Composed by Christian Mason. World premiere: Paris, Cite de la musique, January 14, 2020. Breitkopf and Haertel #EB 9377. Published by Breitkopf and Haertel

Instructional/Drum/DVD. Instruction, Technique. DVD. Hudson Music #HDDVDDR21. Published by Hudson Music

Trio (clar,va,perc)

SKU: BR.EB-9414

Composed by Helmut Lachenmann. Chamber music; stapled. Edition Breitkopf. World premiere: Munich, March 5, 1968EB 9414 will be published in June 2021. Music post-1945; New music (post-2000). Performance score. Composed 1966. 24 pages. Duration 16'. Breitkopf and Haertel #EB 9414. Published by Breitkopf and Haertel (BR.EB-9414).

ISBN 9790004188880. 10.5 x 14 inches.

Das Stuck stellt fur mich einen von verschiedenen Versuchen dar, aus einem streng punktuellen Musikdenken herauszufinden, mit dem ich mich seit meinem Studium bei Luigi Nono identifiziert hatte und dem ich auf meine eigene Weise treu zu bleiben entschlossen war, besonders in jener Zeit, als sich die sogenannte Avantgarde mehr und mehr auf surrealistische Kompromisse mit der burgerlichen Bequemlichkeit einzulassen schien. Die Besetzung - Klarinette, Bratsche und Schlagzeug (Marimbaphon mit Almglocken, Becken, Pauke und Bongos) - gewahrleistete eine homogene Ausgangsbasis der instrumentalen Mittel, von wo aus einerseits eine Art Klang-Gestik - das heisst enger oder weiter verzweigte Tonfigurationen - sich entwickeln liess, wahrend andererseits die Klangdifferenzierung nach innen weiter getrieben werden konnte bis hinein in die bewusstgemachte Anatomie des entstehenden (geblasenen, geschlagenen, geriebenen, gestrichenen, gezupften, getupften usw.) Tones. Zwischen diesen beiden Gegensatzen - Verflussigung des punktuell Gedachten hier und seiner Versteinerung beziehungsweise inneren Aufbrechung, Offnung dort - bewegt sich diese Musik: Gegensatze, die ich in spateren Werken bis in radikale Extreme weitergetrieben habe, wahrend hier das Ganze noch einem eher abstrakt-spielerischen Gesamtcharakter verpflichtet bleibt. (Helmut Lachenmann, 1989) Trio fluido , noch vor dem Schlagzeugsolostuck Interieur I, meinem Opus 1, entstanden, gehort einer Schaffensphase an, die noch streng strukturalistisch gepragt war, in der also ausschliesslich am akustischen Material orientierte Beziehungen und Entwicklungen kompositorisch gesteuert wurden. Was immer in diesem Stuck an Spielerischem einerseits, an Verfremdung und Klangzersetzung andererseits zu finden ist, ergab sich aus der Anwendung von solchen immanent orientierten Gesetzmassigkeiten, war also nirgends Gegenstand von expressiver Spekulation. Formal hat man es mit einer vielfach gebrochenen, aber insgesamt zugleich steigenden und fallenden Kurve zu tun: Auf dem Hintergrund scheinbar lose aufgereihter Abschnitte kehren sich mehr und mehr extreme Materialeigenschaften hervor, schliessen sich zusammen, bewirken insgesamt eine Zuspitzung, die umschlagt in den Kontrast eines statischen, durch innere Fluktuationen belebten Feldes. Dieses zerfasert sich seinerseits bis zum Schluss, wobei hinter den Tonfiguren die Gerauschkomponenten, hinter diesen die Erfahrung von der korperlichen Beschaffenheit des klingenden Stoffes und dahinter die auf solche Weise entleerte Zeit freigelegt, bewusstgemacht und in den musikalischen Zusammenhang eingegliedert wird. Strukturelles Musizieren: Das ist eine paradoxe Vorstellung. In Trio fluido entdeckt und nutzt die Musik selbst diesen Widerspruch. Mit der zunehmenden Auflosung (und zugleich der instrumentaltechnischen Ausuferung im Schlagzeug) schalen sich jene andere Materialwahrnehmung und daran gebundene Expressivitat heraus, die in meinen spateren Werken, zuerst in temA, Air und Klangschatten Ausgangshaltung bedeuteten, um die Reflexion der Bedingungen des Horens und Musizierens ins Horen selbst mit einzubeziehen. (Helmut Lachenmann, 1993) CD: Uwe Mockel, Barbara Maurer, Christian Dierstein CD Montaigne Auvidis MO 782023 Bibliography: Brunner , Eduard: krawall im saal. Eduard Brunner uber seine Erfahrungen mit der Musik von Helmut Lachenmann und die Zusammenarbeit mit dem Komponisten, in: Neue Zeitschrift fur Musik 167 (2006), Heft 1, p. 32f.

World premiere: Munich, March 5, 1968.

Composed by Grey E. Larsen. Saddle-stitched. First Lessons. Folk. Book and online audio/video/pdf. 40 pages. Mel Bay Publications, Inc #30043M. Published by Mel Bay Publications, Inc

Choral (ShowTrax CD)

SKU: HL.158243

By Extreme. By Gary Cherone and Nuno Bettencourt. Arranged by Kirby Shaw. Pop Choral Series. Ballad, Male Voices, Nineties, Pop, Show Choir. CD. Duration 155 seconds. Published by Hal Leonard (HL.158243).

UPC: 888680612191. 5.0x5.0x0.16 inches.

The band Extreme topped the Billboard charts in 1991 with this acoustic ballad recreated by Jimmy Fallon and Jack Black on The Tonight Show. A great song to build intonation skills and style!

Percussion. Instruction. Softcover Video Online. Hudson Music #HDBK50. Published by Hudson Music

(Grade 3 Edition). By Gustav Holst/Adpt. Robert Longfield. (Score & Parts). Boosey and Hawkes Concert Band. Size 9x12 inches. Published by Boosey & Hawkes.

By Jason Baker. For concert snare drum. (1 player). For solo snare drum. Level: Advanced. Folio. 8 pages. Duration 3:30. Published by Tapspace Publications.

Composed by Jean-Marie Londeix. Leduc. Classical. Softcover. 28 pages. Alphonse Leduc #AL27209. Published by Alphonse Leduc

By George Kollias. Music Sales America. DVD. Music Sales #KOL001. Published by Music Sales

Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 5

SKU: CA.2709437

Individual part, trombone 3. Composed by Anton Bruckner. Edited by Felix Loy. Individual part. Composed 1893. WAB 28. 12 pages. Duration 60 minutes. Carus Verlag #2709437. Published by Carus Verlag (CA.2709437).

Key: F minor. Latin.

Brucknerâ₠¬â„¢s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs.

The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024!

Trombone choir (4 part) - Moderate

SKU: CY.CC2289

Composed by Malcolm Forsyth. Contemporary. Full score & set of parts. Published by Cherry Classics (CY.CC2289).

Sonic Mobile by Malcolm Forsyth is a 7 minute work written in 2003 for Trombone Choir in 4 parts with some divisi, so ideally one would wish to have at least 8 performers on the parts. There are no extreme ranges, so this work is suitable for intermedi.

For Bass Guitar. Artist/Personality; Bass Guitar DVD; DVD; Method/Instruction. Alfred's Artist Series. Fingerstyle; Funk; Fusion; Metal; Pop. Published by Alfred Music Publishing

Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 5

SKU: CA.2709428

Individual part, bassoon 2. Composed by Anton Bruckner. Edited by Felix Loy. Individual part. Composed 1893. WAB 28. 16 pages. Duration 60 minutes. Carus Verlag #2709428. Published by Carus Verlag (CA.2709428).

Key: F minor. Latin.

Brucknerâ₠¬â„¢s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs.

The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024!

Orchestra solo voices, SSAATTBB chorus, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, 3 Trb, Timp, 2 Vl, Va, Vc, Cb - Grade 5

SKU: CA.2709424

Individual part, oboe 2. Composed by Anton Bruckner. Edited by Felix Loy. Individual part. Composed 1893. WAB 28. 16 pages. Duration 60 minutes. Carus Verlag #2709424. Published by Carus Verlag (CA.2709424).

Key: F minor. Latin.

Brucknerâ₠¬â„¢s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music. In doing so, he ventures into extreme forms of expression, which caused some disgruntlement among the musicians at rehearsals for the premiere in November 1868. In subsequent years, however, the work has gradually become more accepted, and today presents a highly appealing challenge to advanced choirs.

The Carus edition presents the Mass in F minor as the final 1893 version based on the autograph and the surviving copies from the copyist. As an Urtext edition it follows the latest scholarly standards ready for the Bruckner anniversary year in 2024!

By Rob Grice. Young Concert Band. Level: Grade 1.5. Score and set of parts. Duration 0:01:38. Published by C.L. Barnhouse.

Grade 3.5

SKU: CL.032-2590-01

Composed by Spera. Jazz Ensemble. Audio recording available separately (item CL.WFR177). Extra full score. Composed 1994. Duration 4 minutes, 49 seconds. C.L. Barnhouse #032-2590-01. Published by C.L. Barnhouse (CL.032-2590-01).

Although written for more mature bands, the ranges aren’t extreme (1st trumpet only goes to high Bb) and there is an open section for as many solos as you desire. After the solos there is a unison section featuring all of the brass that leads into a dynamic shout chorus! Outstanding choice for concert or contest!

Flute and orchestra

SKU: M7.BP-1332

Composed by Hans Schaeuble. Edited by Angelika Salge. Sheet music. Piano reduction with solo part. Op. 47. Amadeus Verlag #BP 1332. Published by Amadeus Verlag (M7.BP-1332).

ISBN 9790015133206.

Das Werk entstand 1962 in Zürich und wurde 1966 im Radio Saarbrücken erfolgreich uraufgeführt. Das Werk ist formal eigenartig, harmonisch und satztechnisch sehr subtil und ohne Extreme sehr Flötenmässig. (Schäuble).

Composed by Richard A. Williamson. Choral. Octavo. Lorenz Publishing Company #15/3455H. Published by Lorenz Publishing Company (LO.15-3455H).

Piano (Piano)

SKU: HL.50577981

Composed by ,. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME1293. Published by Hal Leonard (HL.50577981).

Score and Parts. Composed by Franz Schubert (1797-1828). Edited by Egon Voss. Henle Music Folios. Classical. Softcover. G. Henle #HN1317. Published by G. Henle

SKU: GI.G-317183

Creative Recipes for Players and Teachers. Composed by Rick Mattingly. Music Education. Book. 162 pages. GIA Publications #317183. Published by GIA Publications (GI.G-317183).

ISBN 9781574631012. UPC: 884088265557.

This valuable collection of quick-to-read yet deeply insightful strategies is like finding expert trade secrets all placed in one convenient source. Contributors to the book were even eager to get a look at each other's ideas! With outstanding records of performance, workshop clinics, recordings, research, composition, leadership and teaching, the 57 authors provide their favorite recipes that cover an extreme range of topics from rudiments to rock, drum set to symphonic playing, and keyboard percussion to interpretation. There is something for everyone in this unique publication that will inspire all levels and types of teachers, ensembles and performers.

Concert Band - Grade 2.5

SKU: HL.44005179

Grade 2.5 - Score Only. Composed by Philip Sparke. Anglo Music Concert Band. Concert Piece. Score Only. Composed 2005. 17 pages. Anglo Music Press #AMP140. Published by Anglo Music Press (HL.44005179).

UPC: 073999507492. 8.5x11 inches. English-German-French-Dut ch.

Music is perhaps unique among the performing arts in its ability to express and convey the subtlest nuances of human emotion. This ability is exploited in When the Spirit Soars, which attempts to capture in music the feeling of extreme happiness, sometimes almost too much to bear, that we all experience at one time or another. Often this happiness can be tinged with sadness (we can cry with joy, after all), and it is this conflict of emotions that this piece describes. There are moments of doubt as the piece progresses, but it ends in undiluted joy.

Pachelbel's Canon * Signature Series Original composed by Johann Pachelbel (1653-1706). Arranged by Jonathon Robbins. For piano solo. Solo. Signature Series. Classical. Intermediate. Sheet Music. Text Language: English. 4 pages. Published by Santorella Publications