SAB choir, cantor, voice solo, assembly, keyboard accompaniment, trumpet 1 in B-flat, trumpet 1 in C, trumpet 2 in B-flat, trumpet 2 in C, cello, bass, percussion, guitar, flute - Beginning

SKU: GI.G-9662

Composed by Rory Cooney. Baptism of the Lord, OT 12 B, OT 19 A. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9662. Published by GIA Publications (GI.G-9662).

UPC: 785147966203. English. Text Source: Based on Psalm 29. Text by Rory Cooney. Scripture: Psalm 29.

For cantor or soloist. The percussion part is for tambourine and drum set.

By Alexander Borodin. Arranged by Bob Chilcott. For SATB Choir and Piano or Guitar. BC97. Published by Oxford University Press.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument 1, C instrument 2, cello - Beginning

SKU: GI.G-6044

Composed by Michael Mahler. Ascension. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #6044. Published by GIA Publications (GI.G-6044).

English.

This piece can be used as a mantralike refrain over which the verses can be layered. It is a gentle song—a comforting reminder of God’s undying love in times of hardship, sorrow, anger, or guilt. Refrain may be used as ostinato. For cantor or soloist.

Refrain may be used as ostinato.

Composed by Dale Jergenson. For SATB choir, tenor voice solo, guitar, cello/bass instrument. General. Medium. Choral score. Published by Laurendale Associates

For fingerpick guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics and chord names. Hymn and gospel. Series: Finger Style Guitar. 64 pages. 9x12 inches. Published by Hal Leonard.

Guitar

SKU: BT.MUSAM1008040

By Toby Knowles. The Complete Guitar Player. Pop & Rock. Book Only. Composed 2015. 160 pages. Wise Publications #MUSAM1008040. Published by Wise Publications (BT.MUSAM1008040).

ISBN 9781783058228. English.

The Complete Guitar Player Rock Songbook features a massive collection of 50 hard-rocking hits from the best of classic and contemporary rock music for Guitar. Each song includes full lyrics and Guitar chords as well as strumming and picking patterns, making this songbook great for the aspiring rock rhythm or lead Guitarist. Each and every tune included in this Guitar songbook is a true rock classic, perfect for cranking the amp up to 10, or should that be 11?. Old favourites like All Day And All Of The Night by The Kinks and Hey Joe by Jimi Hendrix are matched by modern classics such as Radiohead's Creep  and Use Somebody  by Kings Of Leon. The rock songbook presents the best in music to plug in and rock out to. It's designed to be accessible and enjoyable, showcasing the best songs by the best rock bands and songwriters like The Clash, AC/DC, Eric Clapton and David Bowie. Past and present tunes are included, ensuring there's something for everyone in this complete rock songbook. Each song has been carefully arranged for Guitar and Voice, including the melody in standard notation,lyrics and Guitar chord shapes. Not only this, but there are also suggested strumming and picking patterns to help you dial up the volume and nail the exact sound of the song straight away. This rock Guitar songbook is ideal for beginners and intermediate Guitarists looking to expand their repertoire with powerful songs new and old, whereas absolute beginners new to the Guitar will find that the four books of the famous Complete Guitar Player series by Russ Shipton will help them out with the basics.  With these 50 rock Guitar songs, you'll be singing, strumming your power chords, and soloing your way through the best rock songs of the past half-century in no time at all. The Complete Guitar Player Rock Songbook would make a sterling addition to any guitarist's bookshelf, and each of these superb songs is guaranteed to make everyone stop and listen.

3-part equal voices, cantor, voice solo, assembly, keyboard accompaniment, C instrument, guitar - Beginning

SKU: GI.G-7684

Composed by Paul Tate. Pentecost B. Celebration Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7684. Published by GIA Publications (GI.G-7684).

UPC: 785147768401. English. Text Source: Based on Galatians 5:16–17, 22–25. Text by David Haas. Scripture: Galatians 5:16–17, 22–25.

Cast in 3-part harmony, this is a welcome contribution to the ensemble repertoire. The refrain is a bit extended, and the somewhat shorter verses, drawn from Galations 5, are in the form of call and response between cantor and all. For cantor or soloist.

3-part equal voices, 3-part mixed voices, cantor, voice solo, assembly, piano accompaniment, guitar - Early intermediate

SKU: GI.G-7516

Composed by Paul Melley. Advent 2 B, Ordinary Time 15 B, Ordinary Time 19 A. Leavensong Series. Sacred. Octavo. With guitar chord names. 4 pages. GIA Publications #7516. Published by GIA Publications (GI.G-7516).

UPC: 785147751601. English. Text Source: Psalm 85:8, 9, 10, 11&ndash,12, 13&ndash,14, NAB, ref.: Lectionary for Mass Scripture: Psalm 85:8, 9, 10, 11–12, 13–14.

This simple, satisfying psalm setting will have many uses during your community’s worship. In addition to its place in the Liturgy of the Word, you might also use it for services that focus on social justice or healing.   For cantor or soloist.

(A Comprehensive Guide to Exploring New Techniques and Styles from Heavy Metal to Jazz). Composed by Raleigh Green. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Style Resource Series. Funk; Jazz; Metal; Rock. 96 pages. Published by Alfred Music

SATB choir, cantor, voice solo, assembly, piano accompaniment, guitar, C instrument - Beginning

SKU: GI.G-8595

Calling Me Home. Composed by Sally Ann Morris. OT 14 A, Sacred Heart of Jesus A. Celebration Series. Tune Name: Rainstar. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8595. Published by GIA Publications (GI.G-8595).

UPC: 785147859505. English. Text by Adam M. L. Tice.

With a relaxed lilt, a 4-note motive makes up the first portion of the verses by cantor or unison voices. Verse 3 offers an altered echo for two soloists, with the same material repeated for the choir on the last verse. Additional instrumentation was originally conceived for soprano recorder or pennywhistle, but works well with flute, oboe, or other C instrument. The text of comfort is particularly suited to the Fourteenth Sunday in Ordinary Time, Year A.

2-part equal voices, 2-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, guitar - Early intermediate

SKU: GI.G-9356

Composed by Jeanne Cotter. Celebration Series. Sacred. Octavo. With guitar chord names. 16 pages. GIA Publications #9356. Published by GIA Publications (GI.G-9356).

UPC: 785147935605. English. Text by Jeanne Cotter. Scripture: Ruth 1:16–17.

Her e is a piece in the popular vein with lyrics that borrow heavily from Ruth 1:16–27 and traditional wedding vows. e setting may be sung as a solo, or by a choir divided evenly between the melody and harmony parts. For cantor or soloist.

2-part mixed voices, cantor, voice solo, assembly, keyboard accompaniment, flute, cello, guitar

SKU: GI.G-8283

Psalm 23. Composed by Gary Daigle. Lent 4 A, Easter 4 A, Ordinary Time 16 B, Ordinary Time 28 A, Christ the King A, Sacred Heart C. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8283. Published by GIA Publications (GI.G-8283).

UPC: 785147828303. English. Text Source: Psalm 23, The Revised Grail Psalms Scripture: Psalm 23.

The call-and-response nature of the refrain makes assembly participation about as easy as possible, the women of the choir support the assembly and the men provide a bit of easy harmony, all over a relaxed accompaniment. While not requiring an exceptionally large vocal range, the cantor should ideally have a solid low range (down to a low A) with the ability to sustain the upper D at a couple of points in the verses. For cantor or soloist.

SATB choir, cantor, voice solo, assembly, piano accompaniment - Beginning

SKU: GI.G-5355

Composed by Jim Gibson. Arranged by Carol Browning. Oramos cantando series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #5355. Published by GIA Publications (GI.G-5355).

UPC: 785147535508. English, Spanish. Translation: Jaime Cortez. Text by Jim Gibson.

A somewhat expanded setting in the style of intercessory prayer, complete with multiple petitions scored as verses for soloist, all in a gospel blues style. Text is in English and Spanish. The eight-bar refrain is given first in unison, then three-part, and finally SATB settings. This piece has a nice pop feel. For cantor or soloist. 

This piece has a nice pop feel.

(Piano/Vocal/Guitar). By Matt Redman. By Matt Redman and Jonas Myrin. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Artist/Personality; Piano/Vocal/Chords; Sheet; Solo. Original Sheet Music Edition. Contemporary Christian; Sacred. 8 pages. Published by Alfred Music Publishing

Solo Guitar Playing - Book 1, 4th Edition. Songbooks and Methods. Music Sales America. Classical. Softcover. 254 pages. Amsco Publications #AM995126. Published by Music Sales.

Composed by Johann Sebastian Bach (1685-1750), arranged by Leon Block. For guitar solo. Format: guitar solo songbook. With standard guitar notation. Baroque. 16 pages. 9x12 inches

Guitar solo

SKU: GH.GE-11464

Composed by Benjamin Staern. Duration 15 minutes. Gehrmans Musikforlag #GE 11464. Published by Gehrmans Musikforlag (GH.GE-11464).

ISBN 979-0-070-11464-6. A4 inches.

Work note by the composer:

When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone.
The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona (in Tuscany, Italy) completed the southern mentality of this work.
Arpalineais actually a merged word in Italian language. Arpa means harp, however in a musical context it's more or less resembled with the word arpeggio, which means broken chords. Lineameans line.

The work is divided in three parts.
I. Arpeggio: It starts with an opening chaconne-like sequence and is marked with a certain depth in which the chords starts to separate from the organum note in the bass and it culminates into a section called with rhythmical focus. These sections alternates, variates which each other.
The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end.

II. Linea: The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as a very hot day with temperatures rising above 37! C (or 100! F) where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere.

III. Finale: It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes! And eventually it leads to that is a large flood through the streets of an medieval Southern town. The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible!

Benjamin Staern

50 Ways to Improve Your Improvisational Skills. Guitar Educational. Book and CD package. Size 9x12 inches. 48 pages.

SATB choir, cantor, voice solo, assembly, keyboard accompaniment, guitar, flute - Early intermediate

SKU: GI.G-9661

Psalm 18. Composed by Rory Cooney. Celebration Series. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #9661. Published by GIA Publications (GI.G-9661).

UPC: 785147966104. English. Text Source: Psalm 18:2–3a, 3bc–4, 47 and 51ab, The Revised Grail Psalms, ref.: Lectionary for Mass Scripture: Psalm 18:2–3a, 3bc–4, 47 and 51ab.

For cantor or soloist.

SATB choir, cantor, voice solo, assembly, piano accompaniment, guitar - Beginning

SKU: GI.G-7519

Composed by Paul Melley. Advent 2 C, Lent 5 C, Ordinary Time 30 B. Leavensong Series. Sacred. Octavo. With guitar chord names. 8 pages. GIA Publications #7519. Published by GIA Publications (GI.G-7519).

UPC: 785147751908. English. Text Source: Psalm 126:1–6, NAB, ref.: Lectionary for Mass Scripture: Psalm 126:1–6.

Thi s setting of Psalm 126, expressing the melancholy of captivity as well as thanksgiving for deliverance, is more syncopated and upbeat than most. The melodic repetition in the refrain makes it easy for the assembly to respond, and the harmonization is jazzy and wistful. Youth and adult choirs will love this piece, plus there's a chance for solo or section to shine on the verses. Appropriate for Advent, Lent, and Ordinary Time (30B). For cantor or soloist.

By Max Lucado and Randy Frazee. Sacred Folio. Softcover. 128 pages. Word Music #080689546280. Published by Word Music

Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.

Unison voices, 2-part equal voices, SA choir, cantor, voice solo, assembly, piano accompaniment, guitar - Beginning

SKU: GI.G-8591

The Songs of Sally Ann Morris and Adam M. L. Tice. Composed by Sally Ann Morris. Mary, Mother of God, Holy Trinity B, 2) OT 4 C, OT 25 B, OT 27 B. Celebration Series. Tune Name: Mattie, Ezra D. Sacred. Octavo. With guitar chord names. 12 pages. GIA Publications #8591. Published by GIA Publications (GI.G-8591).

UPC: 785147859109. English. Text by Adam M. L. Tice. Scripture: Romans 8:14–15, Galatians 4:4–7, 2. Matthew 18:1–5, Matthew 19:14, Mark 10:14–16, Luke 18:16–17, 1 Corinthians 13:13.

This piece offers flexible vocal options to tailor to your circumstances. One format to consider: solo male on verse 1, male-female duet on verse 2, and mized choir on the refrain through the end of the piece. Feel free to adapt the format to what works for you. For cantor or soloist.

Solo guitar

SKU: PE.EP68585

5 Pieces. Composed by John Cage. Arranged by Aaron Larget-Caplan. Guitar/Plucked Instruments (solo). Edition Peters. 20th Century. Score. 24 pages. Edition Peters #98-EP68585. Published by Edition Peters (PE.EP68585).

ISBN 9790300759852. 232 x 303mm inches.

Pian o Music Arranged for Guitar features five early and mid-career compositions by John Cage, dating from 1933 through 1948, all arranged for solo guitar by Aaron Larget-Caplan. The compositions required little adjustment from the originals, mainly in the form of register modifications, and fit very well on the guitar. All phrase and dynamic markings follow the published originals. Very few left and right hand fingerings are included in the publication to allow the performers their own realizations. All of the works retain their original keys and are presented in chronological order:

 

Three Easy Pieces (Round, Duo, Infinite Cannon)

A Room

Chess Pieces

Dream

In A Landscape

 

Cage’s exploration of contrapuntal music and simple forms are found early on in works for two voices and the use of unusual phrases lengths. The later works explore modes, resonance, and begin to show influences of Far East aesthetics in their spaciousness and dealings with time.

The collection is only the second work in the Cage Oeuvre to be published featuring the guitar, the first being Larget-Caplan’s arrangement of ‘Six Melodies’ for violin & guitar issued in 2015.

 

A recording dedicated to John Cage on guitar will be released in 2018 on Stone Records Limited (UK).