Solo Cello, String Quartet & String Orchestra SKU: SU.50027230 For Sol...(+)
Solo Cello, String
Quartet & String
Orchestra
SKU:
SU.50027230
For
Solo Cello, String
Quartet & String
Orchestra. Composed
by Robert Rollin.
Strings, Cello, Chamber
Music, Larger Chamber
Ensemble. Study Score.
Seesaw Music Corp
#50027230. Published by
Seesaw Music Corp
(SU.50027230).
Parts available
on rental.Copyright 1995.
Published by: Seesaw
Music.
Firebird Suite Orchestre d'harmonie [Conducteur] - Intermédiaire C.L. Barnhouse
Berceuse and Finale. By Igor Stravinsky. Arranged by Robert Longfield. Concert B...(+)
Berceuse and Finale. By
Igor Stravinsky. Arranged
by Robert Longfield.
Concert Band. Level:
Grade 4. Extra full
score. Composed 1998.
Published by C.L.
Barnhouse.
Composed by Various.
Arranged by Sarah Brough
Blomquist. Christian,
Contemporary Christian,
Gospel, Inspirational.
Jackman Music Corporation
#01977. Published by
Jackman Music Corporation
(JK.01977).
UPC:
093285019775.
Intro
ducing Path to Serenity,
the advanced sacred
instrumental series for C
instruments. This series
of C instrument solo
books is the answer to
many inquiries for
advanced sacred solo
repertoire from a variety
of instrumentalists.
These elegant
arrangements were
composed to enfold the
souls of all listeners in
the messages of hope and
healing found in the
hymns. This series will
accommodate the oboe,
flute, violin, cello,
bassoon, and many other
instruments. Appropriate
settings include sacred
occasions such as
funerals, sacrament
meetings, and firesides,
as well as recitals and
concerts.
The
series includes three
books (SOLD
SEPARATELY): Piano
Accompaniment Book -
#01976 C Instrument -
Treble Clef - #01977 C
Instrument - Bass Clef -
#01978
Arrangement
s found in this
book: Be Still, My
Soul Come, Thou Fount
of Every Blessing
(Treble/Bass Duet - use
all three books) Where
Can I Turn for
Peace? If You Could
Hie to Kolob I Need
Thee Every Hour More
Holiness Give
Me Jesus, the Very
Thought of
Thee Amazing
Grace Our Savior's
Love Composer:
Various Arranger:
Sarah Brough
Blomquist Difficulty:
Late-Intermediate/Advance
d.
(G. Schirmer Opera Anthology Accompaniment CDs (2)). By Various. Edited by Rob...(+)
(G. Schirmer Opera
Anthology
Accompaniment CDs (2)).
By
Various. Edited by Robert
L.
Larsen. Vocal Collection.
Book
with CD. 8 pages.
Published by
G. Schirmer
Solo Violin SKU: SU.29110060 For Solo Violin. Composed by Wynton M...(+)
Solo Violin
SKU:
SU.29110060
For
Solo Violin. Composed
by Wynton Marsalis.
Strings, Violin.
Unaccompanied. Score.
Subito Music Corporation
#29110060. Published by
Subito Music Corporation
(SU.29110060).
1. Sidestep
Reel - In 19th
Century America, the
Afro-Celtic fiddle style
was the centerpiece of
many a dance. Reels and
hornpipes were very
popular forms. Their
repetitive, even-metered
rhythms were easy and fun
to dance to, and their
infectious singable
melodies stayed in the
mind and on the tongue.
More adventurous fiddlers
were given to syncopating
on these forms by
accenting off beats and
by embellishing melodies
with oddmetered note
groupings. Syncopation is
a fundamental rhythmic
attitude of jazz and this
movement is a celebration
of that art. The melodic
language is a home-grown
concoction of commonality
between traditional reels
and hornpipes and the
Baroque, Ragtime and the
quartal concepts of
Modern Jazz. 2. As the
Wind Goes - the
wistful late night song
of a lullabye, a campfire
song, a ballad...a
spiritual. It is sung as
if on the wind, yearning
to experience once again
that which will only ever
again live as memory. 3.
Jones’ Jig -
the Irish Jig, the
African 6/8 bell pattern,
the shuffle rhythm of
jazz and the drum style
of Elvin Jones all play
around with the
relationship of 3 in the
time-space of 2. The
juxtaposition,
negotiation and
reconciliation of these
opposing rhythmic
perspectives create
interesting musical
relationships all over
the globe. 4.
Nicola’s
Strathspey - In the
traditional Strathspey,
improvised
embellishments,
syncopated dotted rhythms
and the use of space
between notes create
expectation, momentum and
surprise. These same
elements and their effect
on the listener are the
same in the blues. It
seems like a natural
marriage. 5. Bye Bye
Breakdown - This is
good ol’, Saturday
night barn dance, hoedown
fiddling. It revels in
the whining cry of open
double stops, in all
types of musical
onomatopoeia from train
sounds to animal calls to
country whistling, and in
the steady 2/4 rhythm
that is as basic as
walking. The harmonic
framework of several
popular fiddle and folk
tunes provide a practical
grid for the cutting of
challenging melodic and
rhythmic figures. It is
designed to tire fiddler
and dancers out. Then we
stomp our way home in
varying states of delight
and disrepair.Solo Violin
Duration: 24' Composed:
2018 Published by: Wynton
Marsalis (administered by
Skayne's Music).
Choral (Soprano/Alto I/Alto II) - intermediate SKU: HL.49045472 For Ch...(+)
Choral (Soprano/Alto
I/Alto II) - intermediate
SKU: HL.49045472
For Children's or
Women's Choir and
Organ. Composed by
Nino Rota. This edition:
Saddle stitching. Sheet
music. Choral. Classical.
Octavo. Composed
1966-1968. 28 pages.
Duration 13'. Schott
Music #C57828. Published
by Schott Music
(HL.49045472).
ISBN
9790001164238. UPC:
841886030961.
7.5x10.75x0.083 inches.
Italian.
The
Italian hymns contained
in this collection were
composed during the years
1966-1968. They are based
on texts of the so-called
post-conciliar liturgy
resulting from a reform
dictated by the
previously concluded
Second Vatican Ecumenical
Council. Due to this
reform, national
languages would now be
permitted in several
parts of the liturgy.
Rota incorporated the
last piece of this
collection into the film
score for Franco
Zeffirelli's La bisbetica
domata (The Taming of the
Shrew).
Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Terence Best. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II
Band 20. Complete
edition, Score. HWV 23.
Duration 3 hours.
Baerenreiter Verlag
#BA04081_00. Published by
Baerenreiter Verlag
(BA.BA04081).
ISBN
9790006497782. 33 x 25.8
cm inches.
In his
libretto for “
Riccardo primoâ€,
Paolo Rolli drew on
Antonio Lotti’s
opera “ Isacio
tiranno †which had
been performed in Venice
in 1710. Handel needed a
text with two great
women’s roles, for
the two best female
singers of the day were
members of his troupe
– Francesca
Cuzzoni and Faustina
Bordoni . He had already
written the operas
“Alessandroâ€
and “ Admeto
†for them. He
began composing “
Riccardo †in
spring 1727, completing
the first version on 16
May. However,
following the death of
King George I on 11 June
1727, the theatres
remained closed. For
Handel, who had become a
British citizen in
February 1727, the
accession of George II to
the throne offered new
possibilities, and he
embarked on a revision of
the opera. With this, he
was able to offer a new
opera for the coronation
festivities, the hero of
which was one of King
George’s
charismatic
forebears. From May
onwards, Handel
thoroughly revised the
present score, wrote some
parts anew and expanded
it with particularly
splendid music. Handel
and Rolli also improved
the plot and introduced
patriotic elements to
honour the British
monarchy.
The
historic background is
the third crusade against
Saladin, the Sultan of
Egypt and Syria , who had
recaptured Jerusalem in
1187. Although King
Richard I captured Cyprus
and together with French
crusaders stormed the
fortress of Akko in the
Holy Land, the crusade
ended with a ceasefire
and Jerusalem remained in
Saladin’s hands.
Richard was given the
title
‘Coeur-de-lionâ€
¹â€™ by the English
for his great military
ability and bravery,
although the Sicilians
had first given him this
name because of his
relentless cruelty in
clashes around Messina
.
The vocal
score is based on the
Halle Handel Edition
volume published in 2005,
edited by Terence Best,
and contains the second
version of the opera
which was premiered in
November 1727.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
For Concert Band.
Composed by Dan Welcher.
Spiral. Contemporary.
Large Full Score. With
Standard notation.
Composed 1994. 76 pages.
Duration 10 minutes.
Theodore Presser Company
#165-00092L. Published by
Theodore Presser Company
(PR.16500092L).
UPC:
680160039531. 11 x 17
inches.
Zion is the
third and final
installment of a series
of works for Wind
Ensemble inspired by
national parks in the
western United States,
collectively called Three
Places in the West. As in
the other two works (The
Yellowstone Fires and
Arches), it is my
intention to convey more
an impression of the
feelings I've had in Zion
National Park in Utah
than an attempt at
pictorial description.
Zion is a place with
unrivalled natural
grandeur, being a sort of
huge box canyon in which
the traveler is
constantly overwhelmed by
towering rock walls on
every side of him -- but
it is also a place with a
human history, having
been inhabited by several
tribes of native
Americans before the
arrival of the Mormon
settlers in the mid-19th
century. By the time the
Mormons reached Utah,
they had been driven all
the way from New York
State through Ohio and,
with tragic losses,
through Missouri. They
saw Utah in general as a
place nobody wanted, but
they were nonetheless
determined to keep it to
themselves. Although Zion
Canyon was never a Mormon
Stronghold, the people
who reached it and
claimed it (and gave it
its present name) had
been through extreme
trials. It is the
religious fervor of these
persecuted people that I
was able to draw upon in
creating Zion as a piece
of music. There are two
quoted hymns in the work:
Zion's Walls (which Aaron
Copland adapted to his
own purposes in both is
Old American Songs and
the opera The Tender
Land) and Zion's
Security, which I found
in the same volume in
which Copland found
Zion's Walls -- that
inexhaustible storehouse
of 19th-century hymnody
called The Sacred Harp.
My work opens with a
three-verse setting of
Zion's Security, a stern
tune in F-sharp minor
which is full of resolve.
(The words of this hymn
are resolute and strong,
rallying the faithful to
be firm, and describing
the city of our God they
hope to establish). This
melody alternates with a
fanfare tune, whose
origins will be revealed
in later music, until the
second half of the piece
begins: a driving
rhythmic ostinato based
on a 3/4-4/4 alternating
meter scheme. This pauses
at its height to restate
Zion's Security one more
time, in a rather obscure
setting surrounded by
freely shifting patterns
in the flutes, clarinets,
and percussion -- until
the sun warms the ground
sufficiently for the
second hymn to appear.
Zion's Walls is set in
7/8, unlike Copland's
9/8-6/8 meters (the
original is quite
strange, and doesn't
really fit any constant
meter), and is introduced
by a warm horn solo. The
two hymns vie for
attention from here to
the end of the piece,
with the glowingly
optimistic Zion's Walls
finally achieving
prominence. The work ends
with a sense of triumph
and unbreakable spirit.
Zion was commissioned in
1994 by the wind
ensembles of the
University of Texas at
Arlington, the University
of Texas at Austin, and
the University of
Oklahoma. It is dedicated
to the memory of Aaron
Copland.
For Orchestra.
Composed by Gerald
Levinson. Contemporary.
Full score. With Standard
notation. Composed July
31 1995. 30 pages.
Duration 9 minutes.
Theodore Presser Company
#446-41250. Published by
Theodore Presser Company
(PR.446412500).
Balkan Gipsies Orchestre d'harmonie [Conducteur] Molenaar Edition
(Part 3 from Global Reunion). Composed by Paul Voet. For concert band. Original ...(+)
(Part 3 from Global
Reunion). Composed by
Paul Voet. For concert
band. Original
Compositions/Parts of the
World Continent. Molenaar
Original Compositions.
Grade 5. Score only.
Published by Molenaar
Edition
Trombone - intermediate SKU: BT.DHP-1165724-404 Speel samen met een bl...(+)
Trombone - intermediate
SKU:
BT.DHP-1165724-404
Speel samen met een
blazerssectie!.
Composed by Jo Hermans
and Wietse Meys. Book
with Online Audio.
Composed 2016. 48 pages.
De Haske Publications
#DHP 1165724-404.
Published by De Haske
Publications
(BT.DHP-1165724-404).
ISBN 9789043151153.
Dutch.
Met dit
repertoireboek ervaar je
hoe het is om optimaal
samen te spelen in een
blazerssectie. De
medewerking van
eersteklas
studiomuzikanten heeft
hiervoor een fantastische
basis gelegd! Het boek
bestaat uit 10 songs in 5
majeur
pentatonischetoonsoorten
en hun 5 mineur
parallelen. De songs
variëren in stijl en
er worden telkens nieuwe
tips en tricks gegeven
die je kunt gebruiken. Op
deze manier leer je hoe
het is om in een
blazerssectie te spelen
en te improviseren!
Firewalk Orchestre à Cordes [Conducteur] - Facile Carl Fischer
By Sean O'Loughlin. String ensemble. For String Orchestra. Carl Fischer Young St...(+)
By Sean O'Loughlin.
String ensemble. For
String Orchestra. Carl
Fischer Young String
Orchestra Series. Folk.
Grade 2-2.5. Full Score.
Standard notation. 9
pages. Published by Carl
Fischer
Bb tenor saxophone/baritone (TC) SKU: CL.071-2295-22 Pep Band Books. Bb T...(+)
Bb tenor
saxophone/baritone (TC)
SKU:
CL.071-2295-22
Pep
Band Books. Bb Tenor
Saxophone/Baritone T.C.
book. Composed 1990. C.L.
Barnhouse #071-2295-22.
Published by C.L.
Barnhouse
(CL.071-2295-22).
CONTENTS: * The
Star Spangled Banner *
Rock On! * Big Brass
Attack * Comin' Alive *
La Fiesta Brava * Bring
it On Home * Gotta Get
Down * The Preacher Man *
Hip Stick * Fired Up! *
Valero * Quesada * Prime
Time * Hot Samba Nueva *
Carnival Del Soul *.