| Music for Four, Volume 3, Part 4 - Cello/Bassoon [Partie séparée] Last Resort Music Publishing
By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Quartets. Music for...(+)
By Various. Arranged by
Daniel Kelley. For Cello
or Bassoon. Quartets.
Music for Four. Rags &
Waltzes.
Intermediate/Advanced.
Part 4
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cello Basics Violoncelle [Partition + Accès audio] - Débutant Faber Music Limited
A Method for Individual and Group Learning. Composed by Jessica O'Leary and Pa...(+)
A Method for Individual
and
Group Learning. Composed
by
Jessica O'Leary and Paul
Harris.
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition:
Basics. Book and Digital
Download. Faber Music
#12-
0571542085. Published by
Faber
Music
$18.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jurassic Blue for Cello Violoncelle, Piano Faber Music Limited
(Monstrous Pieces for Beginners). By Pam Wedgwood. For Cello and Piano. Book; St...(+)
(Monstrous Pieces for
Beginners). By Pam
Wedgwood. For Cello and
Piano. Book; String -
Cello Studies or
Collection. Faber
Edition. 16 pages.
Published by Faber Music
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wedgwood /Jackaroo Vc/Pf Violoncelle, Piano - Débutant Faber Music Limited
By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection...(+)
By Pam Wedgwood. For
Cello and Piano. Book;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Joy of Piano Duets 1 Piano, 4 mains [Partition + Accès audio] Yorktown Music Press
Joy Of. Classical. Book with Online Audio. Composed 2013. 80 pages. Yorktown...(+)
Joy Of. Classical. Book
with
Online Audio. Composed
2013.
80 pages. Yorktown Music
Press
#YK22066. Published by
Yorktown Music Press
$20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Great Scott! Ragtime Minus You Violoncelle [Partition + CD] Music Minus One
For Cello. Jazz/RandB. Includes a high-quality printed music score and a compact...(+)
For Cello. Jazz/RandB.
Includes a high-quality
printed music score and a
compact disc containing a
complete performance with
soloist; then a second
version with the
accompaniment, minus you,
the soloist. Published by
Music Minus One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Joy Of Piano Duets
1 Piano, 4 mains [Partition] Music Sales
Arranged by Denes Agay. Book. Published by Music Sales. These familiar melodies...(+)
Arranged by Denes Agay.
Book. Published by Music
Sales. These familiar
melodies for one piano,
four hands are in
arrangements equally easy
for both players, with
the melody alternating
between the two. The
collection includes
Careless Love, Jamaica
Farewell, and many more
favorites.
(2)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade, Op. 11 [Conducteur] Lucks Music Library
(str) SKU: TM.10808SC Composed by Dag Ivar Wiren. Score. Lucks Music Libr...(+)
(str) SKU:
TM.10808SC Composed
by Dag Ivar Wiren. Score.
Lucks Music Library
#A7977. Published by
Lucks Music Library
(TM.10808SC).
Sandra Dackow
Little Known Gem - Grade
V. Preludium, Andante
espressivo, Scherzo,
March. Written in a
retro, Swedish
neo-Classical style, the
four-movement Serenade
for Strings offers easily
hummed tunes presented
with grace and good
humor. The Preludium
offers inner rhythm of
nearly consistent
sixteenth note figures
including written divisi
in thirds. Many beautiful
lines for cello and viola
are found in the Andante
Espressivo, which also
has a few high passages
for violin, reaching high
G’s and
A’s. The Scherzo
is the most technically
challenging movement,
with quickly shifting
tonalities and high,
rapid passages that must
be kept at the frog and
off the string. Finally,
the March, reminiscent of
toy soldiers or a music
box, contains several
tricky passages and high
notes for the first
violins. This charming
piece is popular with
students!! See #40907 for
Sandra Dackow's
Expressive Gems
edition. $20.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Serenade, Op. 11 Lucks Music Library
(str) SKU: TM.10808SET Composed by Dag Ivar Wiren. Set Type: D. Set of pa...(+)
(str) SKU:
TM.10808SET Composed
by Dag Ivar Wiren. Set
Type: D. Set of parts.
Lucks Music Library
#A7977. Published by
Lucks Music Library
(TM.10808SET).
Sandra Dackow
Little Known Gem - Grade
V. Preludium, Andante
espressivo, Scherzo,
March. Written in a
retro, Swedish
neo-Classical style, the
four-movement Serenade
for Strings offers easily
hummed tunes presented
with grace and good
humor. The Preludium
offers inner rhythm of
nearly consistent
sixteenth note figures
including written divisi
in thirds. Many beautiful
lines for cello and viola
are found in the Andante
Espressivo, which also
has a few high passages
for violin, reaching high
G’s and
A’s. The Scherzo
is the most technically
challenging movement,
with quickly shifting
tonalities and high,
rapid passages that must
be kept at the frog and
off the string. Finally,
the March, reminiscent of
toy soldiers or a music
box, contains several
tricky passages and high
notes for the first
violins. This charming
piece is popular with
students!! See #40907 for
Sandra Dackow's
Expressive Gems
edition. $56.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alfred's Basic Piano Course - Repertoire Book Complete Levels 2 and 3 Piano seul [Partition] Alfred Publishing
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner.
By Willard A. Palmer,
Morton Manus, and Amanda
Vick Lethco. For Piano.
Piano Method. Alfred's
Basic Piano Library.
Book. 48 pages. Published
by Alfred Publishing.
(2)$7.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Celtic Gems for Cello Violoncelle - Intermédiaire Mel Bay
International, Saddle- stitched, World. Irish/Celtic. Book. 40 pages. Mel Bay ...(+)
International, Saddle-
stitched, World.
Irish/Celtic.
Book. 40 pages. Mel Bay
Publications, Inc #31082.
Published by Mel Bay
Publications, Inc
$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paradiddles Redefined for Drum Set Batterie [Partition] Mel Bay
By Nucleo Vega. For Drum Set. Technic. Bill's Music Shelf. Contemporary. Multipl...(+)
By Nucleo Vega. For Drum
Set. Technic. Bill's
Music Shelf.
Contemporary. Multiple
Levels. Book. 112 pages
$19.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noona Basic Piano Book 10 Piano seul Heritage Music Press
By Walter Noona. Piano. Level: Level 4. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano.
Level: Level 4. Piano
method. Published by
Heritage Music Press.
(1)$6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 7th Street Beat [Conducteur] - Facile Carl Fischer
Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, Voice - Grade 3.5 SKU...(+)
Orchestra Cello,
Contrabass, Viola, Violin
1, Violin 2, Voice -
Grade 3.5 SKU:
CF.CAS123F Composed
by Lauren Bernofsky. Sws.
Carl Fischer Concert
String Orchestra Series.
Full score. 16 pages.
Duration 3:30. Carl
Fischer Music #CAS123F.
Published by Carl Fischer
Music (CF.CAS123F).
ISBN 9781491154762.
UPC: 680160913312. 9 x 12
inches. Key: D
minor. It was at a
flute convention, of all
places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn't believe
how easy, and effective,
it was! She figured, if a
random bunch of adult
flute players can do
this, it should be a
piece of cake for
students. Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set. The beatbox vocal
lines are optional - they
are reinforcements for
the beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49. Don't
tell the students any
rules about what notes to
play or not play - simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!. It was
at a flute convention, of
all places, where the
composer learned how to
beatbox. Greg Pattillo,
the flutist of the
ensemble Project Trio,
taught a roomful of
(mostly) flute players
how to make a few sounds,
and she couldn’t
believe how easy, and
effective, it was! She
figured, if a random
bunch of adult flute
players can do this, it
should be a piece of cake
for students.Inspired by
this new-found knowledge,
she composed 7th Street
Beat, writing beatbox
percussion into the parts
of all the instruments.
The sounds imitate
percussive effects
normally made by a drum
set.The beatbox vocal
lines are optional
– they are
reinforcements for the
beatbox sounds in the
string parts. Also
optional (but highly
recommended!) is the
improvisation section
starting at m. 49.
Don’t tell the
students any rules about
what notes to play or not
play – simply
offer them the
opportunity to make up
whatever they like, to
show off their abilities
and musical
personalities!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gottschalk School Song Book - Débutant Schott
1-4 Voices and Guitar (BR) - very easy to easy SKU: HL.49023849 Eine L...(+)
1-4 Voices and Guitar
(BR) - very easy to easy
SKU: HL.49023849
Eine Liedersammlung
fur die Sekundarstufe
I. Composed by Sell.
Edited by Lutz Gottschalk
and Stefan Sell. Arranged
by Lutz Gottschalk and
Stefan Sell. This
edition: Paperback/Soft
Cover. Sheet music.
Kunter-bund-edition. Die
Fundgrube zum Singen in
Freizeit und Schule.
Songbook. 300 pages.
Schott Music #BUND71139.
Published by Schott Music
(HL.49023849). ISBN
9783795756758.
6.25x9.5x0.967 inches.
German. Claudia
Schmidt. Das
Liederbuch enthalt 243
Lieder mit Erklarungen,
bearbeitet fur
Gesangstimmen (ein bis
vier Stimmen) und
Gitarrenbegleitung. Der
thematische Bogen reicht
von Kinderliedern,
Volksliedern,
franzosischen Chansons
uber Spirituals, Folk
Songs und Schlager bis
hin zu Rock und Pop. Alle
Lieder sind als leichte
bis mittelschwere
Arrangements gut
nachzuspielen. Das Buch
enthalt
Basisinformationen zu
jedem Kapitel,
begleitende Texte und
Erlauterungen zu
soziokulturellen
Hintergrunden von Autoren
und Liedern. Diese
Sammlung der besten
Lieder und Songs ist mehr
als ein Schulliederbuch!
Sie ist das ideale
Songbook fur Freizeit,
Hobby und gesellige
Anlasse. $24.99 - Voir plus => Acheter | | |
| Teach Yourself Guitar Tone and Effects Guitare [Livre + CD] Alfred Publishing
(Everything You Need to Know About Guitars, Amps, and Effects). By Tobias Hurwit...(+)
(Everything You Need to
Know About Guitars, Amps,
and Effects). By Tobias
Hurwitz, Ethan Fiks, and
Vivian Clement. For
Guitar. Book; CD; Guitar
Reference; Reference
Textbooks. 96 pages.
Published by Alfred Music
Publishing
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestre [Partition + Accès audio] - Intermédiaire Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra
(Cello/Bass).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Cello/Bass.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44212. Published by
Alfred Music (AP.44212).
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| William Bolcom - Concert Songs - Volume 2 (2001-2012) Voix moyenne, Piano Edward B. Marks Music Company
(46 Songs for Medium/Low Voice and Piano). Composed by William Bolcom. For Vocal...(+)
(46 Songs for Medium/Low
Voice and Piano).
Composed by William
Bolcom. For Vocal,
Medium/Low Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 248
pages. Published by
Edward B. Marks Music
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| William Bolcom - Concert Songs - Volume 2 (2001-2012) Voix haute, Piano Edward B. Marks Music Company
(45 Songs for High Voice). Composed by William Bolcom. For Vocal, High Voice, Pi...(+)
(45 Songs for High
Voice). Composed by
William Bolcom. For
Vocal, High Voice, Piano
Accompaniment. E.B.
Marks. Softcover. 240
pages. Published by
Edward B. Marks Music
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestre [Conducteur] - Intermédiaire Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Conductor's
Score). Composed by
Bob Phillips; Kirk Moss;
Matt Turner; Stephen
Benham. This edition:
Teacher's Score.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Score. 101
pages. Alfred Music
#00-44213. Published by
Alfred Music (AP.44213).
$34.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Violon [Partition + Accès audio] Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Violin).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Violin.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44210. Published by
Alfred Music (AP.44210).
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sound Innovations for String Orchestra -- Creative Warm-Ups Orchestre [Partition + Accès audio] - Intermédiaire Alfred Publishing
Exercises for Intonation, Rhythm, Bowing, and Creativity for Intermediate Str...(+)
Exercises for
Intonation, Rhythm,
Bowing, and Creativity
for Intermediate String
Orchestra (Viola).
Composed by Bob Phillips;
Kirk Moss; Matt Turner;
Stephen Benham. This
edition: Viola.
Method/Instruction;
SmartMusic; String
Orchestra
Method/Supplement. Sound
Innovations for String
Orchestra. Book. 56
pages. Alfred Music
#00-44211. Published by
Alfred Music (AP.44211).
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| How to Play Contemporary Strings [Partition + Accès audio] Hal Leonard
(A Step-by-Step Approach for Violin, Viola and Cello). For Strings, Cello, Viola...(+)
(A Step-by-Step Approach
for Violin, Viola and
Cello). For Strings,
Cello, Viola, Violin.
Instructional. Softcover
Video Online. Published
by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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