Piano - easy SKU: BT.BOE8009 20 Film-Hits für Klavieranfänger/in...(+)
Piano - easy
SKU:
BT.BOE8009
20
Film-Hits für
Klavieranfänger/innen<
/i>. Arranged by Hans
Gunter Heumann. Start Up
Piano.
TV-Film-Musical-Show.
Book Only. Composed 2021.
64 pages. Bosworth & Co.
#BOE8009. Published by
Bosworth & Co.
(BT.BOE8009).
ISBN
9783954562800.
German.
20
Film-Hits für
Klavieranfänger/innen<
/h3>
Dieser Spielband
aus der Serie Start Up
Piano mit 20 Film-Hits,
die jeder gerne spielen
möchte, richtet sich
an
Klavieranfänger/innen
im 1. und 2.
Unterrichtsjahr, ebenso
an Autodidakten/innen.
Akkorde wurden hier
strikt gemieden, schwer
zu spielende Rhythmen
vereinfacht, aber dennoch
dem Original
nachempfunden. Die
Spielstücke stehen in
einfachen Tonarten bis zu
einem Vorzeichen. Alles
ist pädagogisch
aufbereitet und mit
Tempoangaben,
Fingersätzen, Dynamik,
Akkordsymbolen sowie dem
Text versehen. Start Up
Piano ist ein einfaches,
unkompliziertes
Spielvergnügen für
Unterricht und Freizeit.
Der ideale Begleiter mit
einem breitgefächerten
Repertoire für die
Anfangszeit am
Klavier.
(BR) SKU: HL.49032750 A: Theoretischer Teil / B: Stimmbildung am Lied<...(+)
(BR)
SKU:
HL.49032750
A:
Theoretischer Teil / B:
Stimmbildung am Lied.
Composed by Paul Nitsche.
This edition:
Paperback/Soft Cover.
Paperback. Edition
Schott. Die ideale
Verbindung von Theorie
und Praxis - ein
bewahrtes Standardwerk
zur Kinderstimmbildung in
neuer Ausstattung. 157
pages. Schott Music #ED
8719. Published by Schott
Music (HL.49032750).
ISBN 9783795787196.
6.0x8.25x0.36 inches.
German.
Paul
Nitsche's 'Pflege der
Kinder- und
Jugendstimme', published
in two volumes in
1952/1954, has been known
to directors of
children's choirs and
teachers of singing for a
long time. Now this
standard work is
available as a revised
new edition in a new
design and layout,
consisting of the
chapters 'Theoretischer
Teil' [Theoretical Part]
and 'Stimmbildungen am
Lied' [Voice Training in
Song]. While the first
part deals with topics
such as 'autonomy of the
child's voice', 'breaking
of the voice',
'breathing', 'sound
generation', 'resonant
chambers' and 'hummer',
the second part contains
a lot of exercises for
the practical work with
children from primary
school age to the
breaking of the voice.
'Exercises in song',
'Song vocalises' and
'Syllables for practising
in shouting, singing and
playing' are just a few
examples from the varied
material provided for
voice training.It is the
author's aim to exploit
the possibilities of the
voice in song without the
song becoming a
stereotyped and
mechanically repeated
voice training exercise.
What is essential is that
the subject matter is
'wrapped up' in the
singing or playing
activities in such a way
that the children do not
lose their joy and
pleasure in singing.
Saxophone and piano SKU: LM.27954 Composed by Jean Marc Allerme and Vince...(+)
Saxophone and piano
SKU: LM.27954
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27954.
Published by Editions
Henry Lemoine (LM.27954).
ISBN
9790230979542.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
Flute and piano - Level 3 SKU: LM.27958 Composed by Jean Marc Allerme and...(+)
Flute and piano - Level 3
SKU: LM.27958
Composed by Jean Marc
Allerme and Vincent
Charrier. Pop, jazz.
Score and CD. Editions
Henry Lemoine #27958.
Published by Editions
Henry Lemoine (LM.27958).
ISBN
9790230979580.
Josh
ua Fit the Battle of
Jericho (trad.) -
TCHAIKOVSKI P.I. :
Fantasia, Valse des
Fleurs extr. de
Casse-noisette - CARMEN
E. : All by Myself -
BETTI H. / HORNEZ A. :
C'est si bon -
MENDELSSOHN F. : Les
Visiteurs, Concerto pour
violon - Nobody Knows The
Trouble l've Seen (Trad.)
- MANCINI H. : The Pink
Panther - SCHIFFRIN L. :
Mission impossible -
WILLIAMS J. : Les
Aventuriers de l'Arche
perdue, Raider's March -
ALBINONI T. : Quatre
mariages et un
enterrement, Adagio.
Violin and Piano SKU: BT.EMBZ4620 No. 4 L'inverno RV 297 (F.I. No. 25,...(+)
Violin and Piano
SKU:
BT.EMBZ4620
No. 4
L'inverno RV 297 (F.I.
No. 25, P.V. 442).
Composed by Antonio
Vivaldi, Imre Sulyok, and
Vilmos Tatrai. Book Only.
Composed 1967. 26 pages.
Editio Musica Budapest
#EMBZ4620. Published by
Editio Musica Budapest
(BT.EMBZ4620).
Violin and Piano SKU: BT.EMBZ4618 No. 2. L'estate RV 315 (F.I. No. 23,...(+)
Violin and Piano
SKU:
BT.EMBZ4618
No. 2.
L'estate RV 315 (F.I. No.
23, P.V. 336).
Composed by Antonio
Vivaldi, Imre Sulyok, and
Vilmos Tatrai. Book Only.
Composed 1967. 34 pages.
Editio Musica Budapest
#EMBZ4618. Published by
Editio Musica Budapest
(BT.EMBZ4618).
Recorder (NOTEN+CD) - easy SKU: HL.49033176 Composed by Hans Magolt and R...(+)
Recorder (NOTEN+CD) -
easy
SKU:
HL.49033176
Composed
by Hans Magolt and Rainer
Butz. Edited by Hans
Magolt and Rainer Butz.
This edition: Saddle
stitching. Sheet music
with CD. Edition Schott.
Classical. Edition with
CD. 24 pages. Schott
Music #ED 9576-50.
Published by Schott Music
(HL.49033176).
ISBN
9783795756321.
7.5x11.0x0.138 inches.
German. Karin
Schliehe.
Hasn't
every recorder player
dreamed of playing the
most celebrated classical
melodies as a soloist?
Here you will find the
finest pieces in
arrangements for one or
two descant recorders,
with a CD to play along
with. On a musical
journey of discovery you
will encounter many
famous compositions, from
Eine kleine Nachtmusik
and Beethoven's Ode to
Joy to the Birdcatcher's
song from the Magic Flute
and La donna e mobile
from Verdi's Rigoletto.
So that you can really
enjoy making music the
arrangements have been
recorded in two versions
on the CD: with and
without recorders.
2 string instruments (or soprano- and treble recorder), guitar and cello (ST1) <...(+)
2 string instruments (or
soprano- and treble
recorder), guitar and
cello (ST1)
SKU:
HL.49021033
Composed
by Eberhard Werdin.
Edited by Eberhard
Werdin. Sheet music.
Bausteine fur
Musikerziehung und
Musikpflege. Individual
part. 8 pages. Schott
Music #B 170-11.
Published by Schott Music
(HL.49021033).
2 string instruments (or soprano- and treble recorder), guitar and cello (VC) (+)
2 string instruments (or
soprano- and treble
recorder), guitar and
cello (VC)
SKU:
HL.49021036
Composed
by Eberhard Werdin.
Edited by Eberhard
Werdin. Sheet music.
Bausteine fur
Musikerziehung und
Musikpflege. Individual
part. 8 pages. Schott
Music #B 170-14.
Published by Schott Music
(HL.49021036).
2 string instruments (or soprano- and treble recorder), guitar and cello (ST2) <...(+)
2 string instruments (or
soprano- and treble
recorder), guitar and
cello (ST2)
SKU:
HL.49021034
Composed
by Eberhard Werdin.
Edited by Eberhard
Werdin. Sheet music.
Bausteine fur
Musikerziehung und
Musikpflege. Individual
part. 8 pages. Schott
Music #B 170-12.
Published by Schott Music
(HL.49021034).
2 string instruments (or soprano- and treble recorder), guitar and cello (GIT) <...(+)
2 string instruments (or
soprano- and treble
recorder), guitar and
cello (GIT)
SKU:
HL.49021035
Composed
by Eberhard Werdin.
Edited by Eberhard
Werdin. Sheet music.
Bausteine fur
Musikerziehung und
Musikpflege. Individual
part. 8 pages. Schott
Music #B 170-13.
Published by Schott Music
(HL.49021035).
Organ (Organ) SKU: HL.49032188 Composed by Anfaenge. Edited by Sandor Mar...(+)
Organ (Organ)
SKU:
HL.49032188
Composed
by Anfaenge. Edited by
Sandor Margittay. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott. 72 pages.
Schott Music #ED 6756.
Published by Schott Music
(HL.49032188).
(Eine Sammlung der bekanntesten Unterhaltungsmarcsche, Armeesche und Liedermarsc...(+)
(Eine Sammlung der
bekanntesten
Unterhaltungsmarcsche,
Armeesche und
Liedermarsche). Arranged
by Joe Alex. For
accordion with 2nd voice
ad lib.. This edition:
Accordion I. Accordion.
Level 1. Separate part.
32 pages. Published by
Apollo Verlag
Continuo SKU: FZ.6222 Serie I - France 1600-1800. Edited by Jean S...(+)
Continuo
SKU:
FZ.6222
Serie I -
France 1600-1800.
Edited by Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.6222).
ISBN
9790230662222. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in six books.
Volume 1: Anonyme -
BARTOLOTTI A. M. - BOYVIN
J. - BUTERNE J-B. - CARRE
A. Sieur de La Grange -
CHARPENTIER M-A. -
CHAUMONT L. - D'ANGLEBERT
J-H. - DE LA BARRE M. -
DELAIR D. - FLEURY N. -
MARAIS M. - NIVERS G. G.
- PERRINE - SAINT-LAMBERT
M. de. Volume 2: CAMPION
F. - CAMPION T. - CHERON
A. - CLERAMBAULT N. -
COUPERIN F. - DANDRIEU
J-F. - DELAIR D. -
LECLAIR J. -M. - RAMEAU
J. -P. Volume 3: Anonyme
- CAMPION F. - DORNEL A.
- FORQUERAY A. - GERVAIS
L. - GOUDAT - GUILLEMAIN
L. -G. - MONNIER Le Cadet
- MONTECLAIR M. P. de -
PINGRE A-G. - RAMEAU J.
-P. - SERRE DE RIEUX J. -
TELEMANN G. P. - TRAVENOL
L. A. Volume 4: ALEMBERT
J. Le Rond d' -
BLAINVILLE C. H. de -
CORRETTE M. - DUBUGRARRE
- GEMINIANI F S. -
LAPORTE C. de. Volume 5:
BETHISY J-L. de - BIFERI
F. (fils) - CLEMENT C-F.
- DUBREUIL J-J. - GARNIER
H. - GIANOTTI P. -
GOUGELET Madame - LABBET
A. J. - LE BOEUF - RAMEAU
J. -P. - ROUSSIER P-J. -
SIMON S. - TAPRAY J.
Volume 6: Anonyme -
BEMETZRIEDER A. -
CORRETTE M. - FROESTLER
B. - GOURNAY B. C. -
LANGLE H-F-M. - RODOLPHE
J-J. - ROUSSIER P-J.
Table of contents: Volume
1: Fleury Nicolas:
Methode pour apprendre
facilement - 1660.
Bartolotti Angelo
Michele: Table pour
apprendre facilement -
1669. Carre Antoine:
Livre de Guitarre
Contenant Plusieurs
pieces - 1671. Perrine:
Livre de Musique pour le
Lut - 1680. Anonyme:
Petites Reigles
Generalles qui peuvent
servir de methode - 1680.
Nivers Guillaume Gabriel:
Motets a voix seule -
1689. D'Anglebert Jean
Henry: Pieces de clavecin
- 1689. Marais Marin:
Basse-continues des
pieces a une et a deux
Violes - 1689. Anonyme:
(traite abrege
d'accompagnement) - c.
1690. Anonyme: Regles
pour l'Accompagnement -
1690. Delair Denis:
Traite d'accompagnement
pour le theorbe - 1690.
Charpentier Marc Antoine:
Abrege des regles de
l'accompagnement - c.
1692. Chaumont Lambert:
Pieces D'orgue sur les 8
tons - 1695. Buterne
Jean-Baptiste: Petites
Reigles pour
l'accompagnement - 1700.
Boyvin Jacques: Second
livre d'orgue - 1700.
Anonyme: Traite
d'accompagnement du
Clavecin - c. 1700. De La
Barre Michel: Premier
livre de pieces pour la
flute - 1702.
Saint-Lambert Michel de:
Nouveau Traite de
l'accompagnement - 1707.
Volume 2: Couperin
Francois: Regles pour
l'accompagnement - s. d.
Campion Thomas: Traite
d'accompagnement et de
composition - 1716.
Clerambault Nicolas:
Regles d'accompagnement -
1716. Clerambault
Nicolas: Principes
d'accompagnement - 1716.
Dandrieu Jean Francois:
Principes de
l'accompagnement - 1719.
Rameau Jean-Philippe:
Traite de l'harmonie -
1722. Delair Denis:
Nouveau traite
d'accompagnement - 1724.
Leclair Jean-Marie:
Premier livre de sonates
- 1723. Rameau
Jean-Philippe: Nouveau
systeme de musique
theorique - 1726. Cheron
Andre: Sonates en trio -
1727. Campion Francois:
Lettre du sieur Campion a
un philosophe - 1729.
Campion Thomas: Addition
au traite
d'accompagnement - 1730.
Volume 3: Pingre
Alexandre Gui: Traite de
l'harmonie - s. d. Rameau
Jean-Philippe:
Observations sur la
Methode d'Accompagnement
- 1730. Rameau
Jean-Philippe: Plan
abrege d'une Methode
nouvelle - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier - 1729. Rameau
Jean-Philippe: Replique
du premier Musicien a la
reponse du second - 1730.
Monteclair Michel
Pignolet de: Reponse du
second Musicien au
premier Musicien - 1730.
Rameau Jean-Philippe:
Replique du premier
Musicien a l'ecrit du
second - 1730. Rameau
Jean-Philippe:
Dissertation sur les
differentes metodes -
1732. Gervais Laurent:
Methode pour
l'accompagnement - 1733.
Campion Francois: Second
recueil d'airs - 1734.
Serre de Rieux Jean: Les
dons des Enfans de Latone
- 1734. Telemann Georg
Philipp: Nouveaux
Quatuors en six Suites -
1738. Goudat: Principes
de Laccompagnement -
1738. Travenol Louis
Antoine: Premier livre de
Sonates a violon seul -
1739. Guillemain Louis
Gabriel: Six sonates en
quatuors - 1743. Monnier
le Cadet: L'art de
Toucher le Clavecin dans
son propre caractere - c.
1745. Dornel Antoine: le
Tour du Clavier - 1745.
Forqueray Antoine: Pieces
de Viole avec la Basse
Continue - 1747. Anonyme:
(Methode
d'accompagnement) - s. d.
Volume 4: Alembert Jean
Le Rond d': Elemens de
musique - 1752.
Blainville Charles Henri
de: Essay sur un
troisieme mode - 1751.
Corrette Michel: Le
maitre de Clavecin -
1753. Laporte Claude de:
Traite theorique et
pratique - 1753.
Geminiani Francesco
Saverio: L'art de bien
accompagner - 1754.
Dubugrarre: Methode plus
courte et plus facile -
1754. Volume 5: Tapray
Jean: Abrege de
l'accompagnement - 1755.
Labbet Antoine Joseph et
Leris Antoine de:
Sentiment d'un
Harmoniphile - 1756.
Clement Charles Francois:
Essai sur
l'accompagnement - 1758.
Gianotti Pietro: Le guide
du compositeur - 1759.
Rameau Jean-Philippe:
Code de musique pratique
- 1760. Bethisy
Jean-Laurent de:
Exposition de la theorie
et de la pratique - 1764.
Roussier Pierre-Joseph:
Traite des accords et de
leur succession - 1764.
Le Boeuf: Traite
d'harmonie et regles
d'accompagnement - 1766.
Garnier Honore: Nouvelle
methode pour
l'accompagnement - 1767.
Dubreuil Jean-Jacques:
Manuel harmonique - 1767.
Biferi Francesco Fils:
Traite de musique abrege,
divise en trois parties -
1770. Simon Simon:
Theorie pratique
d'accompagnement - s. d.
Gougelet Madame: Methode
ou abrege des regles -
1771. Volume 6: Roussier
Pierre-Joseph: L'harmonie
pratique - 1775. Corrette
Michel: Prototipes
contenant des lecons
d'accompagnement - 1775.
Anonyme: Abrege des
regles de composition -
1777. Bemetzrieder
Antoine: Nouvelles lecons
de clavecin ou
instructions generales -
1782. Rodolphe
Jean-Joseph: Theorie
d'accompagnement - c.
1785. Gournay B. C. :
Lettre a M. l'abbe
Roussier - 1785. Langle
Honore-Francois-Marie:
Traite de la basse sous
le chant - 1797.
Froestler B. : Traite
d'harmonie et de
modulation - 1800.
Anonyme: Principes de
l'accompagnement - s. d.
Anonyme: Regles
d'accompagnement - s. d.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimiles of
copies from: -
Conservatory Library of
Geneva (Switzerland). -
Conservatory Library of
Dijon (France). - Royal
Conservatory of Liege
(Belgique). - Municipal
Library of Bordeaux
(France). - Municipal
Library of Grenoble
(France). - Municipal
Library of Lyon (France).
- National Library of
Paris (France). - Royal
Library of Brussels
(Belgium). -
Sainte-Genevieve Library
of Paris (France). -
British Library of London
(England). - Nederlands
Muziek Instituut of The
Hague (Netherlands). -
Yale University, Music
Library of New Haven
(USA). -
Zentralbibliothek of
Zurich (Switzerland).
Anne Fuzeau Classique
propose the complete
theoretic documentation,
methods, classical music
scores on the
continuo.
A Heritage of Song - High Voice The Vocal Library. Arranged by Carol Kimball. (...(+)
A Heritage of Song - High
Voice The Vocal Library.
Arranged by Carol
Kimball. (High Voice).
Vocal Collection.
Softcover. Size 9x12
inches. 216 pages.
Published by Hal Leonard.
SKU: HL.49005064 Volume 3. Composed by Heinrich Creuzburg. This ed...(+)
SKU: HL.49005064
Volume 3. Composed
by Heinrich Creuzburg.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 56 pages.
Schott Music #ED 4642.
Published by Schott Music
(HL.49005064).
ISBN
9790001054195. UPC:
073999787863.
9.0x12.0x0.185 inches.
German - English -
French.
Edited by David Dutkanicz. For solo piano. Book; Masterworks; Piano Collection. ...(+)
Edited by David
Dutkanicz. For solo
piano. Book; Masterworks;
Piano Collection. Dover
Edition. Classical.
Collection. 125 pages.
Published by Dover
Publications
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
30
Duets for Treble
Recorders Performance
Score. Composed by
Various. Edited by Willi
Hillemann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
24 pages. Schott Music
#ED4369. Published by
Schott Music
(HL.49004833).
ISBN
9790001051477. UPC:
073999464733.
10.75x7.5x0.085
inches.
Evolution Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Brass Band - Grade 4 SKU: BT.AMP-338-030 Five States of Change. Co...(+)
Brass Band - Grade 4
SKU:
BT.AMP-338-030
Five States of
Change. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
338-030. Published by
Anglo Music Press
(BT.AMP-338-030).
9x12
inches.
English-German-French-Dut
ch.
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementen die
in ieders leven een rol
spelen. Een voorbeeld:
Aarde - Metaal - Water -
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal; metaal
verandert in vloeistof
(water) door verhitting;
water helpt bomen te
groeien; hout dat brandt
creëert vuur; en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf was ik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer
außerordentlichen
Bemühungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist über sein
Werk:Die Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung der
chinesischen Philosophie,
die abgekürzt Wu Xing
heißt, was nicht
wörtlich übersetzt
werden kann, aber so viel
wie fünf Elemente,
fünf Phasen oder
fünf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedrückt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen
fünf Elementen
hergestellt.Zum Beispiel:
Erde - Metall - Wasser -
Holz - Feuer - (Erde) -
usw. In diesem Zyklus
enthält die Erde
Metall, das sich bei
Erhitzung verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)
und zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen: Meditation -
Trauer - Angst -
Ärger - Freude -
(Meditation) usw. Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolle emotionale
Reise“ durch ein
Musikstück darstellen
könnte. Folglich
besteht Evolution
aus fünf gleichen
Abschnitten, die diesen
Kreislauf der Gefühle
grob nachzeichnen. Ich
habe versucht, die Musik
organisch wachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis.
From Bach to Brahms Flûte traversière et Piano [Partition + CD] - Facile Mitropa Music
Flute and Piano - early intermediate SKU: BT.1947-13-400-M Selected pi...(+)
Flute and Piano - early
intermediate
SKU:
BT.1947-13-400-M
Selected pieces from
two centuries for Flute
and Piano. Composed
by Various. Arranged by
Franco Cesarini. Book
with CD. Composed 2013.
44 pages. Mitropa Music
#1947-13-400 M. Published
by Mitropa Music
(BT.1947-13-400-M).
ISBN 9789043137348.
9x12 inches.
International.
FROM
BACH TO BRAHMS leads
through 200 years of
music history. The
arrangements of these 16
small, easily accesible
pieces, that were
originally written for
various instruments, are
a wonderful addition to
the repertoire of every
flautist. They can
beperformed together with
a pianist, playing from
the accompaniments
printed in the book, or
with the enclosed CD
which contains
demonstrations as well as
the piano accompaniments
of each piece.
Contents: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
• Serenade (J.
Haydn) • Minuet
(Mozart)• Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade
(Ständchen) (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R. Schumann
• Walzer (J.
Brahms).
Deze
veertien eenvoudige
bewerkingen van beroemde
klassieke stukken zijn
een prachtige uitbreiding
van het repertoire voor
fluit en piano. Op de
bijgeleverde cd staan
zowel demo´s als
begeleiding-tracks.
Inhoud: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
•Serenade (J.
Haydn) • Minuet
(Mozart) •Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R.
Schumann) • Walzer
(J. Brahms).
FROM
BACH TO BRAHMS
präsentiert 16
Stücke von einigen der
bekanntesten Komponisten
aus 200 Jahren
Musikgeschichte.
Inhalt
: March (J. S. Bach)
• Musette (J. S.
Bach) • Air (G. F.
Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet
(Ochsen-Menuett) (J.
Haydn) • Serenade
(J. Haydn) •Minuet
(Mozart) •
Bagatelle (Beethoven)
• Walzer (C. M. von
Weber) • Serenade
(Ständchen) (F.
Schubert) • Song
without Words (Lied ohne
Worte) (F. Mendelssohn)
• Evening Song
(Abendlied) (R. Schumann
• Walzer (J.
Brahms).
Compo
sizioni note e meno note
di oltre 200 anni di
storia musicale. Il
barocco è presente con
i compositori francesci
Rameau e Dandrieu.
Mozart, Beethoven e Haydn
sono anch´essi
rappresentati, così
come gli esponenti del
periodo romantico quali
vonWeber e Schubert.
Indice: March (J. S.
Bach) • Musette (J.
S. Bach) • Air (G.
F. Händel) •
Impertinence (G. F.
Händel) • Les
Fifres (J. F. Dandrieu)
• Tambourin (J. P.
Rameau) • Allegro
(W. F. Bach) • The
Ox Minuet (J. Haydn)
•Serenade (J.
Haydn) • Minuet
(Mozart) •Bagatelle
(Beethoven) •
Walzer (C. M. von Weber)
• Serenade (F.
Schubert) • Song
without Words (F.
Mendelssohn) •
Evening Song (R.
Schumann) • Walzer
(J. Brahms).