to presenting her suite makes it more than a simple songbook, it becomes a personal journey, where the composer herself guides you through the characters and settings that the music has been composed to evoke. As well as presenting challenging and entertaining pieces, Armstrong's work serves as a fantastic introduction into how major and minor keys can be manipulated to different ends, and how motifs can be used together with a theme. Armstrong writes:?The final piece, Sarabande for the Lost Souls returns to the desolation of Eb minor, closing with a final statement of the No Tengo theme.?The songs in The Girona Suite are designed to cultivate a student's ability to play in keys containing more than three flats or sharps, as well as a number of different time signatures and with varying degrees of expression. This songbook would be ideal for a student of any age who is unafraid to experiment with evoking feeling and emotion in their playing, while also learning and practicing numerous techniques in an appealing and informative context. If you would like to listen to any of the songs that are listed below, these can be heard free of charge on the composer's website. / Piano

La partition Evocations 'Aux Bords Du Fleuve Sacre' Harpe a été composée pour Harpe. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Harpe / Partition

Evocations d'apres l'Evangile de Saint Luc. Par REUCHSEL EUGENE. Evocations D'Apres L'Evangile De Saint Luc Pour Grand-Orgue/ Répertoire / Orgue

Idéale pour les musiciens d'un niveau Préparatoire cette partition Ghidoni dont le titre est Evocation a été écrite et composée pour Trompette En Do Ou Sib Ou Cornet Et Piano et est donc d'une manière générale, plus utile pour tous les joueurs de Trompette et Cornet. Nous vous proposons cette partition chez l'éditeur Leduc. La référence de cette oeuvre Classique est AL29208. / Trompette En Do Ou Sib Ou Cornet Et Piano / niveau : Préparatoire / Partition

Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Evocation et danse, alto ou ténor de Guillonneau Christian . Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence GUIL02362. / Saxophone / niveau : Cycle 1 / Partition

La partition Evocation I a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

La partition Evocation Ii a été composée pour Orgue. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / Orgue / Partition

Evocation' d'Isaac ALbeniz, tiré de la suite 'Iberia', transcrit pour deux guitares par Miguel Llobet. / Guitare

Arrangeur: Albert Mendoza. Par GRIFFES CHARLES. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. Roman Sketches, Op. 7, is one of 20th-century composer Charles Griffes' most popular works. This piano suite of four short pieces, written between 1915 and 1916, illustrates Griffes' evolving tastes in incorporating modern devices into his compositions. Filled with many memorable, evocative, and pianistically satisfying moments, the pieces require power, agility, and finesse, as well as musical sensitivity. The suite begins with 'The White Peacock,' a sensuous depiction of the exotic white bird. The second work, 'Nightfall,' captures the stillness of dusk, before gaining excitement and swirling to two powerful climaxes. The third piece, 'The Fountain of the Acqua Paola,' in thetradition of Liszt's 'Fountains of the Villa d'Este' and Ravel's 'Jeux d'eau,' brings to life the sound and shimmer of a famous Roman fountain. The last sketch, 'Clouds,' not only depicts gently wafting clouds but also gusts of wind and bright rays of sunshine. The duration of the entire suite is slightly less than 20 minutes. This edition contains a short biography of Charles Griffes, an overview of his compositional style, and an analysis each work, including a detailed study of form and performance considerations. / Niveau : Débutant à Avancé / Etudes et exercices / Répertoire / Piano

For A Dead Princess in Full Score. Par RAVEL MAURICE. With the premiere in 1908 of Rapsodie Espagnole, Ravel's first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911, he recast the Mother Goose Suite, his extremely successful music for piano four-hands, as an orchestral work. Based on five fairy tales — among them 'Sleeping Beauty, ' 'Tom Thumb, ' and 'Beauty and the Beast' — this collection of children's pieces continues to enchant listeners of all ages with its variety of moods, from jubilation to haunting despair. In 1910, more than a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane for a Dead Princess for orchestra. To this day, it continues to be one of his best-known, most frequently performed compositions. The rich orchestral settings of these three works have made them favorites among concert-goers around the world, ensuring the popularity of this full, authoritative, and inexpensive edition. Reprint of the Max Eschig, Paris, 1910 edition. With the premiere in 1908 of Rapsodie Espagnole, Ravel’s first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite, his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequentlyperformed compositions. These three rich orchestral settings are presented in full score in this authoritative edition./ Répertoire / Orchestre

Arrangements for Solo Acoustic Guitar 2 - more instrumentals from a national champion.Pete Huttlinger continues his exploration of the guitar arrangements that have won him accolades throughout the acoustic guitar world - and a National Fingerstyle Championship! An engaging and accomplished instructor, Pete brings his spectacular playing with dramatic performance pieces that are as challenging as they are fun to learn.Pete starts out by teaching his Merle Travis-inspired chord/melody arrangement of the great Gershwin tune I Got Rhythm. His exciting version features lightening-fast fingerpicking and a total left hand workout.Things calm down a bit as you learn Pete's somewhat easier 'Chet-style' fingerpicking tune Darcy's Guitar. Then you're off and running again, this time with an in-depth teaching of Pete's most requested tune, the showstopper, The Santa Rita Connection.McGuire's Landing in DADGAD brings us back to a mellow Celtic mood. Tommy In The Morning, written by Pete for fellow fingerpicker Tommy Emmanuel, and the lovely hymn On Eagles' Wings, played in James Taylor's evocative style, round out this terrific DVD lesson.Over the years, Peter Huttlinger has established himself as a top-notch session player, composer, arranger, songwriter and sideman. The Berklee graduate has been a featured artist with the San Diego and Housten symphonies and the Nashville Chamber Orchestra, and has performed on numerous Grammy winning and nominated projects. In 2000 he won first place in the prestigious National Fingerstyle Championship in Winfield, Kansas. Pete toured, recorded and performed with John Denver from 1994 until the singer's death in 1997. He has also written music for HBO, PBS, ESPN, and many other networks. His 2003 release Naked Pop is on Steve Vai's Favored Nations label. / Guitare

Par BENJAMIN GEORGE. Full Score for Orchestra of George Benjamin's stunning Ringed By The Flat Horizon . 'This work contains some of the most startlingly precise storm music ever written - it seems less evocation than the sound of the thing itself. But there is more to it than that: Eliot's lines suggested form for the music, and the piece is music, and not just illustration. It moves through an original and convincing musical logic which is realized through a masterly control of varied sonorities'. Richard Dyer. Boston Globe September 1987/ Répertoire / Conducteur

Symphonic Fresco On Genesis 1:1-31. Par HAKIM NAJI. Cosmogonie was written after an improvisation of the composer at the Haarlem International Organ Improvisation Competition, Rotterdam 1981. The given theme was an abstract graphic by Enrique Raxach. The result is an evocation of the opening verses of the Genesis. / Niveau : Intermédiaire / Répertoire / Orgue

Par WALKER N. / LONGWORTH J.. The Guitar Basics Repertoire book contains over forty pieces, offering a rich and varied mixture of folksongs from around the world ( Aura Lee, Sakura ), classical tunes (Bizet - March of the Kings, J. S. Bach - Minuet in G ) and popular film music (including themes from Pirates of the Caribbean and Harry Potter), alongside evocative originals ( Falling Leaves, Havana Goodtime, Samurai Sword, Tudor Dance ) and established Guitar repertoire by Sor and Carulli. Designed both to consolidate the areas of study covered in Guitar Basics and present new topics in the fun but clear style of the popular method book, Guitar Basics Repertoire introduces accidentals, moving up the neck, two part music, arpeggios and plucked chords, as well as fun extended techniques that even a beginner can master. Guitar Basics Repertoire contains both solo and ensemble pieces, backing tracks for many of which are available below, and is the perfect companion to Guitar Basics whether being used for group teaching or to prepare students for graded examinations. Both solo and ensemble repertoire is included, with backing tracks and teachers' part for many pieces provided on the accompanying ECD./ Recueil / Guitare