Brass Band and Flugelhorn Solo - Grade 2.5

SKU: BT.DHP-1094724-030

Composed by Jan de Haan. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094724-030. Published by De Haske Publications (BT.DHP-1094724-030).

9x12 inches. English-German-French-Dut ch.

The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda.

Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en brassband. (ook verkrijgbaarvoor hobo en harmonieorkest of bugel en fanfareorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.

Sonnenun tergang: Die Sonne verschwindet langsam am westlichen Horizont. Der Himmel ist in Rot- und Orangetöne getaucht. Dieser oft erlebte, aber immer wieder aufs Neue prachtvolle Anblick bildete die Quelle der Inspiration für ein ruhiges, aber intensives und damit sehr eindrucksvolles Solowerk für Flügelhorn und Brass Band, das Jan de Haan im Herbst 2008 seiner Tochter Hermanda widmete.

Un solo charmant pour bugle que le compositeur a écrit pour sa fille Hermanda, qui joue aussi du bugle.

Il tramonto del sole ispira da sempre pittori, fotografi , scrittori, poeti e anche compositori. Jan de Haan si è lasciato sedurre da questo istante meraviglioso, quando il cielo inventa infinite sfumature di arancio e rosso, su uno sfondo appena visibile di azzurro. Spettacolo grandioso che si ripete da sempre, ma che non finisce mai di stupire. In Sweet Sunset il ruolo principale è affi dato al flicorno.

Brass Band and Flugelhorn Solo - Grade 2.5

SKU: BT.DHP-1094724-130

Composed by Jan de Haan. Solo Spectrum. Solo & Concerto. Score Only. Composed 2009. De Haske Publications #DHP 1094724-130. Published by De Haske Publications (BT.DHP-1094724-130).

9x12 inches. English-German-French-Dut ch.

The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda.

Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en brassband. (ook verkrijgbaarvoor hobo en harmonieorkest of bugel en fanfareorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.

Sonnenun tergang: Die Sonne verschwindet langsam am westlichen Horizont. Der Himmel ist in Rot- und Orangetöne getaucht. Dieser oft erlebte, aber immer wieder aufs Neue prachtvolle Anblick bildete die Quelle der Inspiration für ein ruhiges, aber intensives und damit sehr eindrucksvolles Solowerk für Flügelhorn und Brass Band, das Jan de Haan im Herbst 2008 seiner Tochter Hermanda widmete.

Il tramonto del sole ispira da sempre pittori, fotografi , scrittori, poeti e anche compositori. Jan de Haan si è lasciato sedurre da questo istante meraviglioso, quando il cielo inventa infinite sfumature di arancio e rosso, su uno sfondo appena visibile di azzurro. Spettacolo grandioso che si ripete da sempre, ma che non finisce mai di stupire. In Sweet Sunset il ruolo principale è affi dato al flicorno.

Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2

SKU: HL.44002419

Composed by George Frideric Handel. Arranged by Jan de Haan. De Haske Concert Band. Concert Piece. Score Only. Composed 1995. De Haske Publications #950646. Published by De Haske Publications (HL.44002419).

UPC: 073999024197. 6.75x10.5 inches.

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Handel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeer gebaseerde heldenepos werd door Handel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De premiere van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Handels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der beruhmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Handel. Dieses Werk - das im gefalligen, uppig barocken Stil, der fur Handels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenossische niederlandische Komponist Jan de Haan fur Blechblaserquartett und Orgel.

Tochter Zion (A Toi la gloire) est le plus celebre chœur de l'oratorio Judas Macchabee de Georg Friedrich Haendel (1685-1759). La creation de cette œuvre patriotique a eu lieu sous la direction du compositeur. Ecrite dans le style baroque, elle deploie toute la richesse et la subtilite de la musique d'Haendel. Judas Macchabee est couronne de succes.

Concert Band/Harmonie/Fanfare and Saxophone Solo - Grade 2.5

SKU: BT.DHP-1094773-015

Composed by Harm Evers. Solo Spectrum. Set (Score & Parts). Composed 2009. De Haske Publications #DHP 1094773-015. Published by De Haske Publications (BT.DHP-1094773-015).

9x12 inches. English-German-French-Dut ch.

The title Saxophones in the Light describes what the piece does - it puts not one, not two, but three of your saxophones into the limelight! At the same time Harm Evers also manages to bring out the best in your concert band. This exciting and inventive piece will give all your musicians a chance to shine.

Der Titel Saxophones in the Light ist quasi eine Gebrauchsanweisung für dieses fröhliche neue Solostück aus der Feder von Harms Evers. Es heißt nämlich wörtlich übersetzt: Saxophone ins Licht“ und rückt drei Saxophonisten ins rechte Licht - das Rampenlicht - und zeigt darüber hinaus auch das begleitende Blasorchester von der besten Seite.

Come indica il titolo, Saxophones in the light è un brano luminoso che permette a tre sassofonisti di mettersi in evidenza. L’accompagnamento orchestrale è curato e sottolinea la trama solistica.

Concert Band/Harmonie/Fanfare and Saxophone Solo - Grade 2.5

SKU: BT.DHP-1094773-215

Composed by Harm Evers. Solo Spectrum. Score Only. Composed 2009. 8 pages. De Haske Publications #DHP 1094773-215. Published by De Haske Publications (BT.DHP-1094773-215).

9x12 inches. English-German-French-Dut ch.

The title Saxophones in the Light describes what the piece does - it puts not one, not two, but three of your saxophones into the limelight! At the same time Harm Evers also manages to bring out the best in your concert band. This exciting and inventive piece will give all your musicians a chance to shine.

Der Titel Saxophones in the Light ist quasi eine Gebrauchsanweisung für dieses fröhliche neue Solostück aus der Feder von Harms Evers. Es heißt nämlich wörtlich übersetzt: Saxophone ins Licht“ und rückt drei Saxophonisten ins rechte Licht - das Rampenlicht - und zeigt darüber hinaus auch das begleitende Blasorchester von der besten Seite.

Come indica il titolo, Saxophones in the light è un brano luminoso che permette a tre sassofonisti di mettersi in evidenza. L’accompagnamento orchestrale è curato e sottolinea la trama solistica.

Band concert band - Grade 2.5

SKU: KJ.WB234F

Composed by Bruce Pearson. Standard of Excellence in Concert. Score. Neil A. Kjos Music Company #WB234F. Published by Neil A. Kjos Music Company (KJ.WB234F).

Canticle uses melodic motives from St. Francis of Assisi's hymn, All Creatures of Our God and King. It opens with a festive fanfare and proceeds to a lively A section. The middle section uses the motif in a relative minor before concluding with a majestic celebratory ending. All instruments have fun, exciting and challenging parts. An ideal programming choice for concert, contest or festival performances.

About Standard of Excellence in Concert

Th e Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.

Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.

8-part Trombone Ensemble - Advanced

SKU: CY.CC3143

Composed by David Wilborn. Classical. Score and Parts. Cherry Classics #CC3143. Published by Cherry Classics (CY.CC3143).

ISBN 9790530111116. 8.5 x 11 in inches.

Here is a description of this beautiful work by the composer: Reflection and Celebration for 8-part Trombone Ensemble is a musical homage to a man who was revered for his mentorship, musical intellect and delightful humor. The work opens with a somber melodic solo, capturing the noble spirit of this great mentor. Several repetitive 5-note ascending motives follow which is a symbolic reference to students learning and accomplishing under Conklin's mentorship. The bold fanfare style (in measure 32) is presented to capture the presence and tall stature of Conklin. Finally, Conklin's down-to-earth personality and his infectious humor is referenced (in measure 83). Even the fanfare theme returns in a faster tempo, thus highlighting the frivolity, lightheartedness, and wisdom of this adored music teacher. The music is about 6 1/2 minutes in length and is appropriate for moderately advanced performers.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1074279-015

Arranged by Roland Kernen. Flexible 5 Series. Christmas. Set (Score & Parts). Composed 2007. De Haske Publications #DHP 1074279-015. Published by De Haske Publications (BT.DHP-1074279-015).

9x12 inches. English-German-French-Dut ch.

The well-known traditional melodies Rock My Soul, Go Tell It on the Mountain and Mary´s Boy Child have been put together by Roland Kernen in this attractive medley. Arranged in a way that enables flexible instrumentation this work isplayable by a non-standard brass band line-up. The percussion parts are optional. A lively work that will leave your audience rockin off to Christmas.

De wereldwijd bekende traditionals Rock My Soul, Go Tell It on the Mountain en Mary’s Boy Child zijn door Roland Kernen samengevoegd in een bijzonder geslaagde medley voor harmonieorkest. Rock in the Mountainsis fijn om te spelen voor het orkest en een feest der herkenning voor het publiek.

Die bekannten traditionellen Lieder Rock My Soul, Go Tell It on the Mountain und Mary's Boychild wurden von Roland Kernen zu einem sehr reizvollen Medley zusammengefügt. Die Instrumentierung für eine variable fünfstimmigeBesetzung macht das Werk vielen Kombinationen von Blasinstrumenten zugänglich. Die Schlagzeugstimmen sind ad libitum.

Roland Kernen a rassemblé les trois célébres traditionnels Rock My Soul, Go Tell It on the Mountain et Mary's Boy Child dans un medley frais et délicieusement agréable.

In questo medley Roland Kernen ha raggruppato tre note canzoni tradizionali: Rock My Soul, Go Tell It on the Mountain e Mary's Boy Child. Il risultato é un medley molto piacevole pensato per strumentazione variabile a cinquevoci e percussioni opzionali.

Concert Band/Harmonie/Fanfare Band - Grade 2.5

SKU: BT.DHP-1104878-015

Composed by Andrew Watkin. Flexible 5 Series. Original Light Music. Set (Score & Parts). Composed 2010. De Haske Publications #DHP 1104878-015. Published by De Haske Publications (BT.DHP-1104878-015).

9x12 inches.

U.S. City Trip ist eine musikalische Reise in drei Sätzen für eine fünfstimmig variable Besetzung mit Schlagzeug, die den Zuhörer drei weltberühmte Straßen in amerikanischen Großstädten entdecken lässt: In den Stilen Swing,Blues und Rock geht es nacheinander nach New York zum Broadway, ins French Quarter in New Orleans zur Rampart Street und schließlich nach Las Vegas, den schillernden Las Vegas Strip entlang.

U.S. City Trip est un voyage au cœur de trois rues historiques de trois grandes villes américaines. Premiére étape : New York et sa légendaire rue Broadway. Nous partons ensuite découvrir le Vieux Carré de la Nouvelle Orléans travers Rampart Street. Notre périple se termine Las Vegas et son extravagante artére principale, le 'Vegas Strip'. La musique est un savoureux mélange aux tonalités swing, blues et rock.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1084643-015

Composed by Jan de Haan. De Haske Easy Band Series. Concert Piece. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084643-015. Published by De Haske Publications (BT.DHP-1084643-015).

9x12 inches. English-German-French-Dut ch.

In Camel Ride you will experience the magic of a colourful Arabic caravan as it slowly passes by. With this short work for a flexible ten part instrumentation, composer Jan de Haan has brilliantly reflected the atmosphere of the parade and carefully capturing the mysticism of the East. Camel Ride will make a great interlude in your concert performances.

In Camel Ride horen we een karavaan voorbijtrekken. In rustige tred schrijdt de kleurige stoet voort. Componist Jan de Haan heeft met dit korte werk deze sfeer voortreffelijk weten te treffen.

Der im Titel dieses Werkes genannte Kamelritt ist durchaus wörtlich zu nehmen: Die Musik beschreibt eine vorüber ziehende Karawane. Ruhig, mit gleichmäßigem Schritt, hört man die Wüstenschiffe inmitten eines bunten Menschengewimmels stetig voranschreiten. Jan de Haan ist es in diesem kurzen Werk für zehn Stimmen ausgezeichnet gelungen, die Atmosphäre dieser exotischen Szenerie in diesem Stück für eine zehnstimmig variable Besetzung einzufangen.

Au rythme de la caravane de chameaux, bercés par le vent, nous effectuons une promenade musicale de petits villages en criques isolées, de dunes en plages du bout du monde, de cascades en marabouts éclatants de blancheur. Camel Ride : une touche insolite !

Una passeggiata musicale nel deserto in groppa ai cammelli: atmosfere esotiche e mozzafiato, accompagnati dal vento tra le dune fermandosi in splendide oasi. Camel Ride: un brano insolito!

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-1084643-170

Composed by Jan de Haan. De Haske Easy Band Series. Score Only. Composed 2008. 16 pages. De Haske Publications #DHP 1084643-170. Published by De Haske Publications (BT.DHP-1084643-170).

9x12 inches. English-German-French-Dut ch.

In Camel Ride you will experience the magic of a colourful Arabic caravan as it slowly passes by. With this short work for a flexible ten part instrumentation, composer Jan de Haan has brilliantly reflected the atmosphere of the parade and carefully capturing the mysticism of the East. Camel Ride will make a great interlude in your concert performances.

In Camel Ride horen we een karavaan voorbijtrekken. In rustige tred schrijdt de kleurige stoet voort. Componist Jan de Haan heeft met dit korte werk deze sfeer voortreffelijk weten

Der im Titel dieses Werkes genannte Kamelritt ist durchaus wörtlich zu nehmen: Die Musik beschreibt eine vorüber ziehende Karawane. Ruhig, mit gleichmäßigem Schritt, hört man die Wüstenschiffe inmitten eines bunten Menschengewimmels stetig voranschreiten. Jan de Haan ist es in diesem kurzen Werk für zehn Stimmen ausgezeichnet gelungen, die Atmosphäre dieser exotischen Szenerie in diesem Stück für eine zehnstimmig variable Besetzung einzufangen.

Au rythme de la caravane de chameaux, bercés par le vent, nous effectuons une promenade musicale de petits villages en criques isolées, de dunes en plages du bout du monde, de cascades en marabouts éclatants de blancheur. Camel Ride : une touche insolite !

Una passeggiata musicale nel deserto in groppa ai cammelli: atmosfere esotiche e mozzafiato, accompagnati dal vento tra le dune fermandosi in splendide oasi. Camel Ride: un brano insolito!

Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 2

SKU: BT.DHP-0950646-216

Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Score Only. Composed 1995. De Haske Publications #DHP 0950646-216. Published by De Haske Publications (BT.DHP-0950646-216).

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.

Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-0950646-015

Composed by George Frideric Handel. Arranged by Jan de Haan. Musica Sacra. Concert Piece. Set (Score & Parts). Composed 1995. De Haske Publications #DHP 0950646-015. Published by De Haske Publications (BT.DHP-0950646-015).

Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).

< I>Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).

Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel.

Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1 and more. - Grade 2

SKU: CF.YPS238

Composed by William Harbinson. Set of Score and Parts. 20+16+4+8+8+4+10+4+4+8+8+ 8+12+4+6+2+1+6+2 pages. Duration 4 minutes, 26 seconds. Carl Fischer Music #YPS238. Published by Carl Fischer Music (CF.YPS238).

ISBN 9781491159552. UPC: 680160918140.

Rugby Heritage was commissioned and premiered by Rugby Middle School in Hendersonville, North Carolina, Anthony Ammons, conductor. The Andante passage is based on Floreat Rugbeia, the school hymn composed in 1870 by Reverend C. E. Moberley of the famed Rugby School (UK). A rousing rendition of the hymn, performed by students and staff of the Rugby School during the Covid-19 lockdown of 2020, may be viewed at https://www.youtube.com/w atch?v=Zhaup27XyAY. The composition opens with a fanfare that foreshadows the opening motive of Floreat Rugbeia (compare Tpt. 1, m. 1 and m. 31). A stately, British-style march section follows. The march theme is drawn from a second motive of the original tune (compare Tpt. 1, m. 7 and Cl. 1, m. 62). The Andante presents a lyrical, harmonically rich setting of the original tune in its entirety. A brief retransition leads to a varied restatement of the march that brings the composition to a close.
Rugby Heritage was commissioned and premiered by Rugby Middle School in Hendersonville, North Carolina, Anthony Ammons, conductor. The Andante passage is based on Floreat Rugbeia, the school hymn composed in 1870 by Reverend C. E. Moberley of the famed Rugby School (UK). A rousing rendition of the hymn, performed by students and staff of the Rugby School during the Covid-19 lockdown of 2020, may be viewed at https://www.youtube.com/w atch?v=Zhaup27XyAY.The composition opens with a fanfare that foreshadows the opening motive of Floreat Rugbeia (compare Tpt. 1, m. 1 and m. 31). A stately, British-style march section follows. The march theme is drawn from a second motive of the original tune (compare Tpt. 1, m. 7 and Cl. 1, m. 62). The Andante presents a lyrical, harmonically rich setting of the original tune in its entirety. A brief retransition leads to a varied restatement of the march that brings the composition to a close.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle, Trombone and more. - Grade 2

SKU: CF.YPS234

Composed by Mark Lortz. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+3+3 +3+2+3+1+1+2+1+2+12 pages. Duration 1 minute, 50 seconds. Carl Fischer Music #YPS234. Published by Carl Fischer Music (CF.YPS234).

ISBN 9781491158203. UPC: 680160916801. 9 x 12 inches.

Flight of the Eagle is a driving fanfare highlighting all sections of the band. Written in a mature style, brass and saxophones begin the piece in a half-time feel with accentuated percussion interjections. Rehearsal 16, the flutes, oboes, and percussion are the driving pulse, while the other voices have the melodic content. The style is noticeably different at Rehearsal 28 with accented notes throughout. Rehearsal 35 introduces the new rhythmic ostinato, which should diminuendo so the melody can be heard. Rehearsal 67 is similar to Rehearsal 28 to the end, and percussion should dampen on the final note of the piece.

SATB choir, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, horn in f, trombone 1, trombone 2, tuba, timpani - Early intermediate

SKU: GI.G-8993

Concertato on MELITA. Composed by John Bacchus Dykes. Arranged by Robert J. Powell. Ordinary Time 12 B. Choral. Tune Name: Melita. Sacred. Octavo. 12 pages. GIA Publications #8993. Published by GIA Publications (GI.G-8993).

UPC: 785147899303. English. Text Source: William Whiting, 1825–1878, alt. Text by William Whiting.

An exciting fanfare by brass and organ sets up the opening unison stanza of this moving arrangement. The a cappella third stanza is independent and quieter. Perhaps not surprisingly, the concluding stanza is tutti, complete with a soaring soprano descant. Note that the brass quintet is necessary for a performance of this concertato (horn in F may substitute for trombone I). The organ part is included in both the full score and octavo editions. Horn in F can be substituted for Trombone I.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS229

Composed by Andrew Balent. Folio. Cps. Set of Score and Parts. 2+8+8+4+8+8+8+4+4+4+4+4+4 +8+8+8+4+4+4+6+6+6+6+4+8+ 4+2+8+6+36 pages. Duration 6 minutes, 50 seconds. Carl Fischer Music #CPS229. Published by Carl Fischer Music (CF.CPS229).

ISBN 9781491156285. UPC: 680160914821. 9 x 12 inches.

Commissione d by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July. This piece includes: The bold opening fanfare that can be played alone, ending on beat one of m. 12. A polka section using the tune Westward Ho. A calm middle section Desert Twilight. A dynamic celebration bringing the piece to a resounding climax. Performance Time: 5:40.
Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July.This piece includes:The bold opening fanfare that can be played alone, ending on beat one of m. 12.A polka section using the tune Westward Ho.A calm middle section “Desert Twilight.”A dynamic celebration bringing the piece to a resounding climax.Performance Time: 5:40.

by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3.5

SKU: CF.CPS228

Composed by George Sweet. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4 +8+8+8+4+4+6+6+6+8+1+2+2+ 2+2+4+8+2+28+4 pages. Duration 4 minutes, 35 seconds. Carl Fischer Music #CPS228. Published by Carl Fischer Music (CF.CPS228).

ISBN 9781491152546. UPC: 680160910045.

Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was a large influencing factor for George Sweet in the composition of this piece. Richly scored for the modern concert band, Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.
Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was an influencing factor on the composition of the piece. Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.This begins with strict motor accompaniment. Take care to maintain equal balance among the different “moving parts” so that they blend to create a solid whole both here and throughout the piece. The primary thematic material is stated by the trumpets and horns at m. 12. This material is the basis for much of the harmonic and thematic material that follows. A slightly varied statement of the main theme is presented again at m. 26 with a different type of motor accompaniment. This leads to a B-section at m. 44, which is a bold fanfare-like presentation of the main material. Another series of variations on the main theme begins at m. 50 and incorporates many different textural and harmonic ideas in the accompaniment. Once again, be careful to not let any one “moving part” overwhelm another and keep the texture evenly balanced.  A second, broader presentation of the B-section occurs at m. 90 and leads to a subdued C-section at m. 100 with new melodic material presented in the trumpet. A whimsical march-like section pushes to the return of the introductory motor material at m. 131. A final heroic presentation of the main thematic material results in a somewhat ambiguous coda, which brings the piece to a dramatic conclusion.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1 and more. - Grade 2

SKU: CF.YPS238F

Composed by William Harbinson. Full score. 20 pages. Carl Fischer Music #YPS238F. Published by Carl Fischer Music (CF.YPS238F).

ISBN 9781491159569. UPC: 680160918157.

Rugby Heritage was commissioned and premiered by Rugby Middle School in Hendersonville, North Carolina, Anthony Ammons, conductor. The Andante passage is based on Floreat Rugbeia, the school hymn composed in 1870 by Reverend C. E. Moberley of the famed Rugby School (UK). A rousing rendition of the hymn, performed by students and staff of the Rugby School during the Covid-19 lockdown of 2020, may be viewed at https://www.youtube.com/w atch?v=Zhaup27XyAY. The composition opens with a fanfare that foreshadows the opening motive of Floreat Rugbeia (compare Tpt. 1, m. 1 and m. 31). A stately, British-style march section follows. The march theme is drawn from a second motive of the original tune (compare Tpt. 1, m. 7 and Cl. 1, m. 62). The Andante presents a lyrical, harmonically rich setting of the original tune in its entirety. A brief retransition leads to a varied restatement of the march that brings the composition to a close.
Rugby Heritage was commissioned and premiered by Rugby Middle School in Hendersonville, North Carolina, Anthony Ammons, conductor. The Andante passage is based on Floreat Rugbeia, the school hymn composed in 1870 by Reverend C. E. Moberley of the famed Rugby School (UK). A rousing rendition of the hymn, performed by students and staff of the Rugby School during the Covid-19 lockdown of 2020, may be viewed at https://www.youtube.com/w atch?v=Zhaup27XyAY.The composition opens with a fanfare that foreshadows the opening motive of Floreat Rugbeia (compare Tpt. 1, m. 1 and m. 31). A stately, British-style march section follows. The march theme is drawn from a second motive of the original tune (compare Tpt. 1, m. 7 and Cl. 1, m. 62). The Andante presents a lyrical, harmonically rich setting of the original tune in its entirety. A brief retransition leads to a varied restatement of the march that brings the composition to a close.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.GOB-000647-215

Composed by William Vean. Score Only. 24 pages. Gobelin Music Publications #GOB 000647-215. Published by Gobelin Music Publications (BT.GOB-000647-215).

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with special effects, Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany.
Highly recommended for your youth band!

William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects.

The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner:

Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales.

Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk.

Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section.

Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds.

BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly.

Marvin Monkey - A swing monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience?

Each part has its own difficulties and challenges.
Important in the first part is playing in swing (triplets feeling). This can be practised usingscales.
In the second part ensemble playing and balance are important.
In Baldrick additional information on the effects that have to be played might be useful. New sounds are, of course, welcome.
Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part.
Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a straight part with attention to chromatics and articulation.

A story teller will definitely be an asset when performing this composition.

Willi am Vean neemt u mee in de fascinerende en verrassende wereld van het dierenrijk.
Naast leuke speelmuziek vol ''special effects'', is deze compositie zeer educatief van opzet.
Als interessant inhoudelijke zaken komenonder andere aan de orde - het in swing spelen (triolen feeling), chromatiek, flatterzunge, zigeunertoonsoort, afwisselende maatsoorten en natuurlijk dynamiek en articulatie.
Tevens lopen de melodielijnen zowel door alle 4 destemmen als alle percussie partijen, zodat iedere muzikant de gelegenheid krijgt om te soleren dan wel te begeleiden.
Een aanrader voor uw jeugdorkest!

De dierenwereld spreekt muzikaal gezien altijd tot de verbeelding.William Vean heeft op bijzondere wijze een aantal dieren neergezet.
De componist weet op een bijzondere wijze elementen uit het dagelijkse leven muzikaal vorm te geven. Zijn muziek is daarom erg beeldend, de problemen aanwijsbaarmaar de oplossingen zijn creatief.
Voor blazers bijzonder interessant door de bijzondere speelmanieren maar het slagwerk is ook bedeeld met een aantal 'special effects'.

Kevin Kangaroo - Het springerige karakterwordt door verschillende stemmen neergezet. De swingende speelstijl benadrukt de karakteristieke bewegingen van de kangoeroe. Let op de specifieke swingstijl. Heel goed te oefenen met toonladders.

Eddy Elephant - Voor sommigekleinere faunagenoten elke keer weer een beproeving maar voor Eduard (Eddy voor vrienden en intimi) is dit zijn dagelijkse wandelingetje. Giro 224544 t.b.v. de geleden schade.

Baldrick Bat - De vleermuis Baldrick is eenmysterieus type. Dat mysterieuze aspect wordt auditief weergegeven door het snel indrukken van ventielen en kleppen, ondersteund door slagwerkeffecten.

Curtis Camel - De kameel Curtis hobbelt verveeld door de woestijn.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.GOB-000647-015

Composed by William Vean. Set (Score & Parts). 244 pages. Gobelin Music Publications #GOB 000647-015. Published by Gobelin Music Publications (BT.GOB-000647-015).

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with special effects, Animal Kingdom contains many educational elements, such as playing inswing (triplets feeling), chromatics, flutter tonguing, gypsy tuning, varying keys, and, of course, dynamics and articulation. The melodic lines occur in all four voices, as well as in all percussion parts, providing each musician with theopportunity to play a solo or to accompany.
Highly recommended for your youth band!

William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive, containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds, but the percussion section is also featured in his special effects.

The world of the animalsalways plays on ones imagination. In Animal Kingdom, William Vean has portrayed a number of animals in a special manner:

Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales.

Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal, but for Eduard (Eddy for friendsand intimates) it is his daily walk.

Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys, accompanied by special effects in the percussion section.

Curtis Camel - Curtisthe Camel trudges across the desert, feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds.

BettyButterfly - Butterfly Betty elegantly, and without worries, flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly.

Marvin Monkey - A swing monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience?

Each part has its own difficulties and challenges.
Important in the first part is playing in swing (triplets feeling). This can be practised usingscales.
In the second part ensemble playing and balance are important.
In Baldrick additional information on the effects that have to be played might be useful. New sounds are, of course, welcome.
Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part.
Marvin the Monkey brings back the swingrhythm that was introduced in the first part, alternated by a straight part with attention to chromatics and articulation.

A story teller will definitely be an asset when performing this composition.

Willi am Vean neemt u mee in de fascinerende en verrassende wereld van het dierenrijk.
Naast leuke speelmuziek vol ''special effects'', is deze compositie zeer educatief van opzet.
Als interessant inhoudelijke zaken komenonder andere aan de orde - het in swing spelen (triolen feeling), chromatiek, flatterzunge, zigeunertoonsoort, afwisselende maatsoorten en natuurlijk dynamiek en articulatie.
Tevens lopen de melodielijnen zowel door alle 4 destemmen als alle percussie partijen, zodat iedere muzikant de gelegenheid krijgt om te soleren dan wel te begeleiden.
Een aanrader voor uw jeugdorkest!

De dierenwereld spreekt muzikaal gezien altijd tot de verbeelding.William Vean heeft op bijzondere wijze een aantal dieren neergezet.
De componist weet op een bijzondere wijze elementen uit het dagelijkse leven muzikaal vorm te geven. Zijn muziek is daarom erg beeldend, de problemen aanwijsbaarmaar de oplossingen zijn creatief.
Voor blazers bijzonder interessant door de bijzondere speelmanieren maar het slagwerk is ook bedeeld met een aantal 'special effects'.

Kevin Kangaroo - Het springerige karakterwordt door verschillende stemmen neergezet. De swingende speelstijl benadrukt de karakteristieke bewegingen van de kangoeroe. Let op de specifieke swingstijl. Heel goed te oefenen met toonladders.

Eddy Elephant - Voor sommigekleinere faunagenoten elke keer weer een beproeving maar voor Eduard (Eddy voor vrienden en intimi) is dit zijn dagelijkse wandelingetje. Giro 224544 t.b.v. de geleden schade.

Baldrick Bat - De vleermuis Baldrick is eenmysterieus type. Dat mysterieuze aspect wordt auditief weergegeven door het snel indrukken van ventielen en kleppen, ondersteund door slagwerkeffecten.

Curtis Camel - De kameel Curtis hobbelt verveeld door de woestijn.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum and more. - Grade 3

SKU: CF.CPS229F

Composed by Andrew Balent. Sws. Cps. Full score. 36 pages. Duration 6 minutes, 50 seconds. Carl Fischer Music #CPS229F. Published by Carl Fischer Music (CF.CPS229F).

ISBN 9781491156292. UPC: 680160914838. 9 x 12 inches.

Commissione d by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July. This piece includes: The bold opening fanfare that can be played alone, ending on beat one of m. 12. A polka section using the tune Westward Ho. A calm middle section Desert Twilight. A dynamic celebration bringing the piece to a resounding climax. Performance Time: 5:40.
Commissioned by and for the City of Glendale Summer Band, Glendale, Arizona in honor of its fiftieth-year celebrations and founder, E.Lowell Rogers; former conductor, John C. Feris and current conductor, Ken Jaeger. The band was formed in 1966 with just a few members and has grown to over 250 that participate each year in a summer of music in the amphitheater in downtown Glendale every June and July.This piece includes:The bold opening fanfare that can be played alone, ending on beat one of m. 12.A polka section using the tune Westward Ho.A calm middle section “Desert Twilight.”A dynamic celebration bringing the piece to a resounding climax.Performance Time: 5:40.

Concert Band 4-Part Fully Adaptable with Percussion - Grade 2.5

SKU: FJ.B1837

Composed by Tyler S. Grant. Concert Band. The ReImagine Initiative. Score and Part(s). The FJH Music Company Inc #98-B1837. Published by The FJH Music Company Inc (FJ.B1837).

UPC: 241444429778. English.

This vibrant and colorful fanfare for young bands is based around a single melodic idea while the surrounding textures constantly change and grow in complexity. Beginning with a declarative fanfare, the music takes the listener on a journey across the Atlantic along with early European settlers on their way to North America. A powerful opener that will not overly tax your musicians!

Concert Band 4-Part Fully Adaptable with Percussion - Grade 2.5

SKU: FJ.B1837S

Score Only. Composed by Tyler S. Grant. Concert Band. The ReImagine Initiative. Score. The FJH Music Company Inc #98-B1837S. Published by The FJH Music Company Inc (FJ.B1837S).

English.

This vibrant and colorful fanfare for young bands is based around a single melodic idea while the surrounding textures constantly change and grow in complexity. Beginning with a declarative fanfare, the music takes the listener on a journey across the Atlantic along with early European settlers on their way to North America. A powerful opener that will not overly tax your musicians!

Fanfare Band and Flugelhorn Solo - Grade 2.5

SKU: BT.DHP-1094724-120

Composed by Jan de Haan. Solo Spectrum. Solo & Concerto. Score Only. Composed 2009. De Haske Publications #DHP 1094724-120. Published by De Haske Publications (BT.DHP-1094724-120).

9x12 inches. English-German-French-Dut ch.

The sky creates a dazzling display of yellows, oranges, and reds, before turning a calm blue, then purple, and finally black. Such sunsets inspired Jan de Haan to write this piece for solo flugelhorn and brass band. It is dedicated to his daughter, Hermanda.

Zonsondergang. De zon verdwijnt langzaam aan de westelijke horizon. De hemel is in rode en oranje kleuren getooid... Deze prachtige aanblik was de inspiratie voor dit ontroerende solowerk voor bugel en fanfare. (ook verkrijgbaar voorhobo en harmonieorkest). Jan de Haan schreef het in de herfst van 2008 en droeg het op aan zijn dochter Hermanda.

Le soleil crée un spectacle éblouissant de clouleurs jaune, orange, et rouge, avant que le ciel ne change en un bleu calme, puis violet ,et noir pour finir. De pareils couchers du soleil ont inspiré Jan de Haan écrire ce morceau pour bugle solo et fanfare. Il l’a dédié sa fille, Hermanda.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3.5

SKU: CF.CPS228F

Composed by George Sweet. Concert Band (CPS). Full score. With Standard notation. 28 pages. Carl Fischer Music #CPS228F. Published by Carl Fischer Music (CF.CPS228F).

ISBN 9781491153222. UPC: 680160910724.

Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was a large influencing factor for George Sweet in the composition of this piece. Richly scored for the modern concert band, Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.
Black light is defined as infrared or ultraviolet light which is invisible to the naked eye. The idea of an entire spectra existing out of the range of human perception was an influencing factor on the composition of the piece. Black Light is written in a post-minimalist style and is also heavily influenced by the work of American composers Steve Reich, John Adams, and Philip Glass.This begins with strict motor accompaniment. Take care to maintain equal balance among the different “moving parts” so that they blend to create a solid whole both here and throughout the piece. The primary thematic material is stated by the trumpets and horns at m. 12. This material is the basis for much of the harmonic and thematic material that follows. A slightly varied statement of the main theme is presented again at m. 26 with a different type of motor accompaniment. This leads to a B-section at m. 44, which is a bold fanfare-like presentation of the main material. Another series of variations on the main theme begins at m. 50 and incorporates many different textural and harmonic ideas in the accompaniment. Once again, be careful to not let any one “moving part” overwhelm another and keep the texture evenly balanced.  A second, broader presentation of the B-section occurs at m. 90 and leads to a subdued C-section at m. 100 with new melodic material presented in the trumpet. A whimsical march-like section pushes to the return of the introductory motor material at m. 131. A final heroic presentation of the main thematic material results in a somewhat ambiguous coda, which brings the piece to a dramatic conclusion.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Triangle, Trombone and more. - Grade 2

SKU: CF.YPS234F

Composed by Mark Lortz. Sws. Yps. Full score. 12 pages. Duration 1 minute, 50 seconds. Carl Fischer Music #YPS234F. Published by Carl Fischer Music (CF.YPS234F).

ISBN 9781491158210. UPC: 680160916818. 9 x 12 inches.

Flight of the Eagle is a driving fanfare highlighting all sections of the band. Written in a mature style, brass and saxophones begin the piece in a half-time feel with accentuated percussion interjections. Rehearsal 16, the flutes, oboes, and percussion are the driving pulse, while the other voices have the melodic content. The style is noticeably different at Rehearsal 28 with accented notes throughout. Rehearsal 35 introduces the new rhythmic ostinato, which should diminuendo so the melody can be heard. Rehearsal 67 is similar to Rehearsal 28 to the end, and percussion should dampen on the final note of the piece.

55 Songs for Active Vocal Training. By Jos Wuytack. Schott. Size 6x9 inches. 31 pages. Published by Schott Freres.