Tochter Zion Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 2 SKU: BT.DHP-0950646-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 2
SKU:
BT.DHP-0950646-015
Composed by George
Frideric Handel. Arranged
by Jan de Haan. Musica
Sacra. Concert Piece. Set
(Score & Parts). Composed
1995. De Haske
Publications #DHP
0950646-015. Published by
De Haske Publications
(BT.DHP-0950646-015).
Tochter
Zion, also known as
See the Conquering
Hero Comes, is the
most famous chorus from
the oratorio Judas
Maccabaeus (1746) by
the composer George
Frideric Handel
(1685-1759). The heroic
epic based on the
Biblical story about
commander-in-chief Judas
Maccabaeus, was used by
Handel to celebrate the
English victory over the
rebellious Scottish. The
first performance of this
patriotic work - written
in the pleasing, rich
baroque style that
Handel’s music is
known for - was conducted
by himself; the success
was huge. The chorus
See the Conquering
Hero Comes was added
later, in 1748, drawn
from another oratorio
(Joshua).
<
I>Tochter Zion, ook
bekend als See the
Conquering Hero
Comes, is het
beroemdste koor uit het
oratorium Judas
Maccabaeus (1746) van
de componist Georg
Friedrich Händel
(1685-1759). Het op het
Bijbelse verhaal
overlegeraanvoerder Judas
de Maccabeeër
gebaseerde heldenepos
werd door Händel
gebruikt om de
overwinning van de
Engelsen op de in opstand
gekomen Schotten te
vieren. De première
van dit patriottische
werk - geschreven in de
aangename,rijke
barokstijl waar
Händels muziek om
bekendstaat - werd door
hemzelf gedirigeerd, het
succes was enorm. In 1748
is het koor See the
Conquering Hero Comes
toegevoegd, dat afkomstig
was uit een ander
oratorium
(Josua).
Tochter Zion, auch
als See the Conquering
Hero Comes bekannt,
ist der berühmteste
Choral aus dem Oratorium
Judas Maccabaeus
von Georg Friedrich
Händel. Dieses Werk -
das im gefälligen,
üppig barocken Stil,
der für Händels
Musik typisch ist,
geschrieben wurde -
arrangierte der
zeitgenössische
niederländische
Komponist Jan de Haan
für
Blechbläserquartett
und Orgel.
Chorus and March Orchestre d'harmonie [Conducteur] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-140 See, the Conquer...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-039-140
See, the Conquering
Hero Comes!' from Judas
Mac. Composed by
George Frideric Handel.
Arranged by Philip
Sparke. Debut Series
(Anglo). Hymns & Chorals.
Score Only. Composed
2003. 20 pages. Anglo
Music Press #AMP 039-140.
Published by Anglo Music
Press (BT.AMP-039-140).
Handel’s
oratorio Judas Maccabaeus
was composed in a period
of not much more than a
month in 1746. As with
the famous Messiah, use
was made of previously
composed material and
indeed See, the
Conquering Hero Comes!
was grafted from another
oratorio about Joshua.
This arrangement of See
the conquering Hero Comes
will bring a great sense
of ceremony to any
concert.
Chorus and
March is een
bewerking van See, the
Conquering Hero Comes
uit het oratorium
Judas Maccabaeus,
waarmee voor Händel in
1746 het grote succes
kwam. Philip Sparke
schreef een
meesterwerkwaardige
bewerkingvoor
harmonieorkest.
Chorus and March ist
eine Bearbeitung von
See, the Conquering
Hero Comes ('Seht,
der siegreiche Held
kommt') aus Georg
Friedrich Händels
Oratorium Judas
Maccabaeus, das
dieser im Jahre 1746 in
weniger als einem Monat
komponierte. Das
Oratorium handelt von
Judas Makkabäus, der
gemäß der
jüdischen
Ãœberlieferung
siegreich gegen die
heidnischen Feinde
kämpfte. Philip Sparke
verfasste eine dem
großen
Meisterkomponisten
würdige Bearbeitung
für
Blasorchester.
Chorus and March Orchestre d'harmonie [Conducteur et Parties séparées] - Débutant Anglo Music
Concert Band/Harmonie - Grade 1.5 SKU: BT.AMP-039-010 See, the Conquer...(+)
Concert Band/Harmonie -
Grade 1.5
SKU:
BT.AMP-039-010
See, the Conquering
Hero Comes!' from Judas
Mac. Composed by
George Frideric Handel.
Arranged by Philip
Sparke. Debut Series
(Anglo). Hymns & Chorals.
Set (Score & Parts).
Composed 2003. Anglo
Music Press #AMP 039-010.
Published by Anglo Music
Press (BT.AMP-039-010).
Handel’s
oratorio Judas Maccabaeus
was composed in a period
of not much more than a
month in 1746. As with
the famous Messiah, use
was made of previously
composed material and
indeed See, the
Conquering Hero Comes!
was grafted from another
oratorio about Joshua.
This arrangement of See
the conquering Hero Comes
will bring a great sense
of ceremony to any
concert.
Chorus and
March is een
bewerking van See, the
Conquering Hero Comes
uit het oratorium
Judas Maccabaeus,
waarmee voor Händel in
1746 het grote succes
kwam. Philip Sparke
schreef een
meesterwerkwaardige
bewerkingvoor
harmonieorkest.
Chorus and March ist
eine Bearbeitung von
See, the Conquering
Hero Comes ('Seht,
der siegreiche Held
kommt') aus Georg
Friedrich Händels
Oratorium Judas
Maccabaeus, das
dieser im Jahre 1746 in
weniger als einem Monat
komponierte. Das
Oratorium handelt von
Judas Makkabäus, der
gemäß der
jüdischen
Ãœberlieferung
siegreich gegen die
heidnischen Feinde
kämpfte. Philip Sparke
verfasste eine dem
großen
Meisterkomponisten
würdige Bearbeitung
für
Blasorchester.
Continuo (Piano) SKU: HL.267695 Continuo Part. Composed by Georg F...(+)
Continuo (Piano)
SKU:
HL.267695
Continuo
Part. Composed by
Georg Frederick Handel.
Music Sales America.
Baroque, Classical.
Softcover. 8 pages.
Novello & Co Ltd.
#NOV29692308. Published
by Novello & Co Ltd.
(HL.267695).
The magnificent
interweaving of harmonies
and dialogue-like Voices
in Handel s For Unto Us A
Child Is Born make it a
perfect addition to the
festive choral
repertoire. German-born,
British Baroque composer
George Frideric Handel
originally composed this
piece in 1741, for the
English-language oratorio
Messiah, which eventually
became one of the
best-known and most
frequently performed
choral works in Western
music. As the last song
of Scene 3 of Part I of
the oratorio, which
addresses Isaiah's
specific prophecy about
the virgin birth of a
Messiah, For Unto Us A
Child Is Born tells the
news of Christmas, the
birth of a son, in Isaiah
s words as found in the
Scripture (Isaiah 9:6).
The delicate, familiar
theme is introduced by
the Sopranos and taken up
by their counter-voices,
the Tenors, later the
same dialog is given over
to the Altos and Basses.
The tutti culminates in
Wonderful, Counselor, The
Mighty God, The
Everlasting Father and
The Prince of Peace.
Konzert fur 2 Blaserchore und Streicher. Urtext der Hallischen Handel-Ausgabe. B...(+)
Konzert fur 2 Blaserchore
und Streicher. Urtext der
Hallischen
Handel-Ausgabe. By George
Frideric Handel. Edited
by Frederick Hudson.
Baerenreiter
Studienpartituren - Study
scores. Study Score;
Urtext Edition. HWV 332.
Published by
Baerenreiter-Taschenparti
turen (German import).
5 Konzerte, Anhang. Composed by George Frideric Handel (1685-1759). Edite...(+)
5 Konzerte,
Anhang. Composed by
George Frideric Handel
(1685-1759). Edited by
Frederick Hudson. This
edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition. Series IV,
Volume 16. Score,
anthology. Published by
Baerenreiter Verlag
(BA.BA4037).
Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Piano - Grade 5 SKU: HL.14029181 By Ludwig Schytte. Edited by Ludvig Schy...(+)
Piano - Grade 5
SKU:
HL.14029181
By Ludwig
Schytte. Edited by Ludvig
Schytte. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 136 pages. Edition
Wilhelm Hansen #WH13718.
Published by Edition
Wilhelm Hansen
(HL.14029181).
ISBN
9788774551843.
8.75x11.75x0.75 inches.
German.
From Bach,
Beethoven and Clementi,
to Handel, Mozart,
Schubert and Tchaikovsky.
This is a wonderful
collection of 45
Sonatinas for piano solo
which has been edited by
Ludvig Schytte.
Semele, HWV 58 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Soloists, Mixed choir, Orchestra SKU: BA.BA04025-01 Composed by George Fr...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA04025-01
Composed by George
Frideric Handel. Edited
by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Risinger and Mark. This
edition: Complete
edition. Linen. Complete
edition, Score. HWV 58.
Baerenreiter Verlag
#BA04025-01. Published by
Baerenreiter Verlag
(BA.BA04025-01).
ISBN
9790006443222. 33 x 26 cm
inches. Text Language:
English.
Handelâ??
s â??Semeleâ?, which
premiered in February
1744, is based on an
adapted version of
William Congreveâ??s
opera libretto titled
â??The Story of
Semeleâ?, originally
published in 1706.
However, neither Handel
nor his librettist
referred to
â??Semeleâ? as an
opera or an oratorio,
which, according to the
understanding at the
time, would have required
a biblical and/or
Christian subject matter.
Contemporary audiences
also disagreed on the
genre. The problematic
classification as an
oratorio has persisted
into the present day,
likely due to the edition
labeled as such by
Chrysander. The â??Halle
Handel Editionâ? (HHA)
distances itself from
this classification and,
considering the available
sources, refrains from
assigning a genre
label.
Congreve
deviates from the
mythological source
multiple times in order
to create tensions among
the characters. The
desired marriage between
Semele and Athamas, whom
she does not love, is an
addition by Congreve to
provoke the envy of her
sister Ino, who desires
Athamas herself.
Therefore, Ino sees her
own advantage in
Semeleâ??s abduction by
Jupiter. While
Jupiterâ??s wife Juno
decides to destroy Semele
out of jealousy for his
relationship with her,
Jupiter brings Ino to his
palace to console Semele.
The vengeful Juno takes
advantage of Inoâ??s
presence and transforms
into her likeness,
persuading Semele to
carry out a plan that
later proves fatal. In
the end, Ino emerges as
the winner, as she is
able to convince their
father, Cadmus, to marry
her to Athamas. The
appearance of Apollo in
the final scene to
announce that Semeleâ??s
immortal son Bacchus was
saved from her ashes
provides little
consolation. However,
this twist allows the
drama to conclude with
exuberant joy and a
magnificent final chorus
after the tragic scenes
in the third act,
culminating in the death
of the
protagonist.
Hande
lâ??s autograph score
shows significant
deviations from and
numerous revisions of the
original version
premiered. All surviving
early versions, the
musical movements deleted
before the premiere, and
the version of the
December 1744, are given
in the appendix to the
HHA.
Organ SKU: BR.EB-6310 In G minor, G major, B major, B minor, A minor, ...(+)
Organ
SKU:
BR.EB-6310
In G
minor, G major, B major,
B minor, A minor, C
minor. Composed by
George Frideric Handel.
Edited by Diethard
Hellmann. Solo
instruments; Softcover.
Edition Breitkopf.
Baroque period. Score. 36
pages. Breitkopf and
Haertel #EB 6310.
Published by Breitkopf
and Haertel (BR.EB-6310).
ISBN 9790004166444. 12
x 9 inches.
Im
Gegensatz zu seinem
Zeitgenossen Joh. Seb.
Bach hinterliess Georg
Friedrich Handel kaum
Werke fur die Orgel.
Ausser den bekannten
Konzerten fur Orgel und
Orchester schrieb er 6
Fugen, die diese Ausgabe
der Praxis erschliessen
mochte. Der Grund, dass
Handel sich in seinem
kompositorischen Schaffen
in so geringem Masse der
Orgel zuwandte, ist nicht
in erster Linie in seinem
kunstlerischen
Aufgabenkreis zu suchen,
sondern liegt wohl
hauptsachlich an der
primitiven Beschaffenheit
der englischen Orgeln
seiner Zeit. Weithin fand
man das Pedal entbehrlich
und liess es weg. Fr.
Chrysander berichtet:
(,,G. Fr. Handel III, S.
218) ,,Handel, dessen Ohr
an die deutschen
Orgelbasse gewohnt war,
nahm zu einem Stuck Blei
Zuflucht, um einen tiefen
Ton fortklingen zu lassen
und beide Hande frei zu
haben..
Exceptional Classics for Piano composed by Various. Arranged by Jonathon Robbins...(+)
Exceptional Classics for
Piano composed by
Various. Arranged by
Jonathon Robbins. For
piano. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 64
pages. Published by
Santorella Publications
Harp Solo. By George Frideric Handel, George-Frederich Handel. Arranged by Marce...(+)
Harp Solo. By George
Frideric Handel,
George-Frederich Handel.
Arranged by Marcel
Grandjany. (Harp).
Editions Durand. Book
only. Size 9x12 inches.
16 pages. Published by
Durand.
Brass Band - Grade 2 SKU: BT.DHP-1043545-030 From the opera Rinaldo va...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1043545-030
From the opera Rinaldo
van Georg Friedrich
Händel. Composed
by George Frideric
Handel. Arranged by Jacob
De Haan. Your Favorite
Classics. Set (Score &
Parts). Composed 2004. De
Haske Publications #DHP
1043545-030. Published by
De Haske Publications
(BT.DHP-1043545-030).
Let Me Weep
(‘Lascia
ch’io
pianga’) is an
aria from Handel’s
opera
‘Rinaldo’.
According to reports he
composed the music for
the complete opera in
just 14 days, using many
melodies from earlier
works. The melody of this
wonderful aria is known
all over the world and
this arrangement by Jacob
de Haan retains all the
passion of the original.
Lascia
ch’io pianga (Let
Me Weep) is een aria
uit de opera
Rinaldo. Aaron
Hill schreef het
scenario, waarna Giacomo
Rossi de poëtische
teksten schreef. Georg
Friedrich Händel
voorzag deze later van
muziek. Hij zou demuziek
in veertien dagen hebben
gecomponeerd en veel
melodieën uit eerdere
werken hebben gebruikt.
In 1711 werd
Rinaldo voor het
eerst uitgevoerd. De
melodie van deze
prachtige aria is
wereldwijd bekend en komt
uitstekendtot haar recht
in dit arrangement van
Jacob de
Haan.
Let Me
Weep - im Original
Laschia ch’io
pianga - stammt aus
der Oper Rinaldo,
deren Musik Georg
Friedrich Händel
angeblich in weniger als
vierzehn Tagen
geschrieben hat! Er
verwendete für diese
märchenhafte Oper
viele Melodien aus
älteren Werken. Die
Melodie dieser
prächtigen Arie ist
weltweit bekannt und
beliebt - so ist mit
Jacob de Haans
hervorragender
Bearbeitung für Brass
Band ein Publikumserfolg
garantiert!
Brass Band - Grade 2 SKU: BT.DHP-1043545-130 From the opera Rinaldo va...(+)
Brass Band - Grade 2
SKU:
BT.DHP-1043545-130
From the opera Rinaldo
van Georg Friedrich
Händel. Composed
by George Frideric
Handel. Arranged by Jacob
De Haan. Your Favorite
Classics. Score Only.
Composed 2004. De Haske
Publications #DHP
1043545-130. Published by
De Haske Publications
(BT.DHP-1043545-130).
Let Me Weep
(‘Lascia
ch’io
pianga’) is an
aria from Handel’s
opera
‘Rinaldo’.
According to reports he
composed the music for
the complete opera in
just 14 days, using many
melodies from earlier
works. The melody of this
wonderful aria is known
all over the world and
this arrangement by Jacob
de Haan retains all the
passion of the original.
Lascia
ch’io pianga (Let
Me Weep) is een aria
uit de opera
Rinaldo. Aaron
Hill schreef het
scenario, waarna Giacomo
Rossi de poëtische
teksten schreef. Georg
Friedrich Händel
voorzag deze later van
muziek. Hij zou demuziek
in veertien dagen hebben
gecomponeerd en veel
melodieën uit eerdere
werken hebben gebruikt.
In 1711 werd
Rinaldo voor het
eerst uitgevoerd. De
melodie van deze
prachtige aria is
wereldwijd bekend en komt
uitstekendtot haar recht
in dit arrangement van
Jacob de
Haan.
Let Me
Weep - im Original
Laschia ch’io
pianga - stammt aus
der Oper Rinaldo,
deren Musik Georg
Friedrich Händel
angeblich in weniger als
vierzehn Tagen
geschrieben hat! Er
verwendete für diese
märchenhafte Oper
viele Melodien aus
älteren Werken. Die
Melodie dieser
prächtigen Arie ist
weltweit bekannt und
beliebt - so ist mit
Jacob de Haans
hervorragender
Bearbeitung für Brass
Band ein Publikumserfolg
garantiert!
Mixed Ensemble (Study Score) SKU: HL.49009849 Composed by George Frideric...(+)
Mixed Ensemble (Study
Score)
SKU:
HL.49009849
Composed
by George Frideric
Handel. Edited by
Frederick Hudson and Hans
Ferdinand Redlich. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
Op. 3/4. 38 pages.
Duration 13'. Eulenburg
Edition #ETP 374.
Published by Eulenburg
Edition (HL.49009849).
ISBN 9790200203134.
UPC: 073999843156.
5.25x7.5x0.116
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
Composed by George Frideric Handel (1685-1759). Edited by Frederick Hudson. For ...(+)
Composed by George
Frideric Handel
(1685-1759). Edited by
Frederick Hudson. For
harpsichord. This
edition: Urtext edition.
Stapled. Single part.
Opus 3/5, HWV 316. 7
pages. Published by
Baerenreiter Verlag
(In der Continuo-Gruppe sind 2 Cembali besetzt). Composed by George Frideric Han...(+)
(In der Continuo-Gruppe
sind 2 Cembali besetzt).
Composed by George
Frideric Handel
(1685-1759). Edited by
Frederick Hudson. For
violin/cello/orchestra.
This edition: Urtext
edition. Stapled. Score.
Opus 3/2, HWV 313. 22
pages. Duration 12
minutes. Published by
Baerenreiter Verlag
By Antonio Vivaldi; Arcangelo Corelli; E. Dall'abaco; Francesco Maria Veracini; ...(+)
By Antonio Vivaldi;
Arcangelo Corelli; E.
Dall'abaco; Francesco
Maria Veracini; Frederick
F. Polnauer; G. B. Somis;
Georg Philipp Telemann;
George Frideric Handel;
Giovan Battista
Pergolesi; J.A.
Birckenstock; T.Albinoni.
For Violin I, Piano II.
Soft Cover. 44 pages.
Published by Theodore
Presser Company.
By Antonio Vivaldi; Arcangelo Corelli; Francesco Maria Veracini; Georg Philipp T...(+)
By Antonio Vivaldi;
Arcangelo Corelli;
Francesco Maria Veracini;
Georg Philipp Telemann;
George Frideric Handel;
Giovanni Battista
Pergolesi; Tomaso
Albinoni. Edited by
Frederick F. Polnauer.
For Flute Solo, Piano.
Classical. Solo part with
piano reduction. 44
pages. Published by
Theodore Presser Company.
Orchestra SKU: BA.BA10252 Composed by George Frideric Handel. Edited by T...(+)
Orchestra
SKU:
BA.BA10252
Composed
by George Frideric
Handel. Edited by Terence
Best. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. HWV 331.
Baerenreiter Verlag
#BA10252_00. Published by
Baerenreiter Verlag
(BA.BA10252).
ISBN
9790006538775. 31 x 24.3
cm inches. Key: F major.
Preface: Terence
Best.
Handelâ€
s Concerto in F major
(HWV 331) was long
considered a variant of
two movements from the
three suites of his
“Water Musicâ€
(HWV 348-350). Recently
our understanding of the
“Water Musicâ€
had to be thoroughly
revised owing to new
scholarly discoveries.
Not only did the
structure of the three
suites prove to be
unhistorical, but
Friedrich
Chrysander’s
19th-century view turned
out to be correct: the
two
“variantsâ€
actually constitute an
independent
concerto.
In
musical terms, HWV 331 is
related to two movements
of the “Water
Music†and is
frequently performed
alongside them. Now it is
available for the first
time in a performing
edition based on the
already revised volume of
the “Halle Handel
Editionâ€, which
reflects the current
state of scholarship
concerning the complex
source tradition of the
“Water Musicâ€
and the Concerto HWV
331.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Flute and Piano SKU: HL.50510611 Flauto Dolce. Composed by George ...(+)
Flute and Piano
SKU:
HL.50510611
Flauto
Dolce. Composed by
George Frideric Handel.
Edited by Malina Martos.
Arranged by Malina
Martos. Baroque. EMB.
Volume 1. Book Only. 72
pages. Editio Musica
Budapest #Z13404.
Published by Editio
Musica Budapest
(HL.50510611).
ISBN
9790080134047. UPC:
073999437102.
9.0x12.0x0.171 inches.
Italian. Georg Friedrich
Handel; Janos Malina;
Laszlo Martos.
The
present edition contains
Handel's entire sonata
outpout for recorder (Z.
13405) and transverse
flute (Z. 13404), except
the so-called Halle
sonatas of doubtful
authenticity.
Soprano voice and continuo, Male alto/Low soprano voice and continuo SKU: FZ....(+)
Soprano voice and
continuo, Male alto/Low
soprano voice and
continuo
SKU:
FZ.5799
Ca. 1706 -
Ca. 1727. Composed by
George Frideric Handel.
Edited by Philippe
Lescat. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5799).
ISBN
9790230657990. 24.00 x
32.00 cm
inches.
This
facsimile of the
manuscript by Georg
Friedrich Haendel is part
of our Dominantes
collection. Facsimile
edition in six volumes of
the holographs of
Handel's Italian
cantatas. This
publication at last makes
these very fine works
available to all.
Presentation by Philippe
Lescat: Comprehension of
the score - corrections
and suggestions - the
revisions of the cantatas
- restoration - index to
this volume. Cantatas for
solo voice and continuo.
Facsimile of Handel's
autograph manuscript.
Volume II. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Composed
by George Frideric
Handel. Edited by
Frederik Hudson. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Score. Opus 3/6,
HWV 317. 10 pages.
Duration 8 minutes.
Baerenreiter Verlag
#BA04206_00. Published by
Baerenreiter Verlag
(BA.BA04206).
ISBN
9790006445202. 31 x 24.3
cm inches. Key: D major.
Preface: Frederik
Hudson.
Urtext der
Hallischen
Handel-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Soprano voice and continuo, Male alto/Low soprano voice and continuo, Bass voice...(+)
Soprano voice and
continuo, Male alto/Low
soprano voice and
continuo, Bass voice and
continuo
SKU:
FZ.5751
Ca 1706 -
Ca 1709. Composed by
George Frideric Handel.
Edited by Philippe
Lescat. This edition:
Facsimile. Collection
Dominantes. Score.
Published by Anne Fuzeau
Productions - France
(FZ.5751).
ISBN
9790230657518. 24.00 x
32.00 cm
inches.
This
facsimile of the
manuscript by Georg
Friedrich Haendel is part
of our Dominantes
collection. Presentation
by Philippe Lescat: Georg
Friedrich Handel's
Italian sojourn -
bibliography -
comprehension of the
score - corrections and
suggestions - restoration
- index. Cantatas for
solo voice and continuo
bass. Autograph
manuscript. Manuscript R.
M. 20. d. 11. The
manuscript R. M. 20. d.
12 is published by Fuzeau
under the reference 5799.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile
of a copy in the British
Library of London
(England). Anne Fuzeau
Classique propose period
copies of classical music
scores.
Composed
by George Frideric
Handel. Edited by
Frederik Hudson. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Score. Opus 3/5,
HWV 316. 12 pages.
Duration 12 minutes.
Baerenreiter Verlag
#BA04205_00. Published by
Baerenreiter Verlag
(BA.BA04205).
ISBN
9790006445127. 31 x 24.3
cm inches. Key: D
minor.
Urtext der
Hallischen
Handel-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Guitar SKU: HL.50510214 Guitar Solo. Composed by George Frideric H...(+)
Guitar
SKU:
HL.50510214
Guitar
Solo. Composed by
George Frideric Handel.
Arranged by Zoltá
and n Tokos. Baroque.
EMB. Book Only. Editio
Musica Budapest #Z12243.
Published by Editio
Musica Budapest
(HL.50510214).
ISBN
9790080122433. UPC:
073999162547. Bach (23 x
30,2 cm) inches. Georg
Friedrich Handel; Zoltan
Tokos.
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 2 SKU: HL.44001166 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 2
SKU:
HL.44001166
Composed
by George Frideric
Handel. Arranged by Jan
de Haan. De Haske Concert
Band. Festive and Solemn
Music. Score Only.
Composed 1985. De Haske
Publications #850038.
Published by De Haske
Publications
(HL.44001166).
UPC:
073999748901. 6.75x10.5
inches.
Het bekende
Arioso van Georg
Friedrich Handel (1685 -
1759) is van oorsprong
een vocaal werk met als
titel Dank, sei dir
Herr. De prachtige
gedragen melodie leent
zich uitstekend voor
instrumentale
uitvoering.