Performed by The Red Hot Chili Peppers. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar notation legend. Funk rock, alternative rock and hard rock. Series: Hal Leonard Guitar Recorded Versions. 110 pages. 9x12 inches. Published by Hal Leonard.

Performed by AC/DC. For guitar and voice. Format: guitar tablature songbook. With guitar tablature, standard notation, vocal melody, lyrics, chord names and guitar notation legend. Hard rock. 9x12 inches. Published by Composed by Frederic Chopin (1810-1849). Arranged by Daniel Scott. Music Sales America. Romantic Period. Collection (softcover). With fingerings (does not include words to the songs). 47 pages. Music Sales #AM71747. Published by Music Sales .

Easy Piano Piano/Keyboard

SKU: HL.282481

The New Decade Series. Composed by Various. Easy Piano Songbook. Alternative, Pop, Rock. Softcover. 410 pages. Published by Hal Leonard (HL.282481).

ISBN 9781540034380. UPC: 888680789251. 9.0x12.0x0.965 inches.

The 1990s saw the rise of R&B, boy bands and alternative rock as the 20th century came to a close. This collection features 80 songs from the decade arranged for easy piano with lyrics: Always Be My Baby * As Long As You Love Me * ...Baby One More Time * Black Velvet * Can You Feel the Love Tonight * Dreams * Fields of Gold * Friends in Low Places * Good Riddance (Time of Your Life) * How Am I Supposed to Live Without You * I Need to Know * I'm the Only One * Ironic * Livin' La Vida Loca * Losing My Religion * More Than Words * Only Wanna Be with You * Smells like Teen Spirit * Smooth * Tears in Heaven * Under the Bridge * You Must Love Me * You're Still the One * and more.

(73 Heart-Warming Holiday Favorites (Piano/Vocal/Guitar)). Edited by Carolcuellar / Richard Martin. For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; CD; P/V/C Mixed Folio; Piano/Vocal/Chords. Christmas; Family/Group; Winter. 288 pages. Published by Alfred Music Publishing

Guitar, Lyrics and Chords

SKU: BT.MUSAM92231

Pop & Rock. Book, CD and DVD. Wise Publications #MUSAM92231. Published by Wise Publications (BT.MUSAM92231).

ISBN 9780711943568. English.

The ultimate pack for the true Coldplay fan, featuring everything you need to get to know the band, their remarkable recording career and how to play their biggest songs - all in one great value box! This specially presented pack offers four superb products for a fraction of the price they would cost to buy individually: Coldplay: The Complete Guide To Their Music An authoritative rundown of all the band's records, track-by-track Coldplay Chord Songbook Full lyrics and guitar chords for the best Coldplay hits in a pocket-sized songbook Matching double CD of the songbook tracks Your very own backing band on CD! Rock With Coldplay: How To Play DVD Set The best-selling instructionalDVD featuring note-for-note tuition for a further set of Coldplay classics including Shiver , Trouble and In My Place.

High Voice - Book 1. By Adolf Jensen; Anton Rubinstein; Edvard Grieg; Felix Mendelssohn; Franz Joseph Haydn; Franz Liszt; George Frideric Handel; Henry Purcell; Jacob Arcadelt; Jean Baptiste Lully; Johann Sebastian Bach; Luise Reichardt. Edited by Carl Fredrickson. Arranged by Carl Fredrickson. For Keyboard, High Voice. Soft Cover. 71 pages. Published by Carl Fischer.

For Guitar. Guitar Method or Supplement. Acoustic; Fingerstyle. DVD. Published by Alfred Publishing

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

By John Bell & Graham Maule. Iona Community. Sacred. Text language: English. 68 pages. Published by GIA Publications . Sacred.

The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.

Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.

By Richard Walthew. For 2 violins, viola, cello and piano. Strings and Piano. First edition. Romantic. Score and set of parts. Published by Rosewood Publications

Oboe, Piano SKU: HU.HN1248 Piano Reduction. Composed by Richard Strauss. Edited by Hansjorg Schellenberger. Woodwind, Repertoire, Solos. Oboe Concerto in D major. Softcover Book. 66 pages. G. Henle #HN1248. Published by G. Henle

Composed by Richard Walthew. Winds. For 2 clarinets and bassoon (bass clarinet). Interesting, unique harmonies. Effective composition. First Ediition.. Romantic. Score and parts. Published by Rosewood Publications

Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Perusal Pack. Composed by Oscar Hammerstein II; Richard Rodgers. Recorded Promo - Stockable. Broadway. General Merchandise. Published by Hal Leonard (HL.138308).

CD Accompaniment Trax (Stereo) Choral (Instrumental Accompaniment)

SKU: HL.8747458

A Choral Collection from Hillsong Church. Arranged by BJ. Davis/Richard Kingsmore/J.. Daniel Smith. Integrity Choral. CD. Published by Integrity (HL.8747458).

UPC: 884088206116. 5.0x5.5x0.393 inches. Arr. BJ Davis/Richard Kingsmore/J. Daniel Smith.

(Studie zu Tristan und Isolde). By Richard Wagner (1813-1883). Arranged by Clytus Gottwald. For SSSSAAAATTTTBBBB Choir, Piano (for rehearsal only). Secular Choral Music; Contemporary choral music. Level 5. Score. Language: German. Composed 1857/2004. 16 pages

C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Standards. Softcover. 802 pages. Published by Hal Leonard

Chamber Ensemble and Vocal Solo

SKU: BT.EMBZ14432

Composed by Adam Kondor. EMB Contemporary Music. Contemporary Music. Book Only. Composed 2005. 22 pages. Editio Musica Budapest #EMBZ14432. Published by Editio Musica Budapest (BT.EMBZ14432).

English.

Ádà ¡m Kondor compiled this series from poems written by Thomas Hardy after the age of 70, when the poet was mourning the death of his wife. According to the composer, he was fascinated by the figure of the rather cynically morose old poet... In his decision to have a solo violin accompany the singer he was influenced by references, in biographies of Hardy, to the poet's father's passionate violin-playing. Bockhampton is Hardy's birthplace.

Choral SSA choir

SKU: CF.CM9580

Composed by Richard Rasch. Arranged by Richard Rasch. Fold. Performance Score. 4 pages. Duration 2 minutes, 42 seconds. Carl Fischer Music #CM9580. Published by Carl Fischer Music (CF.CM9580).

ISBN 9781491154021. UPC: 680160912520. 6.875 x 10.5 inches. Key: D mixolydian. English, Latin. 15th Century Medieval Carol.

The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherds response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassthe distance between the highest and lowest noteis at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherdas response in the gospel of Luke 2:15, Transeamus. Latin phraseA translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compassathe distance between the highest and lowest noteais at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pari forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written. The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd's response in the gospel of Luke 2:15, Transeamus. Latin phrase translation source Alleluia Alleluia Laetabundus Res miranda A thing to be wondered at Laetabundus Pares forma of equal form Laetabundus Gaudeamus Let us rejoice! Gaudeamus Transeamus Let us go Luke 2:15 The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty. The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists. Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass--the distance between the highest and lowest note--is at its widest. The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.
The text of this poem is from the Trinity Carol Roll, an English manuscript housed at the Wren Library of Trinity College, Cambridge. It is originally in the Norfolk dialect of Middle English but has been modernized for use in this setting. Also, it's macaronic, meaning it combines words from two languages, the other being Latin which was in use by the church when this carol was written.The Latin phrases come from different parts of the Advent/Christmas liturgies; a sequence called Laetabundus, the title of an Introit antiphon called Gaudeamus, and the shepherd’s response in the gospel of Luke 2:15, Transeamus.Latin phrase  translation sourceAlleluia Alleluia LaetabundusRes miranda A thing to be wondered at LaetabundusPares forma of equal form LaetabundusGaudeamus Let us rejoice! GaudeamusTranseamus Let us go Luke 2:15The poet compares the Virgin Mary to a rose. She has a special place among all women in being chosen as the mother of Jesus, and likewise the rose has a special place among all flowers surpassing them in complexity and beauty.The music in this setting mimics the petals of a rose as it blooms. Imagine the petals unfurling over time as does the music which starts in unison for each verse and expands outward into two and three vocal lines with increasingly complex harmonic twists.Word painting is employed in several places but none are as important as the dramatic climax in the fourth verse where the shepherds along with all the angels in heaven proclaim Gloria in excelsis Deo (Glory to God on high). What a sound that must be! On these words the music reaches it loudest point as the sopranos rise to their highest note and the compass—the distance between the highest and lowest note—is at its widest.The setting is brought to a close as the five Latin phrases that finished each verse are repeated as a coda and musically summarize the five verses of the carol.

Composed by Justin Smith. Arranged by Ed Hogan. Sacred Anthem, All Saints' Day, General. Octavo. SoundForth #10/5088SF. Published by SoundForth (S2.10-5088SF).

SKU: S2.99-3718SF

Composed by Justin Smith. Arranged by Ed Hogan. Choral. Sacred Anthem, All Saints' Day, General. Performance/accompaniment CD. SoundForth #99/3718SF. Published by SoundForth (S2.99-3718SF).

UPC: 000308146998.

In a folk-like, back-beat style, Ed Hogan’s arrangement of this song by Indelible Grace reminds us that trials and hardships are but a temporary obstacle in our journey. Tastefully paired with the hymn, On Jordan’s Stormy Banks I Stand this anthem will be enjoyed by choirs and congregations alike.