| Concerto in D Major, Op. 101 (Hob. VIIb: 2) Violoncelle, Orchestre [Conducteur d'étude / Miniature] Eulenburg
By Franz Joseph Haydn. Arranged by Hans-Hubert Schonzeler. (Study Score). Schot...(+)
By Franz Joseph Haydn.
Arranged by Hans-Hubert
Schonzeler. (Study
Score). Schott. Size
5.25x7.5 inches. 44
pages. Published by
Eulenburg.
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Israelites in the desert Soli, choeur mixte et accompagnement [Conducteur] Kunzelmann
Soloists, mixed choir, orchestra (SSTB Soli-SATB Chorus-2.0.0.1-2.3.0.0-Ti mp-St...(+)
Soloists, mixed choir,
orchestra (SSTB Soli-SATB
Chorus-2.0.0.1-2.3.0.0-Ti
mp-Str-Bc) SKU:
KU.OCT-10018 Composed
by Carl Philipp Emanuel
Bach. Edited by Gabor
Darvas. Arranged by Gabor
Darvas. Letter format
(190 x 270). Paperback.
Full score. 180 pages.
Edition Kunzelmann
#OCT-10018. Published by
Edition Kunzelmann
(KU.OCT-10018).
German, English.
Schönzeler,
Hans-Hubert
(Englisch). $33.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for cello Kunzelmann
Violin 1 SKU: KU.GM-752_VL1 Composed by Franz Joseph Haydn. Edited by Han...(+)
Violin 1 SKU:
KU.GM-752_VL1
Composed by Franz Joseph
Haydn. Edited by
Hans-Hubert
Schönzeler. Bach
format (230 x 302). Hob
Viib:2. Staple Bound.
Part. 10 pages. Edition
Kunzelmann #GM-752_VL1.
Published by Edition
Kunzelmann
(KU.GM-752_VL1). Key:
D major. $3.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Incidental music to Turandot Orchestre [Conducteur] Kunzelmann
Orchestra (1.Picc.2.2.2-2.2.1.0-Tim p-3Perc-Str) SKU: KU.OCT-10120 Compos...(+)
Orchestra
(1.Picc.2.2.2-2.2.1.0-Tim
p-3Perc-Str) SKU:
KU.OCT-10120 Composed
by Carl Maria von Weber.
Edited by Hans-Hubert
Schönzeler. Letter
format (190 x 270).
Staple Bound. Full score.
Op. 37. 49 pages. Edition
Kunzelmann #OCT-10120.
Published by Edition
Kunzelmann
(KU.OCT-10120).
$25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Israelites in the desert Chorale SATB Kunzelmann
Mixed choir SKU: KU.GM-31_SP Composed by Carl Philipp Emanuel Bach. Edite...(+)
Mixed choir SKU:
KU.GM-31_SP Composed
by Carl Philipp Emanuel
Bach. Edited by Gabor
Darvas. Letter format
(190 x 270). Staple
Bound. Choral score. 24
pages. Edition Kunzelmann
#GM-31_SP. Published by
Edition Kunzelmann
(KU.GM-31_SP). German,
English. Schönzeler,
Hans-Hubert
(Englisch). $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 little orchestral pieces Kunzelmann
Violin 1 SKU: KU.OCT-10068_VL1 Composed by Anton Bruckner. Edited by Hans...(+)
Violin 1 SKU:
KU.OCT-10068_VL1
Composed by Anton
Bruckner. Edited by
Hans-Hubert
Schönzeler. Bach
format (230 x 302).
Folded. Part. 4 pages.
Edition Kunzelmann
#OCT-10068_VL1. Published
by Edition Kunzelmann
(KU.OCT-10068_VL1).
ISBN
9790206207587. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orchestral Studies for Recorder (Recorder) Flûte à Bec Schott
| | |
| Symphony no. 5 Orchestre SATB, Orchestre [Conducteur] Kunzelmann
Orchestra SKU: KU.OCT-10463 Composed by Anton Bruckner. Edited by Hans-Hu...(+)
Orchestra SKU:
KU.OCT-10463 Composed
by Anton Bruckner. Edited
by Hans-Hubert
Schönzeler. Letter
format (190 x 270).
Paperback. Full score.
180 pages. Edition
Kunzelmann #OCT-10463.
Published by Edition
Kunzelmann
(KU.OCT-10463). Key:
Bb major. $25.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 little orchestral pieces Kunzelmann
Violin 2 SKU: KU.OCT-10068_VL2 Composed by Anton Bruckner. Edited by Hans...(+)
Violin 2 SKU:
KU.OCT-10068_VL2
Composed by Anton
Bruckner. Edited by
Hans-Hubert
Schönzeler. Bach
format (230 x 302).
Folded. Part. 4 pages.
Edition Kunzelmann
#OCT-10068_VL2. Published
by Edition Kunzelmann
(KU.OCT-10068_VL2).
ISBN
9790206207594. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 little orchestral pieces Contre Basse Kunzelmann
Double bass SKU: KU.OCT-10068_KB Composed by Anton Bruckner. Edited by Ha...(+)
Double bass SKU:
KU.OCT-10068_KB
Composed by Anton
Bruckner. Edited by
Hans-Hubert
Schönzeler. Bach
format (230 x 302).
Folded. Part. 4 pages.
Edition Kunzelmann
#OCT-10068_KB. Published
by Edition Kunzelmann
(KU.OCT-10068_KB).
ISBN
9790206207624. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 4 little orchestral pieces Violoncelle Kunzelmann
Cello SKU: KU.OCT-10068_VC Composed by Anton Bruckner. Edited by Hans-Hub...(+)
Cello SKU:
KU.OCT-10068_VC
Composed by Anton
Bruckner. Edited by
Hans-Hubert
Schönzeler. Bach
format (230 x 302).
Folded. Part. 4 pages.
Edition Kunzelmann
#OCT-10068_VC. Published
by Edition Kunzelmann
(KU.OCT-10068_VC).
ISBN
9790206207617. $4.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Contemporary Collection for Violin Solo Violon SATB, Orchestre Ricordi
Violin SKU: HL.50499300 Composed by Various. String Solo. Classical, Cont...(+)
Violin SKU:
HL.50499300 Composed
by Various. String Solo.
Classical, Contemporary.
Softcover. 60 pages.
Ricordi #SY2740.
Published by Ricordi
(HL.50499300). UPC:
884088951306. 9x12
inches. This
collection, the result of
a cooperation with the
Verlag Sonus Mundi,
contains selected solos
for violin by twelve
contemporary composers:
Robert HP Platz, Lucia
Papanetzova, Mela
Meierhans, Klaus Huber,
Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin and
Yoram Paporis.
This collection,
the result of a
cooperation with the
Verlag Sonus Mundi,
contains selected solos
for violin by twelve
contemporary composers:
Robert HP Platz, Lucia
Papanetzova, Mela
Meierhans, Klaus Huber,
Jacqueline Fontyn,
Jean-LucDarbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin and
Yoram Paporis.
In
Zusammenarbeit mit dem
Verlag Sonus Mundi
entstand diese Sammlung
ausgewahlter Solowerke
fur Violine von
zeitgenossischen
Komponisten: Robert HP
Platz, Lucia Papanetzova,
Mela Meierhans, Klaus
Huber, Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin und
Yoram Paporis.
Questa raccolta,
frutto di una
collaborazione con la
casa editrice Sonus
Mundi, contiene una
selezione di brani per
violino solo di dodici
compositori
contemporanei: Robert HP
Platz, Lucia Papanetzova,
Mela Meierhans, Klaus
Huber, Jacqueline Fontyn,
Jean-Luc Darbellay, Karel
Reiner, Cergio Prudencio,
Lucia Konakovska, Maki
Ishii, Rachel Fortin e
Yoram Paporis. $31.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Als Ick U Vinde Wilhelm Hansen
(Music For Voice) SKU: HL.14066576 Composed by Hubertus Waelrant. Choral....(+)
(Music For Voice) SKU:
HL.14066576 Composed
by Hubertus Waelrant.
Choral. General
Merchandise. Duration 240
seconds. Edition Wilhelm
Hansen #KB210. Published
by Edition Wilhelm Hansen
(HL.14066576).
$2.81 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Schubert Lounge [Conducteur] Wilhelm Hansen
Score SKU: HL.50602310 For Soprano, 2 Baritones, and Ensemble Score(+)
Score SKU:
HL.50602310 For
Soprano, 2 Baritones, and
Ensemble Score.
Composed by Eivind Buene.
Score. Softcover. Edition
Wilhelm Hansen #WH33190.
Published by Edition
Wilhelm Hansen
(HL.50602310). UPC:
840126906530. Schub
ert Lounge for Soprano, 2
Baritones and Ensemble
was commissioned by Oslo
Sinfonietta. Franz
Schubert was a
singer/songwriter, says
Eivind Buene. A
Schubertiade as a role
model, the composer - who
himself grew up with pop
music - imagined Schubert
in the singer/songwriter
pose of the 70s: with a
Fender Rhodes and the
voice of a pop singer.
So, he staged his first
Schubert Lounges for his
friends in Oslo. Inspired
by one of these house
concerts, baritone Halvor
Mellen suggested Buene
that they could work
together as
singers.Eivind Buene is
interested in this
friction between
different aesthetics and
different systems of
thought. In the further
developed Schubert
Lounge, three different
musical styles meet:
Buene's own
recontextualized version
of Schubert songs, Halvor
Mellen's interpretation
of Buene's music composed
for his voice based on
fragments from Schubert's
diary, and Tora
Augestad's very personal
interpretation of
Schubert songs. $81.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Die Winterreise [Conducteur] Deutscher Verlag für Musik
Voice(s) with various inst. SKU: BR.DV-9408 Gedichte aus den hinterlas...(+)
Voice(s) with various
inst. SKU:
BR.DV-9408
Gedichte aus den
hinterlassenen Papieren
eines reisenden
Waldhornisten.
Composed by Reiner
Bredemeyer. Voice.
Deutscher Verlag.
World premiere
Berlin, November
15, 1985 Music
post-1945. Score.
Composed 1984. 88 pages.
Duration 35'. Deutscher
Verlag fur Musik #DV
9408. Published by
Deutscher Verlag fur
Musik (BR.DV-9408).
ISBN 9790200490510. 9
x 12
inches. Bibliograph
y:Nonnenmann, Rainer: Nun
weiter denn, nur weiter.
Zur politischen Lesart
von Wilhelm Mullers
Gedichtzyklus Die
Winterreise und dessen
Neukomposition durch
Reiner Bredemeyer fur
Bariton, Horn und Klavier
(1984), in ders.:
Winterreisen. Komponierte
Wege von und zu Franz
Schuberts Liederzyklus
aus zwei Jahrhunderten, 2
Bande (= Taschenbucher
zur Musikwissenschaft,
Band 150/151),
Wilhelmshaven: Florian
Noetzel 2006, pp.
221-278.Schwarze,
Gunther: Schuberts
Winterreise mit deren
Reflexion in den Werken
von Hans Zender und
Reiner Bredemeyer, in:
Fortschritt, Was ist
das?, hrsg. von Ernst
Helmuth Flammer, Hofheim:
wolke 2014, pp.
313-348.
World
premiere: Berlin,
November 15, 1985. $87.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Vor und zurueck [Conducteur] Breitkopf & Härtel
Oboe(s) solo SKU: BR.EB-8343 Composed by Nicolaus A. Huber. Solo instrume...(+)
Oboe(s) solo SKU:
BR.EB-8343 Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. World
premiere: Montepulciano,
July 1982. Music
post-1945; New music
(post-2000). Score.
Composed 1981. 12 pages.
Duration 14'30. Breitkopf
and Haertel #EB 8343.
Published by Breitkopf
and Haertel (BR.EB-8343).
ISBN 9790004176511. 9
x 12 inches. Vor
und zuruck ist aus einem
Rhythmus-Modell der 13.
Diabelli-Variation von
Beethoven entwickelt.
Daraus sind alle
rhythmischen Verhaltnisse
nach den einzeln
veranderbaren Kategorien
a) Lange des Modells, b)
Zahl der Anschlage, c)
Proportion der Dauern
abgeleitet. Die
verschiedenen
spieltechnischen
Moglichkeiten der Oboe
hinsichtlich der Dynamik,
der Klangfarbe
(Alternativgriffe fur
einen Ton), der
Klangcharakteristik, der
Register, der
Artikulationen und deren
vielfaltige Mischung
sowie die einkomponierte
korperliche Anstrengung
des Interpreten farben
und ,,instrumentieren,
ebenfalls dem
Rhythmus-Modell
gehorchend, drei
Ausdruckscharakteristiken
. Diese knupfen in stets
veranderter Reihenfolge
aneinander an und bilden
dadurch, dass sie bei
jedem Auftauchen
kompositorisch neu
formuliert sind, die Form
des Stuckes als eines
fortlaufenden,
spiralartigen Prozesses.
Neben diesem ,,Vor und
zuruck gibt es auch ein
historisches: Aus
Beethovens Rhythmusmodell
wird ein Stuck mit
fortschrittlichen
Elementen unserer Zeit.
(Nicolaus A. Huber, 1981)
CDs: Matthias Arter CD
col legno WWE 1CD 20009
Christian Hommel CD ars
musici FMF AM 1224-2
Bibliography : Nimczik ,
Ortwin: Konzeptionelle
Rhythmuskomposition.
,,Vor und zuruck fur Oboe
(1981) von Nicolaus A.
Huber, in: Neue Musik
vermitteln. Analysen -
Interpretationen -
Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott
2004, pp. 98-111. Schick
, Tobias Eduard:
Weltbezuge in der Musik
Mathias Spahlingers
(Beihefte zum Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, here p.
101.
World
premiere: Montepulciano,
July 1982. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Voice(s) solo SKU: BR.EB-8424 (Plainte sur la perte de la reflexion mu...(+)
Voice(s) solo SKU:
BR.EB-8424
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by Klaus Huber. Voice;
stapled. Edition
Breitkopf. You will
need a copy of BG 1002
for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 8 pages.
Duration 20'. Breitkopf
and Haertel #EB 8424.
Published by Breitkopf
and Haertel (BR.EB-8424).
ISBN 9790004185254. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $24.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Violoncelle [Conducteur] Breitkopf & Härtel
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
SKU: BR.EB-9397 (Plainte sur la perte de la reflexion musicale). C...(+)
SKU: BR.EB-9397
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9397.
Published by Breitkopf
and Haertel (BR.EB-9397).
ISBN 9790004188712. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-9300 (Plainte sur la perte de la reflexion musicale)<...(+)
Organ SKU:
BR.EB-9300
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Arranged
by A. Digby and M.
Sattelberger. Solo
instruments; stapled.
Edition Breitkopf. World
premieres: I version for
flute: Wiesbaden, 1972.
Music post-1945; New
music (post-2000). Score.
Composed 1972. 20 pages.
Duration 20'. Breitkopf
and Haertel #EB 9300.
Published by Breitkopf
and Haertel (BR.EB-9300).
ISBN 9790004187647. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: Stuttgart,
Hospitalkirche, March 28,
2018. $39.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Ein Hauch von Unzeit [Conducteur] Breitkopf & Härtel
Trombone(s) solo SKU: BR.EB-9160 (Plainte sur la perte de la reflexion...(+)
Trombone(s) solo SKU:
BR.EB-9160
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Andrew Digby. Arranged by
Andrew Digby. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9160.
Published by Breitkopf
and Haertel (BR.EB-9160).
ISBN 9790004181966. 9
x 12 inches. World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Chormusik Und Analyse Vol.1 Texte Schott
SKU: HL.49006876 Beitrage zur Formanalyse und Interpretation mehrstimm...(+)
SKU: HL.49006876
Beitrage zur
Formanalyse und
Interpretation
mehrstimmiger
Vokalmusik. Edited by
Heinrich Poos. This
edition: Paperback/Soft
Cover. Book. Edition
Schott. Der Sammelband
enthalt 18
Interpretationen von
mehrstimmigen Vokalwerken
verschiedener Komponisten
und umfasst den Zeitraum
von ars antiqua bis zur
Gegenwart. Classical. 456
pages. Schott Music #ED
7005. Published by Schott
Music (HL.49006876).
ISBN 9783795717995.
German. Die
Chormusik hat in der
europaischen
Musikgeschichte die wohl
ungebrochenste Tradition.
Trotz ihrer verschiedenen
Stile und zeitbedingten
Erscheinungsformen ist
sie wegen ihrer
unmittelbaren Bindung an
die menschliche Stimme
die naturlichste aller
Kunste geblieben und
erfreut sich heute dank
der Wirkung und Bedeutung
leistungsfahiger
Chorensembles einer neuen
Wertschatzung in unserer
Gesellschaft. Damit ist
auch ein neues Bedurfnis
fur das Verstehen ihrer
Zusammenhange unter ganz
unterschiedlichen
Gesichtspunkten
entstanden.Chormusik und
Analyse beschaftigt sich
erstmal in 18 Beitragen
namhafter
Musikwissenschaftler und
des Herausgebers mit der
Formanalyse und der
Interpretation
mehrstimmiger
a-cappella-Vokalmusik von
der ars antiqua durch
alle Stilepochen bis zur
Gegenwart. Dabei zeigt
sich, dass die Chormusik
kein Nebenschauplatz der
Musikgeschichte ist und
war, sondern durch ganze
Jahrhunderte ihr
eigentliches Zentrum
bildete. Die geistigen
Dimensionen der einzelnen
Beitrage, die Vielfalt
der Gesichtspunkte und
stilistische Breite der
behandelten Literatur
machen diese
Analysensammlung zu einem
hochst informativen Buch,
das sich Chorleitern und
Studenten, Komponisten,
Wissenschaftlern und
allen denen empfiehlt,
die in und mit der
Chormusik leben. $56.00 - Voir plus => Acheter | | |
| Stahmer Schubert/mahler Musik Gegenwart Schott
(GEB) SKU: HL.49032816 Composed by Klaus Stahmer. Edited by Klaus Hinrich...(+)
(GEB) SKU:
HL.49032816 Composed
by Klaus Stahmer. Edited
by Klaus Hinrich Stahmer.
This edition:
Hardback/Hard Cover.
Book. Edition Schott. 118
pages. Schott Music #ED
8833. Published by Schott
Music (HL.49032816).
ISBN 9783795703387.
German. Immer ist
Musik - auch solche, die
aus modischen Grunden
vorgibt, auf der Hohe
ihrer Zeit zu stehen und
um der Avanciertheit
ihrer Mittel willen mit
der Tradition brechen
mochte - historisch
bestimmt.
Geschichtlichkeit ist ihr
wesensmassig auf Grund
des Gewachsenseins vom
tonenden Material
eingeschrieben.
Geschichtlich ist sie
auch hinsichtlich ihrer
gesamten Erscheinung als
Tonkunst innerhalb einer
gewachsenen Gesellschaft.
In dieser Sammlung von
Aufsatzen geht es
indessen weniger um die
Geschichtlichkeit von
Musik in diesem eher
allgemeinen Sinn, als
vielmehr um die Darlegung
konkreter Ruckbeziehungen
von zeitgenossischer
Musik auf zwei
Komponisten der
Vergangenheit, die auf
Grund ihrer Eigenheiten
im kompositorischen
Denken die Musik der
achtziger Jahre
nachhaltiger als viele
andere beeinflusst haben.
Reflektiert und gebrochen
lebt die Musik von Franz
Schubert und Gustav
Mahler in der Musik des
20. Jahrhunderts fort,
und der Leser wird bei
Betrachtung der auf
Schubert und Mahler
ruckbezogenen Werke uber
die Beiden mindestens
ebensoviel erfahren wie
uber diejenigen, die sich
deren Musik aneignend
angenahert haben.Die
Beitrage sind aus der
Hochschularbeit heraus
entstanden und wollen in
ihrer Disparatheit
weniger ein komplettes
System als vielmehr so
etwas wie ein
Beziehungsgeflecht dar-
und herstellen. $34.00 - Voir plus => Acheter | | |
| Werkinterpretation Im Musikunterric Schott
SKU: HL.49006765 Eine kommentierte Bibliographie von Unterrichtsbeispi...(+)
SKU: HL.49006765
Eine kommentierte
Bibliographie von
Unterrichtsbeispielen und
Analysen. Composed by
Wolfgang Schmidt-Brunner.
This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Classical. 120 pages.
Schott Music #ED 6885.
Published by Schott Music
(HL.49006765). ISBN
9783795729530.
German. Dieses
Repertoire, das Werke von
70 Komponisten: Josquin
des Pres bis John Cage
umfasst, soll dem
Schulmusiker die
Orientierung in der Fulle
der musikpadagogischen
Unterrichtsliteratur
erleichtern und ihm eine
Hilfe bei der
Unterrichtsvorbereitung
sein.Zugleich mag es dem
Studierenden erste
Anregungen bei der
Unterrichtsplanung
vermitteln und des
weiteren einer kunftigen
systematischen
Aufarbeitung der (von
Michael Alt) sogenannten
'Praktikerliteratur' als
bibliographische
Grundlage dienen. Die
Zusammenstellung enthalt
Hinweise auf im
allgemeinen leicht
erreichbare
Veroffentlichungen, in
denen Musikwerke unter
didaktischem Aspekt
analysiert bzw. daruber
hinaus in
Unterrichtssequenzen mit
methodischen Empfehlungen
versehen sind. $23.95 - Voir plus => Acheter | | |
| Ruzicka P Musik Fuer Die Insel Schott
(BR) SKU: HL.49041713 Was Prominente mit in die Abgeschiedenheit nehme...(+)
(BR) SKU:
HL.49041713 Was
Prominente mit in die
Abgeschiedenheit
nehmen. Composed by
Peter Ruzicka. Edited by
Peter Ruzicka. This
edition: Paperback/Soft
Cover. Paperback. Serie
Musik. 112 pages. Schott
Music #SEM 8364.
Published by Schott Music
(HL.49041713). ISBN
9783254083647.
German. Wem ist sie
noch nie gestellt worden,
jene beruhmte Frage nach
der Musik, die man mit in
die - fiktive - Gegend
fern aller Zivilisation
nehmen wurde? Die Wahl
ist schwierig: Nach
welchem Kriterium soll
man seine Musik
aussuchen? Nach ihrer
Tiefe, ihrem emotionalen,
moralischen,
philosophischen Anspruch
oder gar schlicht nach
ihrer Dauer - hie ein
Choralvorspiel von Bach,
da die Matthauspassion?
Soll die Musik aufheitern
oder die innere Einkehr
verstarken? Welche
Interpretation
transportiert die eigene
Vorstellung am besten?
Lesen Sie die Antworten
prominenter Zeitgenossen,
darunter Helmut Schmidt
und Walter Jens, Marcel
Reich-Ranicki und Gyorgy
Ligeti, und stellen Sie
den interessanten
Vergleich mit Ihrer
eigenen Entscheidung
an. $7.95 - Voir plus => Acheter | | |
| Salve Regina in F major Carus Verlag
Soprano voice solo, 2 clarinets (2 oboes), 2 horns, 2 violins, viola, basso cont...(+)
Soprano voice solo, 2
clarinets (2 oboes), 2
horns, 2 violins, viola,
basso continuo SKU:
CA.7005409 Composed
by Franz Schubert. Edited
by Hans-Peter Huber.
Arranged by Paul Horn.
This edition: urtext. 1x
70.054/21 clarinet 1, 1x
70.054/22 clarinet 2, 1x
70.054/31 horn 1, 1x
70.054/32 horn 2.
Stuttgart Urtext Edition:
Schubert. German title:
Salve Regina in F 4.
Sacred vocal music,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Set of Orchestra
Parts. Composed 1812. D
27. 20 pages. Duration 10
minutes. Carus Verlag #CV
70.054/09. Published by
Carus Verlag
(CA.7005409). ISBN
9790007082543. Key: F
major. Language:
Latin. Score
available separately -
see item CA.7005400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salve Regina in F major [Conducteur] Carus Verlag
By Franz Schubert (1797-1828). Edited by Hans-Peter Huber. Arranged by Paul Horn...(+)
By Franz Schubert
(1797-1828). Edited by
Hans-Peter Huber.
Arranged by Paul Horn.
For soprano voice solo, 2
clarinets (2 oboes), 2
horns, 2 violins, viola,
basso continuo. This
edition: paperbound. D
27. Full score available
separately - see item
CA.7005400. Stuttgart
Urtext Editions; Use /
Occasion: Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Organ
reduction. Language:
Latin. Composed 1812. 12
pages. Duration 10 min.
Published by Carus Verlag
$7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salve Regina in F major [Conducteur] Carus Verlag
Soprano voice solo, 2 clarinets (2 oboes), 2 horns, 2 violins, viola, basso cont...(+)
Soprano voice solo, 2
clarinets (2 oboes), 2
horns, 2 violins, viola,
basso continuo SKU:
CA.7005400 Composed
by Franz Schubert. Edited
by Hans-Peter Huber.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Salve Regina in F. Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Full score.
Composed 1812. D 27. 28
pages. Duration 10
minutes. Carus Verlag #CV
70.054/00. Published by
Carus Verlag
(CA.7005400). ISBN
9790007082529. Key: F
major. Language:
Latin. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salve Regina in F major Carus Verlag
Soprano voice solo, 2 clarinets (2 oboes), 2 horns, 2 violins, viola, basso cont...(+)
Soprano voice solo, 2
clarinets (2 oboes), 2
horns, 2 violins, viola,
basso continuo SKU:
CA.7005413 Composed
by Franz Schubert. Edited
by Hans-Peter Huber.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Salve Regina in F. Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola. Composed 1812. D
27. 4 pages. Duration 10
minutes. Carus Verlag #CV
70.054/13. Published by
Carus Verlag
(CA.7005413). ISBN
9790007082574. Key: F
major. Language:
Latin. Score
available separately -
see item CA.7005400. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Salve Regina in F major Carus Verlag
Soprano voice solo, 2 clarinets (2 oboes), 2 horns, 2 violins, viola, basso cont...(+)
Soprano voice solo, 2
clarinets (2 oboes), 2
horns, 2 violins, viola,
basso continuo SKU:
CA.7005414 Composed
by Franz Schubert. Edited
by Hans-Peter Huber.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Salve Regina in F. Sacred
vocal music, Feasts of
the Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Cello/Double Bass.
Composed 1812. D 27. 4
pages. Duration 10
minutes. Carus Verlag #CV
70.054/14. Published by
Carus Verlag
(CA.7005414). ISBN
9790007082581. Key: F
major. Language:
Latin. Score
available separately -
see item CA.7005400. $3.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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