Flute and Piano - very easy, easy

SKU: BT.DHP-1185920-404

Flute. Arranged by Markus Schenk. Look, Listen and Learn. Classical. Book with Part and Audio-Online. Composed 2018. 36 pages. De Haske Publications #DHP 1185920-404. Published by De Haske Publications (BT.DHP-1185920-404).

ISBN 9789043155007. English.

Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.

In Meet the Masters, the melodies are arranged in increasing order of difficulty and can be used in conjunction with all three volumes of the Look, Listen & Learn method series. Pupils takea journey through music history and meet the most important composers of classical music, from Tielman Susato to Anton n Dvo ák, together with pertinent historical commentary. The present edition includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty, which are also available in recorded versions online to stream or download.

Ocarina - Beginning

SKU: MB.94147PIX

Composed by William Bay. Saddle-stitched, Methods. Fun With. Folk. Book. Published by Mel Bay Publications, Inc (MB.94147PIX).

ISBN 9780871664549. UPC: 796279006668. 6.5 x 9.5 inches.

This is a pocket-sized wind instrument that anyone can learn. Easy fingering charts are pictured on each page. Ideal for classroom use. Includes a five-note pendant ocarina which anyone can learn. There are 4 finger holes and 1 thumb hole providing full scale. The instrument is made out of plastic.

Flute

SKU: KV.3612265

Composed by Heather Hammond. Funky Flute. Tutor. School Start. Book. Published by Kevin Mayhew Publishers (KV.3612265).

Grade 1

The bestselling Funky Flute series shows young flautists everything they need to know, from the very basics of how to hold the flute, getting a good sound and how to read music, up to around Grade 4 standard. Heather Hammond's step-by-step approach is clearly presented and there are listening games, puzzles and quizzes to help keep pupils motivated. And naturally, it's packed with funky, fun-to-play pieces in Heather's inimitable style. Each pupil book comes with a CD of backing tracks which will enliven any lesson and encourage learning.

Ocarina - Beginning

SKU: MB.94147

Composed by William Bay. Saddle-stitched, Methods. Fun With. Folk. Book. Published by Mel Bay Publications, Inc (MB.94147).

ISBN 9780871664532. UPC: 796279006651. 8 x 5.5 inches.

The ocarina is a pocket-sized wind instrument that anyone can learn. Easy fingering charts are pictured on each page. Ideal for classroom use. For 4 and 5 hole ocarinas.

Chamber Music flute, piano

SKU: PR.114424240

Free at Last!. Composed by Adolphus Hailstork. Set of Score and Parts. Duration 11 minutes. Theodore Presser Company #114-42424. Published by Theodore Presser Company (PR.114424240).

ISBN 9781491137581. UPC: 680160691036.

THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.
Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry” and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,” a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139S

Composed by Lowell Liebermann. Full score. Duration 15 minutes. Theodore Presser Company #116-41139S. Published by Theodore Presser Company (PR.11641139S).

UPC: 680160682119.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piccolo and more.

SKU: PR.11641139L

Composed by Lowell Liebermann. Large Score. Duration 15 minutes. Theodore Presser Company #116-41139L. Published by Theodore Presser Company (PR.11641139L).

UPC: 680160682126.

Barca rolles for a Sinking City was inspired by the city of Venice, a place that has long held the fascination of artists, writers and composers, and which I have been lucky enough to visit on several occasions. Sadly it seems that future generations may not be so lucky: in addition to the city's slow sinking and recently discovered tilting, studies predict that if global warming and the resultant rise of ocean levels is unabated, the entire city (as well as many other coastal cities around the globe) will be under water by 2100.   I. Funeral Gondola The late, cryptic piano works of Franz Liszt made a profound impression on me as a young composer, among them two works he entitled La Lugubre Gondola (usually translated as The Funeral Gondola ) which were said to be a premonition of Wagner's death in Venice, his coffin transported through the canals in a black gondola. These late pieces of Liszt acquired even greater significance to me after I spent two summers in Bayreuth under the patronage of Friedelind Wagner, the granddaughter of Wagner and great-granddaughter of Liszt. This movement is a meditation on Wagner, Liszt, Venice and its own evanescence. II. Barcarolle/Quodlibet The Quodlibet (Latin for what pleases) is a musical form dating back to the 15th century where many disparate melodies are juxtaposed. Popular in the Renaissance, sacred and secular melodies were combined, often to comical effect due to the resultant incongruity of the words. The form was considered the ultimate test of a composer's mastery of counterpoint. The most famous Quodlibet is without doubt the final Variation of Bach's Goldberg Variations. As a form the Quodlibet is less common in more recent music, although examples can be found in the works of Kurt Weill and David Del Tredici.   My own Barcarolle/Quodlibet was inspired by the (perhaps apocryphal) story of the funeral where musicians were asked to play a Bach Choral, but due to miscommunication played instead the Bacarolle from The Tales of Hoffmann. Here, the Bach Choral Allen Menschen mussen sterben (All Men Must Die) is heard in the strings pizzicato, with a tempo indication In slow motion. The alto line of the Bach suggests a phrase from Beethoven's Ninth Symphony (Alle Menchen werden Bruder) heard in the muted trombone. Before long, the famous tune from Offenbach's opera is heard, followed by quotations from iconic Barcarolles by Chopin, Mendelssohn and Faure, as well as two Venetian popular songs and more Beethoven.   III. Barcarola/Ostinato/Carill on An ostinato is a repeated musical figure, and carillon is Italian for music box. This movement references the obsolete genre of salon pieces that imitated music boxes: such works by composers like Liadov and Gretchaninov used to be a mainstay of pianists' encore repertoire. This movement is however much darker in conception than those pleasant trifles. Utilizing the full battery of percussion, the carefully notated temporal slowing of the ostinato becomes overwhelmed by a poignant chorale melody before this box is snapped shut.   IV. Barcarolle Oubliee (Forgotten Barcarolle) Marked limpido (still) the final movement begins with the sound of rain produced by a percussion instrument called (appropriately) a rain stick. Halting phrases in the harp coalesce into the accompaniment for a plangent melody heard in the clarinet. The central Adagio of this movement leads to a shattering climax, before the opening phrases return and dissipate into nothingness.

1-3 flute

SKU: M7.APUE-516018

Composed by Karen North. Sheet music. Performance score. 44 pages. MDS (Music Distribution Services) #APUE 516018. Published by MDS (Music Distribution Services) (M7.APUE-516018).

ISBN 9781875516018.

Enjo y hours of playing with this wonderful collection of 50 pieces of festive music from around the world. There are settings of both sacred and secular works. Music is such an important part of celebrations, and this book brings you a large selection of Christmas songs and carols, as well as music to celebrate the festivals of New Year, Thanksgiving, Harvest, Halloween, Winter Carnival, Cherry Blossom Festival, Doll's Festival, Star Festival, Hanukkah and St Nicholas Day. The arrangements offer maximum flexibility, with solo flute, duet and/or trio settings, and range in standard from Preliminary to Grade 4. FREE recordings of every piece in this collection are available on theyoungfluteplayer YouTube channel. So come and join the celebrations with Festive Flute Fun!

(Classic Christmas Hits). By Pam Wedgwood. For Flute. Book; Method/Instruction; Woodwind - Flute Method or Collection. Faber Edition: Jazzin' About. Christmas; Jazz; Winter. Published by Faber Music

Arranged by Mark Hayes. For SATB choir with optional Flute, Hand Drum and Tambourine. Advent. Octavo. 16 pages. Published by Hope Publishing Company

C Edition Book/USB Flash Drive Pack. Composed by Various. Real Book Play- Along. Softcover with USB. 440 pages. Published by Hal Leonard

Chamber Music Bassoon, Flute, Violoncello

SKU: PR.114408750

Composed by Samuel Adler. Set of Score and Parts. With Standard notation. Composed 1995. 40+14+15+15 pages. Duration 20 minutes. Theodore Presser Company #114-40875. Published by Theodore Presser Company (PR.114408750).

UPC: 680160013289. 8.5 x 11 inches.

This work was commissioned by the Friends of the Phoenix Public Library for the dedication of the new Music Room and made possible in part through the funds from the Arizona Commission on the Arts, and Meet the Composer-Arizona. Diary of a Journey was composed between July and September 1995 for the group Arpeggio. During the early summer of 1995, my wife and I took a vacation to Prague and Budapest. It was the first trip for both of us to these former Iron Curtain capitals. The train ride through the beautiful country-side, the dilapidated small villages and towns, the magnificent architecture and the feeling of grandeur in the two major cities left an indelible impression on me. I longed to write some kind of an essay about it. Diary of a Journey is the result of some of these thoughts, which were sketched (musically) as we visited each place. There are four 'snapshots' or movements which do not portray a specific scene, but rather try to capture the impressions I gathered from the people we observed and met, and the many awe-inspiring experiences we had. Throughout the journey, I felt that people were clinging to a tenacious hope for a better future, no matter how long it will take to realize it. In the first movement each player portrays a struggle against all odds, and with great energy and even wit tries to overcome the obstacles, ending on one serene high note as a resting point after all the conflict. The second 'snapshot' tries to capture the deep faith of a newly regained religiosity. It is chant-like, and uses as its basic melodic material a famous Czech hymn, penned by the great religious reformer John Huss. This movement is played very freely, without bar-lines and with the hymn shining through the fervent chanting. The third movement is a kind of 'demonic' scherzo. Fast and furious, the three instruments vie with one another in a true perpetual motion frenzy, which is at times relieved by short, more pastoral melodic fragments. A rather wild ending should leave everyone breathless. Finally, in the fourth 'snapshot' the instruments play a bit more as a team, meaning that is that there is more melody with accompaniment, and more imitative music giving the impression of a group effort. The energy is still at a high level but long lyrical lines abound, accompanied and interrupted at times by undulating fast notes still depicting the struggle against the blight which any visitor notices all around these countries, yet also showing the determination of the people to conquer adversity. --Samuel Adler.

Online Play-Along Tracks. Composed by Various. Real Book Play-Along. Audio File. 4 pages. Published by Hal Leonard

By Paul Harris; Sally Adams. For Flute and piano. Flute. Music Through Time. ABRSM Exam: Grade 5. Music Through Time. 64 pages

The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo. Music Sales America. Classical. Softcover. 400 pages. Music Sales #AM967549. Published by Music Sales

Flute

SKU: BT.DHP-1002007-404

Method for Flute. By Philip Sparke. Look, Listen and Learn. Method. Book with Online Audio. Composed 2000. 56 pages. De Haske Publications #DHP 1002007-404. Published by De Haske Publications (BT.DHP-1002007-404).

ISBN 9789043162265. English.

Edited by acclaimed educator Philip Sparke, these exciting method books with online audio access for beginners contain songs, music puzzles, games to increase your understanding of music, information about your instrument, andlots of fun pieces to playâ??either with the audio tracks provided or with other students. Books include helpful diagrams and fun illustrations throughout.

Flute

SKU: BT.DHP-1002439-404

Method for Flute. By Philip Sparke. Look, Listen and Learn. Method. Book with Online Audio. Composed 2000. 52 pages. De Haske Publications #DHP 1002439-404. Published by De Haske Publications (BT.DHP-1002439-404).

ISBN 9789043163071. English.

Edited by acclaimed educator Philip Sparke, these exciting method books with online audio access for beginners contain songs, music puzzles, games to increase your understanding of music, information about your instrument, andlots of fun pieces to playâ??either with the audio tracks provided or with other students. Books include helpful diagrams and fun illustrations throughout.

Flute

SKU: BT.DHP-1023237-400

Method for Flute. By Philip Sparke_Gerdien Wichers. By Jaap Kastelein and Michiel Oldenkamp. Look, Listen and Learn. Pop and Rock. Book with CD. Composed 2002. 52 pages. De Haske Publications #DHP 1023237-400. Published by De Haske Publications (BT.DHP-1023237-400).

ISBN 9789043115971. English.

Edited by acclaimed educator Philip Sparke, these exciting method book/CD packs for beginners contain songs, music puzzles, games to increase your understanding of music, information about your instrument, and lots of fun pieces to play - either with the CD provided or with other students. Books include helpful diagrams and fun illustrations throughout.

By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Included with the book contains 37 melodies played by the following artists: Bob Sheppard - saxes and flute Steve Houghton - drums Dave Carpenter - acoustic bass Paul van Wageningen - drums Marc van Wageningen - electric bass Larry Dunlap - piano and synthesizer Dave Mac Nab - guitar.

B-flat Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. Published by Hal Leonard.

Eb Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. Published by Hal Leonard.