Choral (ShowTrax CD) SKU: HL.345450 Composed by George Gershwin and Ira G...(+)
Choral (ShowTrax CD)
SKU: HL.345450
Composed by George
Gershwin and Ira
Gershwin. Arranged by Ed
Lojeski. Jazz Chorals.
Concert, Jazz, Swing. CD.
Published by Hal Leonard
(HL.345450).
UPC:
840126919271.
5.0x5.0x0.15
inches.
From the
George and Ira Gershwin
musical Lady Be Good.
This swing style song has
been covered by countless
jazz bands and singers
and it continues to be
one of the great
standards in the
repertoire. This
arrangement is loaded
with style and it will
have your audience
smiling!
(for Band and Percussion). Composed by Ted Huggens. For concert band. Novelties/...(+)
(for Band and
Percussion). Composed by
Ted Huggens. For concert
band. Novelties/Catalogue
New Band Music Vol.
10/Original Works: Light
Music
Repertoire/Percussion
Solo and Band. Light
Concert Pieces. Recorded
on Global Brass
(ML.311011720). Grade 2.
Full set. Duration 6
minutes, 30 seconds.
Published by Molenaar
Edition
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Ed Lojes...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Ed Lojeski.
Jazz
Chorals. Concert, Jazz,
Swing. Octavo. 12 pages.
Published by Hal Leonard
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Ed Lojes...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Ed Lojeski.
Jazz
Chorals. Concert, Jazz,
Swing. Octavo. 12 pages.
Published by Hal Leonard
(For Percussion Septet with Optional Bass Guitar). By George Gershwin (1898-1937...(+)
(For Percussion Septet
with Optional Bass
Guitar). By George
Gershwin (1898-1937).
Arranged by Jeff Moore.
For Percussion Ensemble.
Percussion - Ensemble.
Alfred's Pop Percussion
Ensemble Series. 34
pages. Published by
Alfred Music Publishing
Fascinating Rhythm Ensemble de Percussions - Intermédiaire Alfred Publishing
By George Gershwin. Arranged by Sandy Feldstein. Percussion - Ensemble. Percussi...(+)
By George Gershwin.
Arranged by Sandy
Feldstein. Percussion -
Ensemble. Percussion
Performance Series.
Level: Intermediate
(grade 3). Book. 24
pages. Published by
Alfred Publishing.
(Vocal Solo or B-Flat Trumpet Solo with String Orchestra (featuring: I Got Rhyth...(+)
(Vocal Solo or B-Flat
Trumpet Solo with String
Orchestra (featuring: I
Got Rhythm / Fascinating
Rhythm / Strike Up the
Band)). By George
Gershwin and Ira
Gershwin. Arranged by
Douglas E. Wagner.
Orchestra. For string w/
trumpet, voice, pno,
drumset). Masterworks;
Part(s); Score; String
Orchestra. Pop Concert
String Orchestra. Form:
Medley. Light Concert;
Masterwork Arrangement;
Pop; Standard. Grade 4.
144 pages. Published by
Alfred Music Publishing
Grade 3 SKU: CL.032-4938-01 Composed by George Gershwin. Arranged by P. C...(+)
Grade 3
SKU:
CL.032-4938-01
Composed by George
Gershwin. Arranged by P.
Clark. Jazz Ensemble.
Extra full score. C.L.
Barnhouse #032-4938-01.
Published by C.L.
Barnhouse
(CL.032-4938-01).
You’ll
have lots of fun with
this creative arrangement
by Paul Clark of the
Gershwin standard!
Includes four short solo
spots (two for any sax,
plus two for any brass)
on simple chord changes
which are mixed in
between lots of swinging
ensemble passages. Even
the rhythms are
fascinating, with a few
bars of 5/4, stop-time,
and some 2-beat. This one
checks all the boxes for
showcasing your band. Not
to be missed!
Fascinating Rhythm Ensemble Jazz [Conducteur] - Intermédiaire Alfred Publishing
By George Gershwin. Arranged by Dave Wolpe. Gershwin / arr. Dave Wolpe. For Jazz...(+)
By George Gershwin.
Arranged by Dave Wolpe.
Gershwin / arr. Dave
Wolpe. For Jazz Ensemble.
Jazz Ensemble. Premier
Jazz Series. Level: 4
(Medium Advanced /
Difficult) (grade 4).
Conductor Score. 16
pages. Published by
Alfred Publishing.
(for Band and Percussion). By Ted Huggens. For Fanfare Band. Novelties / Percuss...(+)
(for Band and
Percussion). By Ted
Huggens. For Fanfare
Band. Novelties /
Percussion Solo and Wind
Band / Original Works
Light Music Repertoire.
Solo and Band Series.
Grade 3. Score. Published
by Molenaar Edition
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Ed Lojes...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Ed Lojeski.
Jazz
Chorals. Concert, Jazz,
Swing. Octavo. 12 pages.
Published by Hal Leonard
By George Gershwin. Arranged by Dave Wolpe. By George Gershwin / arr. Dave Wolpe...(+)
By George Gershwin.
Arranged by Dave Wolpe.
By George Gershwin / arr.
Dave Wolpe. For Jazz
Ensemble. Jazz Ensemble.
Premier Jazz Series.
Level: 4 (Medium Advanced
/ Difficult) (grade 4).
Conductor Score & Parts.
78 pages. Duration
3:00:00. Published by
Alfred Publishing.
Arranged by Warren Barker. Arr. Warren Barker. For Concert Band. Concert Band. P...(+)
Arranged by Warren
Barker. Arr. Warren
Barker. For Concert Band.
Concert Band. Pop
Symphonic Band. Conductor
Score and Parts. 258
pages. Duration 6:40.
Published by Alfred
Publishing. Level: 4
(Medium) (grade 4).
Composed by George Gershwin (1898-1937) and Ira Gershwin. Arranged by Mark Tay...(+)
Composed by George
Gershwin
(1898-1937) and Ira
Gershwin.
Arranged by Mark Taylor.
Little Big Band Series.
Big
Band, Jazz, Standard.
Softcover. Published by
Hal
Leonard
By Ira Gershwin, George Gershwin. Arranged by Jerry Burns. Music and lyrics by G...(+)
By Ira Gershwin, George
Gershwin. Arranged by
Jerry Burns. Music and
lyrics by George Gershwin
and Ira Gershwin / arr.
Jerry Burns. For Marching
Band. Marching Band. Very
Easy Pops for Marching
Band. Level: 1.5 (Very
Easy) (grade 1.5).
Conductor Score and
Parts. Published by
Alfred Publishing.
That Gershwin Rhythm Orchestre à Cordes [Conducteur] - Intermédiaire Alfred Publishing
(Vocal Solo or B-Flat Trumpet Solo with String Orchestra (featuring: I Got Rhyth...(+)
(Vocal Solo or B-Flat
Trumpet Solo with String
Orchestra (featuring: I
Got Rhythm / Fascinating
Rhythm / Strike Up the
Band)). By George
Gershwin and Ira
Gershwin. Arranged by
Douglas E. Wagner.
Orchestra. Masterworks;
Score; String Orchestra.
Pop Concert String
Orchestra. Form: Medley.
Light Concert; Masterwork
Arrangement; Pop;
Standard. Grade 4. 32
pages. Published by
Alfred Music Publishing
Grade 3 SKU: CL.032-4938-00 Composed by George Gershwin. Arranged by P. C...(+)
Grade 3
SKU:
CL.032-4938-00
Composed by George
Gershwin. Arranged by P.
Clark. Jazz Ensemble.
Score and set of parts.
C.L. Barnhouse
#032-4938-00. Published
by C.L. Barnhouse
(CL.032-4938-00).
You’ll
have lots of fun with
this creative arrangement
by Paul Clark of the
Gershwin standard!
Includes four short solo
spots (two for any sax,
plus two for any brass)
on simple chord changes
which are mixed in
between lots of swinging
ensemble passages. Even
the rhythms are
fascinating, with a few
bars of 5/4, stop-time,
and some 2-beat. This one
checks all the boxes for
showcasing your band. Not
to be missed!
Piano SKU: BT.MUSAM91544 Arranged by Steve Hill. Jazz. Book Only. Music S...(+)
Piano
SKU:
BT.MUSAM91544
Arranged by Steve Hill.
Jazz. Book Only. Music
Sales #MUSAM91544.
Published by Music Sales
(BT.MUSAM91544).
ISBN
9780711937666.
Fift
een great standards
arranged for piano in
jazz style by Steve Hill.
Newly engraved, with
chord symbols. Includes
Fascinating Rhythm,
Come Fly With Me, So
Nice and That Ole
Devil Called
Love.
Fascinating Rhythm Orchestre [Conducteur] - Intermédiaire Alfred Publishing
By George Gershwin and Ira Gershwin. Arranged by John Whitney. Orchestra. Full O...(+)
By George Gershwin and
Ira Gershwin. Arranged by
John Whitney. Orchestra.
Full Orchestra;
Masterworks; Score. Pop
Concert Full Orchestra.
Light Concert; Masterwork
Arrangement; Pop;
Standard. Grade 4. 28
pages. Published by
Alfred Music Publishing
Arranged by Warren Barker. Arr. Warren Barker. For Concert Band. Concert Band. P...(+)
Arranged by Warren
Barker. Arr. Warren
Barker. For Concert Band.
Concert Band. Pop
Symphonic Band. Conductor
Score. 52 pages.
Published by Alfred
Publishing. Level: 4
(Medium) (grade 4).
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€â
„¢s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
AboutÃ
‚ Jónas
HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃÂ
³nas HalgrÃÂmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.ÂÂ
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.