Par ORFF CARL. Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils./ Recueil / Voix, Flûte à Bec et Percussion

The melodies of Maurice Ravel (1875-1937) span the entire chronology of his creative output, from his earliest song BALLADE DE LA REINE MORTE DAIMER (1893), written during his student years at the Paris Conservatory, to the cycle DON QUICHOTTE À DULCINEE (1932-33), his last compositions in any genre. In his songs, Ravel's text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined, classical in their phrase structure. In his treatment of rhythm, Ravel finds subtlety within traditional meters, and dance forms-minuet, waltz, folk dances (especially Spanish dances)-also shape the rhythm in many of his songs. / Voix Haute(s) Et Piano

The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his creative output, from his earliest song BALLADE DE LA REINE MORTE D`AIMER (1893), written during his student years at the Paris Conservatory, to the cycle DON QUICHOTTE À DULCINEE (1932-33), his last compositions in any genre. In his songs, Ravel's text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined, classical in their phrase structure. In his treatment of rhythm, Ravel finds subtlety within traditional meters, and dance forms-minuet, waltz, folk dances (especially Spanish dance) -also shape the rhythm in many of his songs. / Voix Moyenne(s) Et Piano

Flügelhornduette Vol. 1 (1. Stimme in Bb). Par . The duet booklet 'WEISENBLÄSER - Flügelhorn Duette Vol. 1' is the newest publication for folk music by Symphonic Dimensions Publishing. For practice or if your duet partner is not available, you can also enjoy playing with the play along tracks on Youtube and Spotify. / Date parution : 2023-06-01/ Recueil / 2 Bugles

Par ARENS BARBARA. Nothing succeeds like success! The great popularity of Barbara Arens? One Hand Piano (EB 8646) has encouraged the composer to produce a further collection of pieces for left or right hand alone. The forty pieces are playful, lyrical, haunting or romantic; in tango, waltz, or gavotte dance rhythms; in rock, celtic, jazz and film music styles? A very special feature: the four one hand pieces by Nikolas Sideris, Alison Mathews, Garreth Brooke and Clemens Christian Poetzsch adding a further contemporary depth to the collection. Original one hand pieces by C.P.E. Bach, Abbé Vogler, Farinelli, Mandyczewski, and Sartorio and arrangements of folk songs and a cello suite by Max Reger will prove a welcome and satisfying challenge to all those wanting to improve their weaker hand, or who are temporarily or permanently only able to play with one hand. / Date parution : 2022-11-15/ Recueil / Piano

Par CASTELNUOVO-TEDESCO MARIO. Born into a family of bankers that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) studied under Pizzetti at the city' s Conservatoire. He soon became one of the leading members of the young Italian school, which broke with the tyranny of bel canto to return to the instrumental tradition of the Italian masters from the Baroque era. In 1928, Amédée-Landély Hettich, a vocal teacher in Paris, asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-E tudes, the publication of which he was supervising at Leduc. Castelnuovo-Tedesco' s contribution, entitled Vocalise-E tude for Medium Voice, became so popular that it was immediately transcribed several times over. The present adaptation for cello and piano, was created, with prior consent from the composer, by the famous Catalan cellist Gaspar Cassadó in 1930. The works opens with a poignant lamento that grieves the tragic fate of the Jewish people- it is followed by a folk dance whose ' brisk and stubborn” movement marks, with panache, an imperious refusal to yield to resignation. The composer adopted the same proactive stance himself when in 1939, fleeing Mussolini' s antisemitic laws, he decided to emigrate to the United States, a land of refuge to which he would remain faithful until his death some thirty years later./ Répertoire / Violoncelle et Piano

A collection of the world's finest classical and popular music set for the developing pianist. Here you will find the great masterpieces from every musical era, in rewarding piano arrangements that are easy to play. Turn these pages to enjoy three centuries of all-time favorite piano solos - the classic genius of Bach, Beethoven and Brahms - the expressive beauty of Chopin and Debussy - the elegant syncopations of Scott Joplin - the timeless melodies of Irving Berlin, Jerome Kern and many, many more. This expansive music library will provide years of playing pleasure for any pianist. Nowhere else will you find such a rich array of classical, ragtime, popular and folk music in a single volume. These easy and rewarding piano arrangements make it truly a joy to explore the world's most beloved piano music. Spiral Bound. / Piano

Here's a great way to introduce young singers to classic patriotic and folk songs while developing independent part-singing. These well-known favorites will never go out of style! You may even want to invite the audience to sing along in performance. Includes easy-to-teach staging suggestions for eight of the twelve selections. Recommended for grades 2--7. Book is 100% Reproducible. / Voix

Over 160 of the best-loved piano pieces together in one comprehensive volume! This is a celebration of easy and rewarding solos for the American pianist. Nowhere else will you find gathered together in one piano treasury so many of America's favorite folk songs, patriotic solos, ragtime gems, blues instrumentals, and jazz standards - along with the beloved classical masterpieces of Bach, Beethoven, Brahms, Chopin, Debussy, Handel, Mendelssohn, Mozart, Schubert, Schumann, Strauss, and Tchaikovsky. / Niveau : Elémentaire / Rép International / Recueil / Piano

Par CASTELNUOVO-TEDESCO MARIO. Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers' place of worship. It was only when he discovered Schelemo, a rhapsody for cello and orchestra written in 1916 by Ernest Bloch, that he began to understand what ' Jewish music” could be. It would take until the death of his maternal grandfather, and the discovery of a collection of prayers set to music among his papers, for the young Castelnuovo-Tedesco to begin to explore Jewish music. In 1928, two years after publishing the Dances of King David, he wrote this Vocalise-E tude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich, who wanted to include it in the Répertoire moderne de Vocalises-E tudes published by Leduc. The piece became so popular that it led to several adaptations, and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections, the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a ' Wailing Wall”, Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk, ' lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif, allowing the piece to conclude on a hopeful note./ Répertoire / Violon et Piano

Instruction élémentaire large constitue le fondement d'une joie tout au long de la musique et faire de la musique, des études ayant toujours été un élément important de la formation technique et musicale. Cependant, de nombreuses études 'faciles' des époques classique et romantique peuvent difficilement être maîtrisé par les débutants. Le présent recueil 'Klassische Gitarrenetüden' [études de guitare classique] contient de la littérature de base et facilement compréhensible étude pour les premières années de scolarité dans l'ordre progressif, couvre toutes les techniques de la guitare pertinentes et, donc, est un ajout précieux à presque n'importe quelle méthode de guitare. Un sujet de préoccupation particulière a été l'inclusion de la littérature du 20e et du 21e siècle au-delà du répertoire folk et pop. / Guitare