(The Phillip Keveren Series). By Henry Mancini. Arranged by Phillip Keveren. Pia...(+)
(The Phillip Keveren
Series). By Henry
Mancini. Arranged by
Phillip Keveren. Piano
Solo Composer Collection.
Softcover. 64 pages.
Published by Hal Leonard
Choral (ChoirTrax CD) SKU: HL.299461 With Crown Him with Many Crowns(+)
Choral (ChoirTrax CD)
SKU: HL.299461
With Crown Him with
Many Crowns. Composed
by Robert Sterling.
Brookfield Easter Choral.
Easter, General Worship,
Sacred. CD. Duration 200
seconds. Published by
Brookfield Press
(HL.299461).
UPC:
888680956448.
5.0x5.0x0.184 inches.
John Parker/Robert
Sterling. I Peter 1:3,
Isaiah 25:8, Matthew
28:6.
The light of
Easter sunrise shines in
this sturdy proclamation
of life! With words that
surround the heart with
joy and celebration and
music that reaches to the
skies, this modern hymn
is ideal for resurrection
Sunday. Approachable, yet
rich with festive effect,
this is essential
repertoire for
Eastertide!
Congregational part
included. Score and Parts
(hndbl, fl, ob, hn, timp,
vc) available as a
digital download.
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 3
SKU:
CF.CAS95
Composed by
Jan Sweelinck. Arranged
by Bud Caputo. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
16+4+16+10+10+10+4+12
pages. Duration 3
minutes, 38 seconds. Carl
Fischer Music #CAS95.
Published by Carl Fischer
Music (CF.CAS95).
ISBN
9781491142141. UPC:
680160630202. Key: G
major.
Hodie
Christus Natus Est, by
Jan Pieters Sweelinck
(1562-1621), is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at anytime
during the school
year. Hodie Christus
Natus Est by Jan
Pieterszoon Sweelinck
(1562-1621) is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at any time
during the school year.
The string parts mirror
the voice parts, but are
in the more comfortable
key of G major, rather
than the original
B≤ major. String
teachers may want to
consult with their choral
counterparts to determine
if combining their groups
might provide a unique
experience for all of
their students.All the
string parts remain in
first position. The work
contains the less common
alternating meters of
ëand ò, and will
provide students with
insight into the unique
rhythmic style of the
Renaissance period. A
piano part is included
for rehearsal
purposes.Performance
suggestions: By listening
to a recording of the
original vocal
performance and focusing
on the lyrics, students
will understand where to
use a connected legato
bowing style for running
eighth-note passages and
for the longer note
durations, as expressed
in the lyric
“Ho-di-e,
Ho-di-e†that
alternates with a light
detached style
“No-e, No
–e, No-e.†A
most recent YouTube link
is suggested here:
www.youtube.com/watch?v=B
2rAkZE5UU0.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Choral (ShowTrax CD) SKU: HL.274800 Composed by Eric Tsavdar and Steve Be...(+)
Choral (ShowTrax CD)
SKU: HL.274800
Composed by Eric Tsavdar
and Steve Bernstein.
Arranged by Roger
Emerson. Festival Choral.
Concert, Festival, Pop,
Pop/Rock, Rock. CD.
Duration 205 seconds.
Published by Hal Leonard
(HL.274800).
UPC:
888680740849.
5.0x5.0x0.148
inches.
Focusing on
the healing power of
music while enjoying the
natural beauty of the
outdoors, this is a song
with a message. A nice
combination of style and
substance for your
concert.
By Lynn Ahrens, music by Stephen Flaherty. Arranged by Jeff Funk. For Choir. (S...(+)
By Lynn Ahrens, music by
Stephen Flaherty.
Arranged by Jeff Funk.
For Choir. (SATB).
Choral Octavo. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
By Lynn Ahrens, Stephen Flaherty. Arranged by Jeff Funk. For Choir. (SAB). Chor...(+)
By Lynn Ahrens, Stephen
Flaherty. Arranged by
Jeff Funk. For Choir.
(SAB). Choral Octavo.
Broadway. Choral Octavo.
8 pages. Published by
Alfred Publishing.
25 Sätze zu
Chorälen und neuen
Liedern, geistliche
Konzerte, Liedkanons,
kleine Kantaten und
Singspiele für 1- bis
3stimmigen Kinderchor und
beliebige Instrumente
(teilweise ad lib.).
Edited by Landesverband
der evangelischen
Kirchenmusiker Badens.
Paperback. Chormusik fur
Kinder 3. Choral score,
anthology. 47 pages.
Baerenreiter Verlag
#BA06327_00. Published by
Baerenreiter Verlag
(BA.BA06327).
ISBN
9790006478255. 27 x 19 cm
inches.
25 Satze zu
Choralen und neuen
Liedern, geistliche
Konzerte, Liedkanons,
kleine Kantaten und
Singspiele fur 1- bis
3stimmigen Kinderchor und
beliebige Instrumente
(teilweise ad lib.).
Composed
by Kelly Dugger. Full
score. 24 pages. Carl
Fischer Music #YPS240F.
Published by Carl Fischer
Music (CF.YPS240F).
ISBN 9781491159644.
UPC:
680160918232.
An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners.
Composed by
Kelly Dugger. Set of
Score and Parts.
24+8+8+4+8+8+4+4+6+4+4+4+
8+8+8+6+6+6+4+6+2+4+6
pages. Duration 5
minutes, 20 seconds. Carl
Fischer Music #YPS240.
Published by Carl Fischer
Music (CF.YPS240).
ISBN 9781491159637.
UPC:
680160918225.
An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners.
Percussion (Percussion Parts) SKU: HL.14035516 Composed by Rolf Wallin. M...(+)
Percussion (Percussion
Parts)
SKU:
HL.14035516
Composed
by Rolf Wallin. Music
Sales America. Post-1900.
Sheet Music, Instrumental
Work. With Text language:
English. Chester Music
#CH6382201. Published by
Chester Music
(HL.14035516).
UPC:
884088812461.
10.5x14.0x0.3
inches.
Composer's
Notes: The last few years
I have become
increasingly involved in
some peculiar
mathematical formulas
called
“fractalsâ€.
These formulas, used in
the fast growing field of
“Chaos
theoryâ€, are
relatively simple, but
they generate fascinating
and surprisingly
“organicâ€
patterns when shown
graphically on a computer
screen, or played as
music. One should think
that such a mathematical
approach would lead to
sterile and 'theoretical'
music. The sound world of
Stonewave, however, is
not one you would
associate with math
books. The steady,
insistent pulse, and the
use of sequences put
squarely up against each
other or divided by long
rests suggest an
invisible ritual. A
ritual for what? Well
then, let it be a ritual
for the exorcism of some
'evil spirits' which now
ride our part of the
world under the name of
Liberalism, making people
the servants of the
Market Forces instead of
vice versa. Stonewave is
therefore an incantation,
as it seems that only
divine forces can save
European culture from a
political system that
proclaims the Jungle Law
as the guiding principle
in social and cultural
life. Rolf Wallin.
Percussion (Percussion Parts) SKU: HL.14035517 Composed by Rolf Wallin. M...(+)
Percussion (Percussion
Parts)
SKU:
HL.14035517
Composed
by Rolf Wallin. Music
Sales America. Post-1900.
Sheet Music, Score. With
Text language: English.
Chester Music #CH63822.
Published by Chester
Music (HL.14035517).
UPC: 884088812454.
8.5x11.75x0.067
inches.
Composer's
Notes: The last few years
I have become
increasingly involved in
some peculiar
mathematical formulas
called
“fractalsâ€.
These formulas, used in
the fast growing field of
“Chaos
theoryâ€, are
relatively simple, but
they generate fascinating
and surprisingly
“organicâ€
patterns when shown
graphically on a computer
screen, or played as
music. One should think
that such a mathematical
approach would lead to
sterile and 'theoretical'
music. The sound world of
Stonewave, however, is
not one you would
associate with math
books. The steady,
insistent pulse, and the
use of sequences put
squarely up against each
other or divided by long
rests suggest an
invisible ritual. A
ritual for what? Well
then, let it be a ritual
for the exorcism of some
'evil spirits' which now
ride our part of the
world under the name of
Liberalism, making people
the servants of the
Market Forces instead of
vice versa. Stonewave is
therefore an incantation,
as it seems that only
divine forces can save
European culture from a
political system that
proclaims the Jungle Law
as the guiding principle
in social and cultural
life. Rolf Wallin.
For Saxophone, Piano Accompaniment, Tenor Saxophone (Score & Parts). Music Sales...(+)
For Saxophone, Piano
Accompaniment, Tenor
Saxophone (Score &
Parts). Music Sales
America. Jazz. 66 pages.
Chester Music #CH61090.
Published by Chester
Music . Jazz.
By Russ Shipton. Book and CD. Published by Music Sales. (AM973863) All 3 boo...(+)
By Russ Shipton. Book
and CD. Published by
Music Sales. (AM973863)
All 3 books of The
Complete Guitar Player
series are published in
this single volume at a
substantial savings over
the price of the
individual books.
(Study Score) SKU: HL.14014855 Composed by Gary Hess. Music Sales America...(+)
(Study Score)
SKU:
HL.14014855
Composed
by Gary Hess. Music Sales
America. Sheet Music,
Score. With Text
language: English.
Chester Music #CH58990.
Published by Chester
Music (HL.14014855).
Mixed choir: SAT (Mixed choir, SAT) SKU: BA.BA02386 Motette. Compo...(+)
Mixed choir: SAT (Mixed
choir, SAT)
SKU:
BA.BA02386
Motette. Composed
by Siegfried Reda.
Stapled. Aus dem
Psalmbuch. Fünf
Sprüche aus dem 50.
Psalm. Sacred, Psalmen
(Psalms). Choral score.
Baerenreiter Verlag
#BA02386_00. Published by
Baerenreiter Verlag
(BA.BA02386).
ISBN
9790006420667.
Mote
t from Psalmbuch. Funf
Sprache aus dem 50.
Psalm
Voice(s) solo SKU: BR.EB-8948 Voice Exercises of Franziska Martienssen...(+)
Voice(s) solo
SKU:
BR.EB-8948
Voice
Exercises of Franziska
Martienssen-Lohmann,
handed down by Reinhard
Becker. Composed by
Barbara Hoos de Jokisch.
Voice; Softbound. Edition
Breitkopf. How Do I
Actually Teach?- Video
lecture by Barbara Hoos
de Jokisch on the
occasion of the EUROVOX
Congress 2020. Music
pedagogy. Score. 152
pages. Breitkopf and
Haertel #EB 8948.
Published by Breitkopf
and Haertel (BR.EB-8948).
ISBN 9790004186176. 9
x 12 inches.
German.
Conscious
Singing and Teaching This
compact workbook for
singing teachers,
students of singing, and
singers offers a
comprehensive summary of
classical voice training,
based on the
voice-training qualities
of German speech sounds
(with IPA symbols). The
rich store of vocal
exercises from the
teachings of the renowned
German pedagogue
Franziska
Martienssen-Lohmann
(1887-1971) is
systematically organized
according to the three
functional areas of the
voice - stimulation of
phonation, voice
production, shaping of
sound. The clear layout
also makes it possible to
find exercises for
specific tasks. The book
will help students of
singing find ways to
practice on their own.
Experienced singers and
teachers of singing will
find here ideas for
structuring and expanding
their own repertoire of
vocal exercises. This is
the book I've been hoping
for for many years! I
studied for a while with
Elisabeth Grummer, who
studied with Franziska
Martienssen-Lohmann, the
great German singing
teacher of the 20th
century. Her teaching was
rooted in bel canto and
the then new knowledge of
vocal physiology, but
also infused with her
love of language and use
of the imagination.
Imagining the sound you
want to make before the
voice is heard was one of
her main concepts, before
the scientists ever
discovered prephonatory
tuning. The book is only
available in German at
the moment, but feelers
have been put out to an
English publisher. I
recognize many exercises
in this book that I
learnt from Grummer and
still use today in my own
teaching. The
descriptions are clear,
with step by step tips
for their execution. This
is a book that many will
want to possess! Prof.
Eleanor Forbes |
Berlin.
Solo piano - Difficulty: medium-difficult to difficult SKU: AP.0034B Comp...(+)
Solo piano - Difficulty:
medium-difficult to
difficult
SKU:
AP.0034B
Composed by
Claude Debussy.
Masterworks; Piano
Collection. Belwin
Classic Edition: The
Great Piano Works Series.
Impressionistic.
Collection. With
introductory text (does
not include words to the
songs). 159 pages. Belwin
Music #00-0034B.
Published by Belwin Music
(AP.0034B).
ISBN
9781576239483. UPC:
029156607673. 9x12
inches.
English.
This
volume in our new series
features 29 compositions
by Claude Debussy,
including such famous
pieces as 'Clair de
Lune,' 'Reverie,' 'The
Girl with the Flaxen
Hair,' 'Golliwogg's Cake
Walk,' and others. It
includes pieces from the
French master's wealth of
piano compositions,
including the
'Arabesques,' PETITE
SUITE, CHILDREN'S CORNER
SUITE, both books of
'Preludes,' and
individual pieces. A wide
variety of music from the
French impressionistic
genius! 29 titles on 160
pages.
Soprano, Tenor, SATB SKU: HL.14016707 Composed by John Tavener. Music Sal...(+)
Soprano, Tenor, SATB
SKU: HL.14016707
Composed by John Tavener.
Music Sales America.
Post-1900. Sheet Music,
Score. Chester Music
#CT55024. Published by
Chester Music
(HL.14016707).
UPC:
884088816353.
8.5x11.0x0.379
inches.
Alternative
Title: Ikon of the
Beloved Scored for
Soprano and Two Tenor
Soli, SATB Chorus, 2
Trumpets, 2 Timpani,
Organ and Strings (Large
Cello section
required).
American Heroes Orchestre d'harmonie - Intermédiaire/avancé Carl Fischer
Band Concert Band - Grade 4 SKU: CF.SPS13 A Salute to the Armed Forces...(+)
Band Concert Band - Grade
4
SKU: CF.SPS13
A Salute to the Armed
Forces. Composed by
Various. Arranged by Carl
Strommen. FS-SWS. Set of
Score and Parts. With
Standard notation.
12+12+6+12+12+12+6+6+6+6+
8+6+12+12+12+6+6+6+6+6+6+
6+6+9+9+2+2+4+6+32 pages.
Carl Fischer Music
#SPS13. Published by Carl
Fischer Music (CF.SPS13).
ISBN 9780825848186.
UPC: 798408048181. 9 X 12
inches. Key: Bb
major.
This
stirring medley is a
great way to satisfy the
uniquely American longing
for patriotic expression.
Introduced by the last
phrase of the National
Anthem, Carl Strommen's
medley includes all four
of the traditional
service songs (Army,
Marines, Navy and Air
Force) in rousing
settings that can be done
with optional narrator,
chorus or band alone. The
salute ends with a
heartfelt setting of the
refrain of America the
Beautiful. This selection
is guaranteed to bring
your audience to its
feet! Duration: 4'15
Keys: Bb, Eb, Db Ranges:
Trumpet-G; Horn-A;
Trombone-G.
![Make Them Hear You (from Ragtime The Musical[TM])](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwbd0081e9/images/1698/1601698_cover-large_file.png)
![Make Them Hear You (from Ragtime The Musical[TM])](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dwa64e21e1/images/1709/1601709_cover-large_file.png)
