Guitar; Piano Accompaniment; Voice - Grade 2

SKU: HL.14033985

Composed by Various. Music Sales America. Danish. Book and CD. 48 pages. Edition Wilhelm Hansen #WH30653. Published by Edition Wilhelm Hansen (HL.14033985).

ISBN 9788759812044. International (more than one language).

Here are sixteen all-time favourite Danish songs, including several written by the great Hans Christian Anderson himself. With lyrics in Danish and English, as well as musical arrangements of for Voice and Guitar/Piano, this is a unique celebration of Denmark's musical traditions and love of communal singing. Each song is beautifully performed on the accompanying CD and this bi-centennial edition of this fabulous volume has been illustrated by British artist Paul Cox. From lyrical songs and anthems to folk themes and the popular I'm Hans Christian Anderson, this is a unique portrait of a nation with a time honoured love of singing.

(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello and Bass. String Orchestra Collection. Book and CD. 48 pages. Published by Alfred Music Publishing

By Various. Edited by Friedlaender. For medium voice, piano. 60 Songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching and arranged in progressive order (Text Language: German). Published by C.F. Peters.

SKU: CA.5021900

Composed by Josef Gabriel Rheinberger. Edited by Barbara Mohn. This edition: Complete edition, linen cover. Josef Gabriel Rheinberger - Complete Works. German title: Weltliche Chormusik I. Gleiche Sti. Lieder for choir, Secular choral music, New year. Full score (complete edition / selected edition). 264 pages. Carus Verlag #CV 50.219/00. Published by Carus Verlag (CA.5021900).

ISBN 9790007087364.

Rhei nberger's popularity during his lifetime was based, for the most part, on his secular choral music. His cycles for men's and women's choir, most of which were commissioned works, are contained in two volumes of the Complete Edition (vols. 19 and 20). Among this music there are humorous songs and drinking songs, idyllic settings of texts drawn from nature, and songs in a folk-like idiom which are light and easily performable, as well as several more ambitious compositions which were written for choral competitions in Rheinberger's day.

Violin 1 part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-15

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-15. Published by Breitkopf and Haertel (BR.OB-5273-15).

ISBN 9790004332498. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Composed by H. L. Walters. For concert band. Original Pieces / Original Works: Light Music Repertoire / Countries. Molenaar Band Music. Grade 3. Score only. Published by Molenaar Edition

Woodwinds (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-30

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Folder. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Set of parts. 344 pages. Duration 35'. Breitkopf and Haertel #OB 5273-30. Published by Breitkopf and Haertel (BR.OB-5273-30).

ISBN 9790004332542. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

SSAATB choir, piano reduction - Late intermediate

SKU: GI.WW1894

Composed by Margrit Kits. Arranged by Laura Jekabsone. Walton Choral. Classical. Octavo. 24 pages. Walton Music #WW1894. Published by Walton Music (GI.WW1894).

UPC: 785147034469. Estonian.

Ilus Haal was arranged in honor of the 100th anniversary of Estonia, neighbor of Latvia, the home of composer, arranger, and singer Laura Jekabsone. The two countries are united by their love of song and rich history of folk song. Performed first by SSSAAA, but with ranges transcribed here for SSAATB voices. (In Estonian.) IPA Pronunciation Guide.

(solos: SMezTBarB - choir: SATTBB - 3(picc).2(cor ang).2.2(dble bsn) - 4.2.3.1. - timp.perc(2) - hp - cel - str)

SKU: BR.BES-3091

Kaschtschei bessmerntnyi - Opera in 1 Act. Composed by Nikolaj A Rimskij-Korsakow. Softcover. Bessel, London. Opera; Music theatre; Romantic. Libretto. 20 pages. Duration 75'. Breitkopf and Haertel #BES 3091. Published by Breitkopf and Haertel (BR.BES-3091).

ISBN 9790004610046. 11.5 x 16.5 inches. German.

Text by the composer after a folk FairytaleTranslation: German (A. Bernhard), French (L. Laloy), Ital. (E. Magni)Place: In the evil realmCharacters: Kashchey (tenor) - Princess Tausendschon (soprano) - Ivan Korolyevich (baritone) - Kaschtscheewna (mezzo-soprano) - Hero Sturmwind (bass)Kashchey holds the Princess captive in his kingdom, which is besieged by a snowstorm. His daughter, who is helping her father defend his realm, ensures Kashcheys immortality as long as her heart remains unmoved. In search of his beloved Princess, Ivan Korolyevich enters the evil realm. But instead of killing him, Kashcheys daughter falls in love with the young man. Unfortunately, she cannot destroy the love between Ivan and the Princess, and becomes despondent. When the compassionate Princess kisses her rival on her brow, Kashcheys daughter begins to weep. Her tears transform her into a weeping willow and Kashchey dies.

Guitars solo

SKU: BR.MN-8602

Stucke fur den Unterricht. Composed by Eugen Notter and Markus Kuhn. Solo instruments; Softcover. Musikverlag Nepomuk. Music pedagogy. Score. 28 pages. Duration 20'. Breitkopf and Haertel #MN 8602. Published by Breitkopf and Haertel (BR.MN-8602).

ISBN 9790004790168. 8.5 x 11.5 inches.

Leichte Vorspielstucke im Folk-/Fingerpicking-Stil. Mit Illustrationen von Ursula Liebhard.

60 Traditional Pieces for Violin. Composed by Iain Fraser. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Folk, Classical, Scottish. Edition with CD. 56 pages. Schott Music #ED12759. Published by Schott Music

By Various. Edited by Losse. For High Voice and Piano. New selection of 60 songs by famous and less-known composers, also folk songs, selected for their value in vocal teaching, arranged in chronological order (Text Language: German)

(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) Edited by Andrew H. Dabczynski, Bob Phillips, Richard Meyer. Instructional book for string bass. String Orchestra Method/Supplement. Series: Sight-Read It for Strings. 32 pages. Published by Alfred Publishing.

Chorus a cappella

SKU: BR.CHB-5386

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. Breitkopf and Haertel #CHB 5386. Published by Breitkopf and Haertel (BR.CHB-5386).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.

Violoncello part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-23

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 26 pages. Duration 35'. Breitkopf and Haertel #OB 5273-23. Published by Breitkopf and Haertel (BR.OB-5273-23).

ISBN 9790004332528. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

Double bass part (picc.2.2.2.2. - 4.2.3.0. - timp.perc - str)

SKU: BR.OB-5273-27

Urtext. Composed by Antonin Dvorak. Edited by Klaus Doge. Stapled. Orchester-Bibliothek (Orchestral Library). Picc.2.2.2.2. - 4.2.3.0. - timp.perc - str. Dances/marches; Romantic. Part. 20 pages. Duration 35'. Breitkopf and Haertel #OB 5273-27. Published by Breitkopf and Haertel (BR.OB-5273-27).

ISBN 9790004332535. 10 x 12.5 inches.

In his Slavonic Dances Op. 46, Dvorak did not draw on pre-existent music, but created something original and new, projecting his own compositional will into the creative process. What we hear are Dvoraks melodies,and that it is due to his creative will that he cast them as in Dance 3, for example in the form of a melodic four-tone model which is common to many folk songs and childrens songs. Finally, it is his rhythmic invention and shaping of the musical character of each dance that breathe life into the elements of Slavonic dance music.

(Violin). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Violin. String Orchestra Collection. Book and CD. 40 pages

(Violin). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Violin. String Orchestra Collection. Book and CD. 48 pages

By Antonin Dvorak (1841-1904). Edited by Jarmil Burghauser / Antonin Cubr. For string sextet (2 violins, 2 violas, 2 cellos). In a folder. Replaces H 2116. Set of parts. 12/12/12/12/12/12 pages. Published by Baerenreiter Verlag

(Teacher's Manual). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Teacher's Manual. String Orchestra Collection. Book and CD. 120 pages. Published by Alfred Music Publishing

(for Symphonic Band Condensed Score). Composed by Jerry H. Bilik. For Symphonic Band (Condensed Score). Peermusic Classical. 12 pages. Peermusic #61024-801. Published by Peermusic

Chorus a cappella

SKU: BR.CHB-5386-02

Urtext. Composed by Johannes Brahms. Choir; stapled. Chor-Bibliothek (Choral Library). Song; Romantic. Sheet Music. 12 pages. Breitkopf and Haertel #ChB 5386-02. Published by Breitkopf and Haertel (BR.CHB-5386-02).

ISBN 9790004413876. 7.5 x 10.5 inches. German.

It is unknown when exactly Brahms wrote his 13 Kanons op. 113, a collection of 13 rounds for female voices. However, it is likely that the individual pieces were composed between 1859 and 1863 and for various occasions. In this period, Brahms did various counterpoint studies to which the rounds as one the strictest forms of counterpoint fit nicely. Another contributing factor around this time was Brahms' work with the newly founded Hamburger Frauenchor [Hamburg Female Choir]. Some of the rounds can be found in the part books of this ensemble. The innocent, small, amorous lines that should be sung lightly and joyfully by pretty girls were not published until 1891. For the whole set, Brahms received the formidable salary of 6000 marks. As well as using lines by famous writers, Brahms drew lyrics from folk songs, too.

For three, four and six female voices a cappella.