For Flute, Viola, and Harp. By Gary Schocker. Mixed chamber ensemble. For Flute, Viola, Harp. Score and parts. 4 pages. Duration 3:59. Published by Theodore Presser Company.

(Flute, Viola and Harp). By Mieczyslaw Weinberg. Score and Parts. Peermusic Classical. Softcover. 32 pages. Peermusic #62425-784. Published by Peermusic

4 Japanische Gedichte (1957/58). (Score). By Heinz Holliger (1939-2002). For Flute, Harp, Viola, Voice. Schott. Playing score. 8 pages. Schott Music #ED9460. Published by Schott Music

Flute

SKU: HL.48186286

Leduc. CD. Alphonse Leduc #AL30474. Published by Alphonse Leduc (HL.48186286).

UPC: 888680839017. 0.186 inches.

Windswept cypresses (9') quatuor pour flute, alto, Harpee et percussion (partition et parties). Par Cheung aux editions Leduc. Partition / Livre de chansons pour Flute.

Music teaching

SKU: LM.26643D

Composed by Marguerite Labrousse. Method, studies. CD. Editions Henry Lemoine #26643D. Published by Editions Henry Lemoine (LM.26643D).

ISBN 9790231701791.

LIGE TI : 5 Bagatelles, Musica Ricercata - SCHUMANN : Nur wer die Sehnsucht Kennt - CHOPIN : Was ein junges Madchen liebt - WOLF : Mignon - BARTOK : Mikrokosmos - BIZET : L'abandonnee et Jeux d'enfants - MOZART : Concerto pour Flute et Harpe - DEBUSSY : Sonate pour Flute, Alto et Harpe.

Music teaching

SKU: LM.26643

Composed by Marguerite Labrousse. Method, studies. Score. Editions Henry Lemoine #26643. Published by Editions Henry Lemoine (LM.26643).

ISBN 9790230966436.

LIGE TI : 5 Bagatelles, Musica Ricercata - SCHUMANN : Nur wer die Sehnsucht Kennt - CHOPIN : Was ein junges Madchen liebt - WOLF : Mignon - BARTOK : Mikrokosmos - BIZET : L'abandonnee et Jeux d'enfants - MOZART : Concerto pour Flute et Harpe - DEBUSSY : Sonate pour Flute, Alto et Harpe.

Alto Flute

SKU: HL.48186014

Composed by Musheng Chen. Leduc. Softcover. Alphonse Leduc #AL29818. Published by Alphonse Leduc (HL.48186014).

UPC: 888680842666. 9x12 inches.

Chen Musheng Les Franges Du Reve Ii Flute and Harp and Strings Parts.

Flute and Various Instruments

SKU: HL.50496668

Composed by Reverdy. MGB. Score Only. Composed 2002. Editions Salabert #SLB2273. Published by Editions Salabert (HL.50496668).

By Daniel Catan. Woodwind. 8 pages. Published by G. Schirmer (Associated Music Publishers).

Composed by Jean Emile Paul Cras. For harp, flute, violin, viola and cello or piano and string quartet. Chamber music (3-9 instruments). Score and set of 4 parts. Published by Noten Roehr

By Yossi Hamami. For bass flute (or alto flute) and harp. Published by OR-TAV Music Publications

Toward the Sea III by Toru Takemitsu (1930-1996). For Harp, Alto Flute. Schott. 19 pages. Schott Music #SJ01049. Published by Schott Music

SKU: NR.110753

Pour flute, cello (ou alto) et harpe. Composed by Maurice Ravel. Chamber music (3-9 instruments). Score. Noten Roehr #110753. Published by Noten Roehr (NR.110753).

Salzedo, Carlos, 1885-1961, ed, Nickrenz, Scott, ed.

Alto Flute, Viola and harp

SKU: HL.14019440

Composed by Bent Lorentzen. Music Sales America. Classical. Set. Music Sales #KP00224. Published by Music Sales (HL.14019440).

ISBN 9788759864128. English.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 256 pages. Published by Hal Leonard.

Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Dumbek, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Glockenspiel, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3

SKU: CF.CPS261

Composed by Patrick Glenn Harper. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+4 +4+4+4+4+8+8+6+4+8+1+2+2+ 2+4+8+4+32 pages. Duration 5:22. Carl Fischer Music #CPS261. Published by Carl Fischer Music (CF.CPS261).

ISBN 9781491161272. UPC: 680160919864.

Sahar a is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination. Performance Notes You may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In measures 48-92, this entire middle section may be played in a rubato style at the director's discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81. Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.
Sahara is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination.Performance NotesYou may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In  measures 48-92, this entire middle section may be played in a rubato style at the director’s discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81.Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.

Band Bass Clarinet, Bass Drum, Bassoon, Bongos, Clarinet 1, Clarinet 2, Clarinet 3, Dumbek, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Glockenspiel, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3 and more. - Grade 3

SKU: CF.CPS261F

Composed by Patrick Glenn Harper. Cps. Full score. 32 pages. Duration 5:22. Carl Fischer Music #CPS261F. Published by Carl Fischer Music (CF.CPS261F).

ISBN 9781491161715. UPC: 680160920402.

Sahar a is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination. Performance Notes You may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In measures 48-92, this entire middle section may be played in a rubato style at the director's discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81. Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.
Sahara is an exciting programmatic work for concert band that musically paints a picture of a fantastical desert crossing in three contrasting sections. The first section depicts a large caravan moving across the giant dunes. The second section describes a visit to a palace in a mystical oasis city. The third section brings the piece to an epic close as the caravan outruns a sandstorm to reach their final destination.Performance NotesYou may use a set of congas in addition to or in lieu of the dumbek part to bring out that pitched drum sound. At m. 4, emphasize the accented quarter notes in the horns and euphonium. Measures 17-26, make sure that the sixteenth note marimba part is heard clearly. In  measures 48-92, this entire middle section may be played in a rubato style at the director’s discretion to achieve maximum musical expression. Be sure to emphasize the crescendo-decrescendo dynamics in this entire section. In measures 56-61, be sure that the syncopated flute and clarinet parts are heard clearly. and the flute and oboe are heard as well mm. 76-81. The descending eighth notes in the bass clarinet and tuba part should be brought out in mm. 76-81.Measures 109-112, make sure to bring out the trills in the Flute and oboe parts and sustain them all the way through the measure with a release immediately on beat 1 of the following measure. And finally, mm. 125-126, emphasize the F Horn and Alto Saxophone parts.

SKU: HL.50565554

Composed by Arthur Lourié. MGB. Hal Leonard #ME277401. Published by Hal Leonard (HL.50565554).

EN MI BEMOL, AVEC VOIX FEMININES.

(Score)

SKU: HL.50579631

Composed by Charles Koechlin. Max Eschig. Study Score. Composed 2001. Hal Leonard #ME8522. Published by Hal Leonard (HL.50579631).