| A German Requiem Op. 45 Breitkopf & Härtel
Violin 2 (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - t...(+)
Violin 2 (solos: SBar -
choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU:
BR.OB-16109-16
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Edited by Michael
Musgrave and Michael
Struck. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Requiem; Romantic;
Late-romantic. Part. 20
pages. Duration 75'.
Breitkopf and Haertel #OB
16109-16. Published by
Breitkopf and Haertel
(BR.OB-16109-16). ISBN
9790004347386. 10 x 12.5
inches. The German
Requiem is one of the
world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir &
Organ)
authoritati
ve music text based on
the current state of
research; erroneous
traditional readings
corrected; orchestra
material tried and
tested; new piano vocal
score (compact engraving,
clear legibility). $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Pumping Nylon -- Complete Guitare Guitare classique [Partition + Accès audio] Alfred Publishing
The Classical Guitarist's Technique Handbook. Composed by Scott Tennant. This ed...(+)
The Classical Guitarist's
Technique Handbook.
Composed by Scott
Tennant. This edition:
2nd. Book; Classical
Guitar Method or
Supplement; Digital
Download;
Method/Instruction;
Software. Pumping Nylon
Series. 272 pages.
Published by Alfred Music
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dbl...(+)
Chorus (with soloists)
and orchestra (solos:
SBar - choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU: BR.EB-9362
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Choir; Softbound.
Edition Breitkopf.
Requiem; Romantic;
Late-romantic.
Piano/Vocal Score. 104
pages. Duration 75'.
Breitkopf and Haertel #EB
9362. Published by
Breitkopf and Haertel
(BR.EB-9362). ISBN
9790004188323. 7.5 x 10.5
inches. German. The
German Requiem is one of
the world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir & Organ)
new
piano vocal score with
compact engraving and
clear legibility;
music-text page better
spaced out to facilitate
reading; page division
largely retained overall
to facilitate rehearsals;
vocal-text reading
corrected to conform to
the Bible. $15.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Violoncello (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 ...(+)
Violoncello (solos: SBar
- choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU:
BR.OB-16109-23
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Edited by Michael
Musgrave and Michael
Struck. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Requiem; Romantic;
Late-romantic. Part. 20
pages. Duration 75'.
Breitkopf and Haertel #OB
16109-23. Published by
Breitkopf and Haertel
(BR.OB-16109-23). ISBN
9790004347409. 10 x 12.5
inches. The German
Requiem is one of the
world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir &
Organ)
authoritati
ve music text based on
the current state of
research; erroneous
traditional readings
corrected; orchestra
material tried and
tested; new piano vocal
score (compact engraving,
clear legibility). $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Calle Sin Nombre Fennica Gehrman
Choral (Mixed Choir) SKU: HL.48025028 Mixed Choir. Composed by Ale...(+)
Choral (Mixed Choir)
SKU: HL.48025028
Mixed Choir.
Composed by Alex Freeman.
BH Large Choral.
Classical. Octavo. 26
pages. Fennica Gehrman
#M550115682. Published by
Fennica Gehrman
(HL.48025028). UPC:
196288019909. The
texts of Alex Freeman's
Calle sin nombre for
mixed choir (2019) are
drawn from quotations of
families seeking asylum
who are victims of the
policies of family
separation aggressively
and abruptly enacted by
the administration of
President Donald John
Trump.These desperate
words tread with bare
feet across shards of
fragmented lines from
Emma Lazarus's The New
Colossus (the iconic poem
enshrined at the base of
The Statue of Liberty). A
rehearsal reduction for
piano is included in the
publication. Alex Freeman
(b. 1972) grew up in
Raleigh, North Carolina.
Around the age of 13 he
became interested in
composing. In 1998 he
moved to New York to
begin his Doctoral
studies at the Juilliard
School, studying with
Christopher Rouse. The
focus of his doctoral
document led him to
Finland. The recipient of
a Fulbright Full
Fellowship, he moved to
Helsinki in 2001 to
research Sibelius's
sketches and study
composition with Eero
Hameenniemi at the
Sibelius Academy. Dr.
Freeman is currently
composing full-time and
liveswith his wife and
children in Finland. $25.25 - Voir plus => Acheter | | |
| Requiem (Arman-Fassung) Carus Verlag
1st violin (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, ...(+)
1st violin (Soli SATB,
Coro SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165211
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165211.
Published by Carus Verlag
(CA.5165211). ISBN
9790007313845. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
(Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl, Va, B...(+)
(Soli SATB, Coro SATB, 2
Corni di bassetto, 2 Fg,
2 Tr, 3 Trb, Timp, 2 Vl,
Va, Bc) SKU:
CA.5165219
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Set of
Orchestra Parts. KV 626.
Duration 50 minutes.
Carus Verlag #5165219.
Published by Carus Verlag
(CA.5165219). ISBN
9790007313883. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $240.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Requiem Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Carus Verlag
Solo voices, SATB chorus, orchestra (2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Tim...(+)
Solo voices, SATB chorus,
orchestra (2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165203
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. Vocal
score. KV 626. Duration
50 minutes. Carus Verlag
#5165203. Published by
Carus Verlag
(CA.5165203). ISBN
9790007294243. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozartâ??s Requiem.
â??Another one?â? you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Sü�mayr
version. Yet such is the
enormous power of
Mozartâ??s score that
the challenge and appeal
of completing it remain
undiminished. After two
decades of intensive
study, Howard Armanâ??s
additions to Mozartâ??s
great original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ?
?s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozartâ??s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrumentâ??s unique
sound is given an
opportunity to shine.
Armanâ??s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather â?? in the spirit
of Mozart â?? on
creating a sense of drama
and illuminating the
theme in all its possible
facets. Mozartâ??s
fragment ends with the
Hostias, and so does
Armanâ??s completion.
For the four
following movements
(Sanctus to Communio) we
have nothing from Mozart,
and so here, where the
master is silent, Arman
finally returns to
Sü�mayr, the man who
was closest to Mozart at
the time of his death and
whose efforts to fill the
blank manuscripts still
garner our respect
today.
Armanâ??s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike â?? and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozartâ??s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Viola (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 - timp...(+)
Viola (solos: SBar -
choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU:
BR.OB-16109-19
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Edited by Michael
Musgrave and Michael
Struck. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Requiem; Romantic;
Late-romantic. Part. 28
pages. Duration 75'.
Breitkopf and Haertel #OB
16109-19. Published by
Breitkopf and Haertel
(BR.OB-16109-19). ISBN
9790004347393. 10 x 12.5
inches. The German
Requiem is one of the
world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir &
Organ)
authoritati
ve music text based on
the current state of
research; erroneous
traditional readings
corrected; orchestra
material tried and
tested; new piano vocal
score (compact engraving,
clear legibility). $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dominus Vobiscum Chorale SATB Carl Fischer
Composed by Jacob Narverud. Fold. Octavo. 8 pages. Duration 2 minutes. Carl ...(+)
Composed by Jacob
Narverud.
Fold. Octavo. 8 pages.
Duration 2 minutes. Carl
Fischer Music #CM9648.
Published by Carl Fischer
Music
$2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SBar - choir: SATB - pic2.2.2.2.dbl...(+)
Chorus (with soloists)
and orchestra (solos:
SBar - choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU: BR.PB-16109
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Edited by Michael
Musgrave and Michael
Struck. Choir; Softbound.
Partitur-Bibliothek
(Score Library). Requiem;
Romantic; Late-romantic.
Full score. 224 pages.
Duration 75'. Breitkopf
and Haertel #PB 16109.
Published by Breitkopf
and Haertel
(BR.PB-16109). ISBN
9790004214367. 10 x 12.5
inches. The German
Requiem is one of the
world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir &
Organ)
authoritati
ve music text based on
the current state of
research; erroneous
traditional readings
corrected; orchestra
material tried and
tested; new piano vocal
score (compact engraving,
clear legibility). $88.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| A German Requiem Op. 45 Breitkopf & Härtel
Double bass (solos: SBar - choir: SATB - pic2.2.2.2.dble bsn.(ad lib) - 4.2.3.1 ...(+)
Double bass (solos: SBar
- choir: SATB -
pic2.2.2.2.dble bsn.(ad
lib) - 4.2.3.1 - timp -
2hp - org(ad lib) - str)
SKU:
BR.OB-16109-27
Urtext based on the
new Complete Edition.
Composed by Johannes
Brahms. Edited by Michael
Musgrave and Michael
Struck. Choir; stapled.
Orchester-Bibliothek
(Orchestral Library).
Requiem; Romantic;
Late-romantic. Part. 16
pages. Duration 75'.
Breitkopf and Haertel #OB
16109-27. Published by
Breitkopf and Haertel
(BR.OB-16109-27). ISBN
9790004347416. 10 x 12.5
inches. The German
Requiem is one of the
world's most famous
requiems, even though it
does not set the
customary requiem text to
music. Brahms did not
want to follow the Latin
Catholic funeral mass,
addressing the Last
Judgment's terror and
sinful human beings'
redemption through death
on the cross. His
attention, on the
contrary, was on Biblical
texts that focus on human
transience and comfort:
comfort to the bereaved
and comfort to all who
fear death. To some
extent, it could be
called the epitome of
Brahms's work. In the
relevant volume of the
new Brahms Complete
Edition, on which this
new practical edition is
based, editors Michael
Musgrave and Michael
Struck clear up all sorts
of legends, errors, and
erroneous readings.
Brahms's subsequent minor
compositional changes are
taken into account, poor
decisions in previous
editions are corrected,
and the Bible texts sung
contain writing and
meaning corrections. In
addition, the texts
elucidate many myths
about the composition's
origin. Thus, this Urtext
edition creates a fresh
perspective on the
People's Requiem, as
Brahms would have
preferred to call the
composition. This new B&H
publication is extremely
good value, and it really
does breathe new life
into an old master. The
pages of the full score
are delightfully easy on
the eye. The edition's
visual effect is precise,
lucid, and sympathetic -
as, indeed, a good
performance of Brahms's
choral masterpiece should
be.(Jeremy Summerly,
Choir &
Organ)
authoritati
ve music text based on
the current state of
research; erroneous
traditional readings
corrected; orchestra
material tried and
tested; new piano vocal
score (compact engraving,
clear legibility). $9.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Exercises Piano seul Trinity College London
Piano - Initial-Grade 8 SKU: TL.TCL015303 Trinity College London #TCL 015...(+)
Piano - Initial-Grade 8
SKU: TL.TCL015303
Trinity College London
#TCL 015303. Published by
Trinity College London
(TL.TCL015303). ISBN
9780857364869. This
publication features
selected exercises from
Trinity College London's
past piano syllabuses for
Initial to Grade
8. The exercises have
been written and graded
by leading music
educators to aid the
development of greater
technical proficiency on
the piano while also
making practice of
fundamental skills
fun. Performance
notes are provided to
help the reader focus on
the specific learning
outcomes intended of each
exercise -- perfect for
use in lessons or for
self-study.
Exer
cises valid for use with
the current syllabus are
contained within the
latest Piano Exam Pieces
& Exercises grade
books. $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Left, Alone - Intermédiaire/avancé Wilhelm Hansen
Orchestra; Piano (Full Score) - Grade 4 SKU: HL.14048001 Full Score(+)
Orchestra; Piano (Full
Score) - Grade 4 SKU:
HL.14048001 Full
Score. Composed by
Hans Abrahamsen. Music
Sales America. Classical.
Softcover. Composed 2016.
96 pages. Duration 1080
seconds. Edition Wilhelm
Hansen #WH32726.
Published by Edition
Wilhelm Hansen
(HL.14048001). ISBN
9788759836880. 11.5x16.5
inches.
English. Program
note: I was born with a
right hand that is not
fully functional, and
though it never prevented
me from loving playing
the piano as well as I
could with this physical
limitation, it has
obviously given me an
alternative focus on the
whole piano literature
and has given me a close
relationship with the
works written for the
left hand by Ravel and
others. This repertoire
has been with me since my
youth. My very first
public performance of one
of my own works was in
autumn 1969. The piece
was called October and I
played the piano with my
left hand and the horn,
my principal instrument
(the only instrument that
can be played with only
the left hand). Part of
the piece requires the
performer to play natural
harmonics of the horn
directly into the open
strings of the grand
piano to create
resonance. The pedal was
kept down by an assistant
lying on the floor.
Through decades the idea
of writing a larger work
for piano left hand has
been in my mind. This new
work is not written for a
pianist with only one
hand, but rather by a
composer who can only
play with the left hand.
The title Left, alone
contains all kinds of
references, not only to
the obvious fact that the
left hand is playing
alone. Left, alone is
divided into two large
parts, each consisting of
three smaller movements -
in effect, six in total.
The work was commissioned
by Westdeutscher
Rundfunk, and
co-commissioned by City
of Birmingham Symphony
Orchestra, Danish
National Symphony
Orchestra and Rotterdam
Philharmonic and written
for Alexandre Tharaud.
-Hans Abrahamsen. $73.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Apollon Marie Rose Barret - Methode Complete De Hautbois , 3e Vol. Hautbois Leduc, Alphonse
Composed by Marie Rose Barret. Leduc. Classical. CD. 310 pages. Alphonse Leduc...(+)
Composed by Marie Rose
Barret. Leduc. Classical.
CD.
310 pages. Alphonse Leduc
#AL24933. Published by
Alphonse Leduc
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Mass for Four Voices Chorale SATB Lauren Keiser Music Publishing
Composed by William Byrd (1540-1623). For Choral (SATB). LKM Music. Lauren Keise...(+)
Composed by William Byrd
(1540-1623). For Choral
(SATB). LKM Music. Lauren
Keiser Music Publishing
#S940006. Published by
Lauren Keiser Music
Publishing
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem (Arman-Fassung) Carus Verlag
Viola (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Viola (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165213
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165213.
Published by Carus Verlag
(CA.5165213). ISBN
9790007313869. Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another one?” you
might ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score that the
challenge and appeal of
completing it remain
undiminished. After two
decades of intensive
study, Howard Arman’s
additions to Mozart’s
great original show the
requisite care and
respect while
incorporating many new
insights.
Arman’
s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s unique
sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the spirit
of Mozart – on creating
a sense of drama and
illuminating the theme in
all its possible facets.
Mozart’s fragment ends
with the Hostias, and so
does Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr, the
man who was closest to
Mozart at the time of his
death and whose efforts
to fill the blank
manuscripts still garner
our respect
today.
Arman’s
version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Collection of themes for the study of Composition Ut Orpheus
Music Education SKU: UT.DM-23 Composed by Giuseppe Manzino. Edited by Ita...(+)
Music Education SKU:
UT.DM-23 Composed by
Giuseppe Manzino. Edited
by Italo Vescovo. Saddle
stitching. Classical. Ut
Orpheus #DM 23. Published
by Ut Orpheus (UT.DM-23).
ISBN 9790215304376. 9
x 12
inches. Giuseppe
Manzino's teaching
activity, carried out
with great commitment and
passion alongside that of
composer, spans a rather
long period of time and
constitutes an important
constant in his life as a
musician. This
publication, albeit in a
few pages, intends to
help focus on one aspect
of this intense and
articulated activity:
that of Composition
teacher at the Liceo
Musicale <The
themes and thematic ideas
present in this
collection were created
by Manzino ad hoc for his
composition students and
freely arranged by me
into three distinct
sections according to
their destination. A
diagram by Manzino for
the composition of the
'short piece for piano'
is included in the
appendix. (Italo
Vescovo). $13.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Requiem (Arman-Fassung) Carus Verlag
Organ (Soli SATB, Coro SATB, 2 Corni di bassetto, 2 Fg, 2 Tr, 3 Trb, Timp, 2 Vl,...(+)
Organ (Soli SATB, Coro
SATB, 2 Corni di
bassetto, 2 Fg, 2 Tr, 3
Trb, Timp, 2 Vl, Va, Bc)
SKU: CA.5165249
Completed and edited
by Howard Arman.
Composed by Wolfgang
Amadeus Mozart. Edited by
Howard Arman. Arranged by
Howard Arman. KV 626.
Duration 50 minutes.
Carus Verlag #5165249.
Published by Carus Verlag
(CA.5165249). Key: D
minor. Latin. The
English conductor and
composer Howard Arman has
presented us with a
completed version of
Mozart’s Requiem.
“Another
one?†you might
ask, since this
publication is only the
latest in a long line
reaching back to the
traditional Süßmayr
version. Yet such is the
enormous power of
Mozart’s score
that the challenge and
appeal of completing it
remain undiminished.
After two decades of
intensive study, Howard
Arman’s additions
to Mozart’s great
original show the
requisite care and
respect while
incorporating many new
insights.
Armanâ
™s approach is
particularly fruitful.
Always aware of the
appropriate limits to
such re-creative work, he
orients himself towards
the typical
characteristics of
Mozart’s brilliant
composing style: The
masterly compositional
technique, the search for
innovative solutions to
every problem, and even
the terse treatment of
the text with extremely
suggestive harmonies. All
of this leads to a number
of new listening
experiences. In the Tuba
mirum, for example, we
enjoy a warm, cohesive
ensemble sound, supported
by the bassoons, which
depart from the bass
line. The Confutatis
presents a quite
different picture: Even
the basset horns are
drawn down into the
infernal depths. This
effect is reinforced by
the independence of the
trombones; rather than
simply following the
choral parts, the
instrument’s
unique sound is given an
opportunity to shine.
Arman’s Lacrimosa
achieves a lively
Mozartian feel by
granting the voices
considerable freedom
rather than following a
rigid pattern. And he
concludes the movement
with a fugal Amen,
whereby the focus is not
so much on the
counterpoint itself, but
rather – in the
spirit of Mozart –
on creating a sense of
drama and illuminating
the theme in all its
possible facets.
Mozart’s fragment
ends with the Hostias,
and so does
Arman’s
completion.
For
the four following
movements (Sanctus to
Communio) we have nothing
from Mozart, and so here,
where the master is
silent, Arman finally
returns to Süßmayr,
the man who was closest
to Mozart at the time of
his death and whose
efforts to fill the blank
manuscripts still garner
our respect
today.
Armanâ€
s version has already
proven its practical
value. The premiere with
the Bavarian Radio Choir
was enthusiastically
received by audiences and
press alike – and
celebrated as offering a
scholarly, entirely fresh
perspective on
Mozart’s
masterpiece.
-
World premiere by the
Bavarian Radio Choir -
Enthusiastically received
by audience and
press. $28.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Calle sin nombre Chorale SATB Fennica Gehrman
Mixed choir SKU: FG.55011-568-2 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir SKU:
FG.55011-568-2
Composed by Alex Freeman.
Fennica Gehrman
#55011-568-2. Published
by Fennica Gehrman
(FG.55011-568-2). ISBN
9790550115682. The
texts of Alex Freeman's
Calle sin nombre for
mixed choir (2019) are
drawn from quotations of
families seeking asylum
who are victims of the
policies of family
separation aggressively
and abruptly enacted by
the administration of
President Donald John
Trump. These desperate
words tread with bare
feet across shards of
fragmented lines from
Emma Lazarus's The New
Colossus (the iconic poem
enshrined at the base of
The Statue of Liberty). A
rehearsal reduction for
piano is included in the
publication. Alex Freeman
(b. 1972) grew up in
Raleigh, North Carolina.
Around the age of 13 he
became interested in
composing. In 1998 he
moved to New York to
begin his Doctoral
studies at the Juilliard
School, studying with
Christopher Rouse. The
focus of his doctoral
document led him to
Finland. The recipient of
a Fulbright Full
Fellowship, he moved to
Helsinki in 2001 to
research Sibelius's
sketches and study
composition with Eero
Hameenniemi at the
Sibelius Academy. Dr.
Freeman is currently
composing full-time and
lives with his wife and
children in Finland. $16.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Arpeggios for the Evolving Guitarist (USC) Guitare [Partition + Accès audio] Mel Bay
Guitar - Beginning-Intermediate SKU: MB.22115M Composed by Pat Kelley. Sa...(+)
Guitar -
Beginning-Intermediate
SKU: MB.22115M
Composed by Pat Kelley.
Saddle-stitched, Style,
Technique, Theory and
Reference, Technique,
Theory, Reference and
Rhythm. USC School of
Music. Rock, blues, jazz,
method supplement. Book
and online audio. 56
pages. Mel Bay
Publications, Inc
#22115M. Published by Mel
Bay Publications, Inc
(MB.22115M). ISBN
9780786696840. 8.75 x
11.75
inches. Arpeggios
are chord notes played
one at a time rather than
strummed or plucked all
together. They are an
essential part of great
improvising and melody
writing because playing
chord notes in the right
places creates solid
melody lines. Chord notes
sound more resolved than
notes that are chromatic
out of the key .
Practicing arpeggios will
improve your ability to
learn melodies, make
reading music easier, and
develop your tone and
picking accuracy. The
first part of this book
focuses on the basic
fingerings of the
following six arpeggios:
major 7th, major 7th #5 ,
dominant 7th, minor 7th,
minor 7th b5 , and
diminished 7th. This book
along with its
accompanying audio
represents a
comprehensive guide to
all things arpeggio. It
delves into traditional
applications of
arpeggios, as well as how
they relate to slash
chords, modal music and
more. The student will
learn about how arpeggios
fall over standard chord
progressions, as well as
how to embellish
arpeggios to make them
more musical in
performance situations.
In standard notation and
tab. Includes access to
online audio. $22.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Favorite Recorder Tunes - Medieval Gems Flûte à Bec [Partition + Accès audio] - Débutant Mel Bay
Woodwinds - Beginning SKU: MB.31002 Composed by Robert Bancalari. Saddle-...(+)
Woodwinds - Beginning
SKU: MB.31002
Composed by Robert
Bancalari.
Saddle-stitched.
Recorder. Book and online
audio. 16 pages. Mel Bay
Publications, Inc #31002.
Published by Mel Bay
Publications, Inc
(MB.31002). ISBN
9781513474588. 8.75x11.77
inches. This volume
focuses on the medieval
period from approximately
the sixth to fifteenth
centuries. The music of
this era was
traditionally performed
as plainchant (sacred) or
monophony (secular), that
is, as a vocal melody,
here reserved for the
soprano recorder. Seeking
to emulate medieval
performance practice, the
20 tunes in this
collection are
accompanied by a single,
drone-like power or
5-chord to be played on a
modern-day stringed
instrument such as
guitar, mandolin or
banjo. These simple
troubadour songs are
ideal for beginners and
experienced players
alike, who want to be
transported back in time,
immersed in a bygone era
of music. . $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Dirt Simple Electric Guitar Solos on Open Strings Guitare notes et tablatures Guitare électrique [Partition + Accès audio] Mel Bay
Guitar (rock and blues) - Beginning-Intermediate SKU: MB.30701M Composed ...(+)
Guitar (rock and blues) -
Beginning-Intermediate
SKU: MB.30701M
Composed by Sven Nier.
Saddle-stitched, Solos,
Duets and Ensembles,
Method, Solos. Dirt
Simple. Style. Book and
online audio. 28 pages.
Mel Bay Publications, Inc
#30701M. Published by Mel
Bay Publications, Inc
(MB.30701M). ISBN
9781513461663. 8.75 x
11.75 inches. This
guitar method focuses on
playing engaging rhythmic
themes entirely on open
strings. What seems at
first to be a simple task
quickly becomes a real
challenge, requiring a
high level of accuracy
and an excellent sense of
rhythm. While the picking
hand can only play what
the other hand has
prepared, nothing musical
will happen unless you
pluck the right string.
Sven Niers exercises and
tunes offer motivating,
effective training to
facilitate hitting the
correct string with
precision, winning half
the coordination battle.
While the audio examples
are recorded on an
electric instrument,
guitar teachers and
beginning students in all
styles will appreciate
this innovative book.
Includes access to
outstanding play-along
online audio with and
without the solo
part. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Voice Motion Melodic Movement Within Three-Part Harmony [Partition + Accès audio] - Intermédiaire Mel Bay
Other - Intermediate SKU: MB.30903M Theory, Wire bound. Jazz. Book and on...(+)
Other - Intermediate
SKU: MB.30903M
Theory, Wire bound. Jazz.
Book and online audio.
316 pages. Mel Bay
Publications, Inc
#30903M. Published by Mel
Bay Publications, Inc
(MB.30903M). ISBN
9781513468105. 8.75x11.75
inches. This book focuses
on the intersection of
melody and harmony. While
valuable for all
instrumental and choral
composers and arrangers,
it specifically explores
ways to move melodic
voices independently
within three-part harmony
on the guitar.
All you need to benefit
from this book is the
ability to read standard
notation on the guitar.
Working through this book
will improve fretboard
knowledge and help you
write better melody-chord
arrangements.
For
the first time in print,
VOICE MOTION
presents a condensed,
comprehensive list of all
the possible ways for
three voices to move in
2nds or 3rds within the
context of common 7-note
or heptatonic scales.
With graphic
illustrations that
instantly reveal the
nature of the motion (see
front cover), the
versatility of this list
is unparalleled in modern
music
publishing.
VO
ICE MOTION contains
not only the essential
list of all possible
moves, in close and open
(drop-2) voicing, but
also:
$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ocean Of Fire Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Concert band - Grade 3 SKU: CL.012-4524-75 Composed by J. Bell. Concert B...(+)
Concert band - Grade 3
SKU:
CL.012-4524-75
Composed by J. Bell.
Concert Band. Concert
Band Series. Audio
recording available
separately (item
CL.WFR391). Oversized,
spiral-bound score.
Composed 2017. Duration 5
minutes, 12 seconds. Opus
III Wind Orchestra
Publications
#012-4524-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4524-75).
The Ocean of
Fire is a unique and
challenging work that
takes the listener on an
exciting journey through
the mysterious and vast
untamed nature of the
Arabian Peninsula
deserts. Clever use of
the Arabic (or Byzantine)
scale creates the
characteristic Arabic or
middle-eastern sound that
is popularly used in film
scores. This exciting
work focuses on providing
every instrument with
engaging and challenging
music by interweaving
motives and melodies to
create a unique
soundscape.
Compelling! $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Getting into Slide Guitar [Partition + Accès audio] Mel Bay
Slide guitar - Beginning-Intermediate SKU: MB.20200M Composed by Steve Da...(+)
Slide guitar -
Beginning-Intermediate
SKU: MB.20200M
Composed by Steve Dawson.
Squareback saddle stitch,
Blues, Slide/Bottleneck,
Method, Rock. Getting
Into. Style. Book and
online audio. 96 pages.
Mel Bay Publications, Inc
#20200M. Published by Mel
Bay Publications, Inc
(MB.20200M). ISBN
9780786690947. 8.75 x
11.75
inches. Getting
into Slide Guitar covers
slide for acoustic or
electric guitar and
focuses on open-G tuning.
The book explains the
concepts of technique,
basic theory,
improvising, harmonic and
melodic concepts and
provides many essential
examples. Most of the
context for the book is
blues-based, but the
ideas and examples are
applicable to all styles.
Includes access to online
audio. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Complete Irish Flute Book Flûte traversière [Partition + Accès audio] - Débutant Mel Bay
Flute - Beginning SKU: MB.96332M Composed by Dona Gilliam. Celtic / Irish...(+)
Flute - Beginning SKU:
MB.96332M Composed by
Dona Gilliam. Celtic /
Irish, Alternative
Styles, Flute, Fife and
Oboe, Perfect binding.
Complete. Style. Book and
online audio. 192 pages.
Mel Bay Publications, Inc
#96332M. Published by Mel
Bay Publications, Inc
(MB.96332M). ISBN
9780786688760. 8.75 x
11.75 inches. While
the wooden simple-system
flute is traditionally
used in playing Irish
music, a growing number
of folk players have
adopted the silver flute
as a viable alternative.
Here for the first time,
The Complete Irish Flute
Book presents the silver
or Boehm flutist with a
method for learning
authentic Irish
ornamentation. This
thorough guide provides
detailed fingering
charts, exercises, and
technical essays for
learning to execute
ornaments in the in the
Irish style. Through a
wealth of hornpipes,
reels, jigs, set dances,
and slow airs and songs.
This book focuses not
only on musical accuracy,
but stylistic
authenticity as well.
Includes access to online
audio containing 26 of
the 101 tunes from the
book. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Guitar of Blind Lemon Jefferson Guitare [Partition + Accès audio] - Intermédiaire Mel Bay
Guitar - Intermediate SKU: MB.31008M Perfect binding. Blues. Book and onl...(+)
Guitar - Intermediate
SKU: MB.31008M
Perfect binding. Blues.
Book and online audio.
160 pages. Mel Bay
Publications, Inc
#31008M. Published by Mel
Bay Publications, Inc
(MB.31008M). ISBN
9781513467016. 8.75x11.75
inches. Blind Lemon
Jefferson was a trail
blazer, both as a singer
and guitarist, but also
as a commercial
phenomenon, for he was
the first blues musician
to establish the
tremendous appeal that
blues, as played and sung
by rural African American
folk, had for the
record-buying public. It
is no exaggeration to say
that the sales of
Lemon’s records
paved the way for a host
of other solo rural blues
musicians to record in
his wake and made the
record companies more
willing to give other
musicians a chance, in
the hopes of achieving
similar
success.Â
Lemon
’s record sales
weren’t what made
him a great musician,
though - that could only
be attributed to his
startlingly virtuosic
guitar - playing and
soulful singing,
developed over years of
busking, building on his
natural gifts with a
great deal of practice
and work. In the Guitar
of Blind Lemon Jefferson
author John Miller
presents transcriptions,
in standard notation and
tablature, of 22 of
Lemon’s greatest
performances, with an
additional essay
examining Lemon’s
senses of time and
phrasing and his picking
techniques. Also included
is a download link to all
the original
recordings.Â
To
present a picture of
Lemon the man, noted
blues researchers Alan
Governar and Kip Lornell
have contributed an essay
focusing on
Lemon’s early
life, the origins of his
music, and his time spent
in a musical partnership
with Lead Belly. Links
are provided to
downloadable performances
of the songs in the book
from which the
transcriptions were made,
so that you can have
Lemon’s sound in
your head as you learn to
play his
songs.
Blind Lemon
Jefferson was remarkable,
even in a style that
abounded in great
musicians, and some
measure of his influence
can be seen in the fact
that musicians recorded
in the 1960s, more than
thirty years after his
death, were still
covering his songs and
stealing guitar licks
from him. The Guitar of
Blind Lemon Jefferson
gives you the resources
needed to learn what was
so special about
Lemon’s music, and
to experience his musical
excellence from inside
the music
itself.
Titles
include: One Dime Blues,
Got The Blues, Dry
Southern Blues, Big Night
Blues, Rabbit Foot Blues,
Shuckin' Sugar Blues,
Where Shall I Be, Wartime
Blues, Black Horse Blues,
Prison Cell Blues, Piney
Woods Money Mama, See
That My Grave Is Kept
Clean, He Arose From The
Dead, Beggin' Back, Broke
And Hungry, Bad Luck
Blues, Matchbox Blues,
Lemon's Worried Blues,
That Crawlin' Baby Blues,
Easy Rider Blues,
Stocking Feet Blues and
Right of Way
Blues
Level 2/3
• 160 pages •
Direct download link to
audio
files.Â
$29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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