Par ALLEN JEFFREY. The Female Edition of Secrets of Singing is unique as it was designed with complete vocal instructions and singing exercices specifically tailored for the female singing range. Secrets of Singing is an indispensable guidebook for serious vocalists of all ability levels and styles of music. Whether you're singing for pleasure or for profit, it will give you the know-how to practice, audition, perform, and record professionally. The book includes: Two complete CDs with a series of thirty-three fully explained, state-of-the-art exercises (with vocal examples). The first CD contains explanations and exercises for the female low voice. Thesecond CD contains explanations and exercises for the female high voice. A ten-step power vocal work-out Trouble-shooting guides Endurance exercise groups Voice maintenance and hygiene tips Numerous quick reference charts Four simplified, easy-to-understand sections describing the inner workings of the vocal instrument / Méthode en anglais / Date parution : 1905-06-16/ Méthode / Voix

Rockschool is about singing the songs you love. Your Vocals Grade 6 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 6 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 6 exam.This book for female vocalists contains the songs:Since U Been Gone - Kelly ClarksonAngel - Sarah McLachlanGod Bless The Child - Sarah VaughanHalo - BeyonceOn My Own - Les MiserablesWherever You Will Go - Charlene SoraiaOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

A unique CD and Music Pack specially developed for female singers auditioning for shows, revues and bands. These ten hit songs have been carefully selected to bring out the best of your talent. The music book features each song in piano/vocal arrangements. The CD gives you full professional backing tracks, each specially recorded in the most appropriate key. This series is the answer to accompanist problems! / Piano/Vocal/Guitare (PVG)

Rockschool is about singing the songs you love. Your Vocals Grade 5 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 5 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 5 exam.This book for female vocalists contains the songs:Set Fire To The Rain - AdeleStay - RihannaSpotlight - Jennifer HudsonMama Do - Pixie LottNutbush City Limits - Tina TurnerSuddenly I See - KT TunstallOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Rockschool is about singing the songs you love. Your Vocals Grade 2 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 2 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 2 exam.This book for female vocalists contains the songs:Poker Face - Lady GagaYour Song - Ellie GouldingPrice Tag - Jessie JTrue Colors - Cyndi LauperRehab - Amy WinehouseCall Me - BlondieOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

Rockschool is about singing the songs you love. Your Vocals Grade 8 book contains six of the biggest tracks from the past six decades arranged for you to sing for your Grade 8 exam. This book also includes examples of all the supporting tests found in the Rockschool Grade 8 exam.This book for female vocalists contains the songs:You Got The Love - Florence and The MachineEmpire State Of Mind - Alicia KeysPiece Of My Heart - Erma FranklinSparkling Diamonds - Moulin RougeStop - JameliaAt Last - Etta JamesOther features include:Fact Files: band and artists background information with recommended listening.Backing tracks: high quality recordings to sing along to in Rockschool exams.Downloadable audio: use your download card for easy access to your audio.Vocal scores: easy-to-follow separate Vocals scores.Piano and Guitar parts: Piano notation and Guitar chords included to help with practice. / Voix

10 exquisite settings for female voices of any age, featuring texts by female poets. This unique book offers each piece in both high and low keys. Equally appropriate for the mature recital singer and the developing voice. / Voix

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

Par FAURE GABRIEL. Being a significant contributor to French romantic music, Faure 's Tantum Ergo, Op. 65, No. 2, is essential to all female choirs. Containing a variety of characteristics, this work contains many aspects of the romantic era. Known predominantly for his contributions to vocal repertoire, Gabriel Faure (1845-1924) is often regarded as the master of the French art song, frequently choosing to compose his songs to the writings of Victor Hugo and other prominent poets of the time. However, his religious works also remain popular, such as Tantum Ergo for three voice female choir. Containing manycharacteristics of French romantic music, this Faure work cannot be missed by aspiring female choirs./ Répertoire / Soprano Solo/2 Soprani/Contralto et Orgue

This classy collection features artistic and poetic texts set to music by some of Alfred Music's best writers specifically designed for two singers. Equally appropriate in concert and contest, each duet is more expressive than the last. Pair two female voices, two male, or one of each on these elegant selections. Truly a wonderful way to increase the ensemble skills of your students and showcase the vocal accomplishments of developing artists. An accompaniment CD is available. Titles: For the Beauty of the Earth * Make a Joyful Noise * Remember Me * Sigh No More, Ladies * The Snow Begins to Fall * and more. / Voix

This classy collection features artistic and poetic texts set to music by some of Alfred Music's best writers specifically designed for two singers. Equally appropriate in concert and contest, each duet is more expressive than the last. Pair two female voices, two male, or one of each on these elegant selections. Truly a wonderful way to increase the ensemble skills of your students and showcase the vocal accomplishments of developing artists. Titles: For the Beauty of the Earth * Make a Joyful Noise * Remember Me * Sigh No More, Ladies * The Snow Begins to Fall * and more. / Voix

A superb collection of classical songs by great composers including Mozart, Schubert and Mendelssohn ideal for auditions or just for the sheer pleasure o singing some of the finest classical pieces ever written. With 2 sections comprising songs scored specifically for male and female singers with Piano accompaniment, the collection comes complete with 2 CDs of backing tracks to sing along to. A song collection to be treasured for life! / Voix Et Piano

Italian opera was at the centre of Handel's output for over 35 years with solo arias constituting one of the most important elements in Baroque opera. Dramatic roles, with their various moods and reactions, are characterised through arias. A large number of Handel's operas also contain at least one entire scene for two to three voices. These numbers make use not only of similar lyrical or expressive forms of expression such as the arias, but also employ contrapuntal elements as found in Handel's chamber music.Based on the Bärenreiter vocal scores, three volumes were published which contain some of Handel's best-known arias, duets and trios, together with less well-known numbers of equally high musical quality. The arias are arranged chronologically, reflecting the order in which the operas were composed.The three volumes:Female roles for high voice (BA 4295)Male roles for high voice (BA 4296)Duets, Trios and Ensemble Scenes (BA 4297)- Unbeatable collections of Handel's most beautiful arias and ensembles- Musical text based on the Urtext vocal scores of the 'Halle Handel Edition?- Detailed foreword (Eng/Ger) by Donald Burrows on Handel's singers and on the arias in the context of the operas- Translations of the Italian aria texts (Eng/Ger) / Voix Hautes Et Piano / Partition

Par ESENVALDS ERIKS. O Salutaris Hostia is one of Eriks E?envalds? most popular pieces. Originally written for female voices, the composer later created a version for full choir on which this arrangement is based. It has a gentle meditation with the two soloists drifting across the soft band accompaniment, alternately echoing and imitating each other or joining together in thirds. The effect is quietly ecstatic, a brief moment of adoration and wonderment. This arrangement can be played with either two cornets or two euphoniums as soloists as the accompaniment works just as effectively with either. Brings contemporary choral repertoire by a leading international composer to the band world. Arrangement of Eriks E?envalds' highly successful choral piece 'O Salutaris Hostia'. Arranged by brass band specialist Phillip Littlemore. Part of EP Brass Band SeriesMeditative, beautiful piece, highly attractive for audiences, and proven success as a choral work. Suitable for intermediate band at 2nd Section and above / Date parution : 2022-05-17/ Répertoire / Brass Band