| Land of Legends Fanfare [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000399-020 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000399-020
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 154
pages. Gobelin Music
Publications #GOB
000399-020. Published by
Gobelin Music
Publications
(BT.GOB-000399-020).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the sceneof
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appearsto be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen from
neighbouring villages are
busily at work. In
the upperchamber of the
round tower lives an old
man (The Old Wizard). He
hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some
ofthem sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played byminstrels
and of course a plentiful
banquet
follows.
In
‘Land of Legends’
worden we door de Duitse
componist Andreas Ludwig
(what’s in a name)
Schulte meegenomen in de
fictieve wereld van
legendes, sagen en
sprookjes. De
inleiding van het eerste
deel (The Castle)
beschrijft de majestueuze
contourenvan de plaats
van handeling. De
instrumentatie (hoorns)
zorgt er mede voor dat we
ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we door de
poort naar binnen gaan
blijkt dathet op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen, het vee wordt
verzorgd en enkele
ambachtslieden uit
deomliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien, niemand
weet wat hij precies
doet. Er wordt gezegd dat
hij zich bezig houdt
mettovenarij/magie. Het
is een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derde
deel heeft allure. Onder
luid trompetgeschal wordt
de bruid aan de hand van
haar vaderbinnengebracht.
Tijdens het feest wordt
er gedanst onder
begeleiding van de
troubadours en natuurlijk
volgt een bourgondische
maaltijd.
Gobelin
Music Publications. $196.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of Legends Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000468-010 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000468-010
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 172
pages. Gobelin Music
Publications #GOB
000468-010. Published by
Gobelin Music
Publications
(BT.GOB-000468-010).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd. $196.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of Legends Fanfare [Conducteur] - Intermédiaire Gobelin Music Publications
Fanfare Band - Grade 4 SKU: BT.GOB-000399-120 Composed by Andreas Ludwig ...(+)
Fanfare Band - Grade 4
SKU:
BT.GOB-000399-120
Composed by Andreas
Ludwig Schulte. Score
Only. 32 pages. Gobelin
Music Publications #GOB
000399-120. Published by
Gobelin Music
Publications
(BT.GOB-000399-120).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the sceneof
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appearsto be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen from
neighbouring villages are
busily at work. In
the upperchamber of the
round tower lives an old
man (The Old Wizard). He
hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some
ofthem sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played byminstrels
and of course a plentiful
banquet
follows.
In
‘Land of Legends’
worden we door de Duitse
componist Andreas Ludwig
(what’s in a name)
Schulte meegenomen in de
fictieve wereld van
legendes, sagen en
sprookjes. De
inleiding van het eerste
deel (The Castle)
beschrijft de majestueuze
contourenvan de plaats
van handeling. De
instrumentatie (hoorns)
zorgt er mede voor dat we
ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we door de
poort naar binnen gaan
blijkt dathet op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen, het vee wordt
verzorgd en enkele
ambachtslieden uit
deomliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien, niemand
weet wat hij precies
doet. Er wordt gezegd dat
hij zich bezig houdt
mettovenarij/magie. Het
is een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derde
deel heeft allure. Onder
luid trompetgeschal wordt
de bruid aan de hand van
haar vaderbinnengebracht.
Tijdens het feest wordt
er gedanst onder
begeleiding van de
troubadours en natuurlijk
volgt een bourgondische
maaltijd.
Gobelin
Music Publications. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of Legends Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000468-140 Composed by Andrea...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-000468-140
Composed by Andreas
Ludwig Schulte. Score
Only. 32 pages. Gobelin
Music Publications #GOB
000468-140. Published by
Gobelin Music
Publications
(BT.GOB-000468-140).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd. $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sing We And Chant It - Facile Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 2
SKU: CF.YAS137
Composed by Thomas
Morley. Arranged by
Deborah Baker Monday.
Young String Orchestra.
Set of Score and Parts.
With Standard notation.
8+2+8+5+5+5+2+8 pages.
Duration 2 minutes, 13
seconds. Carl Fischer
Music #YAS137. Published
by Carl Fischer Music
(CF.YAS137). ISBN
9780825894732. UPC:
798408094737. 9 x 12
inches. Key: G
major. A high
quality setting of the
Thomas Morley hymn, Sing
We and Chant It, by
popular writer Deborah
Baker Monday. Deborah
understands the idiomatic
nature of the string
orchestra and always
provides teachers with
music that can be used to
teach as well as inspire
musicality. Thomas
Morley (ca. 1557-1602)
lived in England during
the Elizabethan period.
It was a time during the
reign of Queen Elizabeth
when the arts, and
especially music,
flourished.Morley studied
serious music with
William Byrd and
attempted to compose in
his style while holding
an organ post at St.
Paul's Cathedral. He was
inspired by a new vocal
publication brought to
England from Italy. These
madrigals were where
Morley finally found his
compositional direction.
He took aspects of the
Italian style, which
suited his personality
and anglicized them by
applying the English
language and musical
tradition. His works are
considered to show a
wider variety of
emotional color, form and
technique than other
English composers of this
period.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Land of Legends Ensemble de cuivres [Conducteur] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000695-130 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000695-130
Composed by Andreas
Ludwig Schulte. Score
Only. 32 pages. Gobelin
Music Publications #GOB
000695-130. Published by
Gobelin Music
Publications
(BT.GOB-000695-130).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Land of Legends Ensemble de cuivres [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Brass Band - Grade 4 SKU: BT.GOB-000695-030 Composed by Andreas Ludwig Sc...(+)
Brass Band - Grade 4
SKU:
BT.GOB-000695-030
Composed by Andreas
Ludwig Schulte. Set
(Score & Parts). 58
pages. Gobelin Music
Publications #GOB
000695-030. Published by
Gobelin Music
Publications
(BT.GOB-000695-030).
In ‘Land of
Legends’ German
composer Andreas Ludwig
(what’s in a name)
Schulte takes you along
to the fictional world of
legends, myths and fairy
tales. The
introduction to the first
part (The Castle)
describes the majestic
contours of the scene of
action. Its
instrumentation (horns)
immediately makes you
imagine being in Medieval
spheres. The addition
of trenchant copper
instruments even gives
the part a heroic tinge.
After entering through
the gate, a lot of hustle
and bustle appears to be
going on in the
courtyard. Pages, squires
and soldiers are busy
attending to their arms.
Beer is being brewed,
flax is being spun,
cattle are being tended
and some craftsmen
fromneighbouring villages
are busily at work.
In the upper chamber of
the round tower lives an
old man (The Old Wizard).
He hardly ever comes out,
and nobody knows exactly
what he is doing. It is
said that he is engaged
in wizardry and magic. It
is all very
mysterious. There are
also festivities, some of
them sober, others
exuberant. The
wedding in the third part
is celebrated in a grand
manner. With a flourish
of trumpets, the bride
makes her entrance at the
hand of her father.
Afterwards, at the party
there is dancing to the
music played by minstrels
and of course a plentiful
banquet follows.
In ‘Land of
Legends’ worden we door
de Duitse componist
Andreas Ludwig (what’s
in a name) Schulte
meegenomen in de fictieve
wereld van legendes,
sagen en sprookjes.
De inleiding van het
eerste deel (The Castle)
beschrijft de
majestueuzecontouren van
de plaats van handeling.
De instrumentatie
(hoorns) zorgt er mede
voor dat we ons direct in
Middeleeuwse sferen
wanen. De toevoeging
van het scherp koper
geeft zelfs een
heldhaftige
tintje.Wanneer we doorde
poort naar binnen gaan
blijkt dat het op
binnenplaats een en al
bedrijvigheid is. De
pages, schildknapen en
soldaten houden zich
bezig met het in tact
houden van de
wapenuitrusting. Er wordt
bier gebrouwen, vlas
gesponnen,het vee wordt
verzorgd en enkele
ambachtslieden uit de
omliggende dorpen zijn
druk in de weer. In de
bovenste kamer van de
ronde toren verblijft een
oude wijze man (The old
Wizzard). Hij laat zich
bijna nooit zien,
niemandweet wat hij
precies doet. Er wordt
gezegd dat hij zich bezig
houdt met
tovenarij/magie. Het is
een groot mysterie, in
nevelen
gehuld. Gefeest werd
er ook. De ene keer sober
de andere keer
uitbundig. De
bruiloft in het derdedeel
heeft allure. Onder luid
trompetgeschal wordt de
bruid aan de hand van
haar vader
binnengebracht. Tijdens
het feest wordt er
gedanst onder begeleiding
van de troubadours en
natuurlijk volgt een
bourgondische
maaltijd. $143.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Christmas Flourish Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie - Grade 3 SKU: BT.CMP-0198-98-010 Composed by James...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.CMP-0198-98-010
Composed by James Curnow.
The Splendor of
Christmas. Set (Score and
Parts). Composed 1998.
Curnow Music #CMP
0198-98-010. Published by
Curnow Music
(BT.CMP-0198-98-010).
James Curnow's
brilliant opener A
Christmas Flourish is the
inspiring and spirited
fanfare needed to start
your next holiday concert
with flair. Based on
Angels We Have Heard On
High, this flourish works
its way through several
style and mood changes,
including themes from
several other well-known
carols. Dazzling!
Composée de
plusieurs célèbres
chants de Noël d'ici
et d'ailleurs,
déclinés sous la
forme de variations de
styles, de rythmes et de
climats musicaux. Cette
ouverture pétillante
et brillante a pour point
de départ un
traditionnel français
Les Anges dans nos
Campagnes. Cloches,
carillonez gaiement ! $86.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jubilate! Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094722-140 Waldkircha in ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094722-140
Waldkircha in
Musica. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2009. 36 pages. De Haske
Publications #DHP
1094722-140. Published by
De Haske Publications
(BT.DHP-1094722-140).
9x12 inches.
English-German-French-Dut
ch. Jubilateââ‚
¬â„¢s main theme
comes from the Gregorian
chant on the Psalm
Jubliate Deo omnis terra.
The work itself was
inspired by the
sacredhistory of the
Waldkirch (a forest
village) community,
located on the
Swiss/German boarder. It
tells a tale of the Irish
and Scottish monks who
build the first wooden
church at the site of
what is now Waldkirch, of
the dramatic events, good
and bad, that have taken
place over the centuries
and of the flourishing
community that has
withstood the trials of
time.
Jubilate!
, dessen Hauptthema
aus dem gregorianischen
Gesang zum Psalm
Jubilate Deo omnis
terra stammt, wurde
von der Kirchengeschichte
der Gemeinde Waldkirch
bei Waldshut am Hochrhein
inspiriert. Von den
irischen und schottischen
Mönchen, welche die
erste Holzkirche bauten,
von dramatischen
historischen Ereignissen,
aber auch von einer
aufblühenden
Kirchengemeinde handelt
dieses festliche Werk,
dem eine CD mit dem
Glockenklang der
Waldkircher Kirche
beiliegt.
Jacob de
Haan fa rivivere il
passato religioso di
Waldkirch, una citt
tedesca vicino alla
frontiera con la
Svizzera. Il titolo del
brano deriva dal versetto
del Salmo 97
Jubilate Deo omnis
terra. La musica rievoca
l’arrivo dei
monaci scozzesi ed
irlandesi che si
stabilirono sul suolo
dell’attuale
Waldkirch dove iniziarono
a costruire le prime
chiese. La storia prende
in seguito una piega
più tragica, ma la
comunit reagisce
positivamente e con
orgoglio, ciò che
porta alla prosperit e al
benessere. Le campane di
Waldkirch suonano con
vigore (CD di
accompagnamento):
Jubilate! $38.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jubilate! Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1094722-013 Waldkircha in ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1094722-013
Waldkircha in
Musica. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts) with CD.
Composed 2009. De Haske
Publications #DHP
1094722-013. Published by
De Haske Publications
(BT.DHP-1094722-013).
9x12 inches.
English-German-French-Dut
ch. Jubilateââ‚
¬â„¢s main theme
comes from the Gregorian
chant on the Psalm
Jubliate Deo omnis terra.
The work itself was
inspired by the
sacredhistory of the
Waldkirch (a forest
village) community,
located on the
Swiss/German boarder. It
tells a tale of the Irish
and Scottish monks who
build the first wooden
church at the site of
what is now Waldkirch, of
the dramatic events, good
and bad, that have taken
place over the centuries
and of the flourishing
community that has
withstood the trials of
time.
Jubilate!
, dessen Hauptthema
aus dem gregorianischen
Gesang zum Psalm
Jubilate Deo omnis
terra stammt, wurde
von der Kirchengeschichte
der Gemeinde Waldkirch
bei Waldshut am Hochrhein
inspiriert. Von den
irischen und schottischen
Mönchen, welche die
erste Holzkirche bauten,
von dramatischen
historischen Ereignissen,
aber auch von einer
aufblühenden
Kirchengemeinde handelt
dieses festliche Werk,
dem eine CD mit dem
Glockenklang der
Waldkircher Kirche
beiliegt.
Jacob de
Haan fa rivivere il
passato religioso di
Waldkirch, una citt
tedesca vicino alla
frontiera con la
Svizzera. Il titolo del
brano deriva dal versetto
del Salmo 97
Jubilate Deo omnis
terra. La musica rievoca
l’arrivo dei
monaci scozzesi ed
irlandesi che si
stabilirono sul suolo
dell’attuale
Waldkirch dove iniziarono
a costruire le prime
chiese. La storia prende
in seguito una piega
più tragica, ma la
comunit reagisce
positivamente e con
orgoglio, ciò che
porta alla prosperit e al
benessere. Le campane di
Waldkirch suonano con
vigore (CD di
accompagnamento):
Jubilate! $184.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gargoyles Orchestre à Cordes [Conducteur et Parties séparées] - Facile Alfred Publishing
By Doug Spata. Orchestra. SmartMusic; String Orchestra. String Orchestra. Contem...(+)
By Doug Spata. Orchestra.
SmartMusic; String
Orchestra. String
Orchestra. Contemporary.
Grade 2. Conductor Score
and Parts. 62 pages.
Published by Alfred Music
Publishing
(9)$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ports of Call Theodore Presser Co.
Chamber Music Guitar, Violin 1, Violin 2 SKU: PR.114407260 A Mediterra...(+)
Chamber Music Guitar,
Violin 1, Violin 2
SKU: PR.114407260
A Mediterranean
Suite. Composed by
Samuel Adler. Set of
Score and Parts. With
Standard notation.
24+16+16+12 pages.
Duration 14 minutes.
Theodore Presser Company
#114-40726. Published by
Theodore Presser Company
(PR.114407260). UPC:
680160011209. Ports
of Call, a suite of five
movements for two violins
and guitar was written
for the Trio Triento for
their New York debut.
Composed in the Summer of
1992, it was premiered in
April 1993. 1992 was the
500th anniversary of the
1492 expulsion of the
Jews from Spain and, of
course, Columbus' trip to
America. To commemorate
these important events, I
was commissioned by
organizations in 20 major
cities to write an
oratorio. The result was
Ever Since Babylon. The
musical material was
greatly influenced by
tunes from around the
Mediterranean region.
These Sephardic melodies
took on treat meaning for
me, and I took five of
them and expanded them
into these five pieces
which are actually
dances. I felt that the
combination of two
violins and guitar lent
itself well as a vehicle
for this music. The names
of the cities are used
because the tunes
originated in these
particular locations.
Marseille, a typical
provencale dance with
naturally changing meters
and a light, airy, touch.
Alexandria, much more
mysterious and languid,
reflecting the heat and
inertia of that glorious
city in slow though
sometimes steady
movement. Salonika, a
wild dance in typical
Greek fashion celebrating
a holiday with abandon.
The whirling movement
goes relentlessly from
beginning to end. Haifa
is represented by two
beautiful chant-like
pastoral tunes which
introduce the beauty and
luminous quality of this,
one of the most beautiful
parts in the Eastern
Mediterranean. Valencia,
the last, a tribute to
medieval Spain. The music
is a culmination of the
influences of the three
great cultures, Moslem,
Christian, and Jewish,
which flourished there
for hundreds of years. It
is an uplifting dance
with just a tinge of
sadness in the center,
since the Golden Age of
which the tune was a
part, had come to a
tragic end in 1492.
--Samuel Adler. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.114419980 Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980). UPC:
680160681723. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rites for the Afterlife [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone SKU:
PR.11441998S Composed
by Stacy Garrop. Sws.
Full score. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998S. Published by
Theodore Presser Company
(PR.11441998S). UPC:
680160681730. 9 x 12
inches. The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alas! Babylon's Final Sunset Orchestre Subito Music
Orchestra SKU: SU.94010400 For Orchestra. Composed by James Lee II...(+)
Orchestra SKU:
SU.94010400 For
Orchestra. Composed
by James Lee III.
Orchestra. Study Score.
Subito Music Corporation
#94010400. Published by
Subito Music Corporation
(SU.94010400).
2,1 2,1 2,1
2,1; 4331; timp, perc(3),
cel, hp; stgs Duration:
11' Composed: 2013
Published by: Subito
Music Publishing
Performance materials
available on rental:
Alas! Babylon’s
Final Sunset is
another installment in my
series of works that
musically comment on the
biblical books of Daniel
and Revelation. The
principal source of
inspiration for this
works comes from the 18th
chapter of the book of
Revelation. This chapter
states that the career of
Babylon the Great is
finally coming to an end.
The music begins with a
mysterious pianissimo
tremolo accompanied by
tam-tam and bass drum.
The initial flourishes in
the oboes and English
horn serve as the
principal motive of
warning. As the music
continues, there are
varying degrees of
agitation among the
strings and woodwinds.
Throughout the work there
are rhythmic motives in
the brass, percussion,
and various woodwind
instruments that sing and
speak Babylon is Fallen
in triple meter. As the
tutti ensemble arrives at
a climax, the orchestral
texture becomes thinner
and slightly transparent.
As the music continues,
the opening motive
returns in the oboes,
however the counterpoint
produces a series of solo
laments. These passages
are intended to provide
picturesque images of
these words: And the
voice of harpers, and
musicians, and of pipers,
and trumpeters, shall be
heard no more at all in
thee; and no craftsman,
of whatsoever craft he
be, shall be found any
more in thee; and the
sound of a millstone
shall be heard no more at
all in thee; And the
light of a candle shall
shine no more at all in
thee. and the voice of
the bridegroom and of the
bride shall be heard no
more at all in thee: for
thy merchants were the
great men of the earth;
for by thy sorceries were
all nations deceived. And
in her was found the
blood of prophets, and of
saints, and of all that
were slain upon the
earth. Rev. 18:22-24 The
following passages
musically comment on the
historical career of
Babylon with a sense of
her impending
destruction. The series
of laments transforms
into the more emphatic
rhythmic motive Babylon
is Fallen. The orchestral
texture begins to become
more condense, once
again, with the initial
flourishes of, but with
notable variations.
Finally, the celesta,
harp, oboes, English
horn, and strings sing
profundities that are
finally transformed into
a minor mode tonality
that fades away with the
ringing of the tam-tam.
Babylon has finally seen
her last sunset. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Partita on Creator of the Stars of Night Orgue - Intermédiaire MorningStar Music Publishers
Organ - Late Intermediate SKU: MN.10-438 Composed by David M. Cherwien. C...(+)
Organ - Late Intermediate
SKU: MN.10-438
Composed by David M.
Cherwien. Chant-Based,
Recital Music,
Bestseller, Offertories,
Preludes,
Partita/Variations,
Postludes. Advent.
Instrumental part.
MorningStar Music
Publishers #10-438.
Published by MorningStar
Music Publishers
(MN.10-438). UPC:
688670104381. The
partita is in five
movements, each based on
a text verse which is
quoted before the
movement. The first
movement, smooth and
flowing, depicts
starlight, everlasting
light, and a call to
Christ. The second
movement pastorale takes
its cue from the text
...not as a monarch, but
the child of Mary... and
quotes GREENSLEEVES. The
third movement is a firm
declamation, At your
great name...all knees
must bend. The fourth
movement is strong and
dramatic with chromatic
flourishes painting the
text, ...holy
might...defend us...from
all assaults. The final
movement is a fiery
toccata over a pedal
melody. $12.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
1 |