Violoncello SKU: HF.FH-1049 Op. 147. Composed by Justus Johann Fri...(+)
Violoncello
SKU:
HF.FH-1049
Op.
147. Composed by
Justus Johann Friedrich
Dotzauer. Edited by Bruns
and Schulz. Sheet music.
40 pages. Friedrich
Hofmeister Musikverlag
#FH 1049. Published by
Friedrich Hofmeister
Musikverlag (HF.FH-1049).
ISBN 9790203410492. 9
x 12 inches.
1. Von
den naturlichen
Flageolett-Tonen; 2. Von
den kunstlichen
Flageolett-Tonen.
1-3 guitars and other instruments - intermediate SKU: HL.49007111 Compose...(+)
1-3 guitars and other
instruments -
intermediate
SKU:
HL.49007111
Composed
by Lorenz Schmidt. Edited
by Dieter Kreidler. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 20 pages.
Schott Music #ED 7288.
Published by Schott Music
(HL.49007111).
Cello (VC) - easy to intermediate SKU: HL.49032608 Ein neuer Weg zum C...(+)
Cello (VC) - easy to
intermediate
SKU:
HL.49032608
Ein
neuer Weg zum
Cellospiel. Composed
by Mantel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Student book. 88 pages.
Schott Music #ED 8404.
Published by Schott Music
(HL.49032608).
ISBN
9783795751753.
9.0x11.75x0.189 inches.
German. Renate
Mantel.
Diese
Celloschule wendet sich
an den Einzel- und
Gruppenunterricht mit
Kindern von 5-10 Jahren.
Die Lese- und
Spielfahigkeit werden
parallel entwickelt.
Neben der traditionellen
Notenschrift gibt es zur
visuellen Verdeutlichung
Block-Noten und eine
Griffschrift. Von Anfang
an wird Musik gemacht.
Die cellistischen
Bewegungsablaufe werden
leicht verstandlich
erlautert und bewusst
trainiert. Mit speziellen
Hinweisen erhalten auch
die Eltern die
wichtigsten
Informationen, damit sie
das Uben ein wenig
unterstutzen konnen.
Locker formulierte Texte,
frohliche Lieder, farbige
Illustrationen und
Anregungen fur
Improvisation und
Auswendigspiel bringen
Spass am Cellospiel. Band
3 fuhrt nach der
gestreckten 4. Lage
zunachst die 3. Lage,
dann die halbe Lage und
schliesslich die relativ
unstabile 2. Lage ein.
Nach und nach werden dann
anspruchsvollere
cellistische Aufgaben
behandelt: Vibrato,
Doppelgriffe,
Tenorschlussel,
Flageolett-Ton,
anspruchsvollere
Strichtechniken (Saltato,
Spiccato), komplexere
Rhythmen und
Saitenubergange und
vieles mehr.
Chamber Music Cornet SKU: CF.O88X Composed by Narcisse Bousquet. Edited b...(+)
Chamber Music Cornet
SKU: CF.O88X
Composed by Narcisse
Bousquet. Edited by Joey
Tartell Edwin Franko
Goldman. SWS. Softcover.
With Standard notation.
44 pages. Carl Fischer
Music #O88X. Published by
Carl Fischer Music
(CF.O88X).
ISBN
9781491153406. UPC:
680160910908. 9 X 12
inches.
These
studies are a staple of
the advanced trumpet
method repertoire. Each
etude is an exploration
of a wide variety of
registers, articulations
and tonalities. While
going through these 36
etudes the trumpeter will
develop an even sound in
all registers while
tackling the musical and
melodic challenges that
lie
within. IntroductionTi
ps on Musical
PracticeStarting a new
study can be
overwhelming. Using Etude
No. 1, here’s an
example of how to
approach working on these
etudes with both
musicality and technique
in mind.Bousquet’s
first study can be broken
down into three large
musical sections:Section
1: from the beginning to
the downbeat of m.
26.Section 2: from the
upbeat of 2 in m. 26 to
the downbeat of m.
51.Section 3: from the
downbeat of m. 51 to the
end.Each one of those
sections can be broken
down into two smaller
sections:Section 1a: from
the beginning to the
downbeat of m. 16.Section
1b: from the downbeat of
m. 16 to the downbeat of
m. 26.Section 2a: from
the upbeat of 2 in m. 26
to the end of m.
35.Section 2b: from m. 36
to the downbeat of m.
51.Section 3a: from the
downbeat of m. 51 to the
downbeat of m. 59.Section
3b: from the downbeat of
m. 59 to the end.To get
started playing, choose a
slow tempo that allows
you to play Section 1 all
the way through without
stopping. If that is
problematic, just play
through 1a.Remember to
focus on the music.
Section 1a is light,
moving in four-measure
phrases to the ninth
measure, where it
cadences in G. From
there, retain the
lightness through the
arpeggiation that
concludes with the trill
that brings an arrival
point at Section 1b. Here
the style changes
completely, alternating
two measures of fluid,
connected sixteenth notes
with two measures of
scalar staccato
sixteenths before finally
cadencing on the downbeat
of m. 26.Section 2 begins
with a melodic line of
eighth notes, punctuated
by sixteenths in the
third full measure before
returning to the original
line for only a measure
before driving forward
with a flourish to finish
Section 2a. Section 2b
starts back in C with
four-measure phrases in
which the line moves up
for two measures, then
down for two measures,
ending in G. The last
seven measures of Section
2 stay light as they work
their way back to
C.Section 3 is very
exciting, starting with a
fiery cornet solo-like
passage in 3a. 3b brings
the piece to a dramatic
conclusion outlining C
major for the first four
measures before
arpeggiating C major and
G dominant for two
measures, finally
finishing with the
C-major scale.The next
step is to isolate any of
the parts that proved
troublesome. Examples
could include missed
notes or figuring out
where to breathe. Once
you have practiced the
troublesome sections in
isolation, play the
section all the way
through without stopping
again. Even if there are
still problems, you are
now practicing in a way
that is preparing you to
perform musically.The
next day, play through
Section 1 again, at a
tempo that allows you to
do this without stopping.
Now go on to Section 2,
and follow the same three
steps:Play all the way
through, at a tempo that
allows you to do so
without stopping,Isolate
and practice the
troublesome passages,
thenPlay all the way
through, at a tempo that
allows you to do so
without stopping.Now play
from the beginning to the
end of Section 2.The next
day, play Section 1. Now
play Section 2. Then play
Section 3 and apply the
same three steps outlined
above.Now play the whole
study. At this point you
have spent time on each
section, making musical
decisions and correcting
mistakes. Increase the
tempo as you gain
confidence and control of
the material. As you work
towards performing the
entire study as a piece
of music, record yourself
playing the entire study
as a performance each
day. Review the
recordings to reveal what
still needs work. Be
honest with yourself!
When you are happy with
the recording of your
performance, it’s time
to move on to the next
study.About the Goldman
PrefaceThese studies will
be an excellent practice,
especially for the lower
register of the Cornet,
which is somewhat
neglected in other
instruction books. It is
recommended that the
pupil should practice one
of this series of Studies
now and then to repose
his lips, and acquire
facility in difficult
fingering.— Edwin
Franko GoldmanIn his
original preface, Edwin
Franko Goldman is
absolutely correct that
these studies are
excellent practice and
will help with the
dexterity demanded of
today’s player.
Although the low register
is certainly explored
throughout the book, it
does not appear to be the
focus of these studies.
There are many books
available now that
concentrate on the low
register. The suggested
fingerings have been
removed. Using alternate
fingerings was more
common to cornet players
to aid in the fluidity of
a passage. This practice
is not nearly as common
today, especially with
trumpet players, as the
difference in timbre
caused by the alternate
fingerings is disruptive
to the musical line.
Published for cornet, as
it was the solo
instrument of choice in
the 1920s, these etudes
are just as useful to
today’s trumpet player.
When playing these
studies on trumpet, the
performer should strive
for a fluid line while
maintaining a full and
clear sound. Because of
the musicianship and
technique demanded, this
book remains as useful
today as it has ever
been.— Joey
TartellAbout Narcisse
Bousquet and the 36
EtudesNarcisse Bousquet
(c. 1800–1869) was
French by birth, active
as a composer, editor and
arranger in both France
and England in the early
nineteenth century.
Bousquet was respected as
an accomplished performer
of the French flageolet,
a high-pitched woodwind
instrument much like a
recorder, although later
outfitted with the Boehm
key system like the
modern flute. Although
obsolete in modern times,
the instrument once
enjoyed great popularity
with a variety of
composers and performers,
both amateur and
professional. Purcell and
Handel composed for the
instrument, and Berlioz
was purportedly an
accomplished amateur
performer of the
flageolet. The Scottish
author Robert Louis
Stevenson, likewise, was
a proficient performer of
the instrument and
composed a number of
pieces for it.Little is
known today of
Bousquet’s life. He
composed a large variety
of music, including works
specifically for the
flageolet, which were
widely appreciated in
their day. The 36 Etudes
for flageolet are
undoubtedly the most well
known of his works.
Published in 1851, the
Etudes explore a variety
of techniques, such as
scales, arpeggios,
ornamentation, breath
control and expressive
playing, and their
technically demanding
writing confirms
Bousquet’s prowess as a
flageolet performer.
However, the date of the
arrangement of the etudes
for cornet and their
arranger remain
speculative. Edwin Franko
Goldman is credited as
the arranger of the 1890
publication by Carl
Fischer, although Goldman
would have been only
twelve years old at the
time; his work on these
pieces surely came at a
later time. Bousquet
himself may have arranged
these pieces for cornet
at the request of an
accomplished cornet
player at some point
after their
publication.
by Tim R. Crawford edited by Dr. Kathleen Joyce-Grendahl. For Flute. method. Nat...(+)
by Tim R. Crawford edited
by Dr. Kathleen
Joyce-Grendahl. For
Flute. method. Native
American. Level:
Beginning. Book. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Publications, Inc.
Recorder, Flageolet, Galoubet SKU: FZ.50501 For recorder, flageolet an...(+)
Recorder, Flageolet,
Galoubet
SKU:
FZ.50501
For
recorder, flageolet and
galoubet. Edited by
Patricio Portell.
Mnemosis: The Memory of
Music Collection. Book
and CD. Published by Anne
Fuzeau Productions -
France (FZ.50501).
ISBN 9782841691692.
17.00 x 24.00 cm
inches.
Delve into
the memory of music with
the Mnemosis collection
from Anne Fuzeau
Classique. The recorder
enjoyed its golden age
from the late 17th
century to the first half
of the 18th century. Not
only was the instrument
part of the orchestra of
kings and the theatre
companies of major town
in Europe, but it also
contributed to the
enjoyment of small,
intimate performed in the
Chateaux and residences
of the flourishing
bourgeoisie who were
eager to listen to music.
it is mainly for this
public that an enormous
number of scores were
printed in order to
satisfy the growing
circles of music lovers.
Everything was printed,
from erudite to
fashionable music, from
church to chamber music,
to please all tastes and
styles. until now, no
bibliography of music for
the flute, printed during
the period when this
instrument enjoyed so
much popularity, has been
published. This
bibliography helps to
identify over one
thousand titles of works
composed directly or
indirectly for the
recorder. this work makes
it possible to locate
and, therefore, learn all
about a vast musical
repertory that has been
lying dormant on the
shelves of librairies,
just wainting to be
discovered. Summary:
Introduction. Liste des
abreviations. Liste des
bibliotheques avec leur
abreviations. A : Oeuvres
pour la flute a bec. B :
Oeuvres qui peuvent aussi
se jouer sur la flute a
bec. C : Recueils. D :
Oeuvre didactiques. Index
par instrument.
Bibliographie.
Voice Part (Sopran) and 2 Flutes (Voice And Ensemble) - difficult SKU: HL.490...(+)
Voice Part (Sopran) and 2
Flutes (Voice And
Ensemble) - difficult
SKU: HL.49033024
Text by James
Joyce. Composed by
Harry Partch. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Performance score,
Faksimile-Edition.
Composed 1944. 14 pages.
Duration 3'. Schott Music
#ED9346. Published by
Schott Music
(HL.49033024).
ISBN
9790001130479. UPC:
841886029453.
8.5x11.75x0.075 inches.
English.
Harry
Partch met soprano Ethel
Luening in 1942 and two
years later composed this
work for her. Initial
performances featured
Luening as soprano with
Partch playing his
kithara, and composer
Henry Brant playing
double flageolet; Partch
would eventually replace
the double flageolet with
two flutes. The use of
the complex text from
James Joyce's Finnegan's
Wake contrasts strongly
with Partch's other works
at the time, which used
texts from Partch's
experiences as a
transient or from authors
like Thomas Wolfe.
Chamber Music Flute, Harp SKU: PR.144404090 Soliloquy-Variations: for ...(+)
Chamber Music Flute, Harp
SKU: PR.144404090
Soliloquy-Variations:
for Solo Flute and
Optional Harp.
Composed by Sydney F.
Hodkinson. Classical. Set
of parts. With Standard
notation. Composed 1984.
Duration 5:30. Theodore
Presser Company
#144-40409. Published by
Theodore Presser Company
(PR.144404090).
Cello SKU: HL.14035889 Composed by Per Norgard. Music Sales America. Clas...(+)
Cello
SKU:
HL.14035889
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. 9
pages. Music Sales
#KP00672. Published by
Music Sales
(HL.14035889).
ISBN
9788759859285.
English-Danish.
I -
Lento II - Imposante
III - Andante
Programme Note
In my early
television remembrance I
recall a broadcast with
Samuel Beckett, one of
the fathers of the absurd
play and drama. At one
time Beckett looked the
viewer (the camera) in
the eye and said:'What! -
is the Word'. I have not
since been able to forget
it, obviously, having
borrowed this ambiguous
sentence as title for
this short cello sonata.
The fact that
it is conceived as a
unity is obvious from the
fact that the two outer
movements are closely
related. The long,
immediately recognizable
melodic line which
dominates the first
movement appears in the
third movement aswell,
first in an inverted
version and then almost
identical to its original
appearance, only shorter.
In contrast, the
middle movement is a fast
one, constantly and
intensely on the move,
with many changes of
pulse and meters, as well
as large melodic leaps.
And while the outer
movements each are
composed as a single
melodic line, the middle
movement makes extensive
use of the cello as a
polyphonic instrument
employing lots of chords,
double stops and
flageolet effects.
Piano Terzetto Piano Trio: piano, violon, violoncelle Schott
Piano Trio - difficult SKU: HL.49008124 Score and Parts. Composed ...(+)
Piano Trio - difficult
SKU: HL.49008124
Score and Parts.
Composed by Rodion
Shchedrin. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Score
and Parts. Composed 1995.
104 pages. Duration 25'.
Schott Music #ED 8694.
Published by Schott Music
(HL.49008124).
ISBN
9790001121453. UPC:
073999828450.
9.0x12.0x0.295
inches.
The first
movement 'Breakfast al
fresco' is dominated by
impressionistic colour,
delicate tremoli sul
ponticello and flageolet
sounds in the two strings
are juxtaposed with
precise runs in the
piano. The title of the
second movement is
self-explanatory: 'Parade
alla russe' quotes an old
Russian soldiers' song
'Nightingale, little bird
...' and is also a
reference to Eric Satie's
circus pictures. For
violin, cello, and
piano.
Guitar, orchestra SKU: FG.55011-709-9 Composed by Kalevi Aho. Score. Fenn...(+)
Guitar, orchestra
SKU:
FG.55011-709-9
Composed by Kalevi Aho.
Score. Fennica Gehrman
#55011-709-9. Published
by Fennica Gehrman
(FG.55011-709-9).
ISBN
9790550117099.
Kale
vi Aho's Concerto for
Guitar and Chamber
Orchestra (2018) is in
seven movements performed
without a break and each
using the guitar in a
different way. The fairly
slow introduction-like
movement is followed by a
virtuosic Allegro molto
in which the guitar is
also used like a
percussion instrument in
places as the soloist
taps out rhythms on the
soundboard. Motifs from
the Introduzione reappear
in the Interludio, and in
the lyrical, singing
Andante cantabile that
follows. In the
Misterioso movement the
guitarist plays only
flageolet notes. The
sixth movement, Presto,
is the other virtuoso one
in the concerto. The
Presto is the concerto's
dynamic climax. From then
onwards, the music
subsides to a slow
Epilogue, gradually
retreating into silence.
Duration: c. 30 minutes.
The full score is
available for sale (ISMN
9790550117099) and the
orchestral material is
available for hire from
the publisher. The
orchestration is
1111-1000-str(43321).
Violin(s) solo SKU: BR.MN-514A Parcours fur 2 Violinen oder 2 Violonce...(+)
Violin(s) solo
SKU:
BR.MN-514A
Parcours fur 2
Violinen oder 2
Violoncelli. Composed
by Renate Walti. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy; Music
post-1945. Score.
Composed 2000. 28 pages.
Duration 18'. Breitkopf
and Haertel #MN 514a.
Published by Breitkopf
and Haertel (BR.MN-514A).
ISBN 9790004790137.
11.5 x 8.5
inches.
Das
vorliegende Heft umfasst
14 kleine Stucke fur 2
Violinen im
Schwierigkeitsgrad leicht
bis mittelschwer.
Hauptmerkmale sind die
Flexibilitat der linken
Hand und die Lockerheit
des rechten Arms. Bereits
als Anfanger/in wird das
gesamte Griffbrett
ertastet, bzw.
errutscht.Effekte wie
glissando und flageolet
werden damit
kennengelernt. Der rechte
Arm streicht oder springt
vom Frosch bis an die
Spitze und arbeitet mit
Hand-, Ellbogen- und
Schultergelenk am
tremolo, spiccato,
arpeggio, con legno und
pizzicato.'Eile mit
Weile', 'verstimmt -
verstummt',
'Quintenzirkus',
'Gedankensprunge' und
zehn weitere kurze
Stucke, um mit zwei
Violoncelli und viel
Spass unterwegs zu
sein.
Violoncello, piano SKU: FG.55011-742-6 Composed by Kalevi Aho. Contempora...(+)
Violoncello, piano
SKU:
FG.55011-742-6
Composed by Kalevi Aho.
Contemporary. Book.
Fennica Gehrman
#55011-742-6. Published
by Fennica Gehrman
(FG.55011-742-6).
ISBN
9790550117426.
Kale
vi Aho's (b. 1949)
concerto no. 2 for cello
and orchestra (2013) is
in five movements
performed without a
break. It begins with a
swinging Berceuse,
followed by a very quick,
virtuosic Presto in 5/8
time. The heart of the
concerto is the
cadenza-like third
movement, Adagio,
dominated throughout by
the soloist. A fairly
short Allegretto is
followed by the closing
Epilogue. This has
flashbacks to the opening
movement, and they lead
to a cadenza in which the
soloist plays only
flageolet notes and
pizzicatos. The concerto
ends with a virtuosic
coda in 5/8 time
evocative of the second
movement.
Arto
Noras gave the concerto
its first performance
with the Lahti Symphony
Orchestra conducted by
Osmo Vänskä in Naantali
on June 5, 2014. It was a
joint commission from the
Naantali Music Festival
and the Lahti Symphony
Orchestra.
This
product consists of the
solo part (18 pages) and
piano reduction by Kari
Vehmanen (62 pages) -
have a look inside by
clicking “sample. The
concerto is scored for a
fairly small orchestra.
The instrumentation is
2(II=afl)2(II=ca)2(II=bcl
)2-2200-bar-02-str and
the orchestral material
is available for hire
from the publisher.
Violin(s) solo SKU: BR.MN-514B Parcours fur 2 Violinen oder 2 Violonce...(+)
Violin(s) solo
SKU:
BR.MN-514B
Parcours fur 2
Violinen oder 2
Violoncelli. Composed
by Renate Walti. Solo
instruments; Softcover.
Musikverlag Nepomuk.
Music pedagogy; Music
post-1945. Score.
Composed 2000. 28 pages.
Duration 18'. Breitkopf
and Haertel #MN 514b.
Published by Breitkopf
and Haertel (BR.MN-514B).
ISBN 9790004790144.
11.5 x 8.5
inches.
Das
vorliegende Heft umfasst
14 kleine Stucke fur 2
Violinen im
Schwierigkeitsgrad leicht
bis mittelschwer.
Hauptmerkmale sind die
Flexibilitat der linken
Hand und die Lockerheit
des rechten Arms. Bereits
als Anfanger/in wird das
gesamte Griffbrett
ertastet, bzw.
errutscht.Effekte wie
glissando und flageolet
werden damit
kennengelernt. Der rechte
Arm streicht oder springt
vom Frosch bis an die
Spitze und arbeitet mit
Hand-, Ellbogen- und
Schultergelenk am
tremolo, spiccato,
arpeggio, con legno und
pizzicato.'Eile mit
Weile', 'verstimmt -
verstummt',
'Quintenzirkus',
'Gedankensprunge' und
zehn weitere kurze
Stucke, um mit zwei
Violoncelli und viel
Spass unterwegs zu
sein.
Set of
Parts. Composed by
Joaquí and n
Rodrigo. Sheet music.
Concertino (Chamber
Orchestra). Classical.
Set of Parts. Composed
1945. 48 pages. Duration
6'. Schott Music #CON
210-70. Published by
Schott Music
(HL.49001945).
ISBN
9790001025041.
8.25x11.75x0.166
inches.
This
splendidly-sounding piece
consists of a vocal
movement based on the
baroque concertino
ripieno principle and a
dance movement whose
particular attraction
results from a long
flageolet passage.
Guitar SKU: FG.55011-710-5 Composed by Kalevi Aho. Score. Fennica Gehrman...(+)
Guitar
SKU:
FG.55011-710-5
Composed by Kalevi Aho.
Score. Fennica Gehrman
#55011-710-5. Published
by Fennica Gehrman
(FG.55011-710-5).
ISBN
9790550117105.
Kale
vi Aho's Concerto for
Guitar and Chamber
Orchestra (2018) is in
seven movements performed
without a break and each
using the guitar in a
different way. The fairly
slow introduction-like
movement is followed by a
virtuosic Allegro molto
in which the guitar is
also used like a
percussion instrument in
places as the soloist
taps out rhythms on the
soundboard. Motifs from
the Introduzione reappear
in the Interludio, and in
the lyrical, singing
Andante cantabile that
follows. In the
Misterioso movement the
guitarist plays only
flageolet notes. The
sixth movement, Presto,
is the other virtuoso one
in the concerto. The
Presto is the concerto's
dynamic climax. From then
onwards, the music
subsides to a slow
Epilogue, gradually
retreating into silence.
Duration: c. 30 minutes.
The full score is
available for sale (ISMN
9790550117099) and the
orchestral material is
available for hire from
the publisher. The
orchestration is
1111-1000-str(43321).
Guitar SKU: FG.55009-494-9 Composed by Harri Suilamo. Published by Fennic...(+)
Guitar
SKU:
FG.55009-494-9
Composed by Harri
Suilamo. Published by
Fennica Gehrman
(FG.55009-494-9).
ISBN
979-0-55009-494-9.
Eidola - weiland
Gitarrenspieler is, in
its own restrained way, a
virtuosic work. Not
extrovert in the typical
sense but inward-looking,
to the very core of the
instrument. The extensive
use of brittle, highly
sensitive flageolet notes
leads the listener to the
brink of silence. It is
also a reminder that the
guitar is fundamentally a
meditative
instrument.
Violin, piano SKU: FG.55011-615-3 Composed by Kalevi Aho. Solo part & pia...(+)
Violin, piano
SKU:
FG.55011-615-3
Composed by Kalevi Aho.
Solo part & piano
reduction. Fennica
Gehrman #55011-615-3.
Published by Fennica
Gehrman (FG.55011-615-3).
ISBN
9790550116153.
Kale
vi Aho (b. 1949) composed
Violin concerto No. 2 in
late summer and early
autumn 2015 for the
Finnish violinist Elina
Vahala. Lasting about 32
minutes, the second
concerto is a large-scale
virtuoso work dominated
by the soloist. The
strong-featured first
movement (Allegro) begins
with a fairly short
orchestral introduction
that is followed by the
soloist's first vigorous
statement. Around the
middle of the movement is
a cadenza, and the
movement ends with a
quick stretta. The
soloist dominates the
events in the slow second
movement (Adagio) even
more than it did in the
first. The Adagio begins
with the same opening
motif for the soloist as
the first movement, but
this time the motif is
more lyrical and singing.
Having built up to a
dramatic climax, it
subsides on flageolet
notes and finally sounds
that are somewhere
between musical notes and
noise. The third movement
(Vivace, leggiero) is by
nature dance-like again
and lighter than the
previous ones. At the
end, the tempo
accelerates to a wild,
virtuosic prestissimo.
Piano reduction (2020) by
Kari Vehmanen.
Composed by
Thomas-Louis Bourgeois.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile. La
Musique Francaise
Classique de 1650 a 1800.
Chamber Music. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5562).
ISBN
9790230655620. 24.00 x
33.00 cm
inches.
This
facsimile of an original
by Thomas-Louis Bourgeois
is part of our in
facsimile on French
classical music
collection. Edition :
Paris, Ribou, 1718 (2e
tirage). The preface
contains a bibliography
for this second book and
a study of the composer's
ornamentation. The
cantatas of Bourgeois are
of remarkable quality.
Presentation by Jean
SAINT-ARROMAN and
Philippe LESCAT in
French, English, German :
chronological table,
bibliography, the
ornamentation of
Bourgeois.
Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the National
Library of Paris
(France). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Cello - intermediate to advanced SKU: HL.49003452 Cello. Composed ...(+)
Cello - intermediate to
advanced
SKU:
HL.49003452
Cello. Composed by
Joachim Stutschewsky.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 44
pages. Schott Music
#ED1592. Published by
Schott Music
(HL.49003452).
ISBN
9790001033947. UPC:
073999352757.
9.0x12.0x0.16 inches.
German - English -
French.
3d to 6th
positions without thumb
positions. Moderately
difficult.
B-Tonarten, C-Dur, 2.
und 3. Lage, Doppelgriffe
und andere Kniffe.
Composed by Renate
Bruce-Weber. Arranged by
Mark Bruce. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 144
pages. Schott Music #ED
8432. Published by Schott
Music (HL.49015482).
ISBN 9783795754631.
9.0x12.0x0.42 inches.
German.
Vol. 3 of
'Die frohliche Violine'
pursues the same musical
and technical goals as
the first two volumes. It
contains a detailed
introduction to the flat
keys, C major key as well
as the 2nd and 3rd
positions. The last
chapter takes up the
subject matter of the
first chapters again in a
more demanding form and
with longer charming
pieces, giving an insight
into 'virtuoso' violin
technique.
Violin - beginner SKU: BT.DHP-1063964-400 Violinschule Band 1. Com...(+)
Violin - beginner
SKU:
BT.DHP-1063964-400
Violinschule Band
1. Composed by Gunter
Van Rompaey, Jaap van
Elst, and Wim Meuris.
Speel viool! Book with
CD. Composed 2006. 64
pages. De Haske
Publications #DHP
1063964-400. Published by
De Haske Publications
(BT.DHP-1063964-400).
ISBN 9789043124034.
9x12 inches.
German.
Spiel
Violine! ist eine
zeitgemä�e Geigenschule
in 24 Lektionen mit zwei
sorgfältig zusammen-
gestellten CDs und einer
separat erhältlichen
Klavierbegleitung. Sie
ist vom Autorenteam Jaap
van Elst, Wim Meuris und
Gunter Van Rompaey mit
vielGespür für Kinder
und Fingerspitzengefühl
im Umgang mit den
Anfängen auf der Geige
über Jahre hinweg
praxisnah entwickelt
worden. Spiel
Violine! eignet sich
für den Gebrauch im
Einzel- oder
Gruppenunterricht.
Violine lernen
machtSpaÃ?!Spiel
Violine! zeichnet
sich durch klare
Anweisungen, Intonations-
und Nachspielübungen,
Rhythmusübungen,
Improvisationen, Aufgaben
und Spiele aus. Der
Lernstoff findet sich in
bekannten und neuen
Spielstücken, Duetten
und Rätselnwieder.
Interessantes über die
Geige und berühmte
Geiger frischt den
Unterricht zusätzlich
auf. Nach vorbereitenden
Ã?bungen lernen die
Schüler schon früh zu
streichen. Durch die
ganze Schule hindurch
gibt es Bogenübungen
sowie Flageolett-
undGlissandi-Ã?bungen,
mit dem Ziel, die
Beweglichkeit der Arme zu
fördern. �bersicht
über die Lerninhalte von
Band 1: â?¢
Pizzicato â?¢ Die ersten
zwei Griffarten � Früh
schnellere
Streichbewegungen lernen
â?¢ Legato â?¢
Saitenwechsel â?¢
Grundtonleiternâ?¢
Flageoletts â?¢ Einfaches
Doppelsaitenspiel â?¢
Improvisation Die CDs
und die Klavierbegleitung
Zu einer
zeitgemä�en
Geigenschule gehört
heutzutage eine CD.
Spiel Violine!
sind gleich zwei CDs
beigelegt, auf denen
Begleitungen
undDemoversionen aller
Stücke sowie Gehör- und
Intonationsübungen,
gespielt von einem
professionellen Geiger,
zu hören sind. Mit der
separat erhältlichen Klavierbegl
eitung kann der
Lehrer von Anfang an
seineSchüler begleiten.
Dieser liegt ebenfalls
eine CD bei, auf der die
Klavierbegleitungen mit
einem echten Flügel
eingespielt
wurden.Klavierbegleitung:
DHP 1053904-400 In unserem
Flyer Spiel
Violine!, den Siehier
herunterladen können,
erhalten Sie zusätzliche
Informationen.
Double bass and piano SKU: M7.DOHR-16436 Composed by Norbert Laufer. Shee...(+)
Double bass and piano
SKU: M7.DOHR-16436
Composed by Norbert
Laufer. Sheet music.
Score and part. 24 pages.
Duration 10'. MDS (Music
Distribution Services)
#DOHR 16436. Published by
MDS (Music Distribution
Services)
(M7.DOHR-16436).
ISBN
9790202034361.
Picc
ola musica profonda
entstand für die
Kontrabassklasse von
Jürgen Michel an der
Städt.
Clara-Schumann-Musikschul
e Düsseldorf,
insbesondere für den
Einsatz bei Jugend
musiziert. Der erste Satz
Canzonetta profonda kam
im Jahre 2016 bei diesem
Wettbewerb zur
Uraufführung. Laurenz
Radig spielte beim
Regionalwettbwerb
Düsseldorf und beim
Landeswettbewerb NRW in
Altersgruppe 3. Ihm wurde
der Sonderpreis des DTKV
Düsseldorf/Mettmann für
die beste Interpretation
eines zeitgenössischen
Stückes zuerkannt.
Begleitet wurde er am
Klavier von Susanne
Ankener-Maczewski. Die
maßvollen technischen
Anforderungen der drei
Sätze schließen neben
den traditionellen Bogen-
und Grifftechniken auch
natürliche Flageoletts
ein sowie ein
Flageolett-Glissando.
Viola (Viola) - very easy SKU: HL.49015597 Bratschenschule fur den Anf...(+)
Viola (Viola) - very easy
SKU: HL.49015597
Bratschenschule fur
den Anfang. Composed
by Renate Bruce-Weber.
Arranged by Mark Bruce.
This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8965. Published by Schott
Music (HL.49015597).
ISBN 9783795754501.
9.0x12.0x0.366 inches.
German.
'Die
frohliche Viola' is a
viola method for children
which is aimed primarily
at pupils who start to
learn playing the viola
without taking a detour
to the violin. Those who
have already played the
violin and use the method
as a 'way to change
instruments' may skip
some pieces or even start
with Vol.2.Like 'Die
frohliche Violine', this
book intends to make the
children have fun while
learning to play the
viola. For this purpose,
a stylistically varied
range of classical and
folkloristic songs and
instrumental pieces
encourage music-making,
and small texts provide
interesting information
on the viola, the music
and its composers.The
viola is used both as a
solo and as an
accompanying instrument,
and the 'hearing' and
'counting' of middle and
lower lines are
specifically trained. Due
to the fact that many
songs and secondary parts
are notated in the treble
clef and thanks to
examples for trio and
quartet playing, this
book especially
encourages ensemble
playing with friends or
within the family.
Performance Score.
Composed by Gerhard
Mantel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Playing score.
44 pages. Schott Music
#ED8781. Published by
Schott Music
(HL.49008156).
ISBN
9790001122184. UPC:
884088073091.
9.0x12.0x0.175
inches.
These duet
studies are intended as a
companion volume and as
additional exercises to
the method 'Cello mit
Spass und Hugo', but they
are equally well suited
as complementary material
to any other course of
study. Each piece tackles
a clearly defined
technical or tonal task,
yet they are meant to be
fun and useful additional
to the chamber music
repertoire in their own
right. Initially the
upper part is intended
for the pupil, the lower
one for the teacher. But
as both parts are
comparatively equal, they
could also be attempted
by two pupils. For group
tuition it is suggested
to introduce a couple of
rhythmical accompanying
parts.