|
| Music for Christmas - Weihnachtsmusik - pour Noël [Conducteur et Parties séparées]
EMB (Editio Musica Budapest)
Chamber Ensemble SKU: BT.EMBZ14946 With optional combinations of instr...(+)
Chamber Ensemble SKU:
BT.EMBZ14946 With
optional combinations of
instruments - mit
variabler Besetzung.
By András Soós. EMB
Ad Libitum. Educational
Tool. Set (Score &
Parts). Composed 2015.
102 pages. Editio Musica
Budapest #EMBZ14946.
Published by Editio
Musica Budapest
(BT.EMBZ14946).
Hungarian-English-Germ
an-French. The
volumes of the Ad libitum
series contain duos,
trios and quartets of
easy, medium and advanced
levels of difficulty,
which are playable with
various combinations of
instruments. Ad libitum
Family Edition volumes
are recommended mainly
for families or groups of
friends where at least
three people play an
instrument. Each of the
pieces included can be
performed using flexible
instrumentation, whether
there are three, four or
even five persons who
would like to play
together. This volume
contains the finest of
easily playable pieces
for Christmas and Advent.
Some can include a
singer, so that a vocal
part appears with the
instrumental ones. At
least two melodic and
oneaccompanying
instruments are required
to perform the piecesPart
I - violin / descant
recorder / flute / oboe /
clarinet / soprano
saxophone / trumpetPart
II - violin / treble
recorder / clarinet /
trumpetAccompaniment-
piano / guitarAny of the
following optional parts
can be addedVoice (ad
libitum)Percussion (ad
libitum)Bass (ad
libitum)- cello / bassoon
/ euphonium
Die
Bände der Serie Ad
libitum enthalten
leichte, mittelschwere
sowie für
Fortgeschrittene
geeignete Duos, Trios und
Quartette variabler
Besetzung. Die Bände
von Ad libitum
Familienedition sind vor
allem Familien und
Freundeskreisen zu
empfehlen, in denen
mehrere auf einem
beliebigen Instrument
spielen. Sämtliche
Stücke lassen sich in
vielfältiger Besetzung
spielen, ganz gleich, ob
man zu dritt, zu viert
oder zu fünft
musizieren möchte.
Dieser Band wurde aus den
schönsten, aber leicht
zu spielenden Advents-
und Weihnachtsstücken
zusammengestellt, zu
denen sich teilweise auch
eine Singstimme gesellen
kann. Deshalb wurde dem
Stimmenmaterial der
Instrumente auch Noten
fürdie Singstimme
beigefügt. $26.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Sing unto God from Judas Maccabaeus (Choral Score)
Chorale SATB
SATB, Clavier
MorningStar Music Publishers
Composed by George Frideric Handel (1685-1759) and James Chepponis. Arranged b...(+)
Composed by George
Frideric
Handel (1685-1759) and
James
Chepponis. Arranged by
James
Chepponis. Easter, Christ
the
King, Building
Dedication,
Church Anniversary,
Ordination/Installation,
21st
Century,
Praise/Thanksgiving.
Choral score. MorningStar
Music Publishers
#50-4710.
Published by MorningStar
Music Publishers
$2.85 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| For Unto Us (from Messiah) (Full Score)
Orchestre à Cordes - Facile
Kendor Music Inc.
String Orchestra - Grade 3 SKU: KN.KEN10007S (from Messiah). Compo...(+)
String Orchestra - Grade
3 SKU:
KN.KEN10007S (from
Messiah). Composed by
George Frideric Handel.
Arranged by Robert S.
Frost. Solo or Ensemble.
Apex String Orchestra.
Kendor Music Inc
#KEN10007S. Published by
Kendor Music Inc
(KN.KEN10007S). UPC:
822795100075. At
last string students are
able to perform this
wonderful classic
Christmas chorus without
full symphonic
instrumentation because
this setting highlights
both the choral and
orchestral parts of the
original. Third position
is required of 1st
Violin, with limited
position work in the
cello and bass partssome
upper string parts are
divisi as well. Duration
5:15. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| For Unto Us a Child is Born - instrumental parts
Flûte traversière [Set de Parties séparées]
Jackman Music Corporation
By George Frideric Handel (1685-1759). Arranged by Lynn S. Lund. For Flute, Stri...(+)
By George Frideric Handel
(1685-1759). Arranged by
Lynn S. Lund. For Flute,
Strings. Christmas,
Messiah. Varied.
Instrumental
accompaniment parts.
Duration 6:30. Published
by Jackman Music
Corporation
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Thereby is revealed unto us the glory of God's favor (Daran ist erschienen die Liebe Gottes)
Chorale SATB [Conducteur et Parties séparées]
Carus Verlag
TB vocal soli, SATB choir, 2 flutes, cello, basso continuo SKU: CA.1001819(+)
TB vocal soli, SATB
choir, 2 flutes, cello,
basso continuo SKU:
CA.1001819
Christmas cantata.
Composed by Johann
Wendelin Glaser. Edited
by Eberhard Hofmann. This
edition: urtext.
Stuttgart Urtext Edition.
Complete orchestral
parts. Sacred vocal
music, Cantatas,
Christmas. Set of
Orchestra Parts. Duration
6 minutes. Carus Verlag
#CV 10.018/19. Published
by Carus Verlag
(CA.1001819). ISBN
9790007164768. Text
language:
German. Johann
Wendelin Glaser was born
in 1731 in Ostheim vor
der Rhon, Bavaria. In
1751 he became music
director in Wertheim, a
position he held until
his death in 1783. The
300 cantatas by this
exceptionally productive
composer were long
unknown, and were only
rediscovered by chance in
1910. The Christmas
cantata Daran ist
erschienen die Liebe
Gottes comprises five
movements, beginning with
an opening chorus,
followed by alternate
arias and recitatives. A
simple four-part chorale
concludes the work. The
cantata is
easy-to-perform for
choral singers and also
because of its small
instrumental scoring for
just two flutes (or other
melody instruments) and
basso continuo. Score and
parts available
separately - see item
CA.1001800. $32.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Prophesies [Conducteur et Parties séparées]
Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication.
(See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| The Lord said unto my Lord
Soli, choeur mixte et accompagnement - Intermédiaire
Carus Verlag
Composed by Antonio Vivaldi (1678-1741). For SATB vocal soli, SATB/SATB choir, 2...(+)
Composed by Antonio
Vivaldi (1678-1741). For
SATB vocal soli,
SATB/SATB choir, 2
orchestras: 2 oboes, 2
trumpets, 2 violins,
viola, basso continuo,
[timpani]. Stuttgart
Urtext Edition. German
title: Dixit Dominus.
Cantatas, Motets,
Epiphany, Daily hours.
Level 4. Complete
orchestral parts.
Language: Latin/English.
RV 594. Duration 25
minutes. Published by
Carus Verlag
$169.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| For Unto Us A Child Is Born (Orchestration)
Chorale Unison [Conducteur et Parties séparées]
Lillenas Publishing Co.
Choir SKU: LP.OR-2458 Arranged by Thomas Fettke. This edition: Loose-Leaf...(+)
Choir SKU:
LP.OR-2458 Arranged
by Thomas Fettke. This
edition: Loose-Leaf.
Anthems. Excel Series.
Traditional, Christmas
and Sacred. Score and
parts. Published by
Lillenas Publishing
Company (LP.OR-2458).
UPC:
765762103801. Compl
ete parts for
accompaniment by live
orchestra. Includes full,
transposed conductor's
score and parts for
instruments which you may
photocopy (for your
church's use only). $74.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| For Unto Us a Child is Born - Instrument parts [Partie séparée]
GIA Publications
By George Frideric Handel (1685-1759). Arranged by Richard Proulx. For String Qu...(+)
By George Frideric Handel
(1685-1759). Arranged by
Richard Proulx. For
String Quintet (2
Violins, Viola, Cello,
Bass), Organ. Sacred.
Instrumental Part. 14
pages. Published by GIA
Publications
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Unto Us A Son Is Given (From Journey of Promises)
Chorale SATB
SATB, Orchestre [Conducteur et Parties séparées]
Shawnee Press
By Joseph M. Martin. Arranged by Brant Adams. For SATB choir and orchestra. (in...(+)
By Joseph M. Martin.
Arranged by Brant Adams.
For SATB choir and
orchestra. (instrumental
pack). Score and set of
parts. Published by
Shawnee Press.
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Gulistan-e Nur
University Of York Music Press
String Ensemble SKU: BT.MUSM570366682 The Rosegarden Of Light - String...(+)
String Ensemble SKU:
BT.MUSM570366682
The Rosegarden Of
Light - String Sextet
Parts. Composed by
Sadie Harrison. Set of
Parts. University of York
Music Press
#MUSM570366682. Published
by University of York
Music Press
(BT.MUSM570366682).
English. Gulista
n-e Nur: The Rosegarden
of Light for String
Sextet and Youth
Ensemble.
Instrumentation:
Professional String
Sextet (2 Vlns, 2 Vlas, 1
Cello, 1 Db).
Youth/amateur ensemble
(Interludes only): open
instrumentation (5
treble, alto, bass parts
(transpositions
available), Keyboard).
The Three Interludes are
supplied separately. The
sextet movements/Three
Interludes can also be
performed separately. I
Bahar-e nastaran-bihag
(Radio Piece) Interlude
1/ Introduction (Youth
ensemble), Sextet
Movement 1 (Professional)
II - Shirin dokhtar-e
maldar (Sweet Nomad Girl)
Interlude 2, Sextet
Movement 2 III - Watan
Jan (Dear Homeland)
Interlude 3, Sextet
Movement 3 Duration: c.26
mins (complete) / c.16
mins (sextet movements
only). On 11 December
2014, several young
musicians from the
Afghanistan National
Institute of Music were
performing at the
Istiqlal School, home to
the French Cultural
Centre in Kabul. The
venue was targeted by a
suicide bomber with
devastating results,
leaving a number of
students (and ANIM’s
founder and Director, Dr.
Ahmad Sarmast) with
severe injuries. Despite
these most challenging of
circumstances, ANIM
continues to provide an
extraordinary learning
environment for all its
students regardless of
gender, ethnicity or
social circumstances.
They are committed to
assuring musical rights,
rebuilding lives through
music, training future
music educators,
establishing
intercultural dialogue
and to reviving and
preserving Afghan Music.
Gulistan-e Nur: The
Rosegarden of Light is
dedicated with great
admiration to Dr. Ahmad
Sarmast and to the
students and staff of the
Afghanistan National
Institute of Music in
Kabul, particularly
remembering those who
were injured in the 11
December attack. The work
is also dedicated to
Kevin Bishop and members
of the pioneering
ensemble Cuatro Puntos
who are dedicated to
global co-operation and
peace through the
teaching, writing and
performance of music
worldwide. Cuatro Puntos
gave the premiere on 24
September 2015 at the
Lutheran Church of St.
Mark, Glastonbury,
Connecticut, USA.
Gulistan-e Nur: The
Rosegarden of Light was
commissioned with
generous support from the
Arts Council England
International Development
Fund and the Ambache
Charitable Trust. $67.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| 15 Fugues (ASOT 102-116) for Keyboard. Three- and Four-Part Elaboration from the original Two-Part version
Ut Orpheus
Harpsichord; Organ; Early Music SKU: UT.HS-282 Composed by Alessandro Sca...(+)
Harpsichord; Organ; Early
Music SKU:
UT.HS-282 Composed by
Alessandro Scarlatti.
Edited by Francesco
Tasini. Saddle stitching.
Classical. Ut Orpheus #HS
282. Published by Ut
Orpheus (UT.HS-282).
ISBN 9790215326446. 9
x 12 inches. The
two-part composition has
always been an essential
stage in didactic
treatises for teaching
counterpoint; the Duo has
been of fundamental
importance, since the
early decades of the
sixteenth century, in the
teaching of singing and
in instrumental
practice.
The
interpretation and
performance of
Scarlatti’s
Fughe a Due
require on the one hand a
correct and prompt
interpretation of the
chords which are the
basis of the movement and
the relationship between
the two parts, and on the
other an indispensable
invention of a third or
even a fourth part (to
ensure, above all, full
and significant
harmony).
An
indication of this
practice of filling in is
offered by the same ms.
source containing
Scarlatti’s
Fughe a Due. In
Fugue II in D
minor, in the first
eleven bars, we find
indicated above the Bass
a series of numbers
showing the interval in
relation to the
respective upper line.
These indications should
not be confused with the
numerical marking typical
of the basso continuo and
of the partimento, for
they establish a clear
sign of the usual
practice exercised in the
teaching of counterpoint
in order to guide the
student visually to pass
safely and speedily from
two to three or more
parts; this type of
numbering is often found
in the counterpoint
methods of the time, in
particular in the section
illustrating the
Contrapunto semplice e
Diminuito.
These
fifteen Fughe a
Due, unlike the many
Duos and Duets which
figure in the
counterpoint methods, are
not a simple display of
formulas, but they assert
themselves as a
calculated sample of
characterized styles and
genres, a series of
pieces conceived with an
exquisite sense of
form. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| The Lord said unto my Lord
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Carus Verlag
Composed by Jan Dismas Zelenka (1679-1745). Edited by Matthias Hutzel. Arranged ...(+)
Composed by Jan Dismas
Zelenka (1679-1745).
Edited by Matthias
Hutzel. Arranged by
Wolfgang Horn. For SATB
vocal soli, SATB choir,
oboe, violin solo, 2
violins, viola, basso
continuo, [2 trumpets,
timpani]. D-Dur (D
major). German title:
Dixit in D 4. Latin
Psalms, Epiphany, Psalms,
Daily hours. Level 2. Set
of instrumental parts
(except strings).
Language: Latin/English.
Composed 1726. ZWV 68. 10
pages. Duration 14
minutes. Published by
Carus Verlag
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Gulistan-e Nur [Conducteur]
University Of York Music Press
String Ensemble SKU: BT.MUSM570366675 The Rosegarden Of Light - String...(+)
String Ensemble SKU:
BT.MUSM570366675
The Rosegarden Of
Light - String Sextet
Score. Composed by
Sadie Harrison. Score
Only. 57 pages.
University of York Music
Press #MUSM570366675.
Published by University
of York Music Press
(BT.MUSM570366675).
English. Gulista
n-e Nur: The Rosegarden
of Light for String
Sextet and Youth
Ensemble.
Instrumentation:
Professional String
Sextet (2 Vlns, 2 Vlas, 1
Cello, 1 Db).
Youth/amateur ensemble
(Interludes only): open
instrumentation (5
treble, alto, bass parts
(transpositions
available), Keyboard).
The Three Interludes are
supplied separately. The
sextet movements/Three
Interludes can also be
performed separately. I
Bahar-e nastaran-bihag
(Radio Piece) Interlude
1/ Introduction (Youth
ensemble), Sextet
Movement 1 (Professional)
II - Shirin dokhtar-e
maldar (Sweet Nomad Girl)
Interlude 2, Sextet
Movement 2 III - Watan
Jan (Dear Homeland)
Interlude 3, Sextet
Movement 3 Duration: c.26
mins (complete) / c.16
mins (sextet movements
only). On 11 December
2014, several young
musicians from the
Afghanistan National
Institute of Music were
performing at the
Istiqlal School, home to
the French Cultural
Centre in Kabul. The
venue was targeted by a
suicide bomber with
devastating results,
leaving a number of
students (and ANIM’s
founder and Director, Dr.
Ahmad Sarmast) with
severe injuries. Despite
these most challenging of
circumstances, ANIM
continues to provide an
extraordinary learning
environment for all its
students regardless of
gender, ethnicity or
social circumstances.
They are committed to
assuring musical rights,
rebuilding lives through
music, training future
music educators,
establishing
intercultural dialogue
and to reviving and
preserving Afghan Music.
Gulistan-e Nur: The
Rosegarden of Light is
dedicated with great
admiration to Dr. Ahmad
Sarmast and to the
students and staff of the
Afghanistan National
Institute of Music in
Kabul, particularly
remembering those who
were injured in the 11
December attack. The work
is also dedicated to
Kevin Bishop and members
of the pioneering
ensemble Cuatro Puntos
who are dedicated to
global co-operation and
peace through the
teaching, writing and
performance of music
worldwide. Cuatro Puntos
gave the premiere on 24
September 2015 at the
Lutheran Church of St.
Mark, Glastonbury,
Connecticut, USA.
Gulistan-e Nur: The
Rosegarden of Light was
commissioned with
generous support from the
Arts Council England
International Development
Fund and the Ambache
Charitable Trust. $27.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Dixit Dominus (The Lord said unto my Lord)
Chorale SATB [Conducteur et Parties séparées] - Intermédiaire
Carus Verlag
Orchestra SATB vocal soli, SATB/SATB choir, 2 orchestras: 2 oboes, 2 trumpets, 2...(+)
Orchestra SATB vocal
soli, SATB/SATB choir, 2
orchestras: 2 oboes, 2
trumpets, 2 violins,
viola, basso continuo,
[timpani] - Grade 4
SKU: CA.4000709
Composed by Antonio
Vivaldi. This edition:
urtext. 1x 40.007/21 oboe
1, 1x 40.007/22 oboe 2,
1x 40.007/31 trumpet 1,
1x 40.007/32 trumpet 2,
1x 40.007/41 timpani.
Stuttgart Urtext Edition:
Vivaldi-Archiv. German
title: Dixit 5. Sacred,
Cantatas, Motets;
Stuttgart Urtext
editions; Occasions:
Daily hours; Use during
church year: Epiphany.
Set of Orchestra Parts.
RV 594. 20 pages.
Duration 25 minutes.
Carus Verlag #CV
40.007/09. Published by
Carus Verlag
(CA.4000709). ISBN
9790007057596. Language:
Latin/English. Dixi
t Dominus (Ps 109), a
psalm setting for double
choir, is one of
Vivaldi's most
significant sacred works.
In it, he takes up the
old Venetian polychoral
tradition, combining its
compositional techniques
with those of the
instrumental concerto,
the cantata and the
opera. The broadly
conceived cycle of
movements, consisting of
eight psalm verses and
the doxology, is
characterized by an
expansive arch of
tonalities connecting the
two framing outer
movements in D major
(these are also
thematically related):
Dixit Dominus and Gloria
Patri. The contrasting
and varied inner
movements are perfect
examples of Vivaldi's
skill in vividly
portraying linguistic
figures in music. Score
and parts available
separately - see item
CA.4000700. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| House of Untold Horrors
Orchestre à Cordes [Conducteur et Parties séparées] - Débutant
FJH
By Lauren Bernofsky (1967-). For narration and string orchestra. FJH Beginning S...(+)
By Lauren Bernofsky
(1967-). For narration
and string orchestra. FJH
Beginning Strings. Full
set (score and parts).
Score only also
available: ST6192S.
Halloween. Grade 1. Score
and set of parts.
Composed 2009
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| House of Untold Horrors
Orchestre à Cordes [Conducteur] - Débutant
FJH
By Lauren Bernofsky (1967-). For narrator and string orchestra. FJH Beginning St...(+)
By Lauren Bernofsky
(1967-). For narrator and
string orchestra. FJH
Beginning Strings. Score
only. Full set (score and
parts) also available:
ST6192. Halloween. Grade
1. Score. Composed 2009
$5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Caminemos con Jesús
GIA Publications
SKU: GI.G-1064 Composed by Tony Alonso S.J. Sacred. GIA Publications #106...(+)
SKU: GI.G-1064
Composed by Tony Alonso
S.J. Sacred. GIA
Publications #1064.
Published by GIA
Publications (GI.G-1064).
UPC:
785147006428. From
the music of the Buena
Vista Social Club to
Gloria Estefan, the
lyrical melodies and
infectious rhythms of
Cuban music have become
embedded in U.S. culture.
With Caminemos con
Jesús / Let Us Walk
with Jesus, composer Tony
Alonso presents a
groundbreaking collection
of liturgical music that
calls on his own Cuban
musical heritage to
provide new ways of
singing the liturgy in
Spanish, English or
bilingually. The first
project of its kind,
Caminemos con Jesús
not only utilizes rich
Cuban idioms but also
explores what style and
musical form can teach us
about praying together
across cultural and
linguistic boundaries.
The dynamic
call-and-response form
that is a hallmark of
traditional Cuban music
makes these songs
especially compelling
choices for bilingual
worship, allowing
assemblies to learn,
internalize, and pray
easily in both Spanish
and English.
“Qué AlegrÃa
Cuando Me Dijeron / I
Rejoiced When I Heard
Them Say†uses the
words of the psalm as a
rhythmic mantra, creating
a fresh and engaging way
to gather as the Body of
Christ. “LetanÃa
a la Madre de las
Américas / Litany of
Mary of The
Americas,†invokes
the Mary of many names
and nations with a simple
yet strong response that
will enliven Marian
feasts throughout the
year. The gentle
simplicity of “Tres
Guajiros / Three
Peasantsâ€
re-imagines the story of
the Magi as humble
peasants bringing gifts
of the land to honor the
newborn Jesus. Also, in
this collection and for
the first time in
published form, is Gloria
Estefan’s
“Caridad,†a
powerful and poetic
prayer to Our Lady of
Charity, the patroness of
Cuba. All of the pieces
of this collection focus
on the importance of
bringing the voices of
the assembly to the
forefront while the
arrangements are
skillfully crafted to be
accessible to musicians
of all abilities. In
addition to the
spiral-bound edition,
individual octavos, and
flute and brass parts,
Caminemos con Jesús
offers a special edition
featuring parts for
guitar, percussion and
other instruments central
to Cuban music. The
studio recording is a
stunning source of prayer
and inspiration, produced
in Miami by Grammy Award
winner Juan Delgado and
featuring some of the
finest Cuban-American
musicians today. GIA
Publications, Inc. is
committed to responding
to the rich diversity of
the contemporary Church.
With Caminemos con
Jesús, we offer you
our very best bilingual
music for the liturgical
year. “The
music of my
father’s Cuban
homeland has been the
language of my heart for
as long as I can
remember. These songs
infuse that rich
tradition with the unique
sabor of my own
experience as a
Cuban-American in a
distinctly liturgical
shape that I hope will
inspire others in their
daily camino con
Jesús.â€
–Tony Alonso
Featuring “Live
Mercy, Be Holy / Vive la
Misericordia, Vive la
Santidad,†the 2020
Los Angeles Religious
Education Congress theme
song! Desde la música
de Buena Vista Social
Club hasta la de Gloria
Estefan, las melodÃas
lÃricas y ritmos
contagiosos de la
música cubana son
incrustados en la cultura
estadounidense. Con
Caminemos con Jesús /
Let Us Walk with Jesus,
el compositor Tony Alonso
presenta una colección
innovadora de música
litúrgica que
incorpora su herencia
musical cubana para
producir una manera nueva
de cantar la liturgia
— en español,
inglés o
bilingüemente. El
primer proyecto de este
tipo, Caminemos con
Jesús no sólo
utiliza modismos ricos de
Cuba sino también
explora lo que el estilo
y la forma musical nos
pueden enseñar con
respeto a rezar juntos a
través de los
lÃmites culturales y
lingüÃsticos.Â
La forma dinámica de
llamada-y-respuesta que
es un sello distintivo de
la música cubana
tradicional crea opciones
cautivadoras para los
rituales bilingües
donde la asamblea puede
aprender, interiorizar y
rezar facilmente tanto en
español como en
inglés. “Qué
AlegrÃa Cuando Me
Dijeron†incorpora
la letra del salmo como
una mantra rÃtmica,
creando una manera
original para congregar
al Cuerpo de Cristo. La
“LetanÃa a la
Madre de las
Américas,†la
cual invoca a la MarÃa
de muchos nombres y
naciones utilizando una
respuesta sencilla y
fuerte, enriquecerá a
las fiestas marianas de
muchos pueblos durante
todo el año. La
sencillez suave de
“Tres
Guajiros†reimagina
la historia de los Reyes
Magos como guajiros
humildes, trayendo
regalos de la tierra para
honrar al recién
nacido Jesús.
También se encuentra
en esta colección, por
la primera vez en forma
publicada, el tema
musical
“Caridad†por
Gloria Estefan, que es
una oración poderosa y
poética a Nuestra
Madre de Caridad, la
patrona de Cuba. Todas
las piezas en esta
colección se enfocan
en la importancia de las
voces de la asamblea
mientras los arreglos son
accesibles para los
músicos de todas
habilidades. Además de
la edición con
espiral, las partituras
corales individuales, y
las ediciones para flauta
y instrumentos de metal,
Caminemos con Jesús
también ofrece una
edición para guitarra
con partituras
adicionales para
percusión y otros
instrumentos centrales en
la música cubana. La
grabación del estudio
es espectacular, una
fuente de oración y
inspiración. Producido
en Miami por el ganador
de Grammy Juan Delgado,
el álbum destaca los
talentos de unos de los
mejores músicos
cubano-americanos de hoy
dÃa. GIA
Publications, Inc.
está comprometido a
responder a la diversidad
rica de la Iglesia
actual. En Caminemos con
Jesús, les ofrecemos
nuestra mejor música
bilingüe para todo el
año litúrgico.
“La música de la
tierra cubana de mi padre
ha sido el lenguaje de mi
corazón desde que yo
tengo memoria. Estas
canciones infunden esa
rica tradición del
sabor único de mi
propia experiencia como
cubanoamericano con una
forma claramente
litúrgica. Es mi deseo
que esta obra inspire a
los demás en su propio
camino diario con
Jesúsâ€.
–Tony AlonsoÂ
Incluye el canto tema,
“Vive la
Misericordia, Vive la
Santidad / Live Mercy, Be
Holy,†compuesto
para el Congreso de
Educación Religiosa de
Los Angeles del 2020.
CONTENTS / CONTENIDO:
Arriba los Corazones / We
Lift Up Our Hearts
• Caminemos con
Jesús / Let Us Walk
with Jesus •
Cántico de Daniel /
Canticle of Daniel
• Caridad / Our
Lady of Charity •
LetanÃa del Santo
Nombre de Jesús /
Litany of the Holy Name
of Jesus •
LetanÃa a la Madre de
las Américas / Litany
to the Mother of the
Americas • Qué
AlegrÃa Cuando Me
Dijeron / I Rejoiced When
I Heard them Say •
Una Gran Nube de Testigos
/ A Wondrous Cloud of
Witnesses • Tres
Guajiros / Three Peasants
• Vayan Por el
Mundo Entero / Go Out to
All the World •
Vive la Misericordia,
Vive la Santidad / Live
Mercy, Be Holy. Â . $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Whistle for a Penny
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire
Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-001149-010 Composed by Harrie...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.GOB-001149-010
Composed by Harrie
Janssen. Concert March.
Set (Score & Parts).
Composed 2012. 86 pages.
Gobelin Music
Publications #GOB
001149-010. Published by
Gobelin Music
Publications
(BT.GOB-001149-010).
9x12 inches.
English-Dutch. The
title Whistle for a
Penny can have
different meanings, but
brings especially to mind
the difficult
relationship between art
and money… After a
short introduction, the
main theme is heard. This
theme is an excellent
tune to whistle, by the
way. After lots of
variation in the
instrumentation, as well
as contrasting melodies
and themes, the finale
sees a return to the
opening bars of the
composition.
Kunst en geld?
Helaas gaat dat niet
altijd even goed
samen...En dat is waar
deze titel naar verwijst.
Maar ook naar het feit
dat uw publiek met dit
werk uitstekend kan
meefluiten! Na een korte
inleiding horen we het
hoofdthema; hétmoment om
mee te doen! Na veel
afwisseling in de
instrumentatie,
contrasterende melodieën
en thema’s keren we
terug naar de inleidende
maten.
Der Titel
Whistle for a
Penny (‘Pfeife für
einen Pfennig’) kann
auf verschiedene Weise
gedeutet werden, ist aber
auch sicherlich ein
Verweis auf das
problematische
Verhältnis zwischen
Kunst und Geld...Nach
einer kurzen Einleitung
erklingt in diesem
Konzertmarsch das
Hauptthema, das man
ausgezeichnet mitpfeifen
kann. Nach viel
Abwechslung in der
Instrumentation sowie
kontrastierenden Melodien
und Themen kehrt der
Schluss zu den
einleitenden Takten
zurück.Eine runde
Sache!
Une courte
introduction précède
l’entrée du thème
principal. Celui-ci est
un air que l’on peut
siffler facilement
(whistle signifiant
siffler“ ou
sifflement“ en anglais,
tandis que pennywhistle
est un fl teau).La
mélodie suivante est
exécutée par le
registre grave de
l’orchestre, puis le
thème principal revient
dans diverses
instrumentations. Dans le
trio, nous entendons un
thème lyrique qui
précède un tutti. La
marche s’achève avec
une coda qui rappelle
allègrement les
premières mesures de la
pièce.
Una breve
introduzione precede il
tema principale,
un’aria che si può
fischiare facilmente
(whistle significa
appunto fischiare, mentre
il pennywhistle è una
specie di flauto). La
melodia che segue è
affidata al registro
grave dell’orchestra
che anticipa la
riesposizione del tema
iniziale in diverse
strumentazioni. Nel trio,
sentiamo un tema lirico
che precede un tutti. La
marcia termina con una
coda che riprende
allegramente le prime
misure del brano. $135.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Doble Concert de la Porta Ferrada
Editorial de Musica Boileau
Violin, cello and set of chamber instruments SKU: BO.B.3338 Composed by X...(+)
Violin, cello and set of
chamber instruments
SKU: BO.B.3338
Composed by Xavier
Benguerel. Instrumental
Sets. Duration 15:00.
Published by Editorial de
Musica Boileau
(BO.B.3338).
English
comments: I finished
writing the Porta Ferrada
Double Concerto at the
beginning of 2004. I was
commissioned to write it
for the Porta Ferrada
International Music
Festival (in Sant Feliu
de Guixols).This double
concerto for violin,
cello and chamber
ensemble represents the
start of a period in
which the pieces that I
am working on are all for
small ensembles:
Davallament, for soprano
and piano; Quinteto de la
sala de Levante, for
clarinet and string
quartet; Palau d'hivern,
for soprano, clarinet and
string quartet; and
Concertino Geminis for
solo violin and 15 string
instruments.Having
written large-scale
works, I have now gone
back to writing chamber
music. We can see how,
throughout my career, the
sinfonia concertante form
is omnipresent in almost
all my earlier periods. I
still haven't found a
satisfactory answer to
why I choose a dialogue
between a soloist and an
instrumental group so
often. I would perhaps
say that with a solo
instrument it seems as if
my music has to flow more
effortlessly, allowing me
to work more easily.
Having a main character
in the piece's discourse
greatly helps me to
develop the idea I have
about the piece I want to
write. In this case
there are two string
soloists, the violin and
the cello, which of
course play a major part,
but without this becoming
a virtuosic. As for its
form, the piece is based
on three parts that meet
without interruption.It
was first performed on 10
August 2005 at the Teatre
Auditori Municipal in
Sant Feliu de Guixols as
part of the 43rd edition
of the Porta Ferrada
International Festival,
by the Porta Ferrada
Simfonietta orchestra and
the soloists Melodie Giot
and Manon Philippe,
conducted by Daniel
Tosi. Comentarios
del Espanol: Acabe de
escribir el Doble
Concierto de la Porta
Ferrada a principios del
ano 2004. Nace como un
encargo del Festival
Internacional de Musica
de la Porta Ferrada (Sant
Feliu de Guixols).Este
doble concierto, para
violin, violonchelo y un
conjunto de camara, abre
un periodo en el que las
obras que trabajo son
todas para pequenos
conjuntos: Davallament,
para soprano y piano;
Quinteto de la sala de
Levante, para clarinete y
cuarteto de cuerda; Palau
d'hivern, para soprano,
clarinete y cuarteto de
cuerda; Concertino
Geminis para violin
solista y 15 instrumentos
de cuerda.Despues de
haber escrito obras de
gran formato, ahora
vuelvo a la musica de
camara. Podemos ver
como la forma
concertante, a lo largo
de toda mi produccion, es
omnipresente en casi
todas las epocas
precedentes. No he
encontrado una respuesta
satisfactoria al porque
de elegir tan a menudo el
dialogo entre un solista
y un grupo instrumental.
Como aproximacion, diria
que con un instrumento
solista parece ser que mi
musica tenga que fluir
mas facilmente y que
pueda trabajar con mas
comodidad. El hecho de
tener un personaje
principal en el discurso
de la partitura me ayuda
mucho a desarrollar la
idea que tengo sobre la
obra que quiero
escribir. En este caso
se trata de dos solistas
de cuerda, el violin y el
violonchelo, que, como es
natural, toman un papel
primordial sin que, sin
embargo, lleguen a
alcanzar una parte
virtuosistica. La obra,
formalmente, se basa en
tres partes que se tocan
sin
interrupcion. El
estreno tuvo lugar el 10
de agosto de 2005 en el
Teatre Auditori Municipal
de Sant Feliu de Guixols,
en el marco del 43
Festival Internacional de
la Porta Ferrada, por la
orquesta Simfonietta
Porta Ferrada y las
solistas Melodie Giot y
Manon Philippe, bajo la
direccion de Daniel
Tosi. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Unto Us a Son Is Born
Chorale SATB
SATB, Piano
Beckenhorst Press
Arranged by Trevor Manor. For SATB choir, piano, with optional flute, brass quin...(+)
Arranged by Trevor Manor.
For SATB choir, piano,
with optional flute,
brass quintet and
percussion (2 trumpets,
horn, trombone, tuba,
percussion). Sacred.
Instrumental score and
parts. Published by
Beckenhorst Press
$30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Mass in E flat major
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Conducteur] - Intermédiaire
Carus Verlag
Orchestra Soli SATTB, Coro SSATTBB, Ob, 2 Clt, Fg, Cor, Tr, Trb, Timp, 2 Vl, Va,...(+)
Orchestra Soli SATTB,
Coro SSATTBB, Ob, 2 Clt,
Fg, Cor, Tr, Trb, Timp, 2
Vl, Va, Vc, Cb - Grade 4
SKU: CA.4066050
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Franz
Schubert. Arranged by
Joachim Linckelmann.
Carus digital: Extra
digital products. Full
Score. D 950. 216 pages.
Duration 50 minutes.
Carus Verlag #4066050.
Published by Carus Verlag
(CA.4066050). ISBN
9790007294533. Key: E
flat major.
Latin. Schubertâ??
s Mass in E-flat major is
the last of his six
settings of the
Ordinarium Missae (Mass
ordinary) and also his
most important work in
this genre. The mass is
full of color and drama,
infused with the spirit
of confession. For many
choirs, it is on the wish
list of those works they
would like to sing
someday. But what happens
if you donâ??t have
enough singers, money is
tight, and your venue is
on the small side?
Here the experienced
arranger and orchestral
musician Joachim
Linckelmann has a great
solution. His version for
soloists, choir and
chamber orchestra
requires only 7 winds
rather than the original
13. The string parts,
while identical to the
original, can now also be
scaled back. The vocal
parts (soloists and
chorus) are completely
untouched by the
arrangement, so that the
vocal scores and choral
scores of the Carus
Urtext edition can also
be used for
performanceâ?¢,A
large-scale work now
arranged for smaller
choirs â?¢,13 winds
of the original version
reduced to 7
instrumentsâ?¢,Voca
l scores and choral
scores of the original
version can still be
usedâ?¢,carus plus:
The work (original
version) is available in
the app carus music, the
Choir Coach, as well as
in our Carus Choir Coach
series (audio only)..
Score available
separately - see item
CA.4066000. $105.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Make a Joyful Noise unto the Lord
Chorale Unison
Unison, Piano - Débutant
GIA Publications
Unison choir/voices, keyboard accompaniment, percussion - Beginning SKU: GI.G...(+)
Unison choir/voices,
keyboard accompaniment,
percussion - Beginning
SKU: GI.G-9319
Composed by David Smart.
Easter 4 C, OT 1 A,
Children. Singing Our
Faith. Sacred. Octavo. 8
pages. GIA Publications
#9319. Published by GIA
Publications (GI.G-9319).
UPC: 785147931904.
English. Text Source:
Psalm 100:1–2, 4b,
5a, KJV Scripture:
Psalm 100:1–2, 4b,
5a. “Make a
Joyful Noise unto the
Lord†by the late
David Smart, former
professor of music at the
Moody Bible Institute, is
a piece for
children’s choir,
keeping the vocal parts
within an octave and
using a keyboard part
that may be played on
organ or piano. The
simple percussion parts
provided in the score may
be played on rhythm
instruments, or even as
hand claps. $2.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Stand by Me
Orchestre d'harmonie - Facile
De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1115114-015 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1115114-015
Arranged by Roland
Kernen. Flexible 5
Series. Concert Piece.
Set (Score and Parts).
Composed 2011. De Haske
Publications #DHP
1115114-015. Published by
De Haske Publications
(BT.DHP-1115114-015).
9x12 inches.
English-German-French-Dut
ch. Stand By
Me, perhaps Ben E.
Kingâ??s greatest hit
ever, was first released
in 1961 as the b-side of
a single, but as it soon
went to number one on the
RandB charts and to
number one of the pop
charts, the single was
released again with
Stand By Me as the
a-side. In 1986 it was
rereleased again, on the
release of the movie by
the same name, and it is
also well-known through
countless cover versions
by famous singers. Now,
Stand By Me is
available for a flexible
five part
instrumentation.
S
tand by Me, is
waarschijnlijk wel de
grootste hit van Ben E.
King. In 1961 werd het
nummer als B-kant van een
single uitgebracht. Maar
binnen de kortste keren
stond Stand by Me op
nummer 1 in de
RandBhitlijsten en
verwierf het eenvierde
plaats in de pop charts.
Niet in de laatste plaats
door de gelijknamige film
uit 1986 en de talrijke
coverversies is dit
nummer nog steeds bij
jong en oud bekend én
geliefd. Zet hem op uw
programma en succes is
gegarandeer!
St
and By Me, Ben E.
Kings vielleicht
grö�ter Hit,
erschien erstmals im Jahr
1961 auf Schallplatte.
Zunächst nur als
B-Seite einer Single
verkauft, wendete sich
das Blatt schnell, als
Stand By Me binnen
kurzem auf Platz 1 der
RandB-Charts und Platz 4
der Popcharts schoss.
Nicht zuletzt durch den
gleichnamigen Film von
1986 und unzählige
Coverversionen ist das
Lied heute bei Jung und
Alt bekannt und beliebt.
Dieser Titel ist in der
Reihe Flexible Band 5
Seriesâ?? erschienen und
somit fu?nfstimmig
variabel
besetzbar.
Stan
d By Meest
probablement lâ??un des
plus grands succès
composé et
interprété en 1961
par Ben E. Kings. En
1986, le succès
planétaire du film
basé sur un roman de
Stephen King propulse la
chanson pour la seconde
fois en tête des
hit-parades
internationaux. Roland
Kernen nous propose un
magnifique arrangement
pour instrumentation
variable 5 voix de ce
standard indémodable.
Stand By
Me, del 1961, è
probabilmente il più
grande successo di Ben E.
King. Il brano è
basato su un gospel del
1955, riadattato a ritmi
più moderni. Stand
By Me ha raggiunto la
top ten dei singoli
più venduti negli
Stati Uniti per due
volte, nel 1961 e nel
1986, in occasione
dellâ??uscita del film.
Un evergreen ora
disponibile nella serie
â??Flexible Band 5
Seriesâ? per
strumentazione variabile
a cinque voci. $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Wolf-Gang
Schott
Parts Woodwind Octet (Woodwind Parts) SKU: HL.49045833 Siz Mozart Oper...(+)
Parts Woodwind Octet
(Woodwind Parts) SKU:
HL.49045833 Siz
Mozart Opera Arias
arranged by Steve
Martland for wind
octet. Composed by
Wolfgang Amadeus Mozart.
Arranged by Steve
Martland. Woodwind
Ensemble. Classical.
Softcover. 116 pages.
Duration 900 seconds.
Schott Music #ED12939-10.
Published by Schott Music
(HL.49045833).
9.0x12.0
inches. With
Wolf-Gang, the British
composer Steve Martland,
ironizingly, follows the
18-century tradition of
wind music ensembles with
which underpaid musicians
made some money on the
side. Martland arranged
six arias from Don
Giovanni, The Magic Flute
and Le Nozze di Figaro
for wind octet, adapting
them to today's possible
playing techniques. By
adding cor anglais and
soprano saxophone, it was
possible to have each
aria played by a
different combination of
instruments so that each
aria stands out against
the others with regard to
the sound. While
rearranging the
instrumentation, Martland
left the musical material
of Mozart untouched.
Contents: I La ci darem
la mano (Don Giovanni) II
Madamina, il catalogo e
questo (Don Giovanni) III
Der Vogelfanger bin ich
ja (The Magic Flute) IV
Marsch der Priester (The
Magic Flute) V Se a caso
Madama (The Marriage of
Figaro) VI Non piu andrai
(The Marriage of
Figaro). $50.00 - Voir plus => Acheter | | | |
| The First Nowell
Orchestre d'harmonie - Facile
De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-1115068-015 Arra...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2 SKU:
BT.DHP-1115068-015
Arranged by Lorenzo
Bocci. Flexible 4 Series.
Christmas. Set (Score and
Parts). Composed 2011. De
Haske Publications #DHP
1115068-015. Published by
De Haske Publications
(BT.DHP-1115068-015).
9x12 inches.
English-German-French-Dut
ch. The First
Nowell is a traditional
Christmas song that can
be traced back to the
18th century. The word
â??nowellâ? is in
fact derived the French
word for Christmas,
â??noelâ?. The First
Nowell is sung in
Englishspeaking countries
around the world,
although the actual text
may vary by region and
local customs. The simple
and beautiful melody has
made this carol a
Christmas favourite.
Lorenzo Bocci turns the
melody into an elegant
flexible four-part
arrangement.
The
First Nowell is een
traditioneel kerstlied
dat vermoedelijk uit het
Cornwall (Engeland) van
de achttiende eeuw stamt.
Het woord â??Nowellâ??
in de titel verwijst naar
het Franse woord voor
kerst: noël. In heel
het Engelstalige
gebiedwordt dit lied
gezongen, weliswaar met
verschillenden teksten.
Dankzij de eenvoudige
maar ontroerende melodie
is het lied over de
gehele wereld bekend.
Lorenzo Bocci maakte er
een arrangement voor
vijfstemmige variabele
bezettingvan. Lieflijk en
hartverwarmendâ?¦
The First Nowell ist
ein traditionelles
Weihnachtslied, das
vermutlich aus dem
Cornwall des 18.
Jahrhunderts stammt. Das
Wort Nowellâ?? im Titel
geht auf das
französische
Noëlâ?? fu?r
Weihnachten zuru?ck. Das
Lied wird zu
unterschiedlichen
Textversionen im gesamten
englischen Sprachraum
gesungen und ist dank
seiner schlichten,
ergreifenden Melodie auf
der ganzen Welt bekannt.
Diese schöne Melodie
machte Lorenzo Bocci mit
seinem Arrangement fu?r
eine vierstimmig variable
Bläserbesetzung
spielbar.
Le mot
Nowellâ?? dans le titre
de cette chanson
traditionnelle de Noël
datant du XVIIIe
siècle et dont
lâ??origine se situe
dans les Cornouailles en
Angleterre, fait
référence au mot
français Noël.
Lorenzo Bocci a
façonné un
élégant arrangement
pour ensemble
instrumentation variable
quatre voix de cette
mélodie, accessible et
ravissante, faisant de ce
chant un choral de
prédilection dans le
monde entier.
La
parola â??nowellâ? di
questo canto tradizionale
natalizio datato del
XVIII secolo e originario
della Cornovaglia, fa
riferimento alla parola
francese â??Noelâ?
(appunto Natale). Lorenzo
Bocci ne ha realizzato un
elegante arrangiamento
per ensemble a
strumentazione variabile
(quattro voci). $91.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
