The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Book with Online Audio and Video Choral (Book with Audio Access Code)

SKU: HL.294336

Song and Activities for the Music Classroom. Composed by John Jacobson. Collections. Children, Children'S Choir, Classroom Resources, Elementary, Young Choir. Softcover Media Online. 56 pages. Published by Hal Leonard (HL.294336).

ISBN 9781540059178. UPC: 888680941406. 9.0x12.0x0.127 inches. Rhythm Cup Activities by John Jacobson.

Change up your rhythm teaching with MUSICAL CUPS! With simple plastic cups and great rhythmic songs, you can teach rhythm reading, accurate performance, physical coordination, music literacy, and teamwork. The printed song collection features singer lead sheets with musical cup patterns in standard notation. Our easy-to-read iconic cup notation for the patterns in each song is also included on a separate page. The musical cup language (such as tap table, pat cup, pass cup) is explained with pictures and a detailed description. Each book comes with a unique code for online access to audio recordings and demonstration videos of each cup pattern. From simple to more challenging patterns, these 10 songs and activities will add a flexible way to engage music students in grades 3-6 in rhythm reading and performance.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Book/Online Audio Choral

SKU: HL.1148481

Arranged by Roger Emerson. Methodology Chorals. Choral Resources, Vocal Reference, Warm-Up. Softcover Audio Online. Published by Hal Leonard (HL.1148481).

ISBN 9781705185889. UPC: 196288118282. 8.5x11.0x0.203 inches.

Unchanged, changing, or changed tenor/bass singers in middle school and high school may need a little extra help in finding their singing voices. Roger Emerson has developed a series of warm-ups that uses excerpts from classic rock and roll tunes that will provide the motivation and repetition they need to do just that. Each song features limited ranges, starting moderately and gradually ascending into the tenor range and descending through the bass range as needed. The professionally-produced audio tracks present each exercise with vocals so your Tenors and Basses have a model to emulate. Exercies are based on the following songs: Addams Family Theme * Theme from Jaws * Jump, Jive An' Wail * Land of a Thousand Dances * Mission: Impossible Theme * Na Na Hey Hey Kiss Him Goodbye * Shake, Rattle and Roll * Smoke on the Water * We Will Rock You.

Physical and Musical Exercises to Help Maximize Practice Time. Essential Elements Guitar. Warm-up, Instruction. Softcover Audio Online. With guitar tablature. 40 pages. Published by Hal Leonard

Fundamental Vocal Techniques for Classroom and General Use. Composed by Rollo Dilworth. Music Express Books. Choral Resources, Classroom Resources, Elementary, Sightsinging, Warm-up. Softcover Audio Online. 184 pages. Published by Hal Leonard

SKU: HL.14060485

Fake Books. General Merchandise. Duration 240 seconds. Music Sales #AM1013177. Published by Music Sales (HL.14060485).

UPC: 196288099512. 4.75x7.5x0.872 inches.

C Instruments. By Various. Fake Book (Includes melody line and chords). Size 9x11 inches. 464 pages. Published by Hal Leonard.

(B-flat Edition). Composed by Various. For C Instruments. Fake Book. Softcover. 440 pages. Published by Hal Leonard

Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

Bb Edition. By Various. Fake Book (Includes melody line and chords). Size 8.5x11 inches. 464 pages. Published by Hal Leonard.

E Flat Edition. By Various. Fake Book (Includes melody line and chords). Softcover. Size 9x11 inches. 464 pages. Published by Hal Leonard.

Second Edition C Instruments. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

365 Exercises to Develop Your Technique. Drum Instruction. Instruction. Softcover Audio Online. 72 pages. Published by Hal Leonard

(A Definitive Guide to Creating and Recording Great Guitar Sounds). By Bobby Owsinski and Rich Tozzoli. For Guitar. Book; DVD; Guitar Reference; Reference Textbooks. 228 pages. Published by Alfred Music

The Easiest Tunes to Strum and Sing on Ukulele. By Various. Ukulele. Pop. Softcover. 152 pages. Published by Hal Leonard

SKU: HL.438839

EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0000. Published by Hal Leonard (HL.438839).

UPC: 852940000929. 5.25x19.5x2.5 inches.

With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as well”. The Acoustic GiG begins with Carl Martin's award winning Compressor/Limiter circuit. Individual controls for compression and level allow for simple and easy operation. Next, is the well known and highly respected Vintage Style Echo with controls for level, tone, repeat and tap-tempo, plus the 'Dotted 8th Note' switch for the most beautiful musical echo. The Reverb is a new Analogue/Digital Hybrid, tailored after the vintage-style spring reverbs so suitable for guitar. A beautiful, shimmering, yet warm reverb with the added bonus of becoming a more modulation/chorus/reverb texture at higher settings. The Boost simply allows you to cut though the mix with a crystal clean volume increase of up to 15dB for your solos. No change in your tone, and no increased 'quackiness' from your piezo pickups! To gain maximum EQ shaping, we found it necessary to include a high quality semi parametric EQ. We incorporated this section directly from Carl Martin's famous 3 Band Parametric Pre-Amp which allows for the specific shaping of tone from your guitar and pickup. To avoid potential feedback, practice has show the use of a phase inverter circuitry to be very efficient... so of course the Acoustic GiG has a Phase Shift switch. To complete the Acoustic GiG, we have incorporated a tuner and a overall mute switch. On the back panel are all the needed connections, 1/4″ input, unbalanced 1/4″ output, high quality balanced XLR out with ground lift, an insert section placed right after the boost and before the EQ section, and 9V DC input with a direct DC output if you find the need for an extra pedal.

Seriously Fun Vocal Warm Ups. Shawnee Press. Young Choir, Secular, Young Voices, Warm-up, Self Help - Creativity, Inspirational, Choral Resources, Youth Choir. Softcover with DVD. 158 pages. Shawnee Press #M0753. Published by Shawnee Press

Composed by L. Barton. Jazz Ensemble. Score and parts. Composed 2017. Duration 2 minutes, 45 seconds. Published by C.L. Barnhouse (CL.032-4557-00).

Jazz ensemble - Grade 3

SKU: CL.032-4557-01

Composed by L. Barton. Jazz Ensemble. Extra full score. Composed 2017. Duration 2 minutes, 45 seconds. C.L. Barnhouse #032-4557-01. Published by C.L. Barnhouse (CL.032-4557-01).

This up-tempo chart is guaranteed to rock every time you play it! Turbo-Charged! kicks in with a catchy hook in the first measure and never lets up. Written solidly at the medium easy level, this tune features repetitive rhythms and patterns that guarantee your band will be performance ready with a minimum of rehearsal time. Scored for limited instrumentation, with careful attention to instrument ranges, and written out solos over super easy changes, Turbo-Charged! will be accessible to the smallest and youngest ensembles, as well as a lot of fun for more advanced groups. Loaded with student and audience appeal, this chart is an ideal contest/concert selection.

Jazz Ensemble standard jazz ensemble with opt. 5th Trumpet, 4th Bass Trombone & guitar parts - Grade 3

SKU: KN.61093

Composed by Greg Yasinitsky. Jazz Journey. Swing. Score and set of parts. Duration 4 minutes, 40 seconds. Kendor Music Inc #61093. Published by Kendor Music Inc (KN.61093).

UPC: 822795610932.

If you're in the market for an uptempo modal blues chart that is sure to light up your audience, this one is definitely up to the task. Written for advancing groups, it has great chord changes and an engaging saxophone soli. Combine that with interesting rhythm section figures, solos for tenor saxophone and drums, and a roaring shout chorus, and you've got a winning recipe for a standing ovation! A guitar chord chart by Jim Greeson is included in each set. Duration 4:40.

Jazz Ensemble standard jazz ensemble with opt. 5th Trumpet, 4th Bass Trombone & guitar parts - Grade 3

SKU: KN.61093S

Composed by Greg Yasinitsky. Jazz Journey. Kendor Music Inc #61093S. Published by Kendor Music Inc (KN.61093S).

UPC: 822795610932.

If you're in the market for an uptempo modal blues chart that is sure to light up your audience, this one is definitely up to the task. Written for advancing groups, it has great chord changes and an engaging saxophone soli. Combine that with interesting rhythm section figures, solos for tenor saxophone and drums, and a roaring shout chorus, and you've got a winning recipe for a standing ovation! A guitar chord chart by Jim Greeson is included in each set. Duration 4:40.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4

SKU: CF.SPS87

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2 +2+2+3+3+3+4+4+4+4+3+3+3+ 6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87).

ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4

SKU: CF.SPS87F

Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F).

ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches.

About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.
About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-like”) ; be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes.