| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| How Far Is It To Bethlehem Chorale SATB SATB, Flûte [Octavo] Oxford University Press
By Mack Wilberg. For Mixed Choir, Flutes, Harp/Piano or Orchestra. Published by ...(+)
By Mack Wilberg. For
Mixed Choir, Flutes,
Harp/Piano or Orchestra.
Published by Oxford
University Press.
(2)$3.65 - Voir plus => Acheter | | |
| Gleams and Fragments Harpe Oxford University Press
Oboe, clarinet, viola, harp SKU: OU.9780193588769 Composed by Howard Skem...(+)
Oboe, clarinet, viola,
harp SKU:
OU.9780193588769
Composed by Howard
Skempton. Mixed Ensemble.
44 pages. Duration 8'.
Oxford University Press
#9780193588769. Published
by Oxford University
Press (OU.9780193588769).
ISBN 9780193588769. 12
x 8 inches. For
oboe, clarinet, viola,
harp The opening movement
of this five-movement
work features the oboe,
being a setting of a solo
piece written by the
composer in memory of
Barbara Hepworth. The
second is a lyrical canon
for oboe, clarinet, and
viola, the third and
fourth movements are
formal and chorale-like
whilst, the last is a
sprightly, rather quirky
march. $30.99 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Messe de Requiem Chorale SATB [Conducteur et Parties séparées] Carus Verlag
Orchestra Soli SATB, SATB Choir, 4 Fl, 2 Ob, 2 Eh, 4 Fg, 4 Cor, 4 Trb, 4 Arpa, G...(+)
Orchestra Soli SATB, SATB
Choir, 4 Fl, 2 Ob, 2 Eh,
4 Fg, 4 Cor, 4 Trb, 4
Arpa, Grand Orgue, Orgue
d'accompagnement, 2 Vl,
Va, Vc, Cb (reduzierte
Fassung: 2 Fl, 2 Ob, 2
Eh, 2 Fg, 2 Cor, Trb, 2
Arpa, organ, 2 Vl, Va,
Vc, Cb) SKU:
CA.2731709 Composed
by Camille Saint-Saens.
Edited by Fritz Naf. 1x
27.317/21 flute 1, 1x
27.317/22 flute 2, 1x
27.317/23 flute 3, 1x
27.317/24 flute, 1x
27.317/25 oboe 1, 1x
27.317/26 oboe 2, 1x
27.317/27 English horn 1,
1x 27.317/28 English horn
2, 1x 27.317/29 bassoon
1, 1x 27.317/30 bassoon
2, 1x 27.317/31 bassoon .
Requiem Op. 54. Sacred
vocal music, Requiem. Set
of Orchestra Parts.
Composed 1878. Op. 54.
Duration 35 minutes.
Carus Verlag #CV
27.317/09. Published by
Carus Verlag
(CA.2731709). ISBN
9790007201777. Language:
Latin. During his
most productive period as
an opera composer,
Camille Saint-Saens also
wrote sacred works, among
which his Oratorio de
Noel has enjoyed great
worldwide popularity. The
colorful and opulently
orchestrated Messe de
Requiem was composed in
1878 in Bern. The
composer dedicated it to
his patron, Albert Libon.
We have published this
edition both with its
larger orchestral forces
and to enable perfomances
of the Requiem in
slightly reduced scoring
(without losing the
special characteristics
of the work), in a
version with a smaller
orchestra consisting of
11 winds, two harps,
organ and string
instruments. The full
score reproduces the
Urtext of the Requiem
with its original
scoring, whereas the
performance material is
presented and conceived
so to enable it to be
performed either in the
original orchestration or
the version with reduced
forces. Score and parts
available separately -
see item CA.2731700. $165.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz) Chorale SATB [Conducteur] Carus Verlag
ATB vocal soli, SATB choir, orchestra SKU: CA.3113600 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra SKU:
CA.3113600 Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Cantatas, Trinity. Full
score. Composed 1723. BWV
136. 36 pages. Duration
22 minutes. Carus Verlag
#CV 31.136/00. Published
by Carus Verlag
(CA.3113600). ISBN
9790007171636. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23. The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Examine me, God, and inquire of my heart (Erforsche mich, Gott, und erfahre mein Herz) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
ATB vocal soli, SATB choir, orchestra SKU: CA.3113619 Cantata for the ...(+)
ATB vocal soli, SATB
choir, orchestra SKU:
CA.3113619 Cantata
for the 8th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Christiane
Hausmann. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Complete orchestral
parts. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1723. BWV 136.
Duration 22 minutes.
Carus Verlag #CV
31.136/19. Published by
Carus Verlag
(CA.3113619). ISBN
9790007172176. Language:
German/English.
Translation: Henry
Drinker. Scripture:
Matthew
7:15-23. The
cantata Erforsche mich
Gott und erfahre mein
Herz BWV 136 was composed
in Bach's first year as
Kantor of St. Thomas's in
Leipzig and was first
performed on the 8th
Sunday after Trinity, the
18th July 1723. The
librettist is unknown.
The title of the cantata
is taken from verse 23 of
Psalm 139: Erforsche mich
Gott und erfahre mein
Herz; prufe mich und
erfahre, wie ich's meine.
(Search me, O God, and
know my heart: try me,
and know my thoughts) The
opening chorus forms an
extended fugue, framed by
string writing bursting
with energy. The
obbligato horn
accentuates and enriches
the movement with a
special tonal color. The
alto aria in F sharp
minor (movement 3)
comprises a trio movement
with an oboe d'amore as
solo instrument in a
contrasting range - a
presto middle section
which dramatically
charges the words Denn
seines Eifers Grimm
vernichtet (For the fury
of its zeal will
destroy). In the duet
(movement 5) the text is
sung by tenor and bass
line by line, sometimes
imitating contrapuntally,
and sometimes both
singing together
dramatically in
homophonic writing. A
simple chorale setting to
the melody Auf meinen
lieben Gott concludes the
cantata. Particularly
charming here is the
violin which joins the
four vocal parts as an
independent part. Score
and parts available
separately - see item
CA.3113600. $142.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Passion and Glory of the Risen Christ Chorale SATB SATB, Piano [Conducteur] Hope Publishing Company
Arranged by Jack Schrader. For SATB choir. Sacred, Easter, Lent. Score. Musicals...(+)
Arranged by Jack
Schrader. For SATB choir.
Sacred, Easter, Lent.
Score. Musicals. 60
pages. Published by Hope
Publishing Company
$12.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Christ, Be My Song! - Orchestral Score and CD with Printable Parts Orchestre d'harmonie, Chorale-Voix [Partition + CD-ROM] Lorenz Publishing Company
Composed by John Parker. Arranged by Mark Hayes. For choir and full orchestra. S...(+)
Composed by John Parker.
Arranged by Mark Hayes.
For choir and full
orchestra. Sacred Anthem.
Orchestral score and CD
with printable parts.
Lorenz Publishing Company
#30/3206L. Published by
Lorenz Publishing Company
$69.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Passion and Glory of the Risen Christ CD Chorale [CD d'écoute] Hope Publishing Company
Arranged by Jack Schrader. For choir, narrator and piano/orchestra. Lent/Easter,...(+)
Arranged by Jack
Schrader. For choir,
narrator and
piano/orchestra.
Lent/Easter, Cantata.
Easter, Lent, Sacred.
Listening CD. Published
by Hope Publishing
Company
$17.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| The Day of Hope - Choral/Full Score Chorale SSAA [Conducteur] Roger Dean
(A Three-movement Work in honor of Shirin Ebadi). By Carol Barnett. For SSAA Cho...(+)
(A Three-movement Work in
honor of Shirin Ebadi).
By Carol Barnett. For
SSAA Choir, Oboe,
Percussion, Harp. Major
Work. Choral/Full Score.
Published by Roger Dean
Publishing
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sussex Carol Chorale SATB SATB, Piano Hinshaw Music Inc.
By Traditional. Arranged by Neil Harmon. For SATB choir, piano (or harp) and obo...(+)
By Traditional. Arranged
by Neil Harmon. For SATB
choir, piano (or harp)
and oboe; or optional
wind quintet. Choral,
Christmas, Sacred.
Octavo. 15 pages.
Duration c. 3 minutes 20
seconds. Published by
Hinshaw Music Inc
$2.65 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Behold the Star! - Full Score and Parts plus CD with Printable Parts Chorale, Orchestre [Conducteur] Lorenz Publishing Company
(A Christmas Journey to the Light of Christ). By Lloyd Larson. Arranged by Micha...(+)
(A Christmas Journey to
the Light of Christ). By
Lloyd Larson. Arranged by
Michael Lawrence.
Cantatas. Christmas. Full
score and parts and
CD-ROM (with printable
parts). Published by
Lorenz Publishing Company
$399.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Almira, Konigin von Kastilien HWV 1 Chorale SATB Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass ...(+)
Solo voices, choir,
orchestra (3 Soprano
Voice Solo, 3 Tenor Voice
Solo, 2 Bass Voice Solo,
SATB Choir, 2
recorder-Alto, 2 Oboe,
bassoon, 3 Trumpets,
timpani, 3 Violins,
Viola, Cello, Bassi(Vc,
double bass, bassoon,
harpisc.)) SKU:
BA.BA04050 Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian. “A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$380.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noel Nouvelet Chorale SSATB [Octavo] Lorenz Publishing Company
By Donna Gartman Schultz. For SSATB choir, harp (keyboard), oboe. Christmas, Sac...(+)
By Donna Gartman Schultz.
For SSATB choir, harp
(keyboard), oboe.
Christmas, Sacred. Sacred
Anthem. Published by
Lorenz Publishing
Company. (10/3716L)
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Noel Nouvelet Chorale 3 parties SSA, Piano [Octavo] Lorenz Publishing Company
By Donna Gartman Schultz. For SSA choir, piano, harp (keyboard), oboe. Christmas...(+)
By Donna Gartman Schultz.
For SSA choir, piano,
harp (keyboard), oboe.
Christmas, Sacred. Sacred
Anthem. Published by
Lorenz Publishing
Company. (10/3717L)
$3.20 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Candlelight Carol Chorale SATBB [Vocal Score] - Facile Oxford University Press
Composed by John Rutter (1945-). For SATBB choir and organ/chamber ensemble (flu...(+)
Composed by John Rutter
(1945-). For SATBB choir
and organ/chamber
ensemble (flute, oboe,
harp, strings). This
edition: Paperback. Mixed
Voices. John Rutter
Anniversary Edition.
Christmas Carols. Level A
(very easy). Vocal score.
Duration 4 minutes.
Published by Oxford
University Press
$3.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Highland Carol Chorale SATB SATB, Piano [Octavo] Crystal Sea Music Publishing
By Michael W Smith. Arranged by Thomas Fettke. For SATB choir, piano. Sacred Ant...(+)
By Michael W Smith.
Arranged by Thomas
Fettke. For SATB choir,
piano. Sacred Anthem.
Octavo. Published by
Crystal Sea Music
Publishing
$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Eight Christmas Carols Set 2 Chorale SATB SATB, Piano [Vocal Score] Oxford University Press
By John Rutter (1945-). For SATB choir and piano/orchestra (I saw three ships: 2...(+)
By John Rutter (1945-).
For SATB choir and
piano/orchestra (I saw
three ships: 2 flutes (II
opt), 2 oboes, clarinet,
2 bassoons (II opt), 2
horns, piano or harp,
strings Down in yon
forest: flute, 2 oboes, 2
horns, harp, strings
Quelle est cette odeur
agr'eable: flute, 2
oboes, bassoon, 2 horns,
harp, strings The ).
Mixed Voices. Christmas,
Choral Collection. Vocal
score. Published by
Oxford University Press
$15.50 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The holly and the ivy Chorale SATB SATB, Orchestre [Vocal Score] Oxford University Press
By Matthew Owens. For SATB choir and organ/full orchestra/chamber orchestra (flu...(+)
By Matthew Owens. For
SATB choir and organ/full
orchestra/chamber
orchestra (flute, oboe,
clarinet, bassoon,
strings OR piccolo,
flute, 2 oboes, 2
clarinets, 2 bassoons, 2
horns, glockenspiel,
harp, strings). Mixed
Voices. Christmas, Choral
Leaflet. Vocal score. 4
pages. Duration 3'.
Published by Oxford
University Press
$2.85 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Savior From On High, - Part Set: Oboe, Harp Chorale SATB Subito Music
SATB Chorus, S solo & Harp (or Piano) with optional Oboe SKU: SU.80400303 ...(+)
SATB Chorus, S solo &
Harp (or Piano) with
optional Oboe SKU:
SU.80400303 For
SATB Chorus, S solo &
Harp (or Piano) with
optional Oboe.
Composed by Stephen
Paulus. Harp, Harp with
Other Instruments,
Woodwinds, Oboe/English
Horn. Set of Parts.
Subito Music Corporation
#80400303. Published by
Subito Music Corporation
(SU.80400303).
Set of parts
(Oboe & Harp) for
80400303 Published by:
Paulus Publications
(SP387.pt). $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Descant Recorder Tutor Flûte à bec Soprano - Débutant Forsyth Publications
By Cecily Lambert. For Descant Recorder. Elementary. Published by Forsyth Public...(+)
By Cecily Lambert. For
Descant Recorder.
Elementary. Published by
Forsyth Publications
$9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Glory to God Chorale SATB [Octavo] Randol Bass Music
Composed by Randol Alan Bass. Christmas, Sacred, 21st Century. Choral score. Ran...(+)
Composed by Randol Alan
Bass. Christmas, Sacred,
21st Century. Choral
score. Randol Bass Music
#RBM-011. Published by
Randol Bass Music
$2.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pilgrim Song Chorale SATB SATB divisi Oxford University Press
By Ryan Murphy. For SATB choir (with divisions), piano/piano and orchestra (flut...(+)
By Ryan Murphy. For SATB
choir (with divisions),
piano/piano and orchestra
(flute, oboe, clarinet,
bassoon, 4 horns, harp,
piano, strings). Mixed
Voices. Sacred, Choral
Leaflet. Vocal score. 12
pages. Duration 4'.
Published by Oxford
University Press
$3.65 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Be thou my vision Chorale SATB SATB, Orchestre [Set de Parties séparées] Oxford University Press
Composed by John Rutter (1945-). For SATB choir and small orchestra (flute, oboe...(+)
Composed by John Rutter
(1945-). For SATB choir
and small orchestra
(flute, oboe, 2
clarinets, 2 horns, harp,
strings). This edition:
Paperback. Instrumental
Accompaniment. John
Rutter Anniversary
Edition. Set of parts.
Duration 4.5 minutes.
Published by Oxford
University Press
$70.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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