| Dona Nobis Pacem with I've Got Peace like a River Chorale SATB [Octavo] Choristers Guild
Composed by Frances T. Sinclair. Sacred. Octavo. Published by Chorister's Guild ...(+)
Composed by Frances T.
Sinclair. Sacred. Octavo.
Published by Chorister's
Guild (LO.CGA1508).
$2.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Francesca Battistelli - Hundred More Years Piano, Voix et Guitare [Partition] Word Music
By Francesca Battistelli. Sacred Folio. Softcover. 120 pages. Word Music #806895...(+)
By Francesca Battistelli.
Sacred Folio. Softcover.
120 pages. Word Music
#80689542282. Published
by Word Music
$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Don't! [Conducteur et Parties séparées] Cadenza Music
Soprano, Piccolo and Bass Clarinet SKU: BT.CAZ1133 Composed by Cheryl Fra...(+)
Soprano, Piccolo and Bass
Clarinet SKU:
BT.CAZ1133 Composed
by Cheryl Frances-Hoad.
Set (Score & Parts).
Cadenza Music #CAZ1133.
Published by Cadenza
Music (BT.CAZ1133).
Cheryl
Frances-Hoad's
Don't! for
Soprano, Piccolo and Bass
Clarinet. Duration:
3 minutes $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Don't Cadenza Music
Bass Clarinet; Piccolo; Soprano (Score & Parts) SKU: HL.50601849 For S...(+)
Bass Clarinet; Piccolo;
Soprano (Score & Parts)
SKU: HL.50601849
For Soprano, Piccolo
and Bass Clarinet.
Composed by Cheryl
Frances-Hoad.
Instrumental. Concert,
Recital. Softcover.
Duration 2340 seconds.
Cadenza Music #CAZ1133.
Published by Cadenza
Music (HL.50601849).
UPC:
888680937096. $12.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Balkan Melodies for Accordion Accordéon [Partition] - Intermédiaire Mel Bay
by Dr. Frances M. Irwin. For Accordion (Keyboard). solos. Non-Series. Baltic. Le...(+)
by Dr. Frances M. Irwin.
For Accordion (Keyboard).
solos. Non-Series.
Baltic. Level:
Intermediate. Book. Size
8.5x11. 56 pages.
Published by Mel Bay
Publications, Inc.
(2)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Greek Folk Song Suite Orchestre d'harmonie [Conducteur et Parties séparées] De Haske Publications
Score and Parts. By Frances Cesarini. De Haske Concert Band Full Set. Published ...(+)
Score and Parts. By
Frances Cesarini. De
Haske Concert Band Full
Set. Published by DeHaske
Publications.
$145.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Guitar Songbook for Music Therapy Guitare notes et tablatures [Partition] - Facile Mel Bay
A Collection of Spirituals, Children's Songs and Folk Songs. By Kathryn Scheldt ...(+)
A Collection of
Spirituals, Children's
Songs and Folk Songs. By
Kathryn Scheldt & Frances
McClain. For Guitar
(All). Music therapy.
Folk. Level: Beginning.
Book. Size 8.75x11.75.
112 pages. Published by
Mel Bay Publications,
Inc.
(1)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jumpstart Clarinette [Partition + CD] - Facile Fentone Music
Clarinet (Clarinet) - easy SKU: HL.44005949 12 Challenging Pieces for ...(+)
Clarinet (Clarinet) -
easy SKU:
HL.44005949 12
Challenging Pieces for
the Beginner
Musician. Composed by
Peter Blair. Fentone
Instrumental Books.
Educational Tool. Book
with CD. Composed 2003.
Fentone Music #F802.
Published by Fentone
Music (HL.44005949).
UPC: 884088044190.
International (more than
one language). Jump
Start contains ten
motivating pieces written
to help you beginplaying
exciting melodies from
day one. In addition to
the piecesyou'll find
Jump Start Jams, in which
you hear a band play a
phrasefor you to repeat
and a special warm-up
routine to use every
daybefore practice. The
accompanying CD includes
a completeperformance of
each piece together with
an accompaniment
onlyplay-along version.
Warming-ups voor
elke dag en motiverende
liedjes die op de cd door
een harmonieorkest worden
voorgespeeld en als
begeleiding voor het
meespelen worden
gepresenteerd. Daarnaast
bevat JumpStart
praktische tips en
waardevolleachtergrondinf
ormatie voor de
beginnende blazer. Met
JumpStart wordt
het instappen in de
wereld van de blaasmuziek
geen sprong in het
duister!
Ein
tagliches
Aufwarmprogramm,
motivierende Lieder, die
auf der CD von einer Band
vorgespielt und als
Begleitung zum werden
sowie praktische Tipps
und wertvolle
Hintergrundinformationen
zu jedem Titel fur den
Anfanger. Mit
JumpStart wird der
Einstieg ins Spiel nicht
zum Sprung ins kalte
Wasser!
Jump
Start e pensato per
permettere ai
principianti di suonare
accompagnati dal CD,
lungo tutte le prime fasi
dell'apprendimento
musicale. 12 Pezzi da
ascoltare ed interpretare
col CD. In Jump
Start troverete anche
una guida di consigli
teorici (in
inglese/francese) per
rendere al meglio un
brano. $22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fiori Francescani (Franciscan Flowers) Subito Music
S, MS, T, B soli, Clarinet, Violin, Violoncello & Piano SKU: SU.26010041 ...(+)
S, MS, T, B soli,
Clarinet, Violin,
Violoncello & Piano
SKU: SU.26010041
For S, MS, T, B soli,
Clarinet, Violin,
Violoncello & Piano.
Composed by Michele
Caniato. Vocal/Choral, 2
or more Solo Voices,
Vocal/Choral, Secular
Choral, Chamber Music,
Piano Quartet/Quintet.
Piano Vocal Score. Subito
Music Corporation
#26010041. Published by
Subito Music Corporation
(SU.26010041).
Vocal/Chorus
ScoreFor vocal quartet,
piano trio, and clarinet,
in five movements, sets
the text of the Cantico
delle Creature (Canticle
of Creation) by St.
Francis of Assisi
(1181/82-1226), one the
first extant writings in
Italian (Umbrian) dialect
rather than the official
Latin. Many composers
have set it to music,
including Franz Liszt,
William Walton, and Amy
Beach. The first movement
praises the Almighty, the
second natural elements
such as wind, fire, and
water, the third ponders
death and sickness, the
fourth is an ode to earth
that sustains life and
its flowers that provide
beauty, and the last
returns to praising the
Lord and reiterating the
message of humility dear
to St. Francis.
Throughout the work,
passages from the
traditional Prayer of St.
Francis/Make Me an
Instrument of Your Peace
interject their own
commentary, meditating on
topics such as
forgiveness, consolation,
and harmony. S, MS, T, B
soli, Clarinet, Violin,
Violoncello & Piano
Duration: 28’
Composed: 2014 Published
by: Michele Caniato
Music. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fiori Francescani (Franciscan Flowers) [Conducteur et Parties séparées] Subito Music
S, MS, T, B soli, Clarinet, Violin, Violoncello & Piano SKU: SU.26010040 ...(+)
S, MS, T, B soli,
Clarinet, Violin,
Violoncello & Piano
SKU: SU.26010040
For S, MS, T, B soli,
Clarinet, Violin,
Violoncello & Piano.
Composed by Michele
Caniato. Vocal/Choral, 2
or more Solo Voices,
Vocal/Choral, Secular
Choral, Chamber Music,
Piano Quartet/Quintet.
Score & Parts. Subito
Music Corporation
#26010040. Published by
Subito Music Corporation
(SU.26010040).
For vocal
quartet, piano trio, and
clarinet, in five
movements, sets the text
of the Cantico delle
Creature (Canticle of
Creation) by St. Francis
of Assisi (1181/82-1226),
one the first extant
writings in Italian
(Umbrian) dialect rather
than the official Latin.
Many composers have set
it to music, including
Franz Liszt, William
Walton, and Amy Beach.
The first movement
praises the Almighty, the
second natural elements
such as wind, fire, and
water, the third ponders
death and sickness, the
fourth is an ode to earth
that sustains life and
its flowers that provide
beauty, and the last
returns to praising the
Lord and reiterating the
message of humility dear
to St. Francis.
Throughout the work,
passages from the
traditional Prayer of St.
Francis/Make Me an
Instrument of Your Peace
interject their own
commentary, meditating on
topics such as
forgiveness, consolation,
and harmony. S, MS, T, B
soli, Clarinet, Violin,
Violoncello & Piano
Duration: 28’
Composed: 2014 Published
by: Michele Caniato
Music. $105.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Volume 21 - Gettin' It Together Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Volume 118 - Joey Defrancesco - Groovin' Jazz by Joey Defrancesco. Edited by Jam...(+)
Volume 118 - Joey
Defrancesco - Groovin'
Jazz by Joey Defrancesco.
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jamey Aebersold
Play-A-Long series. Book
and CD. 67 pages.
Published by Jamey
Aebersold Jazz
(2)$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Passatempi Musicali. Raccolta di Ariette e Duettini per camera inediti, Romanze francesi nuove, Canzoncine Napolitane e Siciliane, Variazioni pel canto, piccoli Divertimenti per Pianoforte, Contradanze, Walz, Balli diversi etc. - Vols. 1-6 (Naples 1 Ut Orpheus
| | |
| Passatempi Musicali. Raccolta di Ariette e Duettini per camera inediti, Romanze francesi nuove, Canzoncine Napolitane e Siciliane, Variazioni pel canto, piccoli Divertimenti per Pianoforte, Contradanze, Walz, Balli diversi etc. - Vols. 1-6 (Naples 1 Ut Orpheus
| | |
| Passatempi Musicali (Naples 1824-25). Music by Donizetti, Rossini and others Piano, Voix Ut Orpheus
(Volume 1). For Voice and Piano and Piano solo. [Raccolta di Ariette e Duettini ...(+)
(Volume 1). For Voice and
Piano and Piano solo.
[Raccolta di Ariette e
Duettini per camera
inediti, Romanze francesi
nuove, Canzoncine
Napolitane e Siciliane,
Variazioni pel canto,
piccoli Divertimenti per
Pianoforte, Contradanze,
Walz, Balli diversi
etc.]. 56 pages
$25.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Boulemeta Cadenza Music
Clarinet (Clarinet) SKU: HL.50601846 For Clarinet. Composed by Che...(+)
Clarinet (Clarinet)
SKU: HL.50601846
For Clarinet.
Composed by Cheryl
Frances-Hoad.
Instrumental. Concert,
Recital. Softcover.
Duration 2340 seconds.
Cadenza Music
#CAZCFHBOU01. Published
by Cadenza Music
(HL.50601846). UPC:
888680937065. Cheryl
Frances-Hoad's
Bouleumata for solo Clarinet.
'Shortly before
writing this piece I
reached the final of a
competition to compose
the music for the
Cambridge Greek Play,
which happened to be
Medea that year. Although
I didn’t end up
winning, Euripides’
play stunned me with its
depiction of Medea, a
woman who kills her two
children to spite her
husband Jason (who has
just left her for a
Corinthian princess).
This piece was inspired
by the wildly contrasting
emotions that Medea
experiences during a
monologue immediately
preceding the
double-murder: that she
can’t possibly
go through with it, but
thatshe must in order to
punish her enemies. In
one passage she says
“I understand that
what I am about to do is
wrong, but my thumos
(emotion) has vanquished
my bouleumata (ability to
deliberate)'.'
- Cheryl
Frances-Hoad
$9.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Farallones - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Congas, Cowbell,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe, Percussion
1, Percussion 2,
Percussion 3, Piano and
more. - Grade 4 SKU:
CF.SPS98 Composed by
Megan Vinther. Set of
Score and Parts. Duration
4 minutes, 31 seconds.
Carl Fischer Music
#SPS98. Published by Carl
Fischer Music (CF.SPS98).
ISBN 9781491166673.
UPC: 680160925728. Key: C
minor. Farallones
is inspired by the
Greater Farallones
National Marine Sanctuary
(GFNMS) off the Northern
California coast,
spanning 3,295 square
miles north and west of
San Francisco. The
Farallones (Spanish for
cliffs) are a set of
islands that are
sometimes referred to as
The Devil’s Teeth by
mariners, citing the many
dangerous underwater
shoals and shipwrecks.
The first recorded
observation of these
islands was in 1579 by
Sir Frances Drake, with
the first reference to
the outcroppings as
“farallones” written
by Spanish Friar Antonio
de la Ascension in 1603.
The location of the
islands and their rugged
and ominous appearance
likely were responsible
for the relatively late
discovery by explorers of
San Francisco Bay, which
didn’t happen until
1769, nearly 200 years
after Sir Frances
Drake’s
expedition. The islands
and their natural
resources and habitat
have been used and
exploited in many
different ways over the
centuries, from the seal
fur trade in the early
1800s to a nuclear waste
dumping ground in the
1940s–1960s. The
islands have been hosts
to hunting camps, weather
stations, rum runners
during prohibition,
lighthouse keepers, and
even a U.S. Naval station
during World War II. The
first protections for the
area were established in
1981 and expanded over
the following decades.
Over time, species and
habitats have been
restored. The Farallones
is now home to a
beautiful and diverse
marine ecosystem that
supports many endangered
and threatened species.
This piece began as a
chamber work for a septet
that included piano and
string bass. When I
reworked it for wind
ensemble, I left the
piano and string bass in
the orchestration as a
nod to my original
(unfinished) chamber
piece. The opening
section in 7/4 depicts
the rugged environment
and unpredictability of
the swirling currents
around the islands.
Descending scalar motifs
and trills emphasize the
fluidity of the seascape.
The exploitation of the
islands and conflict
surrounding the use of
natural resources drive
the accented passages
throughout the piece. The
12/8 section is a
development into the
resilience and dangerous
beauty of the area.
Recalled themes and
motifs from the first
section in an even rather
than uneven meter depict
the solid future of the
ecosystem. $110.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Farallones [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Clarinet
1, Clarinet 2, Claves,
Congas, Cowbell,
Euphonium, Euphonium
T.C., Flute, Horn 1, Horn
2, Mallet Percussion 1,
Mallet Percussion 2,
Marimba, Oboe, Percussion
1, Percussion 2,
Percussion 3, Piano and
more. - Grade 4 SKU:
CF.SPS98F Composed by
Megan Vinther. Full
score. Duration 4
minutes, 31 seconds. Carl
Fischer Music #SPS98F.
Published by Carl Fischer
Music (CF.SPS98F).
ISBN 9781491166680.
UPC: 680160925735. Key: C
minor. Farallones
is inspired by the
Greater Farallones
National Marine Sanctuary
(GFNMS) off the Northern
California coast,
spanning 3,295 square
miles north and west of
San Francisco. The
Farallones (Spanish for
cliffs) are a set of
islands that are
sometimes referred to as
The Devil’s Teeth by
mariners, citing the many
dangerous underwater
shoals and shipwrecks.
The first recorded
observation of these
islands was in 1579 by
Sir Frances Drake, with
the first reference to
the outcroppings as
“farallones” written
by Spanish Friar Antonio
de la Ascension in 1603.
The location of the
islands and their rugged
and ominous appearance
likely were responsible
for the relatively late
discovery by explorers of
San Francisco Bay, which
didn’t happen until
1769, nearly 200 years
after Sir Frances
Drake’s
expedition. The islands
and their natural
resources and habitat
have been used and
exploited in many
different ways over the
centuries, from the seal
fur trade in the early
1800s to a nuclear waste
dumping ground in the
1940s–1960s. The
islands have been hosts
to hunting camps, weather
stations, rum runners
during prohibition,
lighthouse keepers, and
even a U.S. Naval station
during World War II. The
first protections for the
area were established in
1981 and expanded over
the following decades.
Over time, species and
habitats have been
restored. The Farallones
is now home to a
beautiful and diverse
marine ecosystem that
supports many endangered
and threatened species.
This piece began as a
chamber work for a septet
that included piano and
string bass. When I
reworked it for wind
ensemble, I left the
piano and string bass in
the orchestration as a
nod to my original
(unfinished) chamber
piece. The opening
section in 7/4 depicts
the rugged environment
and unpredictability of
the swirling currents
around the islands.
Descending scalar motifs
and trills emphasize the
fluidity of the seascape.
The exploitation of the
islands and conflict
surrounding the use of
natural resources drive
the accented passages
throughout the piece. The
12/8 section is a
development into the
resilience and dangerous
beauty of the area.
Recalled themes and
motifs from the first
section in an even rather
than uneven meter depict
the solid future of the
ecosystem. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| If We Be Oh So Quiet Chorale SATB Theodore Presser Co.
Choral SATB choir, keyboard SKU: PR.312415730 S.A.T.B. and Keyboard(+)
Choral SATB choir,
keyboard SKU:
PR.312415730
S.A.T.B. and
Keyboard. Composed by
Anonymous. Arranged by
Fred Offutt. Choral.
Part. With Standard
notation. Duration 2:30.
Theodore Presser Company
#312-41573. Published by
Theodore Presser Company
(PR.312415730). UPC:
680160049479. Key: A
major. Text: Frances
Chesterton. Frances
Chesterton. $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band - Grade 4 SKU: BT.DHP-1053880-040 Composed by Maxime Aulio. ...(+)
Concert Band - Grade 4
SKU:
BT.DHP-1053880-040
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-040.
Published by De Haske
Publications
(BT.DHP-1053880-040).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-140 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053880-140
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Score
Only. Composed 2005. 28
pages. De Haske
Publications #DHP
1053880-140. Published by
De Haske Publications
(BT.DHP-1053880-140).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
L«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Whispering Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1053880-010 Composed by Maxim...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1053880-010
Composed by Maxime Aulio.
Inspiration Series.
Concert Piece. Set (Score
& Parts). Composed 2005.
De Haske Publications
#DHP 1053880-010.
Published by De Haske
Publications
(BT.DHP-1053880-010).
9x12 inches.
English-German-French-Dut
ch. “Donâ€
™t listen to
anyone’s advice,
but listen to the lessons
of the wind passing and
telling the history of
the world.†Claude
Debussy Since the dawn of
time, the wind has played
an important role in all
civilisations. Worshipped
as a deity,
“mastermindâ€
of poetry, driving force,
or heaven’s
messenger, the wind took
on the most varied shapes
according to the era and
people. In Claude
Debussy’s time,
music listened to the
voice of nature, and
imagination found its
primary rights again.
This importance of wind
was the inspiration for
Maxime Aulio’s
work Whispering Wind with
its suspended
atmospheres, vaporous
lines and luminous
colours. The wind
caresses the canvas. A
fascinatingnew work for
concert band.
“Luister
niet naar adviezen van
wie dan ook, maar naar de
lessen van de wind die
voorbij waait en de
geschiedenis van de
wereld vertelt.â€
(Claude Debussy) Sinds
het begin der tijden
heeft de wind in alle
beschavingen een
belangrijkerol gespeeld.
In de tijd van Claude
Debussy gaf muziek het
geluid van de natuur weer
en stond
verbeeldingskracht in
hoog aanzien. Het is deze
Franse sensibiliteit die
Maxime Aulio’s
werk Whispering
Wind kenmerkt, met
vluchtigelijnen en
heldere kleuren. De wind
raakt het doek,
suggereert en roept
slechts op, maar met een
indrukwekkende precisie.
Een mooie en bijzondere
compositie!
Seit
Menschengedenken hat der
Wind immer eine wichtige
Rolle in allen
Zivilisationen gespielt.
Vor allem auch zu
Lebzeiten von Claude
Debussy hörte die
Musik auf die Stimme der
Natur. Jedes Instrument
schien Symbol eines
Bildes oder einer
Vorstellung zu sein.
Genau diese typisch
französische
Empfindsamkeit zeichnet
auch deutlich Maxime
Aulios Whispering Wind
mit seinen
spannungsreichen
Stimmungen, nebelhaften
Linien und leuchtenden
Farben aus. Ein sehr
ausdruckvolles
Werk!
«
N’écoutez les
conseils de personne,
sinon du vent qui passe
et nous raconte
l’histoire du
monde. » Claude
Debussy / Depuis la
nuit des temps, le vent a
toujours occupé une
place importante dans les
civilisations. Dieu
vénéré ou
égérie des
poètes, force motrice
ou messager aérien, il
emprunte toutes les
formes, selon les peuples
ou les époques. Les
chemins du vent sont ceux
qui ne sont pas tracés
d’avance ; ils
nous racontent mille
histoires venues
d’ailleurs. Les
murmures du vent sont les
sentiers diaphanes de
l’ me, les
couleurs de
l’éphémèr
e, la poésie des sons.
Avec Claude Debussy, la
musique écoutait les
voix de la nature et
l'imagination retrouvait
auprès d'elleses
droits primitifs. Chaque
instrument semblait fait
d’impressions et
de suggestions. La
partition cessait
d'être
développement pour
devenir enveloppement.
C’est cette
sensibilité toute
française que Debussy
contribua façonner,
que nous retrouvons dans
Whispering Wind
(“Les Murmures du
Ventâ€) de Maxime
Aulio. Des climats en
suspens, des traits
vaporeux, des couleurs
lumineuses. Le vent
caresse la toile,
suggère, évoque
seulement, mais avec une
éblouissante
précision. Le vent est
une parole nomade qui
voyage dans notre
intérieur très
longtemps.
“Non
ascoltate i suggerimenti
degli altri, ma ascoltate
le lezioni del vento che
passa raccontando la
storia del mondo.â€
Claude Debussy Le strade
del vento sono quelle che
non sono tracciate in
precedenza, ci raccontato
mille storie di altri
luoghi. I mormorii del
vento sono i sentieri
diafani
dell’anima, i
colori
dell’effimero, la
poesia dei suoni. Con
Claude Debussy, la musica
ascoltava le voci della
natura. Ritroviamo questa
sensibilit tutta francese
che Debussy contribuì
a formare in Whispering
Wind (Il mormorio del
vento), brano del giovane
compositore francese
Maxime Aulio. Tratti
vaporosi, colori
luminosi, il vento che
accarezza, suggerisce,
evoca con
sorprendenteprecisione.
Il vento è una parola
nomade che viaggia a
lungo nel nostro
interiore. $191.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Easy Variations [Conducteur et Parties séparées] De Haske Publications
4-Part Flexible Ensemble and Percussion - easy SKU: BT.DHP-1125414-070 (+)
4-Part Flexible Ensemble
and Percussion - easy
SKU:
BT.DHP-1125414-070
Based on a French Folk
Song. Composed by Jan
de Haan. Music Box. Set
(Score & Parts). Composed
2012. 16 pages. De Haske
Publications #DHP
1125414-070. Published by
De Haske Publications
(BT.DHP-1125414-070).
9x12
inches. Practically
everybody knows the
French folksong >Sur le
pont d´Avignon.
Jan de Haan created four
very easy variations on
this evergreen folksong.
They have been written
for four-part variable
wind essemble with ad
lib. percussion.
Vier eenvoudige
variaties over het
bekende Franse volkslied
“Sur le pont
d’Avignonâ€.P
art 1 fluit hobo kl B b
kl E b s-sax trpPart 2
fluit althobo kl B b
alt-kl a-sax trp hrnPart
3 alt-kl t-sax fagot hrn
tromb euphPart 4 b-sax kl
B b fagot tromb euph
b-tromb tuba con basOpt.
kl. sp. pauk perc 1 perc
2
Sur le pont
d´Avignon ist
sicher eines der
bekanntesten
französischen
Volkslieder überhaupt.
Jan de Haan schrieb vier
sehr einfache Variationen
für vierstimmige
Bläserensembles mit
optionaler Percussion,
die garantiert jedem
Anfängerensemble
Spaß machen.Part 1 Fl
Ob Kl B/Es S-Sax TrpPart
2 Fl Cor Ang Kl B Alt-Kl
A-Sax Trp HrnPart 3
Alt-Kl T-Sax Fg Hrn Pos
EuphPart 4 B-Sax B-Kl Fg
Pos Euph B-Pos Tuba
4 excellentes
variations autour de la
célèbre chanson
Sur le pont
d’Avignon.Voix
1 Fl Htb Cl. Si b/Mi b
Sax. s. TrpVoix 2 Fl Cor
Angl. Cl. Si b Cl. Alto
Sax. A. Trp CorVoix 3 Cl.
Mi b Sax. T. Basson Cor
Trb Euph.Voix 4 Cl. Si b
Sax. B. Basson Trb Euph.
Tuba C. CordesOpt. Gl.sp
Perc 1 Perc 2
Quattro
variazioni sulla famosa
canzone francese Sur
le pont
d’Avignon.Voce
1 Flauto Oboe Cl. Si b/Mi
b Sax S. TrombaVoce 2
Flauto Cor. Ing Cl. Si b
Cl. Alto Sax A. Tromba
CornoVoce 3 Cl. Alto Sax
T. Fg Corno Tbn Euf.Voce
4 Sax B. Cl. Bas Fg Tbn
Euf. Tbn Si b Tuba
Tuba. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Why Do We Sing? GIA Publications
SKU: GI.G-9818 A Musical Guide for Catholics. Composed by Diana Ko...(+)
SKU: GI.G-9818
A Musical Guide for
Catholics. Composed
by Diana Kodner Gokce.
Sacred. 48 pages. GIA
Publications #9818.
Published by GIA
Publications (GI.G-9818).
ISBN
9781622773534. â
œFor a long time, there
has been a perception
that Catholics
can’t or
won’t sing in
church. But this is not
accurate: Catholics can
and do sing… We all
are called by Christ to
love one another. If
singing is a way to do
that, why hold
back?†--Diana
Kodner Gökçe
“Singing with one
another,†the
author reminds us,
“is both prayer and
an act of love. It
heightens our worship,
and helps us remember
words of praise, thanks,
petition, and most
importantly, the Word of
God. A great voice is not
required. Singing is
beneficial, and a
precious gift from
God.â€Music is sung
prayer, when we sing, we
give voice to a mystery
that cannot be expressed
in mere words…and
yet, many are hesitant to
raise their voices in
song when we gather
together to worship. Â
Filled with wisdom for
new Catholics as well as
those who have been
attending liturgy all
their lives, this book
gives the person in the
pews prayerful insight
and solid foundation in
the basics of the music
we sing every week at
Mass. Why Do We Sing?
examines why but also
when and how we sing in
church: What is the
significance of the
different things we sing?
What difference does it
make if I sing,
especially since I am not
a very good singer? How
do I get over my
self-consciousness with
singing? A book for
everyone in the parish,
this book seeks to help
every liturgical
gathering find its
musical voice and more
fully embrace its ability
to participate fully,
actively, and consciously
in the liturgy. Diana
Kodner Gökçe is
the author of Handbook
for Cantors, 3rd
edition (GIA
Publications, Inc.). She
has taught liturgical
music at Loyola
University and worked as
a music minister in
numerous Chicagoland
parishes including Holy
Name Cathedral. She is
currently Liturgical
Music Coordinator at The
Frances Xavier Warde
School. To receive
the quantity discount (25
or more
copies—$4.00 each)
call our customer service
department at
1-800-GIA-1358. Â . $5.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lorraine Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115059-140 Tone Poem for ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1115059-140
Tone Poem for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece.
Score Only. Composed
2011. 36 pages. De Haske
Publications #DHP
1115059-140. Published by
De Haske Publications
(BT.DHP-1115059-140).
9x12 inches.
English-German-French-Dut
ch. This moving
symphonic poem is about
the French region of
Lorraine. Since the time
of the Roman Empire,
Lorraine has been ruled
by either Germany or
France with wars
redrawing national
boundaries many times
over the years. While its
history has been bloody,
folk music from the
region breaks up the
tension in the piece and
offers many uplifting
moments. An optimistic
conclusion features a
mixture of music from the
three countries Lorraine
sits between: Luxembourg,
Germany and
France.
Dit
ontroerende symfonische
gedicht gaat over
Lotharingen, een gebied
aan de oostkant van
Frankrijk. De muzikale
verklanking begint in de
tijd van het Heilige
Roomse Rijk. Een tijd
waarin het land wordt
geteisterd door vele
oorlogen.Een tijd ook
waarin het land nu eens
bij Duitsland, dan weer
bij Frankrijk hoort.
Vrolijke elementen zijn
er echter ook:
volksmuziek uit
Lotharingen en ook een
verzoenend slot dat met
toespelingen op het
volkslied het
drielandenpuntvan
Frankrijk, Duitsland en
Luxemburg
belicht.
Dieses
bewegende symphonische
Gedicht handelt von der
Region Lothringen in
Frankreich. Beginnend mit
der Zeit des heiligen
Römischen Reiches,
über diverse
Kriege, die im Land
wüteten und Wechsel
zwischen deutscher und
französischer
Staatszugehörigkeit
wird die Geschichte
musikalisch
nacherzählt. Für
fröhliche Elemente
sorgen Anklänge der
lothringischen Volksmusik
und der versöhnliche
Schluss, der mittels
Anspielungen auf die
Nationalhymne auf das
Dreiländereck“
Frankreich, Deutschland
und Luxemburg
anspielt.
Ce
fascinant poème
symphonique retrace
l’histoire de la
Lorraine telle
qu’elle a
été perçue par
les habitants de Yutz
(France).
L’introduction
illustre la période
où la Lorraine faisait
partie du Saint-Empire
romain germanique. Puis
se profile un rythme de
marche faisant
référence aux
nombreuses guerres qui
frappèrent la
région. Une
atmosphère plus
chaleureuse se dessine,
symbolisant
l’unité des
Lorrains, chamarrée
des joyeuses esquisses de
musiques traditionnelles
qui parcourent les rues
de Yutz. La création
mondiale de
l’oeuvre fut
donnée en juin 2010,
Yutz, sous la direction
du compositeur Jacob de
Haan.
La Lorena
è l’unica
regione francese che
condivide i confini con
altre tre nazioni:
Belgio, Lussemburgo e
Germania. Questo brano
sottolinea il carattere
cosmopolita della regione
che nel corso della
guerra franco-prussiana
costrinse i francesi a
cederla al neo-nato
impero tedesco, ma che fu
restituita alla Francia
dopo la prima guerra
mondiale a seguito del
trattato di Versailles.
Il brano propone un tema
basato sulla melodia
dell’inno
nazionale tedesco come
anche, con un ritmo
rapido, sule note della
Marsigliese. Segue un
motivo fondato sulle
prime note
dell’inno
nazionale
lussemburghese. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Lorraine Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1115059-010 Tone Poem for ...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1115059-010
Tone Poem for
Band. Composed by
Jacob De Haan. Concert
and Contest Collection
CBHA. Concert Piece. Set
(Score & Parts). Composed
2011. De Haske
Publications #DHP
1115059-010. Published by
De Haske Publications
(BT.DHP-1115059-010).
9x12 inches.
English-German-French-Dut
ch. This moving
symphonic poem is about
the French region of
Lorraine. Since the time
of the Roman Empire,
Lorraine has been ruled
by either Germany or
France with wars
redrawing national
boundaries many times
over the years. While its
history has been bloody,
folk music from the
region breaks up the
tension in the piece and
offers many uplifting
moments. An optimistic
conclusion features a
mixture of music from the
three countries Lorraine
sits between: Luxembourg,
Germany and
France.
Dit
ontroerende symfonische
gedicht gaat over
Lotharingen, een gebied
aan de oostkant van
Frankrijk. De muzikale
verklanking begint in de
tijd van het Heilige
Roomse Rijk. Een tijd
waarin het land wordt
geteisterd door vele
oorlogen.Een tijd ook
waarin het land nu eens
bij Duitsland, dan weer
bij Frankrijk hoort.
Vrolijke elementen zijn
er echter ook:
volksmuziek uit
Lotharingen en ook een
verzoenend slot dat met
toespelingen op het
volkslied het
drielandenpuntvan
Frankrijk, Duitsland en
Luxemburg
belicht.
Dieses
bewegende symphonische
Gedicht handelt von der
Region Lothringen in
Frankreich. Beginnend mit
der Zeit des heiligen
Römischen Reiches,
über diverse
Kriege, die im Land
wüteten und Wechsel
zwischen deutscher und
französischer
Staatszugehörigkeit
wird die Geschichte
musikalisch
nacherzählt. Für
fröhliche Elemente
sorgen Anklänge der
lothringischen Volksmusik
und der versöhnliche
Schluss, der mittels
Anspielungen auf die
Nationalhymne auf das
Dreiländereck“
Frankreich, Deutschland
und Luxemburg
anspielt.
Ce
fascinant poème
symphonique retrace
l’histoire de la
Lorraine telle
qu’elle a
été perçue par
les habitants de Yutz
(France).
L’introduction
illustre la période
où la Lorraine faisait
partie du Saint-Empire
romain germanique. Puis
se profile un rythme de
marche faisant
référence aux
nombreuses guerres qui
frappèrent la
région. Une
atmosphère plus
chaleureuse se dessine,
symbolisant
l’unité des
Lorrains, chamarrée
des joyeuses esquisses de
musiques traditionnelles
qui parcourent les rues
de Yutz. La création
mondiale de
l’oeuvre fut
donnée en juin 2010,
Yutz, sous la direction
du compositeur Jacob de
Haan.
La Lorena
è l’unica
regione francese che
condivide i confini con
altre tre nazioni:
Belgio, Lussemburgo e
Germania. Questo brano
sottolinea il carattere
cosmopolita della regione
che nel corso della
guerra franco-prussiana
costrinse i francesi a
cederla al neo-nato
impero tedesco, ma che fu
restituita alla Francia
dopo la prima guerra
mondiale a seguito del
trattato di Versailles.
Il brano propone un tema
basato sulla melodia
dell’inno
nazionale tedesco come
anche, con un ritmo
rapido, sule note della
Marsigliese. Segue un
motivo fondato sulle
prime note
dell’inno
nazionale
lussemburghese. $184.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
Page suivante 1 31 61 |