SKU: BA.BVK02392

ISBN 9783761823927. 24 x 17 cm inches. Preface: Thomas Betzwieser / Daniel Brandenburg.

SKU: CA.3108405

ISBN 9790007045708. Key: E minor / b minor. Language: German/English.

Sco re available separately - see item CA.3108400.

SKU: CA.1241609

ISBN 9790007028237. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: CA.1241605

ISBN 9790007028220. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: CA.9214900

ISBN 9790007237165. Language: German.

SKU: CA.1241600

ISBN 9790007028206. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

SKU: CA.1241611

ISBN 9790007028244. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: CA.1241603

ISBN 9790007028213. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: HF.FH-3019

ISBN 9790203430193. 9 x 12 inches.

1. Olli's Angermaier; 2. Glucklich im Strand '33; 3. Clouded Times.

SKU: CA.9147900

ISBN 9790007122348. Key: C major. Language: German.

SKU: DB.01-00387

ISBN 9790012187417.

1. Originale Floh-Polka / 2. Gestatten, mein Name ist Floh! / 3. Wackelstein / 4. Am gelben Fluss / 5. Barbie's Disco / 6. Blattlaus-Polka / 7. Kanon mit Spiegelei / 8. An einem Pussta-Brunnen / 9. Floh im Ohr / 10. Tastenprofis erster Hit / 11. Dreirad-Express / 12. Herbstnebel, / 13. Nur keinen Sack mit Flohen huten / 14. Oase bei Nacht / 15. Kokiriko Bushi / 16. Palmen im Wind / 17. Nachmittag eines Regenwurms / 18. Software fur mein Klavier / 19. Quiet Night / 20. Country Dance & Grosses Preisratsel / 21. Toi, toi, toi / 22. Pajarito blanco - Pajarito negro / 23. Blues vom glucklichen Huhn / 24. Scaborough Fair / 25. Alter Floh erzahlt aus seiner Jugend / 26. Stolperstein / 27. Wo geht's denn hier nach Trinidad? / 28. Floh nach Rio / 29. Spatzen-Dixie / 30. Flohmarkt in Granada / 31. Ab mit der Post / 32. In den Anden landen / 33. Mo li hua / 34. Keine Flohe mehr / 35. Alpenfloh im Alpenzoo / 36. Canario / 37. Kleines Nichts / 38. Fremder Adler / 39. Kuhe sind nicht lila / u.v.a.

SKU: CA.1241612

ISBN 9790007028251. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: CA.1241613

ISBN 9790007028268. Language: German. Text: Tolstoi, Leo. Text: Leo Tolstoi.

Score available separately - see item CA.1241600.

SKU: BA.BA05847-90

ISBN 9790006558759. 27 x 19 cm inches. Text Language: French, German. Translation: Schmidt, Peter / Brenner, Peter. Text: Nicolas-Francois Guillard.

Christoph Willibald Gluck's four-act opera onthe curse of the Tantalidesis based on a tragedy by the ancient Greek dramatist Euripides that was particularly popular in the 18th century. Gluck's setting received its highly successful premiere in 1779.
Now Barenreiter is publishing the meticulously revised, corrected and newly engraved vocal score which has been adapted to meet their current editorial standards.

- Urtext edition based on theGluck Complete Edition
- Judiciously modernized and newly engraved
- Detailed foreword (Ger/Fr/Eng) by the editorial board of theGluck Complete Edition
- Well presented idiomatic piano reduction

SKU: HL.49013230

ISBN 9790001103633. German.

SKU: BA.BA05023-01

ISBN 9790006461875. 33 x 26 cm inches.

Urtext der Neuen Mozart-Ausgabe.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA05822-01

ISBN 9790006567454. 33 x 26 cm inches. Preface: Brown, Bruce Alan.

To conclude Series II (Dance Dramas) from the Gluck Complete Edition (GGA), this volume of Christoph Willibald Gluck's earliest contributions to the genre comprises six ballet scores from 1759 (La Promenade, Les Jardiniers, Les Turcs, Les Savoiards, Les Amours de Flore et Zphire, and Le Suisse) as well as the ballet music for Les Vendanges, which dates from 1761. These works belong to the compositions – also called Krumau ballets because of their musical transmission – which Gluck created in Vienna between 1759 and 1765 for the court theatres in Laxenburg and Schönbrunn as well as the Kärntnertortheater, and which are to be attributed to him as a ballet composer around the middle of the 18th century in Viennese theatre life based on the considerations presented in the general preface.

Together with volumes II/3 to II/5, ballet music by Gluck is available whose sources come from the former Schwarzenberg court archive in Ceský Krumlov, Czech Republic, and which until the Velvet Revolution of 1989, lay behind the Iron Curtain remaining largely inaccessible and unexplored by Western scholars. These volumes reflect two fundamental developments in Gluck research: on the one hand, they provide a significantly expanded, historically more accurate idea of what it meant to compose for the ballet in the 18th century; on the other hand, they bring to light an immense treasure trove of sources formerly of Viennese provenance.

In addition to the detailed introduction by this volume’s editor on the ballet choreographies of Gasparo Angiolini and Carlo Bernardi, on the formation of the ballet troupes of the Viennese theatres in Gluck's early years there, on ballet types and genres, as well as a detailed account of the individual titles, the volume includes a general preface to volumes II/3 through II/5 by Bruce Alan Brown, which discusses Gluck's ballet music in Vienna in general as well as the development of research into this genre. Extensive illustrations (partly from the so-called Durazzo Collection) with reference to the choreographies enrich the discussions. The ballet works, which have survived in only one source each, appear in print for the first time in this volume of the Gluck Complete Edition.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA05810-01

ISBN 9790006495511. 33 x 26 cm inches. Text Language: French. Preface: Philippi, Daniela. Text: Favart, Charles Simon.

For his ParisCythere assiegee, Gluck drew on his eponymous opera comique from 1759, transforming it into an opera-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version.

This edition ofCythere assiegeecontains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts.

The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA08166

ISBN 9790006563340. 29.7 x 21 cm inches. Text Language: French.

This edition contains French arias for soprano from operas composed by the opera reformer Christoph Willibald Gluck for the Paris Opera:

Iphignie en Aulide (1774)
Orphe et Euridice (1774)
L’arbre enchant (1775)
Cythère assige (1775)
Armide (1777)
Écho et Narcisse (1779)

The edition includes an informative text section containing a Foreword (Fr/Eng), a brief account of the dramatic situation as well as a literal English translation of every aria.


About the series:
Christoph Willibald Gluck. Airs d’opra français / French Operatic Arias

In collaboration with the Centre de musique baroque de Versailles (CMBV), all arias from Christoph Willibald Gluck’s French operas will be published for the first time in a collection of four volumes, ordered by voice type.

With their wide variety of arias and informative texts, these volumes constitute a valuable resource of works by one of the preeminent opera composers of the 18th century. They are suitable for opera singers and voice students and can be used in lessons, auditions and recitals.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA02282

ISBN 9790006419555. 33 x 26.5 cm inches. Text Language: French, German. Preface: Ludwig Finscher. Text: Pierre-Louis Moline.

Christoph Willibald Gluck’s most popular opera “Orphe et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives.

Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plot surrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SKU: BA.BA05779

SKU: HL.49020880

ISBN 9783254002402. German.

Macht und Liebe sind Gravitationszentren in der Musik Mozarts. Beide wandeln ihr Gesicht tiefgreifend in der nur kurzen, aber schopferisch so uberreichen Zeitspanne der Wiener Jahre. In den letzten Lebensjahren umgibt Mozarts Musik die bedurftige, nach Gluck suchende Welt des Menschlichen immer greifbarer mit einem Schimmer von Transzendenz. Sie verdeckt mit ihrer lichten Aura ein dunkles Inneres, einen Bodensatz von Leid und innerem Ruckzug.Mozarts Spatwerk gilt als apollinisch und abgeklart. Warum aber dieser fruhe Abschied von den lebensvollen Kampfen und Leidenschaften, die in den Werken seiner fruhen Wiener Jahre so begluckend aufbluhten? Sie finden ihren dramatischen Hohepunkt in Don Giovanni, der Ausnahme-Oper, die als einzige den erlosenden Gestus der Verzeihung verweigert. Hier nimmt die rachende Figur eines Vaters ubermenschliche Dimensionen an, die unantastbare Grenze zwischen Diesseits und Jehseits wird gewaltsam aufgerissen. Dieses Jahr 1787, das den realen Tod seines Vaters udn den Buhnentod des (Uber-)Vaters sah, scheint auch die Wende zu Mozarts Spatstil zu sein. Findet man hier den Ursprung jenes erdfernen, zartlich umhullenden Lichtes in den Werken der letzten Schaffensjahre?