Fifty Solo, Duets, Trios and Quartets. By Henry Purcell. Arranged by Arnold Free...(+)
Fifty Solo, Duets, Trios
and Quartets. By Henry
Purcell. Arranged by
Arnold Freed. (Recorder).
Boosey and Hawkes Chamber
Music. Size 9x12 inches.
46 pages. Published by
Boosey and Hawkes.
Purcell Suite Ensemble de cuivres [Conducteur et Parties séparées] Hal Leonard
Score and Parts. Performed by The Canadian Brass. By Henry Purcell. Arranged by ...(+)
Score and Parts.
Performed by The Canadian
Brass. By Henry Purcell.
Arranged by Fred Mills.
Brass Ensemble. Size 9x12
inches. Published by Hal
Leonard Corporation.
(Score) SKU: HL.49003135 An Anthology of Listening Material for GCSE M...(+)
(Score)
SKU:
HL.49003135
An
Anthology of Listening
Material for GCSE
Music. Composed by
Bruce Cole and David
Bowman. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical,
Collection. Score. 200
pages. Schott Music
#ED12351. Published by
Schott Music
(HL.49003135).
ISBN
9780946535132. UPC:
884088991623.
8.25x11.75x0.436 inches.
English.
This
anthology of 72 music
examples, consisting of
the Teacher's Manual,
Pupil's Questions, Music
Book and two recordings
on CD or cassettes, is
intended to provide
comprehensive resource
materials for the
listening component of
the GCSE music
syllabuses. The extracts
have been selected
especially to illustrate
the periods, styles and
rudiments of music
encompassed within the
syllabuses, and the four
components of the
publication produced to
ensure maximum assistance
to the teacher in the
classroom. Selected
contents: MUSIC IN THE
LATE RENAISSANCE O quam
gloriosum est regnum * T.
Morley: MUSIC IN THE
BAROQUE ERA: H. Purcell:
Hark, each tree (from Ode
for St Cecilia's Day) *
A. Vivaldi: Second
Allegro (from Op. 3 No.
11) * G.F. Handel: Lascia
ch'io * J.S. Bach:
Erschienen ist der
herrliche Tag (BWV 629) *
F. Couperin: Le
Petit-Rein MUSIC IN THE
ROMANTIC PERIOD: F.
Schubert: Am Meer (from
Schwanengesang) * H.
Berlioz: Un Bal (from
Symphonie fantastique) *
F. Chopin: Mazurka (Op. 7
No. 5) * R. Schumann:
Fantasiestuck (Op. 73 No.
1) * R. Wagner: Prelude
(to Tristan and Isolde) *
R. Strauss: Epilog (from
Till Eulenspiegels
lustige Streiche) * MUSIC
IN THE TWENTIETH CENTURY:
B. Bartok: Third movement
(from Sonata for two
Pianos and Percussion) *
K. Stockhausen: Zyklus *
C. Berberian: Stripsody *
JAZZ AND POP: F. Molton:
Peace in the Valley * Bix
Beiderbecke and his Gang:
Jazz Me Blues * The
Platters: Only You * E.
Fitzgerald: Mack the
Knife * S. Getz and A.
Gilberto: The Girl From
Ipanema and more.
By G. Goltermann, H. Hadley, H. Purcell, M. Reger, J. Stanley. Arranged by Charl...(+)
By G. Goltermann, H.
Hadley, H. Purcell, M.
Reger, J. Stanley.
Arranged by Charles E.
Callahan Jr.. For Various
instruments (flute, oboe,
violin, viola, clarinet,
trumpet, alto saxophone,
B-flat instrument, C
instrument), organ.
Moderately Easy.
Published
Composed by Henry Purcell (1659-1695). Choral Extended Work; Larger Works; Maste...(+)
Composed by Henry Purcell
(1659-1695). Choral
Extended Work; Larger
Works; Masterworks;
Performance Music
Ensemble. Faber Edition.
Baroque; Masterwork;
Secular. Score. Faber
Music #12-0571515541.
Published by Faber Music
Soprano recorder (BFL) SKU: HL.49023836 Schule fur Sopran-Blockflote(+)
Soprano recorder (BFL)
SKU: HL.49023836
Schule fur
Sopran-Blockflote.
Composed by Duerhager.
Edited by Elke Duerhager.
This edition: Ring/Spiral
binding. Sheet music.
Kunter-bund-edition.
Student book. 60 pages.
Schott Music #BUND 71097.
Published by Schott Music
(HL.49023836).
ISBN
9783795756635. German.
Elke Duerhager.
Der
Kunterbunte
Blockflotenspass ist fur
Anfanger jeden Alters
geeignet. Besonders
werden die Bedurfnisse
von Kindern
berucksichtigt. Ob im
Einzelunterricht, im
Selbststudium oder im
Gruppenunterricht, etwa
des Kindergartens, kann
das Blockflotenspielen in
kleinen Schritten
systematisch erlernt
werden. Dem Buch liegt
ein handlungsorientiertes
Didaktikkonzept zugrunde,
d. h. die lustig
illustrierten Lieder
sollen auch zum Singen,
Tanzen und Malen anregen.
Die Schule besteht aus
vier Banden, die
aufeinander aufbauen und
spielerisch zu einem
anspruchsvollen
Blockflotenspiel
hinfuhren.
Recorder (SA) - easy SKU: HL.49005166 For Soprano/Treble Recorder....(+)
Recorder (SA) - easy
SKU: HL.49005166
For Soprano/Treble
Recorder. Edited by
Johannes Runge. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Playing score.
8 pages. Schott Music #ED
4804. Published by Schott
Music (HL.49005166).
ISBN 9790001055413.
7.5x11.0x0.055
inches.
Pieces and
Dances by Handel,
Hotteterre, Purcell, J.S.
Bach, Susato,
Boismortier, Telemann and
Playford.
Soprano Voice and Piano SKU: BT.MUSM570206582 Composed by Jonty Harrison....(+)
Soprano Voice and Piano
SKU:
BT.MUSM570206582
Composed by Jonty
Harrison. Vocal Score. 21
pages. University of York
Music Press
#MUSM570206582. Published
by University of York
Music Press
(BT.MUSM570206582).
English.
Commiss
ioned by Susan Lawrence.
First performance:
Purcell Room, 1986.
Organ SKU: BR.EB-6612 Composed by Henry Purcell. Edited by Friedrich Hogn...(+)
Organ
SKU:
BR.EB-6612
Composed
by Henry Purcell. Edited
by Friedrich Hogner. Solo
instruments; Softcover.
Edition Breitkopf. Suite;
Renaissance/early
Baroque; Baroque. Score.
16 pages. Breitkopf and
Haertel #EB 6612.
Published by Breitkopf
and Haertel (BR.EB-6612).
ISBN 9790004168325. 12
x 9 inches.
Die
vorliegende Suite fur die
Orgel ist eine freie
Bearbeitung von
Kompositionen, die Henry
Purcell (1659-1695) -
1679 Organist an der
Westminster Abbey in
London, 1682 einer der
Organisten an der Chapel
Royal - fur das Cembalo
komponiert hat. Die hier
zusammengestellten Stucke
wurden den
Cembalokompositionen
entnommen, die William
Barclay Squire 1895 im
Rahmen der Gesamtausgabe
der Werke Purcells
(London 1878-1928)
herausgegeben hat.
Vorangestellt wurde der
Auswahl eine vom
Herausgeber nach Motiven
Purcells geschriebene
Introduktion. Von einigen
der in dieser Suite
enthaltenen Satze gibt es
bereits Bearbeitungen fur
die Orgel. Abgesehen von
der andersartigen
Zusammenstellung der
Satze und ihrer
Einleitung durch eine
Introduktion nach Motiven
Purcells unterscheidet
sich die vorliegende
Ausgabe durch eine
grossere Freiheit des
Tonsatzes gegenuber dem
Original. Diese hat der
Herausgeber ganz bewusst
gewahlt, weil er der
Meinung ist, dass in
diesem Fall eine enge
Anlehnung an das Original
dem Wesen und den
Eigenarten des
Instrumentes, fur das die
Bearbeitung erfolgt,
nicht gerecht zu werden
vermag. Da bei den
deutschen Orgeln die
Funktion der Manuale
unterschiedlich ist, moge
man die angegebene
Manualverteilung nicht
starr, sondern sinngemass
anwenden. Die
Pralltriller sollen in
der Regel mit der
diatonischen Obersekunde
beginnen; die Mordente
dagegen sind stets mit
der kleinen Untersekunde
auszufuhren. Friedrich
Hogner, Munchen, im
Fruhjahr 1970.
Guitar; Recorder - intermediate SKU: HL.49004896 Old English Airs and ...(+)
Guitar; Recorder -
intermediate
SKU:
HL.49004896
Old
English Airs and
Dances. Edited by
Heinz Kaestner and Hubert
Zanoskar. Arranged by
Heinz Kaestner and Hubert
Zanoskar. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Performance
score. 22 pages. Schott
Music #ED 4456. Published
by Schott Music
(HL.49004896).
ISBN
9790001052146. UPC:
884088060558.
7.5x10.75x0.09
inches.
2 treble recorders SKU: HL.49043977 Edited by Hans Magolt and Rainer Butz...(+)
2 treble recorders
SKU: HL.49043977
Edited by Hans Magolt and
Rainer Butz. This
edition: Saddle
stitching. Sheet music
with CD. Woodwind. Diese
Tanzmelodien fur zwei
Alt-Blockfloten erwecken
das Lebensgefuhl von
Renaissance und Barock
und versetzen musikalisch
in langst vergangene
Zeiten. Bereits damals
beliebt und weit
verbreitet, sind die
Allemandes, Sarabandes,
Chaconnes, Gavotten,
Gigue. Softcover with CD.
32 pages. Schott Music
#ED 20869. Published by
Schott Music
(HL.49043977).
ISBN
9783795754952. German.
Bernhard Mark; Karin
Schliehe.
These
dance melodies for two
treble recorders create
an insight into life in
the Renaissance and
Baroque eras and take us
on a musical journey to
times long past. Very
popular and quite common
in their day, the
allemandes, sarabands,
chaconnes, gavottes, and
gigues have remained
popular throughout the
centuries. Staying true
to the historical style,
the pieces have been
arranged according to
dance types and not to
the level of
difficulty.
Followin
g the Renaissance volume,
this time it is Baroque
works (more precisely,
transcriptions of Baroque
vocal and instrumental
works) that are presented
in the Leggierissimo
series, extending the
repertoire of junior
string orchestras.
Roughly half of the
selection consists of
well-known pieces by the
greatest composers of the
period (Purcell: Dido and
Aeneas, Rameau: Pi ces de
clavecin, Händel:
Water Music, Music for
the Royal Fireworks, J.S.
Bach: B major partita, C
major orchestral suite),
but works by composers
less well known nowadays
(for example, G. Böhm
and J. C. F. Fischer) are
also included, together
with such unusual items
as Polish, German and
Hungarian dancesfrom
17th- and 18th-century
Hungarian manuscripts:
the Kájoni and
Vietórisz codexes, and
Eleonóra Lányi s
music book.
Nach
dem Renaissance-Band
erscheint die
Leggierissimo-Serie
nunmehr mit Barockwerken
(genauer: mit
Transkriptionen nach
vokalen und
instrumentalen
Barockwerken), die das
Repertoire der
Kinderstreichorchestern
erweitert. Etwa die
Hälfte der Sammlung
machen die Stücke der
allgemein bekannten Werke
der größten
Komponisten der Epoche
(H. Purcell: Dido und
Aeneas, J. Ph. Rameau: Pi
ces de clavecin, G. F.
Händel: Wassermusik,
Feuerwerksmusik, J. S.
Bach: Partita B-Dur,
Ouverture C-Dur) aus. Es
kommen in ihr aber auch
Stücke von heute
weniger bekannten
Komponisten (G. Böhm,
J. C. F. Fischer u.a.),
daneben als Besonderheit
polnische, deutsche und
ungarische Tänze aus
dem 17. und
18.Jahrhundert aus dem
Kájoni- und
Vietórisz-Kodizes und
aus dem Notenbuch der
Eleonora Lányi
vor.
Trumpet SKU: HL.49007263 Composed by Michael Schmidt. This edition: Paper...(+)
Trumpet
SKU:
HL.49007263
Composed
by Michael Schmidt. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 128 pages.
Schott Music #ED 7464.
Published by Schott Music
(HL.49007263).
ISBN
9790001078047.
German.
Im 2. Band
werden mit Kapiteln uber
Zungentechnik,
Verzierung, Artikulation
und Chromatik die in Band
1 erworbenen Grundlagen
erweitert. Spezielle
Bindeubungen verhelfen
zur Steigerung der
Ausdauer und Hohe. Wie
jazzige Stucke zu blasen
sind, wird in einem
besonderen Kapitel
behandelt. Die Schule ist
sowohl fur den Einzel-
als auch fur den
Gruppenunterricht
geeignet.
Guitar - very easy to easy SKU: HL.49044752 Mein erstes Konzart: 44 le...(+)
Guitar - very easy to
easy
SKU:
HL.49044752
Mein
erstes Konzart: 44
leichte Gitarrenstucke
aus 5 Jahrhunderten.
Edited by Bruno
Szordikowski and Peter
Ansorge. This edition:
Saddle stitching. Sheet
music. Guitar. Die
Auswahl der uberwiegend
originalen Werke ist nach
Epochen gegliedert und
bietet so auch ein
kleines Panorama der
Geschichte der Gitarren-
und Lautenmusik von John
Dowland uber Gaspar Sanz
bis zu Leo Brouwer.
Children, Classical,
German Edition.
Softcover. 32 pages.
Schott Music #ED 22050.
Published by Schott Music
(HL.49044752).
ISBN
9783795749576. UPC:
841886023826.
9.0x12.0x0.14
inches.
Giving your
first concert is a
special occasion for any
young musician,
motivating players to
keep working at their
instrument and music
making. Making this a
positive experience
involves choosing pieces
that are technically and
musically manageable, so
we have chosen 44 easy
and well-known solo
pieces, all tried and
tested in lessons and
youth music competitions.
This selection of works
mainly written for the
guitar is arranged in
periods of composition,
providing a little window
on the history of guitar
and lute music. TEXT IN
GERMAN AND ENGLISH.
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Part.
20 pages. Duration 60'.
Breitkopf and Haertel
#EOS 8063-26. Published
by Breitkopf and Haertel
(BR.EOS-8063-26).
ISBN
9790004789810. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists)
and piano (solos: SAATBB
- choir: SSAATB -
2rec.B-fl.2.0.0. -
0.2.0.0. - timp - str -
bc)
SKU:
BR.ED-10296
Hail!
Bright Cecilia.
Composed by Henry
Purcell. Edited by
Christopher Hogwood.
Choir; stapled.
Renaissance/early
Baroque; Baroque.
Piano/Vocal Score. 80
pages. Duration 60'.
Breitkopf and Haertel #ED
10296. Published by
Breitkopf and Haertel
(BR.ED-10296).
ISBN
9790220101977. 7.5 x 11
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
Hail! Bright
Cecilia. Composed by
Henry Purcell. Stapled.
Eulenburg Orchestral
Series. Renaissance/early
Baroque; Baroque. Set of
parts. 40 pages. Duration
60'. Breitkopf and
Haertel #EOS 8063-30.
Published by Breitkopf
and Haertel
(BR.EOS-8063-30).
ISBN
9790004789827. 8.5 x 11.5
inches.
The Ode was
admirably set by Mr.
Henry Purcell, and
performed twice with
universal applause.
(The Gentlemen's
Journal, 1692)
The
popularity of Purcell's
setting is apparent from
the many sources that
survive and from the
printed extracts which
appeared almost
immediately after its
first performance. The
primary source for this
edition is the largely
autograph manuscript in
the Bodleian Library.
Rather to reduce the
orthography to a norm,
the capitalization of the
vocal text favours
Purcell's
preferences. (Christop
her Hogwood)
Vokalensemble Stuttgart
und den Kammerchor des
Kopernikus-Gymnasiums
Wasseralfingen. Fur diese
beiden ganz
unterschiedlichen
Chorformationen hat
Martin Smolka 2012 auch
gezielt seine Partitur
angelegt. Biografisch ist
das Agnus Dei eine Art
kleines Requiem fur
seinen kurz zuvor
verstorbenen Vater. Das
liturgische Agnus Dei
rahmt den deutschen Text
Eh das Madchen entschlief
... der bei Auffuhrungen
in anderen Landern durch
eine Ubersetzung ersetzt
werden soll.
Der
SWR-Redakteur Hans-Peter
Jahn schreibt dazu im
Programmheft: Die fur
Smolka typischen
minimalistischen
Taktzellen schaffen eine
archaische Sinnlichkeit.
Eine einfache und
zugleich streng gebaute
Vokalmusik mit
Tiefenwirkung.
Nac
h der Urauffuhrung war
die Esslinger Zeitung
hellauf begeistert:
Smolka ist ein Meister
der Stimmbehandlung und
der chorischen
Klanggestaltung. Im
Zentrum des Stucks gerat
die Musik zum Stillstand:
im leisen gleichmassigen
Summen uber dem plotzlich
fortissimo ein
tschechisches Kinderlied
erklingt eines das der
Vater seinen Kindern
haufig vorgesungen hat.
Das alles war sehr
beruhrend. Und eigentlich
noch mehr als das. My
father PhDr. Jaroslav
Smolka (1933-2011) was a
leading Czech
musicologist author of
books Czech Cantata and
Oratorium Fuga in Czech
Music Smetana's Orchestra
Music Smetana's Vocal
Music monography of Jan
Dismas Zelenka and many
others. He was a
legendary teacher of
Music History at Prague
Music Academy critic
recording producer
composer; for almost 50
years he was an important
and highly respected
personality of Prague
musical life. My
father devoted a lot of
time and energy to
musical education and
activities of my sister
and me using often quite
original methods such as
teaching of intervals and
counterpoint through
Bartok's Microcosmos ear
training filling all
imaginable moments of
everyday life or lessons
of harmony analysis
starting with Overture to
Tristan and Musorgsky's
Catacombs. The Martinu
song Wondering Maiden was
his solo number in our
home vocal productions
which he used to sing
with amazing devotion
while his huge voice was
audible in several
neighboring
streets. My Agnus Dei
is closely bound to all
this history e.g. by
using canon and
preferring beauty of
dissonant seconds like
Bartok or quoting Martinu
and his refined
neoclassical harmony.
Father would be probably
a bit critical about the
minimalistic monotony of
the main body of the
piece. Nevertheless
firstly he would
improvise a short lecture
of history of Agnus Dei
in Requiem in Czech Music
naming by heart many
dates and all examples of
changes of order of the
traditional text by
composers. Examples would
be sung
probably. (Martin
Smolka).
6 Easy Pieces for Treble (Alto) Recorder and Basso Continuo. By Various. Dowani ...(+)
6 Easy Pieces for Treble
(Alto) Recorder and Basso
Continuo. By Various.
Dowani Book/CD. Softcover
with CD. Size 9x12
inches. 12 pages.
Published by Dowani.
Sing, Be Joyful Chorale 2 parties SA [Octavo] MorningStar Music Publishers
Composed by Henry Purcell (1659-1695). Arranged by Hal H. Hopson. Hal Hopson Cho...(+)
Composed by Henry Purcell
(1659-1695). Arranged by
Hal H. Hopson. Hal Hopson
Choral Series. Baroque.
Octavo. Published by
MorningStar Music
Publishers (MN.50-6116).
Organ SKU: HL.14026423 Composed by Henry Purcell. Arranged by Eric H. Thi...(+)
Organ
SKU:
HL.14026423
Composed
by Henry Purcell.
Arranged by Eric H.
Thiman. Music Sales
America. Classical. Book
[Softcover]. Music Sales
#NOV950186. Published by
Music Sales
(HL.14026423).
Soprano (Tenor)
Recorder and Piano.
Composed by Various.
Edited by Heinz Kaestner.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 32 pages.
Schott Music #ED 2567.
Published by Schott Music
(HL.49003829).
ISBN
9790001038348. UPC:
073999854268.
11.0x7.5x0.09
inches.
Sing, Be Joyful Chorale 2 parties 2 parties, Piano - Facile MorningStar Music Publishers
Composed by Henry Purcell (1659-1695). Arranged by Hal H. Hopson. For 2-Part Mix...(+)
Composed by Henry Purcell
(1659-1695). Arranged by
Hal H. Hopson. For 2-Part
Mixed Voices with
Keyboard (Piano or
Organ). Music. Moderately
Easy. Published by
MorningStar Music
Publishers
Treble Recorder - intermediate SKU: HL.49005207 From the 17th and 18th...(+)
Treble Recorder -
intermediate
SKU:
HL.49005207
From
the 17th and 18th
Century. Edited by
Heinz Kaestner. Arranged
by Heinz Kaestner. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. 32 pages.
Schott Music #ED 4857.
Published by Schott Music
(HL.49005207).
ISBN
9790001055901. UPC:
073999339680.
9.0x12.0x0.16
inches.
F-Tuba, piano - Level 2-3 Kleine Stucke alter Meister. Composed by Meschke. Edit...(+)
F-Tuba, piano - Level 2-3
Kleine Stucke alter
Meister. Composed by
Meschke. Edited by
Meschke, Philipp, and
Schwotzer. Arranged by
Meschke. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 2091.
Published by Friedrich
Hofmeister Musikverlag