Choir; Early Music

SKU: UT.MS-32

Composed by Giovanni Antonio Brocco and Marchetto Cara. Edited by Giorgio Bussolin and Stefano Zanus Fortes. Saddle stitching. Classical. Score. Ut Orpheus #MS 32. Published by Ut Orpheus (UT.MS-32).

ISBN 9790215305144. 8.26 x 11.69 inches.

For the Double Bass, Vol. 3 - Piano Accompaniment. By Ambroise Thomas; Armas Jarnefelt; Camille Saint-Saens; Edouard Nanny; Francois-Joseph Gossec; Franz Keyper; George Vance; Giorgio Antoniotti; Giovanni Battista Pergolesi; Ignace Jan Paderewski; J. Gabriel-Marie; Lorenziti; Ludwig Van Beethoven. Edited by Anthony Bianco. Arranged by George Vance. For Piano. Solo part with piano reduction. 126 pages. Published by Carl Fischer.

SKU: HL.50498681

Composed by Andrea Gabrieli. Edited by Alessandro Borin. CRITICAL EDITIONS. Classical. Ricordi #NR140584. Published by Ricordi (HL.50498681).

ISBN 9788875928964. UPC: 884088879112. 8.75x12 inches. Edited by Alessandro Borin.

Edizione Nazionale The Works of Andrea Gabrieli critical edition (Fondazione Giorgio Cini). Includes preface, editorial principals, and critical commentary.

Editor ial Board: Denis Arnold, David Bryant, Guilio Cattin, Paolo Fabbri, Dinko Fabris, Iain Fenlon, Stefan Kunze, Giovanni Morelli, Gino Benzoni, and Guido Capovilla.

Early Music; Music Education

SKU: UT.DM-14

Composed by Giorgio Pacchioni. Saddle stitching. Classical. Ut Orpheus #DM 14. Published by Ut Orpheus (UT.DM-14).

ISBN 9790215301481. 9 x 12 inches.

Mi sono deciso a porre ordine ai miei appunti e studi sui canoni senza tenor nella speranza di essere utile a coloro i quali, attraverso il mio modesto sforzo, potranno abbreviare il lungo lavoro di addestramento in quella materia che ritengo sia l'unica ad affrontare sistematicamente e compiutamente la problematica compositiva dell'imitazione, cioe lo studio delle tecniche di imitazione canonica dei secoli XVI e XVIII.
Questo mio studio propone allo studente una serie di documenti storici di grandi didatti musicali del passato, quali Ludovico Zacconi, Giovanni Battista Martini e Orazio Tigrini nonche un mio personale e modesto contributo. Le fonti antiche sono state tradotte in italiano corrente, pur lasciando intatti alcuni termini specifici, del resto ben comprensibili.
Il presente volume e da impiegare come manuale di lavoro e di studio per chi voglia imparare la difficile arte dell'imitazione. Vengono qui affrontati, in modo sistematico e scientifico, la pratica del canone <>, molto lodata da Zacconi quale strumento per stimolare l'ingegno dello studente, i canoni <> - piu interessanti e utilizzabili musicalmente - e la prassi di rivoltare un canone o brano qualsiasi al fine di ottenerne 'onestamente' una nuova composizione. Sono stati ignorati volutamente tutti quei canoni enigmatici o oscuri che non contengono nessun interesse musicale o didattico. Si e inoltre affrontato sistematicamente il criterio di 'fugare' un tenor, pratica molto in voga nei secoli dal XV al XVII e attinente al nostro argomento.
(G. Pacchioni).

Guitar; Methods and Music for Children

SKU: UT.CH-157

Composed by Giorgio Signorile. Saddle stitching. Classical. Score and Parts. 40 pages. Ut Orpheus #CH 157. Published by Ut Orpheus (UT.CH-157).

ISBN 9790215320369. 9 x 12 inches.

Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee

Th e Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.
The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...
The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.
(G. Signorile).