(Wedding & Classical Favorites). Composed by Various. Arranged by Daniel Kelley. For Flute/Oboe/Violin and Flute/Oboe/Violin. Duets. Music for Two series. Wedding, Classical. Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing

Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method. Size 9x12 inches. 48 pages. Published by Hal Leonard.

Intermediate to Advanced Studies (Book 3 level). Essential Elements Band Method. 48 pages. Published by Hal Leonard.

(Full Score). Composed by Philip Glass (1937-). For Orchestra, Violin (Full Score). Music Sales America. Softcover. Dunvagen Music Publishers #DU11066. Published by Dunvagen Music Publishers

By Bruce Pearson. Edited by Chuck Elledge. Band Methods. Standard of Excellence. Level: Grade 1-2. Music Book. Published by Neil A. Kjos Music Company.

Composed by Antonio Vivaldi (1678-1741). Orchestra. Full Orchestra (Miniature Score); Larger Works; Masterworks. Dover Edition. Baroque; Masterwork. Miniature Score. Published by Dover Publications

Arranged by David Marlatt. For Score. Brass Ensemble - Quintet. Eighth Note Publications. Love; Wedding. Score. 36 pages. Published by Eighth Note Publications

Violin, piano

SKU: KU.EES-413

Composed by Antonio Vivaldi. Edited by Newell Jenkins. Arranged by Fritz Kübart. Bach format (230 x 302). Rv 315, Pv 336, F. I/23, Ric. 77. Staple Bound. Piano reduction, solo part. Op. 8/2. 24 pages. Duration 11 minutes. Edition Kunzelmann #EES-413. Published by Edition Kunzelmann (KU.EES-413).

Op.8 No.2 / F.I:23 / P236

By Antonio Vivaldi (1678 - 1741). Arranged by David Marlatt. For 2 Flutes, 2 Clarinets. Woodwind - Quartet. Baroque. Level: Easy-Medium. Duration 00:01:45. Published by Eighth Note Publications.

Brass Band - Grade 3

SKU: BT.1091-04-030-MS

Arranged by Lorenzo Bocci. De Haske Pop Collection. Pop & Rock. Set (Score & Parts). Composed 2004. Music Sales #1091-04-030 MS. Published by Music Sales (BT.1091-04-030-MS).

This attractive and unforgettable love song was a hit in the 60’s, and again in 2001, for Andy Williams. Lorenzo Bocci has created an inspired arrangement for brass band.

Les auteurs-compositeurs Bob Crewe et Bob Gaudio ont formé un tandem couronné de succès. Dans les années 60 et 70, ils signent de nombreux tubes pour Frankie Valli & The Four Seasons dont l’immense standard de l’année 1967, Can’t Take My Eyes Off You. Par la suite, une pléiade d’artistes célèbres reprend cette chanson charmante au rythme enlevé. Ainsi, The Lettermen, Andy Williams, Diana Ross & The Supremes, Gloria Gaynor, The Boystown Gang ou The Pet Shop Boys, entre autres (liste non exhaustive), ont inscrit ce classique de la musique pop leur répertoire. Lorenzo Bocci signe cet arrangement entraînant pour Brass Band.

(Mixed Trios). By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. Music for Three. Classical / Baroque. Intermediate/Advanced. Part 1

Voice & Piano

SKU: SS.50008330

Composed by Emma Lou Diemer. Choral. Sheet Music. Published by Seesaw Music Corp (SS.50008330).

Arranged by Timothy Brown. Book. FJH Piano Teaching Library. Book. The FJH Music Company Inc #FJH2312. Published by The FJH Music Company Inc

By Antonio Vivaldi. Arranged by Almeida Prado. For 2 Pianos. Published by Tonos (German import). (10705/3)

Chamber Music String Quartet

SKU: PR.114413820

'Shades Of Green'. Composed by Clint Needham. Contemporary. Set of Score and Parts. With Standard notation. Composed Summer 2005. 24+12+12+12+8 pages. Duration 17 minutes. Theodore Presser Company #114-41382. Published by Theodore Presser Company (PR.114413820).

UPC: 680160585830.

Anoth er prize-winning composition from Needham is his String Quartet No. 1, which sprang from an afternoon's exposure to Vivaldi's Four Seasons. Says the composer, The work itself is about cycles. Nature cycles (day to night, seasonal, moon, tides, etc.), life cycles, and even cycles in music make their way into the piece, both consciously and subconsciously. The work is a homage to nature and to the affective spirit found in the music of Vivaldi..

(From The Four Seasons). By Antonio Vivaldi (1678-1741). Arranged by Willy Hautvast. For Concert Band. Arrangements of Classical Pieces / Slow Movements and Solemn Works / Liberation Day / Slow Movements. Classic Arrangement. Grade 2. Score

(Wedding and Classical Favorites). Composed by Various. Arranged by Daniel Kelley. For Flute/Oboe/Violin and Cello/Bassoon. Duets. Music for Two series. An engaging new collection for any occasion including the best of Bach, Chopin, Debussy, Delibes, Dvorak, Holst, Tschaikovsky and more!. Wedding, Classical. Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing

Pop Hits, Broadway, Movies and More! John Thompson's Modern Course for the Piano Series. Performed by Various. Arranged by Glenda Austin. Willis. Size 9x12 inches. 32 pages. Published by Willis Music.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

By Oscar Escalada. For choir. (SATB). Choral Octavos. Latin American Choral. Level: Grade 5. Choral Octavo. Published by Neil A. Kjos Music Company.

2- to Four-part Choir, priest or Presider or Narrator, cantor, assembly, keyboard, piano accompaniment, brass quartet, handbells, guitar, timpani, woodwinds

SKU: GI.G-018000

Composed by Steven R. Janco. Sacred. Full score. With guitar chord names. GIA Publications #018000. Published by GIA Publications (GI.G-018000).

[Category].

Befo re the implementation of the new translation of The Roman Missal, the Mass of Redemption enjoyed a high level of popularity in parishes across the country and beyond. With the advent of the new translation, this Mass has become even more popular. Steve Janco rewrote the Gloria for the new translation and his through-composed setting is energetic and bright, bringing a sparkle to the new text. The Mass is written in the bright key of D major, bringing a joyful quality to the celebration of Sunday Mass, especially during the Christmas and Easter seasons, as well as the Sundays of Ordinary Time. Set for cantor, choir, assembly, keyboard, and guitar (with optional instrumental parts for brass quartet and timpani, two woodwinds, and handbells), the choral writing is in two parts (SA/TB) with optional third voice, often a soprano descant, at climaxes in various sections. Music directors agree that the simple choral arranging makes this a setting appropriate for parishes that do not have the musical “forces” to sing many of the more vocally complex Mass settings. Mass of Redemption brings the choir, musicians, and assembly together in a symphony of praise and thanksgiving for the great gift of redemption in Christ—a wonderful setting to raise hearts and voices to God at Sunday Mass. Join the hundreds of parishes that have made Mass of Redemption a musical staple and a reliable setting of the Mass. Parishes simply never grow weary of singing this setting!   Highlights: Highly popular among parishes before the implementation of new texts, now even more widely used! Written in the key of D major, bringing jubilance to the celebration of Mass. A variety of options for instrumentation with simple choral arrangements—ideal for smaller choirs. A delightful setting for the Christmas and Easter seasons and ideal for Sundays during Ordinary Time.  .

Piano

SKU: HL.220315

The Seasons. Composed by Evan Hause. E.B. Marks. Classical. Softcover. 12 pages. Edward B. Marks Music #EBM220315. Published by Edward B. Marks Music (HL.220315).

ISBN 9781423489405. UPC: 884088469115. 9x12 inches.

Four intermediate level piano works inspired by the seasons. Contents: Lake Reflections (Summer) • Melancholy Waltz (Fall) • Frozen Sunset (Winter) • Wedding Music (Spring).

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

SKU: SU.12800022

Composed by Johann Sebastian Bach. Keyboard, Piano/Harpsichord. Music Theory. Score. Subito Music Corporation #12800022. Published by Subito Music Corporation (SU.12800022).

BachScholar Editions Vol. 22 – 24 Four-Part Chorales | Advent & Christmas (33 pages) is a beautifully laid-out landscape volume with spiral binding consisting of 24 selected four-part chorales by J.S. Bach appropriate for the seasons of Advent and Christmas. Each chorale is notated in two parts for beginners (soprano and bass lines, fingerings indicated) followed by the original four-part chorale. The volume also includes an introduction from the editor plus a table of contents with historical information about the hymn tunes and their first performances in Bach’s cantatas. Ideal for piano and organ teachers and students, as well as for theory and keyboard classes at the college level. Published by: BachScholar Publishing, LLC.

Narrator & Orchestra (narrator, 2(1).2(1).2 - 2.2.2.0 - timpani, 2 percussion, harp, celesta; strings)

SKU: SU.90110060

For Narrator & Orchestra. Composed by Michael Abels. Orchestra. Study Score. Composed 1993-95. Duration 7'. Subito Music Corporation #90110060. Published by Subito Music Corporation (SU.90110060).

Text: Leo Lionni.

This CD Sheet Music™ collection brings together over 570 works for solo and duo piano (including concerto reductions) by both familiar and lesser-known 19th century Russian and Eastern European composers. Works include: Balakirev (Islamey, Rèverie), Borodin (Petite Suite), Dussek (Six Sonatinas, Partant pour la Syrie), Dvorák (Silhouettes, Slavonic Dances, Legends, Mazurkas, Poetic Tone Pictures, Humoresques), Janácek (On the Overgrown Path, Zdenka Variations, Collected Moravian Dances), Moszkowski (Spanish Dances, Fifteen Études de Virtuosité), Mussorgsky (over 20 works including: Pictures at an Exhibition, Duma, Intermezzo in Modo Classico), Rimsky-Korsakov (Six Variations on B-A-C-H, Capriccio Espagnole, Sheherezade), Rubinstein (Ondine, Kamennïy-ostrov, Lezghinka), Scharwenka (Polish National Dances, Scriabin (over 50 works including: Piano Sonata Nos. 1-10), Poème-Nocturne, Preludes, Impromptus, Mazurkas), Smetana (over 30 works including: Louisiana Polka, Album Leaves, Wedding Scenes, Czech Dances Books I&II), Tchaikovsky (over 30 works for solo piano & piano four hands including: Album for the Young, The Seasons, Grand Sonata in G, Dumka, Scherzo à la Russe, Swan Lake, Sleeping BeautyThe Nutcracker, The Nutcracker Suite, Piano Concerto Nos. 1&2), and more Also includes composer biographies and relevant articles from the 1911 edition of Grove’s Dictionary of Music and Musicians 4000+ pages [2 CDR Set]

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Orchestra Concert Band

SKU: PR.11640976S

For Soprano and Orchestra. Composed by James Primosch. Full score. Duration 18 minutes. Merion Music #116-40976S. Published by Merion Music (PR.11640976S).

UPC: 680160682768. Das Stundenbuch.

This cycle of orchestral songs sets four poems from an early collection by Rilke entitled Das Stundenbuch, or in English, Book of Hours. Although the title refers to a medieval book of prayers for the various times of day and seasons of the liturgical year, Rilke's texts occupy a position some distance from conventional piety. There is a melancholy to the spirituality expressed here, which speaks of an experience of God that is fragmentary, imperfect, and unattainable. The solitude evoked in the second song (as layers of busy activity are gradually peeled away) offers some solace, but the third song is very dark and fierce, filled with a desperate, even manic desire for God. The last song returns to the mood of the first, but now in a global rather than individual context. This song, like the set as a whole, speaks of our world's brokenness, yet strives to stammer fragments of God's name.

SKU: GI.G-CD-369

Composed by Iona Community. Sacred. CD. GIA Publications #369. Published by GIA Publications (GI.G-CD-369).

Journey from Ash Wednesday to the Sunday after Ascension. This collection celebrates the seasons of Lent and Easter, not just the high points of the particular days. Side by side, you'll find tunes with European roots right next to songs from Ethiopia and Ghana. The rich four-part harmonies, which are a standard feature in this collection, lend themselves to a cappella renditions, easily mastered by choirs and many assemblies.

Coro SATB / SAM, z.T. mit Orgel

SKU: CA.1902400

Edited by Bistum Mainz. Gattungen vokal: Sacred vocal music. Package. Carus Verlag #1902400. Published by Carus Verlag (CA.1902400).

ISBN 9790007311650.

T he choral collections Tagzeiten mit dem Gotteslob tap into the rich treasures of the sections on the Divine Office in the German Catholic hymnal Gotteslob. They encourage lively worship services which can be created and celebrated together by choir and congregation. Compiled by experienced church musicians, these collections offer many specific suggestions for this type of worship, as well as selected choral settings for three or four voices in a variety of styles. Most of these compositions are new works.All three conductors’ volumes are now available to purchase in one cost-effective package.

Pu blished by the Bishopric of Mainz on behalf of the Arbeitsgemeinschaft of the Ämter/Referate für Kirchenmusik der Diözesen Deutschlands (AGÄR) and the German Allgemeiner Cäcilien-Verband (ACV).

Editors:
Mechthild Bitsch-Molitor (chair), Lutz Brenner, Wolfgang Bretschneider, Christian Dostal, Thomas Drescher, Tobias Dulisch, Regina Engel, Melanie Jäger-Waldau, Richard Mailänder, Godehard Weithoff, Dan Zerfaß

C ontents:
Tagzeiten mit dem Gotteslob. Choral collection 1: Advent / Christmas (Carus 19.021)
Tagzeiten mit dem Gotteslob. Choral collection 2: Seasons (Carus 19.022)
Tagzeiten mit dem Gotteslob. Choral collection 3: Lent / Easter (Carus 19.023)