(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
(Easy Piano). For Piano. This edition: Easy Piano. Book; Masterworks; Piano - Ea...(+)
(Easy Piano). For Piano.
This edition: Easy Piano.
Book; Masterworks; Piano
- Easy Piano Collection.
The Giant Book of Sheet
Music. Masterwork
Arrangement; Recital.
Easy Piano. 296 pages.
Published by Alfred Music
21 pieces plus exercises for Trinity College London exams 2021-2023. Composed ...(+)
21 pieces plus exercises
for
Trinity College London
exams
2021-2023. Composed by
Various. Classical.
Textbook.
Trinity College London
#TCL020581. Published by
Trinity College London
Piano - Grade 6 SKU: BT.WMP2113 12 Grade 6. Arranged by Josephine ...(+)
Piano - Grade 6
SKU:
BT.WMP2113
12
Grade 6. Arranged by
Josephine Koh. Teachers'
Choice. Exam Material.
Book Only. 41 pages.
Wells Music Publishers
#WMP2113. Published by
Wells Music Publishers
(BT.WMP2113).
ISBN
9789810884819.
T
eachers' Choice, Selected
Piano Repertory & Studies
for Grades 6 & 7 is
compiled to provide
teachers and students
with good options for the
2011-2012 ABRSM Piano
examinations.
A variety of interesting
andappealing Piano pieces
with up-to-date editorial
suggestions are presented
to assist students
achieve high standards of
musical
performance.
Effective teaching points
are suggested with
recommended technical
studies.Teachers will
find this approach very
helpful and effective,
thus enriching their
teaching process, leading
to a very successful
experience.
Examination requirements
aside, finer details in
interpretation
andstylisticperformance
are strongly encouraged.
Beyond the printed page,
the editorial suggestions
are directed to provide
the impetus to strive
towards greater musical
creativity and
perfection.
Most
important of all,enjoy
the high standard of
music typography; with
clear, professionally
laid scores that combine
musical semiotics with
modern publishing
technology. Digital print
on quality cream-coloured
paper ensures comfort in
reading andlearning for
all
students.
Royal Coronation Dances Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545.
Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion.
The Big Book of Classics for Easy Piano for easy piano. This edition: Paperback....(+)
The Big Book of Classics
for Easy Piano for easy
piano. This edition:
Paperback. Collection.
Classical. Easy. Book.
Text Language: English.
132 pages. Published by
Santorella Publications
44 All Time Classical Songs Arranged for Easy Piano. Arranged by Franco Conc...(+)
44 All Time Classical
Songs
Arranged for Easy Piano.
Arranged by Franco
Concino.
Masterworks; Piano - Easy
Piano Collection.
Classical;
Masterwork Arrangement.
Book.
Alfred Music #99-MB397.
Published by Alfred Music
Piano Preludes Piano seul - Intermédiaire/avancé Hal Leonard
Intermediate to Advanced Piano Solos The World's Great Classical Music Series. B...(+)
Intermediate to Advanced
Piano Solos The World's
Great Classical Music
Series. By Various
Composers. World's
Greatest Classical Music.
Book only. Size 9x12
inches. 213 pages.
Published by Hal Leonard.
For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Leth...(+)
For the Later Beginner.
By Willard A. Palmer,
Morton Manus, and Amanda
Vick Lethco. For Piano.
Piano Method. Alfred's
Basic Piano Library.
Book. 48 pages. Published
by Alfred Publishing.
Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding ...(+)
Arranged by Hal H.
Hopson. Church-Worship,
Funeral, Funeral &
Memorial, Wedding and
Sacred. Print Music
Collection (Book). 407
pages. Published by Hope
Publishing Company.
Level: (Moderate).
73 Selections from the All-Time Greatest Music. Piano Solo Songbook (Intermediat...(+)
73 Selections from the
All-Time Greatest Music.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 272 pages.
Published by Hal Leonard.
Violin - Beginning SKU: MB.30932M Duets and Ensemble, Saddle-stitched. Ke...(+)
Violin - Beginning
SKU: MB.30932M
Duets and Ensemble,
Saddle-stitched. Keyboard
Accompaniment.
Book/insert/online audio.
72 pages. Mel Bay
Publications, Inc
#30932M. Published by Mel
Bay Publications, Inc
(MB.30932M).
ISBN
9781513466255. 8.75x11.75
inches.
First
Lessons Violin Duets
contains 47 violin duets
for beginning through
easy level performance.
Duet violin parts and a
piano accompaniment part
for all the tunes
presented in Mel Bay?s
First Lessons Violin are
included. This versatile
duet book works hand in
hand with First Lessons
Violin, Suzuki and other
violin methods. It is
useful for violin
classes, ensembles,
recitals, and
performances.This book
has accompanying online
audio of the duets. The
two violin parts are
split right and left so
that the violinist may
perform either part with
the recording by changing
the stereo balance.
Includes access to online
audio.
91 Selections from Keyboard Literature, Concertos, Oratorios and Operas. By Vari...(+)
91 Selections from
Keyboard Literature,
Concertos, Oratorios and
Operas. By Various.
World's Greatest
Classical Music. 224
pages. Published by Hal
Leonard.
2 Violons (duo) [Partition + CD] De Haske Publications
A Journey Through the History of Classical Music. Arranged by Nico Dezaire, Robe...(+)
A Journey Through the
History of Classical
Music. Arranged by Nico
Dezaire, Robert van
Beringen. De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 28 pages.
Published by DeHaske
Publications.
Tenor Saxophone and Piano - intermediate SKU: BT.AMP-384-400 Tenor Sax...(+)
Tenor Saxophone and Piano
- intermediate
SKU:
BT.AMP-384-400
Tenor Saxophone and
Piano. Arranged by
Philip Sparke. Anglo
Music Play-Along Series.
Classical. Book with CD.
Composed 2014. 16 pages.
Anglo Music Press #AMP
384-400. Published by
Anglo Music Press
(BT.AMP-384-400).
ISBN
9789043135825. 9x12
inches.
English-German-French-Dut
ch.
Part of the
ANGLO MUSIC PLAY-ALONG
Series, Philip Sparkes 15
INTERMEDIATE CLASSICAL
SOLOS is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkes 15 EASY
CLASSICAL SOLOS.
Specifically tailored to
suitthe individual
instrument, this book
introduces the developing
player to the world of
the classics by using
simple yet attractive
melodies that fit their
limited range.
The
carefully selected pieces
include music from the
17th to the 19th century
and cover a wide variety
of styles, from Handel to
Tchaikovsky and from
Clementi to
Brahms.
The book
will provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and a
demo/play-along
CD.
Philip
Sparkeâ??s 15
Intermediate Classical
Solos, onderdeel van
de Anglo Music
Play-Along Series, is
bedoeld voor de jonge
instrumentalist die
ongeveer anderhalf octaaf
kan spelen. Het boek is
een vervolg op
Sparkeâ??s 15
EasyClassical Solos
en het sluit qua
instrumentaal bereik en
gebruikte toonsoorten aan
bij het Expert Level van
Hal Leonards Essential
Elements ®, maar
het kan ook los daarvan
worden gebruikt.De
zorgvuldig geselecteerde
melodieën,
diespecifiek zijn
toegesneden op elk
instrument, beslaan een
breed scala van klassieke
stijlen: van Handel tot
Tsjaikovski en van
Clementi tot Brahms.Het
boek bevat waardevol
materiaal ter aanvulling
op elke lesmethode en
wordt geleverd
metpianobegeleiding en
een cd met demo- en
meespeeltracks.
15
INTERMEDIATE CLASSICAL
SOLOS ist als
Ergänzung zur
bewährten ANGLO MUSIC
PLAY-ALONG Reihe gedacht
und richtet sich an
Schüler, die
ungefähr einen
Tonumfang von eineinhalb
Oktaven beherrschen. Es
schlieÃ?t an Sparkes 15
EASY CLASSICAL SOLOS an
undentspricht dem Niveau
des Expert Levels der
ESSENTIAL ELEMENTS
Methode von Hal Leonard,
kann aber auch
unabhängig davon
verwendet werden.
Genau auf jedes
Instrument zugeschnitten,
ermöglichen die
sorgfältig
ausgewählten Melodien
noch mehr Spielerfahrung
mit klassischer Musik.
Die Stücke umfassen
verschiedene
Stilrichtungen und
Komponisten wie z.B.
Händel, Tschaikowsky,
Clementi undBrahms.
Jeder Band bietet
wertvolles
Ergänzungsmaterial,
das zu jeder
Instrumentalschule passt
und enthält sowohl
Klavier- als auch
CD-Begleitungen.
Part of the
Anglo Music Play-along
Series, Philip
Sparkeâ??s 15
Intermediate Classical
Solos is aimed at the
young instrumentalist who
can play about an octave
and a half and follows on
from Sparkeâ??s 15
Easy Classical
Solos.Specifically
tailored to suit the
individual instrument,
this book introduces the
developing player to the
world of the classics by
using simple yet
attractive melodies that
fit their limited range.
The carefully selected
pieces include music
fromthe 17th to the 19th
century and cover a wide
variety of styles, from
Handel to Tchaikovsky and
from Clementi to
Brahms.The book will
provide invaluable
additional material to
complement any teaching
method and includes both
piano accompaniment and
ademo/play-along CD.