Par CHRISTIANSEN MIKE. Enfin une méthode qui obtient des étudiants ont commencé sur l\'essentiel de la guitare tout en mettant l\'accent sur le matériau chaque guitariste de rock devrait savoir. Les sujets comprennent des power chords, échelles de rock, rock isolation, onglet lecture et notation standard, cordes ouvertes, accompagnement strum schémas et rock licks. Conçu pour sensibiliser les jeunes sur les éléments essentiels de guitare, cette leçon a fait le plaisir de l\'apprentissage. Des progressions de corde et mélodies similaires aux classiques du rock font de ce texte un must pour les aspirants guitaristes de rock. Le CD accompagne et donne aux élèves l\'occasion et entendre et jouer avec le pros. - étudiants Gets a commencé sur les points essentiels de la guitare en se concentrant sur le matériau chaque guitariste de rock devrait savoir. -Les sujets comprennent des power chords, échelles de rock, rock isolation, onglet lecture et notation standard, cordes ouvertes, accompagnement strum schémas et rock licks. -Conçu pour sensibiliser les jeunes sur les éléments essentiels de guitare. -Contient des progressions de corde et mélodies similaires aux classiques du rock. -Compagnon CD inclus. / Niveau : Débutant / Rock - Methods / Méthode / Guitare Electrique

Hot Rock Guitar - Grade 1 includes eight hit songs to play in your Rockschool exam, GCSE music or just rocking out. Hot Rock Guitar - Grade 1 works in addition to your Rockschool Guitar Grade 1 book to provide you with further song choices for your exam.You can select up to two pieces from Hot Rock to play in your Rockschool Guitar Grade Exam or three to play in your Rockschool Guitar Performance Certificate.Featuring:Chasing Cars [Snow Patrol]Jailbreak [Thin Lizzy]Living On A Prayer [Bon Jovi]Run To You [Bryan Adams]Sunshine Of Your Love [Cream]Wishing Well [Free]Wonderful Tonight [Eric Clapton]Zephyr Song [Red Hot Chili Peppers]Plus:8 of the best rock tracks - 8 world renowned artistsTAB and Standard NotationGCSE friendly: schools can use for GCSE musicFact Files: band and artists background information with recommended listeningWalkthroughs: in-depth guidance on every trackAmp settings: get the right tone with authentic amp settings for each trackDownloadable audio: use your download card for easy access to your audioLearn by playing the music you love / Guitare

Beginner's Guide to Electric Guitar is all you need to start playing electric guitar. With an easy-to-understand and down-to-earth tone, this book gets to the important stuff first and doesn't bog you down with all the details. Learn all about the different types of electric guitars, amplifiers, and effects, and learn how to play like Led Zeppelin, The White Stripes, Black Sabbath, Pink Floyd, Green Day, Metallica, Nirvana, Rage Against the Machine, Jimi Hendrix, AC/DC, Alice in Chains, and more. To keep things simple, the music examples are written in TAB only and are designed to get you playing quickly---from riffs on a single string to power chords, pentatonic scales, and tunes in drop-D tuning. The accompanying CD features a full band to play along with. / Guitare Electrique

Un résumé des plus grands classiques de la guitare au monde - une histoire de la musique pour guitare classique avec des oeuvres allant du XIVème siècle à aujourd'hui. / Guitare / Partition

50 solos de guitare fantastique dans les notes et les onglet de 18 compositeurs baroques, y compris de Bach, Corelli, Couperin, Haendel, Purcell, Rameau, Scarlatti, Telemann et autres. / Guitare

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par CHRISTIANSEN MIKE. Enfin une méthode qui obtient des étudiants ont commencé sur l'essentiel de la guitare tout en mettant l'accent sur le matériau chaque guitariste de rock devrait savoir. Les sujets comprennent des power chords, échelles de rock, rock isolation, onglet lecture et notation standard, cordes ouvertes, accompagnement strum schémas et rock licks. Conçu pour sensibiliser les jeunes sur les éléments essentiels de guitare, cette leçon a fait le plaisir de l'apprentissage. Des progressions de corde et mélodies similaires aux classiques du rock font de ce texte un must pour les aspirants guitaristes de rock. L'accompagnement CD et DVD donne aux élèves l'occasion et entendre et jouent avec le pros. - étudiants Gets a commencé sur les points essentiels de la guitare en se concentrant sur le matériau que chaque guitariste de rock devrait savoir. -Les sujets comprennent des power chords, échelles de rock, rock isolation, onglet lecture et notation standard, cordes ouvertes, accompagnement strum schémas et rock licks. -Conçu pour sensibiliser les jeunes sur les éléments essentiels de guitare. -Contient des progressions de corde et mélodies similaires aux classiques du rock. -Compagnon de CD et DVd incl... / Niveau : Débutant / Rock - Methods / Méthode / Guitare Electrique

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Par CHRISTIANSEN MIKE. From blues rhythm guitar to soloing, this book will help you learn in a step by step manner to play blues guitar styles similar to greats such as Stevie Ray Vaughn, BB King, Eric Clapton and others. You will learn the different techniques used in playing blues guitar and how to combine these elements to create your own blues solos and rhythm parts. The book contains sections on the blues progression, comping, power chords, turn-arounds, blues fills, scales, double stops, common blues licks, use of the whammy bar, how to get a blues sound, and how to build a blues guitar solo. The text is written in notation and tablature. This set includes a stereo play-along CD and 110-minute DVD. / Niveau : Tous Niveaux / Blues - Methods / Tablatures / Guitare Tablatures Electrique

Rev. Gary Davis was a musical giant. His ideas spanned a wide range of techniques and styles. His repertoire featured blues, rags, show instrumentals and gospel songs. He played with his thumb and index finger to pick out complex melodies, rhythmic licks and lightning fast single-string runs. In this book, seven of Rev. Davis's blues are presented. These arrangements have been performed and recorded by a host of great artists including Bob Dylan, Taj Mahal, Hot Tuna, David Bromberg, John Renbourn, Bert Jansch and many others. These lessons are for the intermediate to advanced fingerstyle guitarist. The accompanying three CD lessons teach these arrangements phrase by phrase as well as presenting the original recordings. LESSON ONE: Our first lesson highlights two of Rev. Davis's most popular blues arrangements. Hesitation Blues is played in the key of C. Baby, Let Me Follow You Down is played in the key of G. LESSON TWO: The key of C was a favorite for Rev. Davis. In this lesson we explore the party tune Sally Where'd You Get Your Liquor From (made popular by Hot Tuna). Rev. Davis used to joke that he could play Candyman so many different ways that he would be able to play it nonstop for at least 8 hours without repeating himself! We look at two versions of this very popular folk blues with the regular Candyman followed by the Two-Step Candyman. LESSON THREE: 'Raggin' the blues' was a great part of Rev. Davis's repertoire. His Walkin' Dog Blues is a tour de force in a blues in C. All fourteen verses are transcribed here, and we study how this arrangement develops. Buck Rag is a fascinating rag played in the key of C. Single-string runs, counterpoint lines, rhythmic variations and syncopated bass patterns are featured. / Guitare (Fingerpick) / 40 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Compilation. Authentiques transcriptions guitare de 58 célèbres chansons des années 60. Partitions en notations standards et tablatures. / Rép International / Tablatures / Guitare Tablatures

Par BAY WILLIAM. If you are only going to get one guitar chord book, make it this one! Thousands of chord forms are presented. Chords are presented in each key and numerous forms are shown for each type of chords. Chords are classified into melody forms, inside forms, rhythm forms and bottom four string forms. Each type of chord is shown in notation and it lists the name of each note and its function in the chord (root, third, seventh, etc.) Also, the name of each note is shown on every diagram and the bottom and top chordal tones are listed (5th, root, etc.). A great value for any guitarist. / Niveau : Tous Niveaux / All Styles - Chord Book / Etude / Guitare

Par FIORENTINO CIRO. by Ciro Fiorentino. For solo guitar and for two guitars. / Jazz / Recueil / Guitare Classique