| ARKA - 3 Rituale (Full Score) Voix basse, Piano Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Shaker Gift Song Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Timeless Traditionals - Intermédiaire De Haske Publications
Variable Wind Trio with Percussion Ad. Lib. - intermediate SKU: BT.DHP-108464...(+)
Variable Wind Trio with
Percussion Ad. Lib. -
intermediate SKU:
BT.DHP-1084646-070
Variable wind trio
(with percussion ad
lib.). Arranged by
Robert van Beringen.
Music Box. Set (Score &
Parts). Composed 2008. 8
pages. De Haske
Publications #DHP
1084646-070. Published by
De Haske Publications
(BT.DHP-1084646-070).
ISBN 9789043131315.
9x12
inches. Timeless
Traditionals is a
beautiful mixture of the
popular English folksong,
Floral Dance, the
Jazz standard Careless
Love as well as the
well-known songs Go,
Tell it on the
Mountain and
Kumbaya in a
wonderful arrangement by
Robert van Beringen.
Arranged for flexible
instrumentation this
arrangement is suitable
for any combination of
woodwind/brass
instruments.Part 1 Fl Ob
Bb/Eb Clar S Sax A Sax
Tpt Part 2 Fl Cor Ang Bb
Clar A Sax Tpt Hn Part 3
Bass Clar T Sax Bari Sax
Bsn Trom Euph Tuba Opt.
Perc 1 Perc
2
Medley van de
werken: Floral Dance,
Careless Love, Go, Tell
It on a Mountain,
Kumbaya
Eine
schöne Mischung aus
dem beliebten englischen
Lied Floral Dance,
dem amerikanischen
Volkslied und
Jazz-/Bluesstandard
Careless Love
sowie den beiden
Spirituals Go, Tell It
on a Mountain und
Kumbaya fügte
Robert van Beringen
zusammen zu diesen
Zeitlosen
Volksliedern“
für dreistimmig
variable
Bläserbesetzung.Part 1
Fl Ob Kl B/Es S-Sax A-Sax
Trp Part 2 Fl Cor Ang Kl
B A-Sax Trp Hn Part 3
B-Kl T-Sax B-Sax Fg Pos
Euph Tuba Opt. Perc 1
Perc 2
Medley des
quatre traditionnels
intemporels Floral
Dance, Careless Love, Go
Tell It on a Mountain
et Kumbayah,
arrangés trois voix
pour Ensemble
instrumentation
variable.Voix 1 Fl Htb
Cl. Si♭/Mi♭
Sax. S. Sax. A. Trp Voix
2 Fl Cor Angl. Cl.
Si♭ Sax. A. Trp Cor
Voix 3 Cl. B. Sax. T.
Sax. B Basson Trb Euph.
Tuba Opt. Perc 1 Perc 2
Una pubblicazione
che unisce note canzoni
anglosassoni: l'inglese
Floral Dance, la
canzone folk americana
Careless Love,
come anche i due
spiritual Go, Tell it
on the Mountain e
Kumbaya. Un brano
a strumentazione
variabile per tre voci
(ensemble di fiati).Part
1 Fl Ob Kl B/Es S-Sax
A-Sax Trp Part 2 Fl Cor
Ang Kl B A-Sax Trp Hn
Part 3 B-Kl T-Sax B-Sax
Fg Pos Euph Tuba Opt.
Perc 1 Perc 2. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Celebrate the Season Hope Publishing Company
Choir with full instrumental ensemble, rhythm group, keyboard and optional handb...(+)
Choir with full
instrumental ensemble,
rhythm group, keyboard
and optional handbells
SKU: HP.8237
Arranged by Joel Raney.
Christmas, Cantata.
Christmas Musicals.
Advent, Christmas,
Sacred. Handbell part (5
sets). 16 pages. Hope
Publishing Company #8237.
Published by Hope
Publishing Company
(HP.8237). UPC:
763628182373. Chris
tmas Musical
Contemporary and upbeat,
this 50-minute program
celebrates the
excitement, joy and true
meaning of the Christmas
season. Composer Joel
Raney retells the
Christmas story through a
unique partnering of
creative, original songs
with traditional carols.
Accompaniment options
include: full
instrumental ensemble,
rhythm group, keyboard,
optional handbells, or
accompaniment CD track.
The Instrumental Parts
include a Conductor's
Score and parts for:
Piano, Synthesizer, Bass,
Drums/Percussion, Harp,
Flute, Oboe, Trumpet in
B-flat, Horn in F,
Violin, Cello, and
Handbells.
The
Rhythm Packet includes a
Score and parts for:
Synth, Bass, Percussion
(wind chimes, triangle,
cymbals), and drums.
Preview Packs
are limited to one per
customer. $27.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Sonata For V&P F-Major Violon et Piano SATB, Orchestre Fennica Gehrman
Violin and piano SKU: FG.042-08516-5 Composed by Jean Sibelius. Published...(+)
Violin and piano SKU:
FG.042-08516-5
Composed by Jean
Sibelius. Published by
Fennica Gehrman
(FG.042-08516-5). ISBN
979-0-042-08516-5.
The F major sonata is the
last and the most
developed of all the
works Sibelius wrote
during his youth for his
own instrument, the
violin. It was completed
in the summer of 1889 in
Loviisa and premiered
there the same year at a
charity gala. During his
youth Sibelius looked to
the music of Grieg, which
is clearly to be heard in
this work - not only in
the melodies or harmonies
but also in the formal
structure, which is more
romantically oriented
than that of many early
works from Sibelius's
youth, which are more
closely tied to the
classical tradition. In
the andante Sibelius
introduces aspects of
folk music for the first
time, thereby
anticipating the Finnish
stamp of many of his
pieces from the
1890's. $32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Techniques of Guitar Playing Guitare [Partition + CD] Barenreiter
Composed by Seth F. Josel, Ming Tsao. For guitar. Paperback with CD. Publish...(+)
Composed by Seth F.
Josel,
Ming Tsao. For guitar.
Paperback with CD.
Published
by Baerenreiter Verlag
$84.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Klezmer Miniatures - Facile EMB (Editio Musica Budapest)
Chamber Ensemble - early intermediate SKU: BT.EMBZ14884 For Young Musi...(+)
Chamber Ensemble - early
intermediate SKU:
BT.EMBZ14884 For
Young Musicians.
Composed by Jávori
Ferenc. Educational Tool.
Set (Score & Parts).
Composed 2014. 70 pages.
Editio Musica Budapest
#EMBZ14884. Published by
Editio Musica Budapest
(BT.EMBZ14884).
English-Hungarian.
Klezmer Miniatures has
been compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically-varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can be
performed with different
combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. He is the
founder and leader of the
Budapest Klezmer Band.
Jávori was born into a
Hungarian-Jewish
community in Munkács
(Mukacheve, Ukraine),
where the years before
the Second World
Warwitnessed a golden age
of Klezmer, the
traditional, instrumental
folk music of
Yiddish-speaking Jewish
communities. He has
collected and compiled
numerous melodies and
songs from the last
representatives of this
formerly vibrant musical
culture. Each of the
Klezmer Miniatures
reflects a different
traditional genre of
Klezmer. In these pieces
Jávori has used
certain motifs from
Moisei Beregosky's folk
music collection.
Klezmer
Miniatures has been
compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can
beperformed with
different combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. Each of
the Klezmer Miniatures
reflects a different
traditional genre of
Klezmer.
Die
Klezmer-Miniaturen
entstanden für junge
Musiker, die sich beim
Spielen auf ihrem
Instrument mit der
vielfältigen Musikwelt
des Klezmer vertraut
machen wollen. Diese
Ausgabe umfasst zwei
Duos, vier Trios und zwei
Quartette, die sich
inunterschiedlichen
Besetzungen sowohl auf
der Violine als auch auf
der Klarinette, der
Flöte, dem Cello, dem
Kontrabass, der
Bassgitarre und der
Posaune vortragen
lassen.
Klezmer
Miniatures a
été réalisé
pour les jeunes musiciens
qui voudraient se
familiariser avec le
style de musique Klezmer.
Ce recueil comprend des
duos, trios et quatuors
offrant de multiples
combinaisons
instrumentales (Violon I
& II, Fl teI & II,
Clarinette I & II,
Violoncelle).
K
lezmer Miniatures
è pensato per tutti i
giovani musicisti
interessati a
familiarizzare con lo
stile della musica
Klezmer. Questa raccolta
include duetti, trii e
quartetti che offrono
molteplici combinazioni
strumentali (Violino,
Clarinetto,Flauto,
Violoncello,
Contrabbasso, Chitarra
basso e Tromba). $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Trumpeter's Lullaby - Avancé De Haske Publications
Brass Band and Cornet Solo - Grade 5 SKU: BT.DHP-1074205-130 Composed by ...(+)
Brass Band and Cornet
Solo - Grade 5 SKU:
BT.DHP-1074205-130
Composed by Leroy
Anderson. Arranged by
Klaas van der Woude and
Naohiro Iwai. New Sounds
in Brass. Original Light
Music. Score Only.
Composed 2007. 24 pages.
De Haske Publications
#DHP 1074205-130.
Published by De Haske
Publications
(BT.DHP-1074205-130).
9x12 inches.
English-German-French-Dut
ch. Leroy Anderson
is part of American
cultural heritage and he
is often compared to such
masters as Gershwin and
Copland.
Trumpeter’s
Lullaby was written
for The Boston Pops
Orchestra of which he was
the conductor. This new
arrangement for brass
band gives your three
cornet soloists a chance
to ‘take to the
fore’ in a variety
of up-tempo jazz styles.
Once performed this item
will become a favourite
that you will use time
and time again.
Der amerikanische
Komponist Leroy Anderson
wird zu Recht oft in
einem Atemzug mit
großen Namen wie
George Gershwin, Aaron
Copland oder Charles Ives
genannt. Nostalgische
Lieder aus Andersons
Feder, wie zum Beispiel
Sleigh Ride und
Blue Tango, sind
unsterblich geworden.
Anderson schrieb im Jahr
1949 auch das anmutige
Stück
Trumpeter’s
Lullaby, das Naohiro
Iwai ganz hervorragend
für Brass Band
umsetzte.
Selon
le journaliste Mark
Azzara, nombreux sont
ceux qui considèrent
Leroy Anderson
(1908-1975) comme «
l’un des quatre
meilleurs compositeurs de
musique instrumentale du
XXe siècle avec George
Gershwin, Aaron Copland
et Charles Ives ». Les
nombreuses mélodies
nostalgiques qu’il
a composées (Sleigh
Ride, Blue Tango,
etc.) sont solidement
ancrées dans les
traditions de la culture
musicale américaine.
En 1949, Leroy Anderson
compose le très
aérien
Trumpeter’s
Lullaby
(“Berceuse pour un
trompettisteâ€) la
demande de Roger Voisin
qui fut alors trompette
solo du Boston Pops
Orchestra. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Trumpeter's Lullaby - Avancé De Haske Publications
Brass Band and Cornet Solo - Grade 5 SKU: BT.DHP-1074205-030 Composed by ...(+)
Brass Band and Cornet
Solo - Grade 5 SKU:
BT.DHP-1074205-030
Composed by Leroy
Anderson. Arranged by
Klaas van der Woude and
Naohiro Iwai. New Sounds
in Brass. Original Light
Music. Set (Score &
Parts). Composed 2007. De
Haske Publications #DHP
1074205-030. Published by
De Haske Publications
(BT.DHP-1074205-030).
9x12 inches.
English-German-French-Dut
ch. Leroy Anderson
is part of American
cultural heritage and he
is often compared to such
masters as Gershwin and
Copland.
Trumpeter’s
Lullaby was written
for The Boston Pops
Orchestra of which he was
the conductor. This new
arrangement for brass
band gives your three
cornet soloists a chance
to ‘take to the
fore’ in a variety
of up-tempo jazz styles.
Once performed this item
will become a favourite
that you will use time
and time again.
Der amerikanische
Komponist Leroy Anderson
wird zu Recht oft in
einem Atemzug mit
großen Namen wie
George Gershwin, Aaron
Copland oder Charles Ives
genannt. Nostalgische
Lieder aus Andersons
Feder, wie zum Beispiel
Sleigh Ride und
Blue Tango, sind
unsterblich geworden.
Anderson schrieb im Jahr
1949 auch das anmutige
Stück
Trumpeter’s
Lullaby, das Naohiro
Iwai ganz hervorragend
für Brass Band
umsetzte.
Selon
le journaliste Mark
Azzara, nombreux sont
ceux qui considèrent
Leroy Anderson
(1908-1975) comme «
l’un des quatre
meilleurs compositeurs de
musique instrumentale du
XXe siècle avec George
Gershwin, Aaron Copland
et Charles Ives ». Les
nombreuses mélodies
nostalgiques qu’il
a composées (Sleigh
Ride, Blue Tango,
etc.) sont solidement
ancrées dans les
traditions de la culture
musicale américaine.
En 1949, Leroy Anderson
compose le très
aérien
Trumpeter’s
Lullaby
(“Berceuse pour un
trompettisteâ€) la
demande de Roger Voisin
qui fut alors trompette
solo du Boston Pops
Orchestra. $90.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maria durch ein' Dornwald ging Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-010 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1064151-010
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Set (Score &
Parts). Composed 2006. De
Haske Publications #DHP
1064151-010. Published by
De Haske Publications
(BT.DHP-1064151-010).
9x12 inches.
English-German-French-Dut
ch. Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria
durch ein’
Dornwald ging (Maria door
een doornwoud trad)
is een traditioneel Duits
kerstlied. De oudst
bekende versie is
opgetekend in het
Andernacher
Gesangbuch uit 1608.
Halverwege de negentiende
eeuw was heteen regionaal
bedevaartslied in
Thüringen en aan het
begin van de twintigste
eeuw werd het in de
huidige versie opgenomen
in het liedboek
Zupfgeigenhansl
van de Duitse
jeugdbeweging. Maria
durch ein’
Dornwald ging heeftal
vele arrangeurs ge
nspireerd tot het
schrijven van
koorbewerkingen. Michael
Bilkes verwerkte de
bekende melodie in een
sfeervol arrangement voor
harmonieorkest.
Ma
ria durch ein’
Dornwald ging ist ein
traditionelles deutsches
Adventslied, dessen
früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria durch
ein’ Dornwald
ging est un chant de
l’Avent allemand
publié pour la
première fois dans le
recueil de cantiques
Andernacher
Gesangbuch (1608). La
version actuelle a
été publiée au
courant du XXe siècle
dans un recueil de chants
l’usage du
Mouvement allemand de la
Jeunesse. Maria durch
ein’ Dornwald
ging a inspiré de
nombreuses adaptations
pour Choeur.
L’arrangement pour
Orchestre
d’Harmonie de
Michael Bilkes est
basé sur la mélodie
du chant.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Maria durch ein' Dornwald ging Orchestre d'harmonie - Facile De Haske Publications
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1064151-140 Composed by Tra...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.DHP-1064151-140
Composed by Traditional.
Arranged by Michael
Bilkes. Christmas
Collection. Hymns &
Chorals. Score Only.
Composed 2006. De Haske
Publications #DHP
1064151-140. Published by
De Haske Publications
(BT.DHP-1064151-140).
9x12 inches.
English-German-French-Dut
ch. Maria durch
ein? Dornwald ging (Blest
Mary Wanders Through the
Thorn) is a traditional
German Christmas song.
The earliest known
version is recorded in
the Andernacher
Gesangbuch from 1608.
Halfway through the
nineteenth century it was
a regional pilgrimage
song in Thüringen, and
at the beginning of the
twentieth century, the
current version was
registered in the
songbook Zupfgeigenhansl
of the German youth
movement. Michael Bilkes
used the well-known
melody to create this
attractive arrangement
for concert
band.
Maria durch
ein’ Dornwald ging
ist ein traditionelles
deutsches Adventslied,
dessen früheste
überlieferte Version
im Andernacher
Gesangbuch von 1608
dokumentiert ist und
seither viele Arrangeure
zu Bearbeitungen für
diverse
Instrumentalbesetzungen
und Chöre inspiriert
hat. Michael Bilkes
verwendete die bekannte
Melodie für diese
gefühlvolle
Bearbeitung für
Blasorchester.
Maria durch
ein’ Dornwald
ging est un chant de
l’Avent allemand
publié pour la
première fois dans le
recueil de cantiques
Andernacher
Gesangbuch (1608). La
version actuelle a
été publiée au
courant du XXe siècle
dans un recueil de chants
l’usage du
Mouvement allemand de la
Jeunesse. Maria durch
ein’ Dornwald
ging a inspiré de
nombreuses adaptations
pour Choeur.
L’arrangement pour
Orchestre
d’Harmonie de
Michael Bilkes est
basé sur la mélodie
du chant.
Maria
durch ein’
Dornwald ging è un
canto di Natale tedesco
pubblicato per la prima
volta nella raccolta di
cantici Andernacher
Gesanbuch (1608). La
versione attuale è
stata pubblicata nel
corso del XX secolo in
una raccolta di canti per
il Movimento tedesco
della gioventù.
Maria durch
ein’ Dornwald
ging ha ispirato
numerosi adattamenti per
coro.
L’arrangiamento
per orchestra di fiati di
Michael Bilkes è
basato sulla melodia del
canto. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Charles Dickens Christmas Orchestre d'harmonie - Intermédiaire Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-050-5 Composed by traditional Engl...(+)
Concert band - Grade 3
SKU:
MH.1-59913-050-5
Composed by traditional
English carols. Arranged
by William Ryden.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 6:30. Published
by Manhattan Beach Music
(MH.1-59913-050-5).
ISBN
9781599130507. Char
les Dickens certainly
would have known the
three carols in A CHARLES
DICKENS CHRISTMAS. They
were among the best-known
and best-loved carols of
the Victorian Era, and
were a staple of the
repertoire of roving
waits, or carollers, that
appear in his novels.
Today this music is as
familiar as Santa Claus
and Tiny Tim. THE FIRST
NOWELL was first
collected in Christmas
Carols, Ancient and
Modern by William Sandys
in 1833. It is most
probably 200 years older
than that. The Oxford
Book of Carols contains
nine verses, which makes
it an ideal processional
for Christmas or Epiphany
(the feast commemorating
the coming of the Magi).
COVENTRY CAROL, or Lully,
Lullay, comes from the
medieval tradition of
mystery and miracle
plays. In 1534 the
Pageant of the Shearman
and Tailors Guild
included a scene in which
the mothers of Jewish
children sang this
haunting lullaby after
hearing the horrifying
order: Herod the king, In
his raging, All young
children to slay. The
music is anonymous; the
text believed to be by
Robert Croo. ANGELS WE
HAVE HEARD ON HIGH is
probably of French
origin, but the English
long ago adopted it as
their own. Besides the
French text, Les Anges
dans nos compagnes, it is
known in several versions
and by several titles,
including Angels from the
Realms of Glory, When the
Crimson Sun Had Set, and
Westminster Carol. It
belongs to a category
known as macaronic
carols, which mix
vernacular verses with
Latin refrains - in this
instance, Gloria in
Excelsis Deo (Glory be to
God on High). Ensemble
instrumentation: 1
Piccolo, 8 Flute, 2 Oboe,
1 Bassoon 1, 1 Bassoon 2,
4 Bb Clarinet 1, 4 Bb
Clarinet 2, 4 Bb Clarinet
3, 1 Eb Alto Clarinet, 3
Bb Bass Clarinet & Bb
Contrabass Clarinet, 2 Eb
Alto Saxophone 1, 2 Eb
Alto Saxophone 2, 1 Bb
Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1, 2 F Horn 2, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(Bass Clef), 2 Euphonium
(Treble Clef), 5 Tubas, 1
Timpani, 2 Bells &
Chimes, 3 Percussion 1:
small triangle, suspended
cymbal, crash cymbal,
snare drum, bass drum, 2
Percussion 2: large
triangle, finger
cymbals. $75.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sonata In F Major Alto, Piano Yorke Edition
Viola and Piano SKU: BT.YE0009 For Violone. Composed by Giovannino...(+)
Viola and Piano SKU:
BT.YE0009 For
Violone. Composed by
Giovannino. Classical.
Book Only. Yorke Edition
#YE0009. Published by
Yorke Edition
(BT.YE0009).
Very little is
known about the two
sonatas which appear here
in their original keys.
They were placed in the
library of the Music
School in Oxford at the
end of the seventeenth
century in a form
convenient for playing
(i.e.unbound). The
library was catalogued by
Hake between 1850 and
1855 and the sonatas were
eventually bound in 1855
with other instrumental
and vocal manuscripts of
the same period, some of
which are dated
1698.
The
sonatasare both inscribed
on the title page Sonata
Violone Solo. Col Basso
per l'Organo, o Cembalo.
A third sonata bears the
words Sonata Violino e
Violoncino â?¦ di
Giovannino del Violone.
Giovannino (=Little, or
Young John)musthave been
a performer, and although
the third sonata has been
copied by a different
hand, it is conceivable
that Giovannino is a
connecting link between
the three. He cannot,
however, be assumed to be
theirauthor.
The
Violone was a
six-stringed instrument
with frets, and there is
evidence to suggest that
the Contrabasso of the
same period was similar
but probably a little
larger; the Violoncino
(=Little Violone,
orVioloncello) must have
been smaller. The word
'Violone' was also used
as a collective term
embracing all members of
the Viol family, which
means that the sonatas
might well have been
written for a tenor or a
bass Viol, and
notnecessarily a Violone
as such. Indeed, when
they are played on a
Violone, or Double Bass
the continuo bass line
must be played at a lower
pitch than the solo
instrument, to prevent
inversion of the intended
harmony. (The use ofa
Violone/Double Bass
continuo or 16' organ
tone would overcome this
problem.)
The
editor has added no
ornaments or
embellishments to the
solo part as it appears
in the original
manuscript. It is open to
debate whether aViolone
player, owing to the very
nature of his instrument,
would have used any but
the simplest melodic
decorations.
Nevertheless, the
performer should acquaint
himself thoroughly with
those seventeenth century
traditions thatare known
today (see Dart. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My First Concert: 44 Easy Guitar Pieces from 5 Centuries Guitare - Débutant Schott
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy SKU:
HL.49044752 Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752). ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches. Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH. $17.99 - Voir plus => Acheter | | |
| Banana Boat Song - Facile De Haske Publications
4-Part Flexible Ensemble - early intermediate SKU: BT.DHP-1043701-070 Com...(+)
4-Part Flexible Ensemble
- early intermediate
SKU:
BT.DHP-1043701-070
Composed by Traditional.
Arranged by Roland
Kernen. Music Box.
Original Light Music. Set
(Score & Parts). Composed
2004. De Haske
Publications #DHP
1043701-070. Published by
De Haske Publications
(BT.DHP-1043701-070).
ISBN
9789043136914. The
Banana Boat Song
(also called
Day-O) is based on
a Jamaican folksong. At
the end of the 1950s,
Harry Belafonte had a
major hit with it and it
has since become a true
classic. Roland Kernen
has produced this
swinging arrangement in
an instrumentation that
is suitable for many
combinations of wind or
brass instruments with
ad-lib percussion.
De Banana Boat
Song is gebaseerd op
een Jamaicaans
volksliedje. Harry
Belafonte scoorde eind
jaren vijftig een grote
hit met deze klassieker.
Roland Kernen maakte een
swingend arrangement in
een instrumentatie die
geschiktis voor veel
combinaties van
blaasinstrumenten. De
slagwerkpartijen zijn ad
libitum.
Der
Banana Boat Song,
besser bekannt als
Day-O in der
Interpretation von Harry
Belafonte, basiert auf
einem jamaikanischen
Volkslied. Inzwischen ist
es ein wahrer Klassiker.
Roland Kernen schuf ein
schwungvolles Arrangement
für variables
Bläserquartett. Die
Schlagzeugstimmen sind ad
libitum.
Inspiré
d’une chanson jama
caine, Banana Boat
Song est devenu un
standard de la chanson
internationale.Part 1 Fl
Htb Cl. Si♭ Sax. S.
Trp Part 2 Fl Cor Angl.
Cl. Si♭ Cl. Alto
Sax. A. Trp Cor Part 3
Cl. Alto Sax. T. Basson
Cor Trb Euph. Part 4 Cl.
Basse Sax. B. Basson Trb
Euph. Tuba C. Cordes Opt.
Mallets Batt. Perc 1 Perc
2
Banana Boat
Song, anche chiamata
Day-O, si basa su
una canzone folcloristica
giamaicana. Alla fine
degli anni cinquanta,
Harry Belafonte raggiunge
il successo
reinterpretandola e
facendola diventare uno
standard internazionale.
Roland Kernen firma un
arrangiamento swing con
una strumentazione
variabile che permette
numerose combinazioni di
strumenti a fiato, con
percussioni ad lib. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Blue Shades Orchestre d'harmonie [Conducteur] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Conductor Full Score.
Duration 10:00. Published
by Manhattan Beach Music.
Level: Grade 5.
(2)$95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blue Shades Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire/avancé Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for the
most advanced high school
bands, community,
college, university, and
professional bands.
Level: Grade 5. Conductor
score and set of parts.
Duration 10:00. Published
by Manhattan Beach Music.
$365.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Dear Irish Boy - Intermédiaire FLEX Editions
Chamber Music, Quartet Brass Quartet: 1 Bb Trumpet 1 F Horn 1 Trombone 1 Tuba (1...(+)
Chamber Music, Quartet
Brass Quartet: 1 Bb
Trumpet 1 F Horn 1
Trombone 1 Tuba (1 Bb
trumpet 1 f horn 1
trombone 1 Tuba) - Grade
3 SKU: FL.FX072822
Composed by Traditional.
Arranged by Alain Lopez.
Arrangement. Classical,
Traditional. Score and
Set of Parts. FLEX
Editions #FX072822.
Published by FLEX
Editions (FL.FX072822).
Instruments:Bra
ss Quartet: 1 Bb Trumpet
1 F Horn 1 Trombone 1
Tuba; Difficuly Level:
Grade 3. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Living For Jesus Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor - Intermédiaire David E. Smith Publications
Composed by C. Harold Lowden. Arranged by Dana F. Everson. Traditional. Sacred i...(+)
Composed by C. Harold
Lowden. Arranged by Dana
F. Everson. Traditional.
Sacred instrumental
music. Score and parts.
Composed 2016. Duration 3
minutes, 30 seconds.
Published by David E.
Smith (DS.130516).
$11.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hava Nagila Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-030 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-030
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Set (Score &
Parts). Composed 2013.
Anglo Music Press #AMP
396-030. Published by
Anglo Music Press
(BT.AMP-396-030). 9x12
inches.
English-German-French-Dut
ch. Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava
Nagila (qui signifie
Réjouissons-nous) est
sans aucun doute la
chanson traditionnelle
hébra que de style
klezmer la plus connue de
toutes.La musique klezmer
est née dans les
shtetl (villages) et les
ghettos d’Europe
de l’Est, où
les baladins juifs
ambulants, appelés
klezmorim,
célébraient toutes
sortes de
cérémonies, en
particulier les mariages,
et ce depuis le début
du Moyen- ge.Le terme
yiddish klezmer est la
combinaison de deux mots
: klei, que l’on
peut traduire par
instrument et zemer qui
veut dire chanson. Cette
tradition musicale tire
ses origines dans les
mélodies profanes, les
danses populaires, la
musique juive hazanout
(musique vocale) ainsi
que les nigunim,les
mélodies sans paroles
entonnées par les
hassidim (juifs
orthodoxes).Au cours du
XVIe siècle, les
paroles ont été
ajoutées la musique
klezmer, afin
d’illustrer le
rôle du badkhn (le
maître de
cérémonie lors des
mariages), le
pourim-shpil (monologue
où est paraphrasé
le livre d’Esther)
ou encore les traditions
liées au thé tre
yiddish, mais le terme
est progressivement
devenu synonyme de
musique instrumentale, en
particulier dans une
interprétation au
violon et la
clarinette.La mélodie
Hava Nagila a
été adaptée
partir d’une danse
folklorique de la
région roumaine de
Bucovine. Le texte,
couramment utilisé,
est extrait du Psaume 118
de la bible hébra
que. $75.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hava Nagila Ensemble de cuivres - Intermédiaire Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-396-130 Arranged by Philip Sparke. Anglo...(+)
Brass Band - Grade 3
SKU:
BT.AMP-396-130
Arranged by Philip
Sparke. Anglo Music
Midway Series. Original
Light Music. Score Only.
Composed 2013. 24 pages.
Anglo Music Press #AMP
396-130. Published by
Anglo Music Press
(BT.AMP-396-130). 9x12
inches.
English-German-French-Dut
ch. Hava
Nagila (the title
means ‘let us
rejoice’) is
perhaps the best known
example of a style of
Jewish music called
‘klezmer’.
Klezmer music originated
in the
‘shtetl’
(villages) and the
ghettos of Eastern
Europe, where itinerant
Jewish troubadours, known
as
‘klezmorim’,
had performed at
celebrations,
particularly weddings,
since the early Middle
Ages.‘Klezmerâ€
is a Yiddish term
combining the Hebrew
words ‘kley’
(instrument) and
‘zemer’
(song) and the roots of
the style are found in
secular melodies, popular
dances, Jewish
‘hazanut’
(cantorial music) and
also the
‘nigunim’,
the wordless melodies
intoned by the
‘Hasidim’
(orthodox Jews).Since the
16th century, lyrics
hadbeen added to klezmer
music, due to the
‘badkhn’
(the master of ceremony
at weddings), to the
‘Purimshpil’
(the play of Esther at
Purim) and to traditions
of the Yiddish theatre,
but the term gradually
became synonymous with
instrumental music,
particularly featuring
the violin and clarinet.
The melody of Hava
Nagila was adapted
from a folk dance from
the Romanian district of
Bucovina. The commonly
used text is taken from
Psalm 118 of the Hebrew
bible.
Hava
Nagila (de titel
betekent ‘laat ons
gelukkig zijn’) is
misschien wel het
bekendste voorbeeld van
klezmer, een Joodse
muziekstijl.De
klezmermuziek komt van
oorsprong uit de sjtetls
(dorpen) en de
getto’s van
Oost-Europa, waar
rondtrekkende Joodse
troubadours, bekend als
klezmorim, al sinds de
middeleeuwen hadden
opgetreden bij
feestelijkheden, en dan
met name
bruiloften.Klezmer is een
Jiddische term waarin de
Hebreeuwse woorden kley
(instrument) en zemer
(lied) zijn samengevoegd.
De wortels van de stijl
liggen in wereldlijke
melodieën,
volksdansen, de
joods-liturgische hazanut
en ook de nigunim, de
woordeloze melodieën
zoals die worden
voorgedragen
doorchassidische
(orthodoxe) joden.Sinds
de 16e eeuw zijn er aan
de klezmermuziek ook
teksten toegevoegd,
dankzij de badchen (de
ceremoniemeester bij
huwelijken), het
poerimspel (het verhaal
van Esther tijdens
Poerim/het Lotenfeest) en
tradities binnen het
Jiddische theater, maar
de term werd geleidelijk
synoniem aan
instrumentale muziek met
een hoofdrol voor de
viool en klarinet.De
melodie van Hava
Nagila is afkomstig
van een volksdans uit de
Roemeense regio
Boekovina. De meest
gebruikte tekst voor het
lied kom uit psalm 118
van de Hebreeuwse Bijbel.
Hava
Nagila (auf Deutsch
‚Lasst uns
glücklich
sein’) ist
vielleicht das
bekannteste Beispiel
für den jüdischen
Musikstil namens
‚Klezmer’.
Klezmermusik hat ihren
Ursprung in den
Shtetls“
(Städtchen) und den
Ghettos Osteuropas,
woumherziehende
jüdische Troubadours,
die man
‚Klezmorim’
nannte, schon seit dem
frühen Mittelalter auf
Feiern, vor allem
Hochzeiten, zu spielen
pflegten. Klezmer ist ein
jiddischer Begriff, der
sich aus den
hebräischen Wörtern
‚kley’(Instr
ument) und
‚zemer’
(Lied) zusammensetzt. Die
Wurzeln des Musikstils
liegen in weltlichen
Melodien, populären
Tänzen, jüdischem
‚Chasanut’
(Kantorengesang) und auch
‚Niggunim’,
Melodien ohne Text,
vorgetragen von
den‚Chassidimâ€
(orthodoxen Juden).
Seit dem 16. Jahrhundert
wurden die
Klezmermelodien mit
Texten versehen, was auf
die
‚Badchan’
(Zeremonienmeister bei
Hochzeiten), auf das
‚Purimshpil’
(Das Esther-Spiel zum
Purimfest) und
aufTraditionen des
jiddischen Theaters
zurückgeht. Der
Begriff Klezmer wurde
jedoch mit der Zeit
gleichbedeutend mit
Instrumentalmusik, im
Besonderen mit den
Instrumenten Violine und
Klarinette. Die Melodie
von Hava Nagila
ist eine Adaption
einesVolkstanzes aus der
rumänischen Bukowina.
Der üblicherweise
verwendete Text stammt
aus Psalm 118 der
hebräischen Bibel.
Hava
Nagila (qui signifie
Réjouissons-nous) est
sans aucun doute la
chanson traditionnelle
hébra que de style
klezmer la plus connue de
toutes.La musique klezmer
est née dans les
shtetl (villages) et les
ghettos d’Europe
de l’Est, où
les baladins juifs
ambulants, appelés
klezmorim,
célébraient toutes
sortes de
cérémonies, en
particulier les mariages,
et ce depuis le début
du Moyen- ge.Le terme
yiddish klezmer est la
combinaison de deux mots
: klei, que l’on
peut traduire par
instrument et zemer qui
veut dire chanson. Cette
tradition musicale tire
ses origines dans les
mélodies profanes, les
danses populaires, la
musique juive hazanout
(musique vocale) ainsi
que les nigunim,les
mélodies sans paroles
entonnées par les
hassidim (juifs
orthodoxes).Au cours du
XVIe siècle, les
paroles ont été
ajoutées la musique
klezmer, afin
d’illustrer le
rôle du badkhn (le
maître de
cérémonie lors des
mariages), le
pourim-shpil (monologue
où est paraphrasé
le livre d’Esther)
ou encore les traditions
liées au thé tre
yiddish, mais le terme
est progressivement
devenu synonyme de
musique instrumentale, en
particulier dans une
interprétation au
violon et la
clarinette.La mélodie
Hava Nagila a
été adaptée
partir d’une danse
folklorique de la
région roumaine de
Bucovine. Le texte,
couramment utilisé,
est extrait du Psaume 118
de la bible hébra
que. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Anonymus: Baccanali Veneziani Chorale Unison Carus Verlag
Choir SKU: CA.410100 Composed by Anonymous. Edited by Reinhard Wiesend. T...(+)
Choir SKU:
CA.410100 Composed by
Anonymous. Edited by
Reinhard Wiesend. This
edition: Paperbound.
Choral collections,
Choral collections for
men's choir. German
title: Baccanali
Veneziani. Sacred,
Motets, Secular Choral
Music; Choral
Collections, Mixed Choir,
Choral Collections, Men's
Choir. Choir Book. Carus
Verlag #CV 04.101/00.
Published by Carus Verlag
(CA.410100). ISBN
9790007097998. The
Baccanale is a genre of
traditional Italian
choral song without
instrumental
accompaniment. In most
cases it is sung by two
tenors and a bass. Most
of the anonymous song are
in a straightforward,
homophonic-syllabic
style. These songs are
often at carnival time
and are jocular in
content, with a playful,
ironic touch and they
contain many erotic
allusions. In addition to
the Italian text of the
12 settings, sometimes in
dialect, German singing
texts are also
included. $50.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Morning Has Broken Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
By Traditional. Arranged by Schneiders. For solo instrument (flute, clarinet, ob...(+)
By Traditional. Arranged
by Schneiders. For solo
instrument (flute,
clarinet, oboe, bassoon,
alto saxophone, tenor
saxophone, horn in F,
trumpet, trombone, bass
trombone, tuba, or
euphonium) and concert
band. Swiss import. Light
Music; Pop. Level: 3.
Score and parts.
Published by Editions
Marc Reift. (EMR 1801)
$118.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Londonderry Air - Intermédiaire FLEX Editions
Brass Quartet Bb Trumpet, F Horn, Trombone, Tuba - Grade 3 SKU: FL.FX072389(+)
Brass Quartet Bb Trumpet,
F Horn, Trombone, Tuba -
Grade 3 SKU:
FL.FX072389 Composed
by Traditional. Arranged
by Alain Lopez.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX072389.
Published by FLEX
Editions (FL.FX072389).
The Londonderry
Air (Danny Boy) is an
Irish Hymn. It is a
popular melody in the
Irish diaspora and is
also used by the Northern
Ireland as the National
Hymn before some sport
events. - Alain LOPEZ /.
Instruments: Bb Trumpet,
F Horn, Trombone, Tuba.
Difficuly Level: Grade 3.
Duration: 4'15. Musical
Style: Classical.
Category: Arrangement.
Composer: TRADITIONAL.
Arranger: LOPEZ
Alain. $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Sea Shanty Saga - Facile Excelcia Music Publishing
Four-part Flexible Ensemble C Instruments, Bb Instruments, Eb Instruments, F Ins...(+)
Four-part Flexible
Ensemble C Instruments,
Bb Instruments, Eb
Instruments, F
Instruments - early
intermediate SKU:
XC.FSE2101
Flexible Quartet.
Composed by Traditional
Sea Shanty. Arranged by
Tyler Arcari. Solo &
Ensemble. Excelcia
Ensemble Series.
Traditional Sea Shanty.
Excelcia Music Publishing
#FSE2101. Published by
Excelcia Music Publishing
(XC.FSE2101). UPC:
812598036039. 9 x 12
inches. Sea Shanty
Saga is in direct
response to the 2021
TikTok resurgence of 13th
Century Sea Shanties!
This setting includes 4
varying sea shanties
perfect for festival
performance, or just
plain fun! If you are
looking for flexible
options, there are
versions in Brass
Quartet, Clarinet
Quartet, Saxophone
Quartet, String Quartet,
or a Full Flex Version.
We hope you enjoy these
classic...yet timely Sea
Shanties! $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Christmas Carol Trilogy - Facile Carl Fischer
Band Bass, Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarine...(+)
Band Bass, Bass Clarinet,
Bass Drum, Bassoon,
Bells, Chimes, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal
and more. - Grade 2.5
SKU: CF.YPS223
Composed by Traditional
Christmas Songs. Arranged
by Russell Robinson
Michael J. Miller. Folio.
Yps. Set of Score and
Parts.
8+2+4+4+2+2+5+2+2+4+4+4+6
+3+2+3+4+1+2+6+24 pages.
Duration 4 minutes, 10
seconds. Carl Fischer
Music #YPS223. Published
by Carl Fischer Music
(CF.YPS223). ISBN
9781491156643. UPC:
680160915187. 9 x 12
inches. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with Robinson's
vocal arrangements with
band and chorus together
or as a stand-alone piece
for band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation.
Written Dynamic (To be
used if band alone) Large
Chorus (1 dynamic lower)
Small Chorus (2 dynamics
lower) mf f ff mp mf f
p mp mf
Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.) Option 1
(Woodwind Sextet) Flute
(Oboe) Clarinet 1
Clarinet 2 Alto Saxophone
Tenor Saxophone (Bassoon)
Baritone Saxophone (Bass
Clarinet) Option 2 (Brass
Quintet) Trumpet 1
Trumpet 2 Horn Trombone
(Baritone) Tuba (Baritone
Saxophone) A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. Notes to
the Conductor This
adaptation of Christmas
Carol Trilogy was
arranged to accompany the
choral arrangement of the
same title by Russell
Robinson. It can be
played with
Robinson’s vocal
arrangements with band
and chorus together or as
a stand-alone piece for
band. If performed
together with a chorus,
it is recommended that
the performers play one
to two dynamic levels
lower than written
(depending on the size of
the chorus) so as not to
overpower the singers.
Please see the chart
below for further
explanation. Written
Dynamic(To be used if
band alone)Large Chorus(1
dynamic lower)Small
Chorus(2 dynamics
lower)mffffmpmff pmpmf
  Another
possibility for
performance is for a
small group of wind
instruments with chorus.
Here, performers would
play the written
dynamics. Below are a few
recommended chamber
ensembles that would work
with a variety of
choruses, though there
are several other
alternatives. In any
case, the conductor
should be careful to
choose a set of
instruments that is both
balanced in register
(soprano, alto, tenor,
bass) and in role
(melody, countermelody,
bass line, etc.)Option 1
(Woodwind Sextet)Flute
(Oboe)Clarinet 1Clarinet
2Alto SaxophoneTenor
Saxophone
(Bassoon)Baritone
Saxophone (Bass
Clarinet)Option 2 (Brass
Quintet)Trumpet 1Trumpet
2HornTrombone
(Baritone)Tuba (Baritone
Saxophone)A final option
is to perform with one
player per instrumental
part. In all instances,
the conductor should pay
close attention to the
balance of the percussion
instruments. $70.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| O Come, All Ye Faithful Chorale SATB SATB, Orgue [Octavo] GIA Publications
Composed by John F. Wade. Arranged by James Chepponis. Christmastide, Christmas ...(+)
Composed by John F. Wade.
Arranged by James
Chepponis. Christmastide,
Christmas Vigil,
Christmas Night,
Christmas Dawn, Christmas
Day. Sacred. Octavo. 12
pages. Published by GIA
Publications (GI.G-9194).
$2.40 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Fugue in F minor on three subjects JWV 3 Orgue Carus Verlag
Organ SKU: CA.5027500 Composed by Josef Gabriel Rheinberger. Edited by Ma...(+)
Organ SKU:
CA.5027500 Composed
by Josef Gabriel
Rheinberger. Edited by
Martin Weyer. Carus
digital: Extra digital
products. Full Score.
Composed 1853. Carus
Verlag #5027500.
Published by Carus Verlag
(CA.5027500). ISBN
9790007298418. Key: F
minor. As well as
20 organ sonatas and
seven collections of
stand-alone organ pieces
with opus numbers,
Rheinberger composed a
whole range of smaller
works for organ methods
or organ collections for
his favorite instrument,
mainly at the request of
colleagues and
friends.
The Fugue
in F minor (JWV 3) on
three themes shows the
remarkable contrapuntal
skill of a composer then
aged just 14 (1853).
Rheinberger dedicated it
to his organ teacher
Johann Georg Herzog, who
remained a follower of
the German Bach
tradition.
Separat
e edition from
Supplementary Volume 3 of
the Rheinberger Complete
Edition. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Antithigram Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Manhattan Beach Music
By Jack Stamp. Concert band. Suitable for high school, community, and college ba...(+)
By Jack Stamp. Concert
band. Suitable for high
school, community, and
college bands. Grade 4.
Conductor full score.
Duration 4:45. Published
by Manhattan Beach Music
$15.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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