(Piano/Vocal/Guitar). Composed by various artists and composers. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Pop/Rock; Sacred. 104 pages. Published by Alfred Music

(Piano/Vocal/Guitar). Composed by various artists and composers. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords; Worship Resources. Contemporary Christian; Pop/Rock; Sacred. 120 pages. Published by Alfred Music

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500812

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Single Part, Violin 2. 12 pages. Duration 18 minutes. Carus Verlag #CV 35.008/12. Published by Carus Verlag (CA.3500812).

ISBN 9790007213008. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and part available separately - see item CA.3500800.

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500813

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Single Part, Cello/Double Bass. 12 pages. Duration 18 minutes. Carus Verlag #CV 35.008/13. Published by Carus Verlag (CA.3500813).

ISBN 9790007213015. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and part available separately - see item CA.3500800.

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500800

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Full score. 76 pages. Duration 18 minutes. Carus Verlag #CV 35.008/00. Published by Carus Verlag (CA.3500800).

ISBN 9790007143091. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery!

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500811

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Single Part, Violin 1. 12 pages. Duration 18 minutes. Carus Verlag #CV 35.008/11. Published by Carus Verlag (CA.3500811).

ISBN 9790007212995. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and part available separately - see item CA.3500800.

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500819

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 18 minutes. Carus Verlag #CV 35.008/19. Published by Carus Verlag (CA.3500819).

ISBN 9790007143251. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and parts available separately - see item CA.3500800.

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500805

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Choral Score. 20 pages. Duration 18 minutes. Carus Verlag #CV 35.008/05. Published by Carus Verlag (CA.3500805).

ISBN 9790007162061. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score available separately - see item CA.3500800.

SATB choir, 2 violins, 3 trombones colla parte, organ, basso continuo

SKU: CA.3500809

Arranged by Johann Sebastian Bach. Composed by Francesco Durante. Edited by Frieder Rempp. Arranged by Johann Sebastian Bach. This edition: urtext. 3x 35.008/31 3 trombones. Stuttgart Urtext Edition: Bach vocal. Missa C-Moll. Bwv Anh.26. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Duration 18 minutes. Carus Verlag #CV 35.008/09. Published by Carus Verlag (CA.3500809).

ISBN 9790007212988. Text language: Latin.

Johann Sebastian Bach was able to appreciate good works by other composers, as is shown by contemporary accounts, and by a glimpse into what remains of his music library. Francesco Durante, maestro di cappella in Naples, was known in his time as an accomplished composer, who in his sacred works sought to achieve accommodation between the strict stile antico and the stile moderno of concert music at that time. This combination distinguishes his Mass in C minor, and it may have been what awakened Johann Sebastian Bach's interest in this work. He copied it about 1730, not merely for study purposes but in order to perform it, as is indicated by various alterations which he made to the composition. Bach replaced the Christe by a composition of his own, and for the Kyrie II he used Durante's music for the Gloria, making the alterations required by the different words. A worthwhile discovery! Score and parts available separately - see item CA.3500800.

Orchestra; Violin

SKU: UT.NAP-4

Vol. 1. Critical Edition. Composed by Nicola Fiorenza. Edited by Giovanni Borrelli. Hardback (Cloth Hard Cover). Napoli e l’Europa (Naples and Europe). Classical. Critical commentary. Ut Orpheus #NAP 4. Published by Ut Orpheus (UT.NAP-4).

ISBN 9790215318373. 9 x 12 inches.

Concerto in Mi bem. magg. per Violino principale, 2 Violini, Viola e Basso; Concerto in Re min. per 2 Violini e Basso (1728); Concerto in La magg. per 3 Violini e Basso (1728)_x0008_; Concerto in La min. per 3 Violini e Basso (1727)_x0008_; Concerto in La min. per 3 Violini e Basso; Sinfonia in Fa min. a 2 Violini e Basso; Sinfonia in Sol magg. a 3 Violini e Basso; Sinfonia fugata in Fa min. a 3 Violini e Basso; Sinfonia in Do min. a 4 Violini e Basso; Trio in Si min. per 2 Violini e Cembalo

Nicola Fiorenza (1700?-1764), composer and virtuoso Neapolitan violinist, lived during the first half of the 1700s. His musical production, whose manuscripts are preserved for the big part in the Library of the Conservatorio di Musica S. Pietro a Majella in Naples, is composed of 15 concerts with different instrumental organics, 9 symphonies whose principal instrument is the violin – that sometimes proposes pieces with a lot of virtuosities typical of the solo concert –, some pieces for one or two instruments with continuo and two cantatas.
Skilled virtuoso, Fiorenza had assimilated both the style of the elegant Baroque of French school, and the a terrazze style, the improvised language typical of the Venetian composers. He knew the style of the Concerto Grosso of Corelli very well, to which he joined a dressy counterpoint maybe too much present for the style of that time. Fiorenza elaborated different styles, filtering them through his sensitive predilection towards the Neapolitan party music and the popular melody, developing a personal composite language that doesn’t consider him belonging to one of the schools of his time. From a formal point of view and for the choice of the instrumental organic, his compositions have not a strong stylistic individuality in comparison with the composite canons of the first part of the XVIII century, but the production of Fiorenza seems to reflect the schemes and the composite forms typical of the late Baroque. His choice of the incisive brevity of the thematic figures is typical of the XVII century, that almost never overcomes the breath and the circle of one or few beats. Fiorenza’s solo compositions show his research of virtuosities, but he never lapses into a rash virtuosity, on the contrary he maintains a gallant taste.

Chorus

SKU: LM.VV252

Collecté par Françoise Cornu. Method, studies. Score. Editions Van de Velde #VV252. Published by Editions Van de Velde (LM.VV252).

ISBN 9790560052526.

ATTA INGNANT Pierre : J'ay espere (chanson de la Renaissance, 3 vx) - Helas ! Que c'est ung grant remort (chanson de la Renaissance, 3 vx) - VECCHI Orazio : O Felice nocchiero (Canzonette, 3 vx) - L'ultima volta ch'io (Canzonette, 3 vx) - MARENZIO Luca : Lasso no e cor mio (Villanella, 3 vx) - Se il dolce sguardo (Villanella, 3 vx) - MONTEVERDI Claudio : Quando sperai (Canzonette, 3 vx) - Son questi i crespi (Canzonette, 3 vx) - BATESON Thomas : Your shining eyes (Madrigal, 3 vx) - CARISSIMI Giacomo : O Felix anima (Motet, 3 vx) - MOZART Wolfgang A. : Due pupille (Nocturne, 3 vx) - HAYDN Joseph : Psaumes 31 et 69 (3 vx) - SCHUMANN : Mich zieht es nach dem Darfchen (3 vx) - JOHNSON Tom : Wesley's Challenge (3 vx) - INGENIERI Marco Antonio : O bone Jesu (4 vx) - ANERIO Giovanni Francesco : O Salutaris hostia (4 vx) - CASCIOLILI Claudio : Panis angelicus (4 vx) - BACH J.S. : Ach, Gott, wie manches Herzelied (Choral, 4vx) - Ach wie fluchtig, ach wie nichtig (Choral, 4 vx) - BRAHMS J. : Erlaube mir, feins Madchen (4 vx) - GERSHWIN : Somebody loves me (4 vx) - PETIT Jacques : Margie, Barber shop song (arrangement, 4 vx) - MEYER Marc : Every time I feel the Spirit (Spiritual, 4 vx) - JOHNSON Tom : Wesley 's Challenge (4 vx).

Choir Sacred SA (SSATB) Soli, SSATB ATB Choir, Piano (SSATB ATB)

SKU: PE.EP73044A

For Soprano, Alto, Choir and Orchestra, First Edition, Urtext. Composed by Francesco Durante. This edition: Urtext. Choral Works (inc. Oratorios). Edition Peters. Book. 116 pages. Duration 00:00:00. Edition Peters #98-EP73044A. Published by Edition Peters (PE.EP73044A).

ISBN 9790577013428. 190 x 272mm inches. English.

The Requiem in C minor by Francesco Durante (1684–1755) is one of the most important works of this genre written in the first half of the 18th century. In his Messa de’ morti, Durante shows great creativity in combining traditional elements of church music with new ideas originating from instrumental writing and opera. The quality and originality of his Requiem make it an exciting rediscovery with the potential to establish itself as a core repertoire work of sacred choral music.

Mainly known today as the teacher of Pergolesi and Paisiello, Durante spent much of his life working as music director at various conservatories in Naples and enjoyed great renown as a church composer well into the 19th century. Despite its widespread popularity, indicated by the number of manuscript copies to be found across Europe, his Requiem never appeared in print. For this first publication, editor and leading British choral director Stephen Darlington has consulted many of the approximately 50 surviving sources of the work, presenting a critical edition which for the first time makes Durante’s Requiem available to a wider musical audience.

 

• First publication
• Urtex t edition
• Particula rly suitable for smaller choirs and ensembles: soprano and alto solo, double choir (SSATB ATB) and strings (plus 2 horns in the Tuba mirum)
• Full score and orchestral material also available (EP73044)

This edition of Durante’s Requiem has been recorded by Stephen Darlington, with Oxford’s Christ Church Cathedral Choir, soloists from The Sixteen and Oxford Baroque.

(2.1.2.2/4.0.0.0,str,voic e)

SKU: TM.03251SET

Composed by Francesco Paolo Tosti. Set Type: B. Set of parts. Published by Lucks Music Library (TM.03251SET).

Key of c to C.

(2.1.2.2/4.0.0.0,str,voic e)

SKU: TM.03251SC

Composed by Francesco Paolo Tosti. Score. Published by Lucks Music Library (TM.03251SC).

Key of c to C.

Grade 2.5

SKU: CL.011-3416-01

Memories of a Spanish Castle. Composed by Neeck. Young Concert Band. Command Series. Audio recording available separately (items CL.WFR335 & CL.WFR353). Extra full score. Composed 2005. Duration 3 minutes, 4 seconds. C.L. Barnhouse #011-3416-01. Published by C.L. Barnhouse (CL.011-3416-01).

A delightful combination of lyrical themes with rhythmic exuberance and folk-like melodies. Viva Espania is based on themes by two 19th-century Spanish composers. The opening theme is from Recuerdos de la Alhambra by Francisco Tarrega. That piece is a traditional Spanish waltz and was inspired by the famous Alhambra Castle in Grenada. The second theme is by Isaac Albeniz from a suite of music for the piano, Songs of Spain, entitled Leyenda. This section, while still in 3/4 has a fiery exuberance much like one would expect from a flamenco guitarist, yet it's very playable by young players. Authentic Spanish music that's a terrific addition to any concert performance!

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Opera en cinq actes. Urtext der New Berlioz Edition (3 Teilbande). Partitur franzosisch, Auffuhrungsmaterial franzosisch/deutsch. By Hector Berlioz. Edited by Hugh Macdonald. For 3 Soprano solo, 2 Mezzo-soprano solo, Alto solo, 4 Tenor solo, 2 Baritone solo, 7 Bass solo, Mixed Choir-SSTTBB, Ball, Piccolo, 2 Flute/ Piccolo, 2 Oboe, 2 Clarinet (b flat), 4 Bassoon, 4 Horn, 2 Trumpet, 2 Cornet, 3 Trombone, Ophicleide/ Tuba, Kettledrum, Drums, 6/ 8 Harp, Strings - Buhnenmusik: 3 Oboe, 3 Trombone, 9 Saxhorns, Kettledrum, Drums. Neue Berlioz-Ausgabe, Band 2a-c. Score; Urtext Edition; Complete Edition (cloth bound). Holoman 133. Published by Baerenreiter-Ausgaben (German import).

Guitar - Level 3

SKU: LM.C04668

Composed by Jean-Maurice Mourat. Classical. Score. Editions Combre #C04668. Published by Editions Combre (LM.C04668).

ISBN 9790230346689.

MUDA RRA Alonso : Pavane d'Alexandre - TARREGA Francisco : Malaguena facil - JOHNSON Robert : Alman - WEISS Silvius Leopold : Praeludium - PERNAMBUCO Juan : Chorus - REUSNER Esaias : Sarabande - DLUGRAI Adalbert : Villanella - DLUGRAI Adalbert : Finale - REUSNER Esaias : Gigue - NARVAEZ Jose-Luis : Cancion del Emperador - TARREGA Francisco : Tango - BEDARD Jean-Baptiste : Folies d'Espagne - NARVAEZ Jose-Luis : Guardame las Vacas - TARREGA Francisco : Maria (Gavotte) - WEISS Silvius Leopold : Fantaisie - SOR Fernando : Etude - DOWLAND John : Sir John Smith His Almaine - SCARLATTI Domenico : Sonate L.483 - MUDARRA Alonso : Fantasia - WEISS Silvius Leopold : Tombeau (sur la mort de M. Comte de Logy arrivee 1721) - CAMPION Francois : Air - CAMPION Francois : Gigue - SANZ Gaspar : Canarios - RONCALLI Ludovico : Passacaglia - RONCALLI Ludovico : Gigue - BACH Johann Sebastian : Sarabande - FRESCOBALDI Girolamo : La Frescobalda.

Flute & basso continuo

SKU: HH.HH438-FSP

Composed by Simon Balicourt. Edited by Michael Talbot. Flute & Basso Continuo. Full score and parts. 15 + 2 x 8 pages. Duration 10 minutes / 10 minutes. Edition HH Music Publishers #HH438-FSP. Published by Edition HH Music Publishers (HH.HH438-FSP).

ISBN 9781910359471.

In Sonata 3 in F major the opening Largo is styled as a Siciliana, this species of movement being especially common in the flute repertory on account of the instrument’s pastoral associations. The Spiritoso that follows is a movement both tuneful and energetic. A concluding Presto ramps up the excitement, introducing some piquant harmonies. Sonata 4 is in the shady key of C minor, relatively rare in flute music of the eighteenth century because of intonation difficulties. The opening Arioso is attractively plaintive. The Allegro moderato that follows has some very effective imitative interplay between flute and bass. For the finale, Balicourt writes a soulful Cantabile in minuet style that recalls similar C minor movements in the music of Alessandro Scarlatti and Francesco Geminiani.

By Francesco Barsanti. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

Score

SKU: HL.50040310

Score. By Gian Francesco Malipiero. By Antonio Vivaldi. Edited by Gian Francesco Malipiero. String Solo. Classical. Score Only. Composed 1971. 34 pages. Ricordi #PR447. Published by Ricordi (HL.50040310).

UPC: 073999907902. 8.0x10.75x0.141 inches.

Composed by Brian Ferneyhough (1943-). Instrumental solo book for piano. With introductory text and performance notes. Composed 1981. 24 pages. Published by C.F. Peters.

Violin, Basso Continuo

SKU: HL.50038920

Score. By Gian Francesco Malipiero. By Antonio Vivaldi. Edited by Gian Francesco Malipiero. String Solo. Score Only. Composed 1984. Ricordi #PR1016. Published by Ricordi (HL.50038920).

6.75x10.5 inches.

By Francesco Barsanti. For Alto Recorder and Basso Continuo. Baroque; Chamber. Intermediate. Booklet, including full score, part, and Play-Along CD. Published by Recorder JP

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8454).

Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st century. Vocal score. 35 pages. Published by E.C. Schirmer Publishing (EC.8455).

Score

SKU: HL.50033020

Score. By Gian Francesco Malipiero. By Antonio Vivaldi. Edited by Gian Francesco Malipiero. Orchestra. Classical. Score Only. Composed 1970. Ricordi #PR443. Published by Ricordi (HL.50033020).

6.75x10.5 inches.