Chamber Music Piano SKU: PR.510079380 Grosses Konzertstück über ...(+)
Chamber Music Piano
SKU: PR.510079380
Grosses
Konzertstück über
Mendelssohns Lieder ohne
Worte and Franz Schuberts
Grosse Fantasie.
Composed by Franz Liszt
Felix Mendelssohn.
Collection - Full. Editio
Musica Budapest
#510-07938. Published by
Editio Musica Budapest
(PR.510079380).
Composed in
1834, Liszt's Grand duo
is based on material from
three pieces from the
first book (op. 19b) of
Mendelssohn's Songs
without Words (no. 1 in E
major, no. 6 in G minor,
and no. 3 in A major).
While Liszt made an
almost literal
transcription of the
first piece, he gave the
second and third pieces a
much freer arrangement,
in the style of concert
paraphrases. The
large-scale concert piece
was premiered by Liszt
and Chopin on Christmas
Day 1834 in a salon in
Paris. The Grand duo was
not published in Liszt's
lifetime, and has
survived as a
draft.Schubert's Fantasy
in C major (also known as
the Wanderer Fantasy) was
a defining musical
experience for the young
Liszt. He arranged this
masterpiece of Romantic
piano literature for
piano and orchestra in
1851, at the beginning of
his Weimar period, and it
was premiered by Julius
Egghard in Vienna in
December of that year. By
1855, Liszt had
transcribed this
arrangement for two
pianos, because it was
played on 22 October 1855
at a concert held in
Weimar in honour of his
birthday. With the
version for piano and
orchestra, Liszt attuned
the fantasy to the
requirements of the
concert hall, reinforcing
the orchestral effects
inherent in Schubert's
composition. His aim with
the two-piano version was
to achieve a similarly
grand effect in spaces
too small for an
orchestra. The
arrangement for piano and
orchestra appeared in
print in 1857, followed
by the two-piano version
in 1862.This volume comes
complete with a detailed
preface in English,
German, and Hungarian
containing new research
findings, several
manuscript facsimiles,
and a critical report in
English.
Piano Four Hands (1 Piano, 4 Hands) - advanced SKU: HL.49046383 For Pi...(+)
Piano Four Hands (1
Piano, 4 Hands) -
advanced
SKU:
HL.49046383
For
Piano Four Hands.
Composed by Peter
Eötvös. This
edition: Saddle
stitching. Sheet music.
Piano Duet. Classical.
Softcover. Composed 2018.
24 pages. Duration 420
seconds. Schott Music
#ED23145. Published by
Schott Music
(HL.49046383).
ISBN
9790001207454. UPC:
842819106098.
9.0x12.0x0.074
inches.
Chapter 11
of James Joyce's Ulysses
is a real treasure trove
of existing and invented
words and names; each
word and name triggers
off a whole series of
associations, images,
stories and sounds -
particularly when the
reader is a Hungarian
composer who comes across
the phrase “Liszt's
rhapsodiesâ€. I
immediately heard music
by Franz Liszt in my head
and visualised the two
protagonists in the novel
sitting on a terrace
drinking coffee, chatting
and dreaming, witty and
endearing - which is also
a perfect description of
this small piano
composition for four
hands. Peter
Eötvös.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Piano - Grade 3 SKU: BT.EMBZ14622 By Judit Peteri. By Franz Liszt. Book O...(+)
Piano - Grade 3
SKU:
BT.EMBZ14622
By Judit
Peteri. By Franz Liszt.
Book Only. Composed 2008.
36 pages. Editio Musica
Budapest #EMBZ14622.
Published by Editio
Musica Budapest
(BT.EMBZ14622).
Franz Liszt war
einer der größten
Klaviervirtuosen des 19.
Jahrhunderts und als
Lehrer von großem
Einfluss, in der
Entwicklung der modernen
Klaviertechnik spielte er
eine herausragende Rolle.
Gerade deswegen
konfrontiert ein
Großteil seiner Werke
die Vortragenden mit
höchsten technischen
Anforderungen - diese
Auswahl beinhaltet aber
nur Stücke, die auch
schon auf einer mittleren
Stufe spielbar sind.
Neben den
Schlagern“
(Consolation in Des-Dur,
Liebesträume Nr. 3)
können die drei
Stücke aus dem Zyklus
Bunte Reihe“, die
frühere Version des
Valse impromptu und der
Vergessenen Romanze, bzw.
die von dem Komponisten
im nachhinein gefertigte,
vereinfachte Version des
Grandgalop chromatique
für die mäßig
fortgeschrittenen
Schüler oder
Musikamateure eine wahre
Entdeckung bedeuten. Die
Ausgabe wurde aufgrund
der Neuen
Liszt-Gesamtausgabe des
Verlags Editio Musica
Budapest, aber unter
Berücksichtigung
praktischer Aspekte,
angelegt.
Arrangement for Piano Solo by Liszt. Composed by Robert Schumann. Edited ...(+)
Arrangement for Piano
Solo by Liszt.
Composed by Robert
Schumann. Edited by
Annette Oppermann.
Arranged by Franz Liszt.
Henle Music Folios.
Classical. Softcover. 20
pages. G. Henle #HN1356.
Published by G. Henle
(HL.51481356).
Composed by Franz Liszt (1811-1886). Edited by Ates Orga and Nils Franke. For Pi...(+)
Composed by Franz Liszt
(1811-1886). Edited by
Ates Orga and Nils
Franke. For Piano. Piano.
Softcover. 48 pages.
Schott Music #ED9054.
Published by Schott Music
Organ SKU: HL.14011002 Composed by Franz Liszt. Music Sales America. 20th...(+)
Organ
SKU:
HL.14011002
Composed
by Franz Liszt. Music
Sales America. 20th
Century. Book
[Softcover]. 17 pages.
Music Sales #NOV590180.
Published by Music Sales
(HL.14011002).
UPC:
884088433741.
8.5x11.0x0.079 inches. C.
H. Trevor -
Author.
The
B.A.C.H. motif
has been known and used
for centuries, but
enjoyed a great revival
in the late 19th century
as composers paid homage
to the composer J.S.
Bach. It derives from the
German nomenclature, and
is expressed in standard
notation as
Bb-A-C-B.
The
Fantasia And
Fugue On
B.A.C.H. is one
of the most famous Organ
works of Franz
Liszt (1811-1886).
The piece was intended
for the inauguration of
the famous Ladegast Organ
at Merseburg Cathedral,
but sadly, it wasn't
finished in time.
Liszt then
revised the work in 1870
and produced the version
that survives today. A
well-loved piece, no
organist's library
iscomplete without it.
12 Etudes Op.1 Piano seul [Conducteur] - Avancé Vienna Urtext
Etude en douze exercises. Composed by Franz Liszt (1811-1886). Edited by Christi...(+)
Etude en douze exercises.
Composed by Franz Liszt
(1811-1886). Edited by
Christian Ubber.
Romantic. Full score.
With Standard notation.
68 pages. Wiener
Urtext/Vienna Urtext
#UT50232. Published by
Wiener Urtext/Vienna
Urtext
Piano Revised Edition. Composed by Franz Liszt (1811-1886). Edited by Ernst-G...(+)
Piano Revised Edition.
Composed by Franz Liszt
(1811-1886). Edited by
Ernst-Gunter Heinemann.
Sheet Music. Paperbound.
Henle Music Folios.
Revised
edition of HN 764.
Classical. Softcover. 40
pages. G. Henle #HN1333.
Published by G. Henle
Piano SKU: HL.14046275 By Edoardo Farina. By Franz Liszt. CARISCH - MUSIC...(+)
Piano
SKU:
HL.14046275
By
Edoardo Farina. By Franz
Liszt. CARISCH - MUSIC
SALES. Classical. General
Merchandise. Carisch
Edition #MK829. Published
by Carisch Edition
(HL.14046275).
ISBN
9788850729708.
Italian.
Franz
Liszt's
Consolations for solo Piano.
Edited by Edoardo
Farina.
(Piano Solo). By Franz Liszt (1811-1886). Edited by Earl Wild. For solo piano. P...(+)
(Piano Solo). By Franz
Liszt (1811-1886). Edited
by Earl Wild. For solo
piano. Piano Collection.
Classical Period. SMP
Level 10 (Advanced).
Collection. Introductory
text (does not include
words to the songs). 140
pages. Published by G.
Schirmer
By Franz Liszt (1811-1886). Arranged by Franz Liszt. For concert band. Gems of t...(+)
By Franz Liszt
(1811-1886). Arranged by
Franz Liszt. For concert
band. Gems of the Concert
Band series. Grade 4.
Score and set of parts.
Duration 5 minutes, 51
seconds. Published by
C.L. Barnhouse
Piano. Composed by Robert Schumann and Franz Liszt (1811-1886). Edited by Ann...(+)
Piano. Composed by Robert
Schumann and Franz Liszt
(1811-1886). Edited by
Annette Oppermann. Sheet
music. Henle Music
Folios.
Classical. Single sheet.
Op.
39. G. Henle #HN1204.
Published by G. Henle
Piano SKU: HL.51481022 Arranged for Piano. Composed by Franz Liszt...(+)
Piano
SKU:
HL.51481022
Arranged for
Piano. Composed by
Franz Liszt. Edited by
Andrea Lindmayr-Brandl.
Henle Music Folios.
Classical. Softcover. 24
pages. G. Henle #HN1022.
Published by G. Henle
(HL.51481022).
UPC:
196288278696.
9.0x12.0x0.092
inches.
Schubert's
Ständchen (Serenade) on
Rellstab's poem “Leise
flehen meine Lieder”
(Gently My Songs Entreat)
not only numbers among
the most well-known art
songs, but is still a
real hit today in Liszt's
arrangement for piano
solo. Initially published
in 1838 in a version
without ossias, the
arrangement began its
triumph on the piano by
1840 at the latest –
probably not least thanks
to Liszt's obliging
addition of easier
variants – as numerous
editions published
throughout Europe during
the composer's lifetime
testify. Liszt himself
liked to play the
Ständchen as an encore
and even wrote small
cadenzas for it, which
are of course taken into
account in the new Henle
Urtext edition. English
and French translations
of the German poem as
well as the placement of
the song text above the
music round off the
edition, for which Evgeny
Kissin provided the
fingerings.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
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experience (founded 1948
exclusively for Urtext
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