By Fanny Mendelssohn Hensel. Edited by Barbara Heller. For piano. Piano Pieces by Fanny Hensel - Volume 6. First Publication. Level: beginning. Full score. Composed 1823/24. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Annegret Huber. For piano. Piano Pieces by Fanny Hensel - Volume 4. First Publication. Level: beginning. Full score. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Annegret Huber. For piano. Piano Pieces by Fanny Hensel - Volume 5. First Publication. Level: beginning. Full score. Published by Furore-Verlag (German import).

Euphonium and Piano - Advanced

SKU: CY.CC3046

Composed by Mendelssohn_Hensel. Arranged by Steven Darling. Classical. Score and Parts. Cherry Classics #CC3046. Published by Cherry Classics (CY.CC3046).

ISBN 9790530110218. 8.5 x 11 in inches.

Fanny Mendelssohn-Hensel wrote over 460 works, mostly for solo piano and voice (lieder). She set over 34 songs to poems by Goethe, who was her favorite poet. Her songs are very expressive and are in a similar style as Schubert. The Goethe Lieder is a collection of four songs and is just right for a young performer at the intermediate level, however even a mature artist will enjoy the beautiful music of this talented composer.

Composed by Fanny Hensel-Mendelssohn. Edited by Raimund Schacher. Piano Pieces by Fanny Hensel Vol. 12. Romantic. Score. Published by Furore Verlag (FV.FUE-10148).

65 Songs by 13 Composers. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Size 8.5x11 inches. 264 pages. Published by Hal Leonard.

The Vocal Library High Voice. Composed by Various. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Classical. CD. 8 pages. Published by Hal Leonard

The Vocal Library Low Voice. Composed by Various. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Classical. CD. 8 pages. Published by Hal Leonard

65 Songs by 13 Composers. Arranged by Richard Walters, Virginia Saya. Vocal Collection. Size 8.5x11 inches. 264 pages. Published by Hal Leonard.

By Fanny Mendelssohn Hensel. Edited by Harald Pfeiffer. For organ and 1-2 trumpets. Level: advanced. Score and parts. Composed 1829. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Suzanne Summerville. Johann Wolfgang von Goethe. For voice (Soprano/Alto) with piano. First Publication. Full score. Published by Furore-Verlag (German import). (fue 6070)
Level: intermediate.

By Fanny Mendelssohn Hensel. Edited by Conrad Misch. Bible. For alto, SATB-Soli ad libitum, mixed choir and orchestra. First Publication. Full score. Composed 1831. Duration 15. Published by Furore-Verlag (German import). (fue 5260)
Level: intermediate.

By Fanny Mendelssohn Hensel. Edited by Barbara Gabler, Tilla Stohr. For trio (soprano 1 and 2, alto). First Publication. Level: intermediate. Full score. Duration 3'. Published by Furore-Verlag (German import). (fue 5450)

(Biographies and Games about Composers). By Jenny VanPelt. Level 2-6. Games, Reproducible. Published by Heritage Music Press

By Fanny Mendelssohn Hensel. Edited by Barbara Gabler. J.G.Droysen, H.Heine, A.H.von Platen, J.W. Von Goethe. For trio (soprano, alto, baritone). First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import). (fue 7490)

By Fanny Mendelssohn Hensel. Edited by Liana Gavrila Serbescu, Barbara Heller. For piano. First Publication. Level: intermediate. Full score. Composed 1843. Published by Furore-Verlag (German import).

By Fanny Mendelssohn Hensel. Edited by Suzanne Summerville. Heinrich Heine. For Soprano and Alto. First Publication. Score and parts. Published by Furore-Verlag (German import). (fue 6030)
Level: intermediate.

By Fanny Mendelssohn Hensel. Edited by Barbara Gabler, Tilla Stohr. For trio (soprano 1 and 2, alto) and piano. First Publication. Level: intermediate. Full score. Duration 5'. Published by Furore-Verlag (German import). (fue 5500)

By Fanny Mendelssohn Hensel. Edited by Conrad Misch. Bible. For alto, SATB-Soli ad libitum, mixed choir and orchestra. First Publication. Vocal score. Composed 1831. Duration 15. Published by Furore-Verlag (German import). (fue 5261)
Level: intermediate.

By Fanny Mendelssohn Hensel. For piano. Level: beginning. Full score. Published by Furore-Verlag (German import).

Composed by Fanny Mendelssohn Hensel. For SATB Choir. Standard notation. Hildegard Publishing Company #492-00120. Published by Hildegard Publishing Company

By Fanny Mendelssohn Hensel. Edited by Liana Gavrila Serbescu, Barbara Heller. For piano. First Publication. Level: intermediate. Full score. Published by Furore-Verlag (German import).

Chorus a cappella

SKU: BR.CHB-5234-02

Composed by Fanny Cecile Mendelssohn. Edited by Gottfried Heinz and J. Draheim. Choir; stapled. Chor-Bibliothek (Choral Library). Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica). Song; Romantic. Choral score. 4 pages. Breitkopf and Haertel #ChB 5234-02. Published by Breitkopf and Haertel (BR.CHB-5234-02).

ISBN 9790004411537. 7.5 x 10.5 inches. German.

Madame Hensel, Mendelssohn's sister, whose eyes speak intelligence and profundity''. This diary entry made by Robert Schumann in June 1843 succinctly but fittingly characterizes Fanny Hensel, without a doubt the most significant woman composer of the 19th century. Born in Hamburg on 14 November 1805, she was the eldest sister of Felix Mendelssohn Bartholdy and the granddaughter of the philosopher Moses Mendelssohn. In 1829 she married the Prussian court painter and occasional poet Wilhelm Hensel (1794-1861). After her sudden death in Berlin on 14 May 1847 as a result of a stroke, the music journalist Ludwig Rellstab poignantly wrote that she shared the brotherhood ef talent with her famous sibling.Fanny Hensel was given the same excellent and comprehensive musical training as her precocious brother, including composition lessons with Goethe's friend Carl Friedrich Zelter. Felix and Fanny not only loved each other tenderly, but they also maintained an intensive, life-long exchange of ideas which proved musically profitable to both of them. However, it was only in 1846 that Mendelssohn gave up his resistance to Fanny's publication plans. And so, just shortly before her death, she was able to publish a carefully selected sample of her songs and piano pieces.Not only these pieces, but also a few orchestral and chamber-music works (e.g. the String Quartet in E flat major, KM 2255) and, in particular, choral music occupy an important position in her oeuvre. Most of her choral works were written in 1846, and she was able to rehearse them with the chorus she conducted at the famous Sunday Concerts in the Mendelssohn home. She had six of these choral songs published in a revised version under the title Gartenlieder Op. 3 by the Berlin music publisher Bote & Bock. The title of the Gartenlieder brings to mind Mendelssohn's well-known Lieder im Freien zu singen (Opera 41, 48, 59; ChB 4763-4780), published before 1846. But, as far as the quality of their melodic writing, the compositional technique, and the choice of texts are concerned, as well as the perfect balance between folk-like simplicity and polished design, they are as outstanding as the works of her brother.

Fanny Hensel's choral works not only stand up to comparison with any of the rich and varied choral works of the Romantic era - they also rank among the best. Very likely to become hits! (Musica).

SKU: KU.GM-1016

Composed by Fanny Hensel Mendelssohn. Edited by Renate Hellwig-Unruh. DIN-A5. Paperback. Catalogue of works. 452 pages. Edition Kunzelmann #GM-1016. Published by Edition Kunzelmann (KU.GM-1016).

Piano - Level 3

SKU: FV.FUE-10104

Composed by Fanny geb. Mendelssohn Hensel. Edited by Raimund Schacher. Reihe: Klavierstucke von Fanny Hensel, Band 10. Score. Furore Verlag #FUE 10104. Published by Furore Verlag (FV.FUE-10104).

ISBN 979-0-50182-104-4.

Die vorliegenden Klavierstucke stammen aus der fruhen Schaffensperiode der Jahre 1821 und 1824. Die einen zeigen in ihrem Duktus barocke ,,Ruckgriffe. Im Gegensatz dazu sind die anderen ganz und gar im romantischen Geist komponiert. Das Klavierstuck f-Moll erinnert streckenweise sogar an Frederic Chopins Kompositionsstil.

First publication

CONTEN T
Klavierstuck g-Moll (WV 40), Klavierstuck Bdur (WV 39), Klavierstuck g-Moll (WV 37), Gigue e-Moll (WV 127), Klavierstuck g-Moll (WV 130), Klavierstuck As-Dur (WV 41), Klavierstuck f-Moll (WV 132).

2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, strings

SKU: BR.SON-431

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Thomas Schmidt-Beste. Linen. Complete Works. Romantic period. Complete Works. 116 pages. Breitkopf and Haertel #SON 431. Published by Breitkopf and Haertel (BR.SON-431).

ISBN 9790004803103. 10 x 12.5 inches.

A mystifying question of versions surrounds the Italian: right after the world premiere in London, Mendelssohn is unsatisfied with his symphony. Since he no longer has the score with him, he writes it down afresh (except for the opening movement), but stops at three quarters of the way. In the meantime, trusted experts weigh in with their views. Fanny Hensel writes to her brother: I dont like the change in the first melody at all; why did you make it? Nevertheless, Felix continues to busy himself with the first movement, but ultimately finds no more time for it and leaves it primarily in the form of the complete early version of 1833, which is published posthumously and remains, to this day, a standard repertoire piece in all concert halls. The revised torso, in turn, was long ignored. It was published in this volume, yet it is clear that the three movements of the incomplete final version of 1834 were from the composers viewpoint not at all ready for publication, seeing that Mendelssohn had never critically reviewed them after having penned them.