Composed by Stan Rogers. Arranged by Ron Smail. Octavo. Published by Cypress Choral Music (C3.CP1508).

SATB Choir - Grade 3

SKU: BT.DHP-0991451-050

Composed by Jacob De Haan. Inspiration Series. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-050. Published by De Haske Publications (BT.DHP-0991451-050).

English.

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Brass Band - Grade 3

SKU: BT.DHP-0991451-030

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991451-030. Published by De Haske Publications (BT.DHP-0991451-030).

Pacific Dreams describes the experience of Miguel, a traveling composer from Spain who, feeling somewhat alienated from his homeland, is wandering through an area of Sydney known as The Rocks. At a small outdoor market in a typical street of this oldcolonial neighbourhood, he discovers a print of William DeShazos painting Pacific Dreams Portrayed in the painting is the surf of one of the exotic islands in the Pacific. Next, with the impressive Sydney Harbour Bridge looming over the narrowstreets of The Rocks, he envisions sultry Pacific beaches. Suddenly a theme he once composed about the lakes in Japan comes to him. Is it the Asian influences present in cosmopolitan Sydney that bring this theme to mind? Or perhaps the waters aroundSydney, over which he could sail to Tahiti? He is uncertain. Could this same theme be used to create a new composition about his feelings for the metropolis Sydney? How then to work his Pacific Dreams into the mix? Miguel is certainly no fan ofHawaiian music. Mayby he could use the vocabularies of islands like Hawaii and Tahiti, their beautiful vowel combinations being sung ad libitum by a mixed choir.With these ideas and his newly purchased print of Pacific Dreams, he boards the Metroat Circular Quay. He has a final glimpse of the harbour and the Sydney Opera House as the train races into the ground. On to the hotel! To work! He must compose!Maestoso : Miguel is impressed as he gazes upon the Sydney Harbour Bridge. And yet, hewants to go away from this city. Away, to an exotic island in the Pacific.Steady Rock : In the Rocks, musicians are playing at a square. Miguel basks in the atmosphere but at the same time he is fantasizing about Hawaii and Tahiti.Andante Lamentoso :In his hotel room, Miguel is feeling sad and lonely in this big city. He takes comfort in his Pacific Dreams.Allegro : Miguel boards the boat that takes him from Darling Harbour to Circular Quay. In his mind he is traveling on to Hawaii. Or is ithome, where the bolero is playing? He is pulled back to reality by the skyline of Sydney.

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Orchestra orchestra

SKU: PO.PEP06A

Works for Orchestra (I). Composed by Larry Pruden. This edition: softcover, perfect-bound. Perfect. Collection - Full Score. Promethean Editions #PEP06A. Published by Promethean Editions (PO.PEP06A).

ISBN 9781877218064.

Afte r three years of scholarship, the first of three volumes of orchestral music by Larry Pruden is released for sale. Pruden retains a special place in the history of music in New Zealand. Alongside Douglas Lilburn, he was among the first generation of composers in the country to establish a genuine vernacular. This sixth volume includes his quintessential works The Antipodes, Harbour Nocturne and Lambton Quay, each of which reveals the voice of a composer celebrating the direct and open experience of life. Through each of these works runs a vibrant sense of New Zealand, but whereas The Antipodes is an anthem to national pride, Harbour Nocturne and Lambton Quay are regional hymns that are drawn with affection but without a blurring sentimentality. This sixth edition of the Larry Pruden Collected Edition has been edited from extant source material and brings these essential works of Pruden into an elegant and definitive format.

Part V,VI en VII. Composed by Alex Poelman. The Best Original Compositions for Concert Band. Molenaar Masterpieces. Recorded on The Seven Wonders of the Ancient World (ML.311080720). Full set. Duration 17 minutes, 35 seconds. Published by Molenaar Edition (ML.012793100).

(Newly Composed Fiddle Tunes). Edited by Paul Stewart Cranford. For Fiddle and Violin. Transcribed Solos. Cranford Publications. Fiddle Tunes. Intermediate. Book/CD Set. 112 pages

Arranged by Jim Duff. Arr. Jim Duff. For Concert Band. Concert Band. Growing Band Series. Level: 3 (Medium) (grade 3). Conductor Score. 12 pages. Published by Alfred Publishing.

Brass Band - Grade 1.5

SKU: BT.GOB-000701-130

Composed by Peter Martin. Score Only. 8 pages. Gobelin Music Publications #GOB 000701-130. Published by Gobelin Music Publications (BT.GOB-000701-130).

A contagious piece of music by Peter Martin in which he hints at the popular amusement music by Bert Kaempfert.
Mombassa is a lively harbour city in Kenya which can be heard in the music. Happiness and cheeriness are the ingredients of this nice piece. Success is assured.

Erg aanstekelijk muziekwerkje van Peter Martin waarin hij knipoogt naar de populaire amusementsmuziek van Bert Kaempfert.
Mombassa is een levendige havenstad in Kenia en dat is te merken. Vrolijkheid en opgewektheid zijn de ingrediëntenvan dit fraaie werkje dat succes garandeert.

Performed by Moby. Songbook for voice, piano and guitar chords. 88 pages. Published by Alfred Publishing.

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-0991451-140

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1999. 48 pages. De Haske Publications #DHP 0991451-140. Published by De Haske Publications (BT.DHP-0991451-140).

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Pacific Dreams descrive l’esperienza di Miguel, un compositore spagnolo che, stanco della vita nella terra natia, parte per un viaggio a Sydney dove scopre una stampa raffigurante i cavalloni del Pacifico. Improvvisamente Miguel ricorda un tema composto in precedenza sui laghi giapponesi. E’ l’influenza asiatica presente nella cosmopolita Sydney che porta questo tema alla mente? Oppure è l’acqua attorno a Sydney sulla quale si può navigare verso Tahiti? Non si sa, ma Miguel avverte l’immediato bisogno di rientrare in albergo e comporre….

Fanfare Band - Grade 1.5

SKU: BT.GOB-000625-020

Composed by Peter Martin. Set (Score & Parts). 49 pages. Gobelin Music Publications #GOB 000625-020. Published by Gobelin Music Publications (BT.GOB-000625-020).

A contagious piece of music by Peter Martin in which he hints at the popular amusement music by Bert Kaempfert.
Mombassa is a lively harbour city in Kenya which can be heard in the music. Happiness and cheeriness are the ingredients of this nice piece. Success is assured.

Erg aanstekelijk muziekwerkje van Peter Martin waarin hij knipoogt naar de populaire amusementsmuziek van Bert Kaempfert.
Mombassa is een levendige havenstad in Kenia en dat is te merken. Vrolijkheid en opgewektheid zijn de ingrediëntenvan dit fraaie werkje dat succes garandeert.

Fanfare Band - Grade 3

SKU: BT.DHP-0991451-120

Composed by Jacob De Haan. Inspiration Series. Original Light Music. Score Only. Composed 1999. De Haske Publications #DHP 0991451-120. Published by De Haske Publications (BT.DHP-0991451-120).

Wir schlüpfen in die Haut von Miguel und reisen mit ihm nach Australien. Einigermaßen entfremdet von seiner spanischen Heimat schlendert er durch das Viertel The Rocks in Sydney. Auf einem kleinen Markt entdeckt er einen Druck des Gemäldes Pacific Dreams von William DeShazo. Das Bild stellt die Meeresbrandung auf einer exotischen Insel im Pazifik dar. Während die eindrucksvolle Harbour Bridge von Sidney vor ihm auftaucht, ist er in Gedanken bei den heißen Stränden im Stillen Ozean. Auf einmal kommt ihm das Thema in den Sinn, das er einst über die Gewässer Japans komponiert hatte. Liegt es an den asiatischen Einflüssen, die im kosmopolitischen Sydney so vielfältig vertretensind? Oder sind es die Wasser rund um Sydney, über die er nach Tahiti segeln könnte? Er ist sich unsicher. Könnte er genau dieses Thema für eine neue Komposition über die Metropole Sydney verwenden? Wie sollte er seine Träume vom Pazifik, seine Pacific Dreams, in diese Mixtur einbringen? Vielleicht könnte er den Wortschatz von Inseln wie Hawaii und Tahiti für seine Komposition verwenden. Und einen gemischten Chor die schönen Vokalverbindungen ad libitum singen lassen. Mit diesen Ideen im Kopf steigt er in die Metro am Circular Quay. Auf ins Hotel und frisch ans Werk! Jetzt muss er einfach komponieren....

Brass Quintet

SKU: HL.14019932

Composed by John McCabe. Music Sales America. Classical. Score. Music Sales #NOV950576. Published by Music Sales (HL.14019932).

Saxophone Quartet and String Ensemble - Grade 4

SKU: HL.14042984

Composed by Karl Aage Rasmussen. Music Sales America. Classical. Softcover. Composed 2013. Edition Wilhelm Hansen #WH31846. Published by Edition Wilhelm Hansen (HL.14042984).

ISBN 9788759828250.

Conc erto In Amber composed by Karl Aage Rasmussen for Saxophone Quartet and period Strings. Concerto In Amber has its world premier on the 24/11/2013 at the Black Diamond concert hall at the Copenhagen harbour.

Composed by Stan Rogers. Arranged by Ron Smail. For SATB choir and piano. Octavo. Published by Cypress Choral Music

erformed by Jimmy Buffett. Guitar tablature songbook for guitar and voice. Series: Guitar Anthology Series. 112 pages. Published by Alfred Publishing.

By Stephen Hatfield. (SSA). Celtic Voices. Size 7x10.5 inches. 27 pages. Published by Boosey and Hawkes.

For Bagpipes. Traditional, Folk. Level: Intermediate. Sheet Music. 136 pages. Published by Paterson Ltd.

String Quartet

SKU: PR.16400222S

Composed by Dan Welcher. Full score (study). With Standard notation. Duration 11 minutes. Theodore Presser Company #164-00222S. Published by Theodore Presser Company (PR.16400222S).

UPC: 680160037841.

This work follows my Quartet No. 1 by five years. In terms of style and aesthetic aim, however, it seems light years away. Where the first work, a 28-minute, four-movement piece, took aim at cosmic conflicts and heroic resolutions, the present work is intended as a kind of divertissment. Harbor Music lasts a mere eleven minutes, is cast in a single movement with six sections, and should leave both performers and listeners with a feeling of good humor and affection.   The title comes from my experience as a guest in the magnificent city of Sydney, Australia. One of its most attractive features is its unique system of ferry boats: the city is laid out around a large, multi-channeled harbor, with destinations more easily approached by water than by land. Consequently, inhabitants of Sydney get around on small, people-friendly boats that come and go from the central docks at Circular Quay. During a week's visit in 1991, I must have boarded these boats at least a dozen times, always bound for a new location - the resort town of Manley, or the Zoo at Taronga Park, or the shopping district at Darling Harbour.   In casting about for a form for my second string quartet, a kind of loose rondo came to mind. Each new destination would be approached from the same starting-out point (although there are subtle variations in the repeating theme; it's always in a new key, and the texture is never the same). The result, I hope, is a sense of constant new information presented with introductory frames of a more familiar nature.   The embarkation theme, which begins the piece, is a sort of bi-tonal fanfare in which the violins are in G major and the viola and cello are in B-flat major. It is bold, eager, and forward-looking. The first voyage maintains this bi-tonality, beginning as a 9/8 due for second violin and viola in a kind of rocking motion -much as a boat produces when reaching the deeper water in the harbor. A sweet, nostalgic theme emerges over this rocking accompaniment. This music is developed somewhat, then transforms quickly into a much faster and lighter episode, filled with rising and falling scales (again, in differing keys). A scherzando interlude in short notes and changing meters provides contrast, and the episode ends with a reprise of the scales.   The second embarkation follows, this time in A major/C major. It leads quickly into a very warm and slow theme, in wide-leaping intervals for the viola. This section is interrupted twice by solo cadenzas for the cello, suggesting distant boat-horns in major thirds. The end of the episode becomes a transition, with boat-horns leading into the final appearance of the embarkation music, this time in trills and tremolos instead of sharply accented chords. The nostalgic theme of the first episode makes a final appearance, serving now as a coda. The rocking motion continues, in a lullaby fashion, leaving us drowsy and satisfied on our homeward journey.   Harbor Music was written for the Cavani Quartet, and is dedicated to Richard J. Bogomolny. Commissioned by his employees at First National Supermarkets as a gift, it represents a thank you from many of the people (including this composer) who have benefitted from his vision and generosity. An ardent advocate of chamber music (and a cellist himself), Mr. Bogomolny has for many years been Chairman of the Board of Chamber Music America. -- Dan Welcher.

The companion MP3 CD to book 5 of the bestselling series Piano Gefällt Mir! by Hans-Günter Heumann features demonstration tracks with recorded Piano, Bass and Drums, as well as backing with the Piano part taken out, allowing you to play along. **Please note: The CD included with this title can only be played through an MP3 compatible program.**

Grade 5

SKU: CL.012-3688-01

Composed by Lloyd. Concert Band. Gems of the Concert Band Series. Audio recording available separately (item CL.WFR358). Extra full score. Composed 2008. Duration 8 minutes, 14 seconds. Opus III Wind Orchestra Publications #012-3688-01. Published by Opus III Wind Orchestra Publications (CL.012-3688-01).

Visions of Australia' is a musical panorama paying tribute to the epochs in Australia's history from its Aboriginal predecessors through to its 'yet to be determined' future. The journey begins with a tribute to Australia's aboriginal past, the arrival of the British Navy and the establishment of the first colony on the shores of Sydney Harbour. The journey then meanders through to the development of electricity and communication, through the wars and to the present. Following a brief reflection on the past, the music concludes with a stirring and patriotic march-like section representing a confident and bold future. The work is a great challenge for all sections of the band and will be easily accessible to any audience. Download the didgerido sound file for use in your performance: http://www.barnhouse.com/ samples/mp3/012-3688-99.m p3.

About Gems of the Concert Band

A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith

By Nancy Telfer. For SSA/2-Part/Unison Choir. (SSA/2 Part/Unison). Choral Octavos. Successful Sight Singing Performance Selections. Secular. Level: Grade 2. Choral Octavo. Published by Neil A. Kjos Music Company.

Tuba Quartet

SKU: IS.TBQ6637EM

Composed by Francois Glorieux. Brass - Tuba - Euphonium. The Music of Francois Glorieux. Metropolis Music Publishers #TBQ6637EM. Published by Metropolis Music Publishers (IS.TBQ6637EM).

ISBN 9790365066377.

Fran çois Glorieux was born in Belgium in 1932, and acclaimed throughout Europe, the USA, Latin America, Canada, Japan, China, the Middle East and Africa. He is one of the most widely accomplished and versatile musicians traveling the international circuit today: pianist composer conductor, commentator, entertainer, honorary professor of chamber music at the Royal Music Conservatory of Ghent and guest professor at Yale University (USA). His particular art was the rare one of improvisation presented in five languages. Glorieux practices all musical styles and has been highly considered by great artists such as André Cluytens, Arthur Rubinstein, Yves Nat, Hiroyuki Iwaki, Enrique Jorda, Raphael Frühbeck de Burgos, but also Michael Jackson, Stan Kenton, Stéphane Grappelli, Paul McCartney, Toots Thielemans, Jacky Collins, Annie Girardot, Dionne Warwick, A.C. Jobim, and so on.