The New Essential Companion. Edited by Henrik Wiese. Soli Parts. With Standard...(+)
The New Essential
Companion.
Edited by Henrik Wiese.
Soli
Parts. With Standard
notation. 116 pages.
Universal Edition
#UE36419.
Published by Universal
Edition
By Gustav Holst (1874-1934). Arranged by James Haynor. For Brass Ensemble. Briti...(+)
By Gustav Holst
(1874-1934). Arranged by
James Haynor. For Brass
Ensemble. British early
20th cent. Advanced. Full
Score and parts.
Published by Cherry
Classics
3 Flutes (Flute) SKU: HL.14022252 Composed by Thea Musgrave. Music Sales ...(+)
3 Flutes (Flute)
SKU:
HL.14022252
Composed
by Thea Musgrave. Music
Sales America. Classical.
Book [Softcover]. 16
pages. Music Sales
#NOV95816601. Published
by Music Sales
(HL.14022252).
8.25x11.75x0.085
inches.
Commissione
d by the sound festival
for The Scottish Flute
Trio. First performance:
November 13, 2008. Duff
House, Banff, Scotland.
In this work all three
players in turn play each
of the three instruments
- piccolo, flute and alto
flute - thus giving a
contrasted sound to match
the character of the four
linked movements: hence
the title. Sleepy using
all three alto flutes
begins on the lowest note
- G. The mood gradually
changes as they introduce
higher pitches and faster
rhythms as they wake up.
In Lyrical a flute
introduces the melody,
which is then shared by a
second flute and later by
the alto flute. With
Mischievous the piccolos
arrive on the scene. The
first one incites another
piccolo and then the
flute to join in. The
tempo quickens and after
a brief climax the mood
quietens leading to
Peaceful. In this last
movement all three
instruments are played.
In turn they present a
lyrical melody but in
different keys so as to
suit their individual
tessituras.
(The Drummerâ??s Guide to the Genre and the Legends Who Defined It). By Rich La...(+)
(The Drummerâ??s Guide
to the Genre and the
Legends Who Defined It).
By Rich Lackowski. For
Drumset.
Artist/Personality;
Method/Instruction;
Percussion - Drum Set
Method or Collection. On
the Beaten Path. Metal;
Rock. Book and CD. 104
pages. Published by
Alfred Music Publishing
Arranged by Otto M.
Schwarz. Music Box.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
1997. De Haske
Publications #DHP
0970802-070. Published by
De Haske Publications
(BT.DHP-0970802-070).
ISBN
9789043130417.
A
great value publication
that includes
arrangements of: James
Bond Theme, Meet the
Flintstones,
Gabriel’s Oboe,
Conquest of Paradise,
Love Story, What A
Wonderful World and
The Pink
Panther.Part 1 Picc
Fl Ob Bb/Eb Clar S Sax A
Sax Tpt Part 2 Cor Ang Bb
Clar Eb Clar Tpt Hn Part
3 Bass Clar T Sax Bari
Sax Bsn Trom Euph Tuba
Opt. Perc
Inhoud:
James Bond Theme, Meet
the Flintstones,
Gabriel’s Oboe,
Conquest of Paradise,
Love Story, What a
Wonderful World, The Pink
Panther
Otto
M. Schwarz arrangierte
bekannte Filmthemen
für ein variables
Bläsertrio.Part 1 Picc
Fl Ob Kl B/Es S-Sax A-Sax
Trp Part 2 Cor Ang Kl B
A-Kl Trp Hn Part 3 B-Kl
T-Sax B-Sax Fg Pos Euph
Tuba Opt. Perc
Part 1 Picc Fl
Htb Cl.
Si♭/Mi♭ Sax.
S. Sax. A. Trp. Part 2
Cor Angl. Cl. Si♭
Cl. Alto Trp Cor Part 3
Cl. Basse Sax. T. Sax. B.
Basson Trb Euph. Tuba
Opt. Perc
Otto M.
Schwarz arrangia famose
colonne sonore di film
per trio variabile di
strumenti a fiato. Part 1
Picc Fl Ob Kl B/Es S-Sax
A-Sax Trp Part 2 Cor Ang
Kl B A-Kl Trp Hn Part 3
B-Kl T-Sax B-Sax Fg Pos
Euph Tuba Opt. Perc.
SKU: GI.G-9691 A Guide for General Music Teachers. Composed by Jil...(+)
SKU: GI.G-9691
A Guide for General
Music Teachers.
Composed by Jill Reese.
Music Learning Theory
(MLT). Music Education.
296 pages. GIA
Publications #9691.
Published by GIA
Publications (GI.G-9691).
ISBN
9781622774029.
Edwi
n E. Gordon is widely
regarded as one of the
most influential figures
in the field of music
education, and his
groundbreaking Music
Learning Theory (MLT)
remains one of the most
significant and effective
approaches to teaching
music skills and content
to students. Navigating
Music Learning
Theory, by author and
educator Jill Reese, is
an accessible and
practical guide for
general music teachers
interested in
incorporating the
innovative concepts and
ideas of Music Learning
Theory in their own
instruction. The book is
divided into three parts.
In the first part, Reese
provides an overview of
the core pedagogical
principles of Music
Learning Theory,
including a breakdown of
its foundational Skill
Learning Sequence. The
second and third parts
take a detailed look at
Learning Sequence
Activities (the tonal and
rhythm patterns used to
teach skills and content)
and Classroom Activities
(applying skills and
content to songs, chants,
and recordings). Central
to this resource are over
one hundred pages of
scripted lesson plans
designed to guide
teachers in presenting
tonal patterns, rhythm
patterns, songs, and
chants with efficient and
pedagogically sound
language. The scripted
materials are
intentionally flexible,
allowing teachers to use
them as written or to
modify them for their
unique teaching context.
In keeping with Edwin
Gordon’s ideas,
Reese emphasizes the
importance of balancing
class instruction with
individualized
instruction and provides
a number of tools and
opportunities for
assessment and tracking
toward individual
differences between
students. Regardless of a
teacher’s
experience or familiarity
with Edwin
Gordon’s
ideas, Navigating
Music Learning
Theory is certain to
help any teacher design
and implement a robust
music curriculum with
engaging lessons that
will maximize the musical
potential of each
student. Dr. Jill
Reese is Associate
Professor of Music
Education at The State
University of New York at
Fredonia. She is also on
the teaching faculty for
the Gordon Institute for
Music Learning (GIML).
She holds degrees in
Music Education from
Temple University (PhD),
University of Michigan
(MM), and Michigan State
University (BM).
(The Phillip Keveren Series). By Henry Mancini. Arranged by Phillip Keveren. Pia...(+)
(The Phillip Keveren
Series). By Henry
Mancini. Arranged by
Phillip Keveren. Piano
Solo Composer Collection.
Softcover. 64 pages.
Published by Hal Leonard
Choral (ChoirTrax CD) SKU: HL.299461 With Crown Him with Many Crowns(+)
Choral (ChoirTrax CD)
SKU: HL.299461
With Crown Him with
Many Crowns. Composed
by Robert Sterling.
Brookfield Easter Choral.
Easter, General Worship,
Sacred. CD. Duration 200
seconds. Published by
Brookfield Press
(HL.299461).
UPC:
888680956448.
5.0x5.0x0.184 inches.
John Parker/Robert
Sterling. I Peter 1:3,
Isaiah 25:8, Matthew
28:6.
The light of
Easter sunrise shines in
this sturdy proclamation
of life! With words that
surround the heart with
joy and celebration and
music that reaches to the
skies, this modern hymn
is ideal for resurrection
Sunday. Approachable, yet
rich with festive effect,
this is essential
repertoire for
Eastertide!
Congregational part
included. Score and Parts
(hndbl, fl, ob, hn, timp,
vc) available as a
digital download.
25 Sätze zu
Chorälen und neuen
Liedern, geistliche
Konzerte, Liedkanons,
kleine Kantaten und
Singspiele für 1- bis
3stimmigen Kinderchor und
beliebige Instrumente
(teilweise ad lib.).
Edited by Landesverband
der evangelischen
Kirchenmusiker Badens.
Paperback. Chormusik fur
Kinder 3. Choral score,
anthology. 47 pages.
Baerenreiter Verlag
#BA06327_00. Published by
Baerenreiter Verlag
(BA.BA06327).
ISBN
9790006478255. 27 x 19 cm
inches.
25 Satze zu
Choralen und neuen
Liedern, geistliche
Konzerte, Liedkanons,
kleine Kantaten und
Singspiele fur 1- bis
3stimmigen Kinderchor und
beliebige Instrumente
(teilweise ad lib.).
Choral SSAA choir SKU: CF.CM9587 Composed by John Ratledge. Sws. Jbc. Per...(+)
Choral SSAA choir
SKU:
CF.CM9587
Composed by
John Ratledge. Sws. Jbc.
Performance Score. 16
pages. Duration 3:30.
Carl Fischer Music
#CM9587. Published by
Carl Fischer Music
(CF.CM9587).
ISBN
9781491154090. UPC:
680160912599. 6.875 x
10.5 inches. Key: C
major. English.
Transcribed by Wilson
Hall. Hidegaard Von
Bingen translated by
William Hall.
I
am the secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the
secret fire in all
things, scored for
SSAA divisi and two
soprano soloists, was
premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's Stuff.
This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already within.
 . I am the secret
fire in all things,
scored for SSAA divisi
and two soprano soloists,
was premiered by the
Vancouver Chamber Choir,
Jon Washbun, conductor,
in November 2008. The
Hildegard von Bingen
text, translated by
Wilson Hall (deceased
professor of English at
Shorter College in Rome,
Georgia and dear friend),
is a text that fosters
many opportunities to
depict the mysterious
nature of God, His
transcendence into all
the human experience, and
the hope, through
vulnerability, that
resonates in the gravamen
for individual
transubstantiation
through the struggles
inherent in Life's
Stuff.This composition
celebrates the
transforming power of
spirituality, the
evolution of the human
spirit when one
amalgamates with
unknowing, and the
ecstasy that saturates
Life when one
acknowledges the God
Presence already
within. .
Choral (ShowTrax CD) SKU: HL.274800 Composed by Eric Tsavdar and Steve Be...(+)
Choral (ShowTrax CD)
SKU: HL.274800
Composed by Eric Tsavdar
and Steve Bernstein.
Arranged by Roger
Emerson. Festival Choral.
Concert, Festival, Pop,
Pop/Rock, Rock. CD.
Duration 205 seconds.
Published by Hal Leonard
(HL.274800).
UPC:
888680740849.
5.0x5.0x0.148
inches.
Focusing on
the healing power of
music while enjoying the
natural beauty of the
outdoors, this is a song
with a message. A nice
combination of style and
substance for your
concert.
For Saxophone, Piano Accompaniment, Tenor Saxophone (Score & Parts). Music Sales...(+)
For Saxophone, Piano
Accompaniment, Tenor
Saxophone (Score &
Parts). Music Sales
America. Jazz. 66 pages.
Chester Music #CH61090.
Published by Chester
Music . Jazz.
By Lynn Ahrens, music by Stephen Flaherty. Arranged by Jeff Funk. For Choir. (S...(+)
By Lynn Ahrens, music by
Stephen Flaherty.
Arranged by Jeff Funk.
For Choir. (SATB).
Choral Octavo. Choral
Octavo. 8 pages.
Published by Alfred
Publishing.
By Lynn Ahrens, Stephen Flaherty. Arranged by Jeff Funk. For Choir. (SAB). Chor...(+)
By Lynn Ahrens, Stephen
Flaherty. Arranged by
Jeff Funk. For Choir.
(SAB). Choral Octavo.
Broadway. Choral Octavo.
8 pages. Published by
Alfred Publishing.
Orchestra Violin I, Violin II, Violin III (Viola T.C.), Viola, Cello, Bass, Pian...(+)
Orchestra Violin I,
Violin II, Violin III
(Viola T.C.), Viola,
Cello, Bass, Piano -
Grade 3
SKU:
CF.CAS95
Composed by
Jan Sweelinck. Arranged
by Bud Caputo. Carl
Fischer Concert String
Orchestra Series. Set of
Score and Parts. With
Standard notation.
16+4+16+10+10+10+4+12
pages. Duration 3
minutes, 38 seconds. Carl
Fischer Music #CAS95.
Published by Carl Fischer
Music (CF.CAS95).
ISBN
9781491142141. UPC:
680160630202. Key: G
major.
Hodie
Christus Natus Est, by
Jan Pieters Sweelinck
(1562-1621), is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at anytime
during the school
year. Hodie Christus
Natus Est by Jan
Pieterszoon Sweelinck
(1562-1621) is an
extremely popular
Renaissance a cappella
choral work that has been
transcribed for string
orchestra. Although the
work is usually
associated with the
Christmas season, it is a
timeless piece that can
be programmed at any time
during the school year.
The string parts mirror
the voice parts, but are
in the more comfortable
key of G major, rather
than the original
B≤ major. String
teachers may want to
consult with their choral
counterparts to determine
if combining their groups
might provide a unique
experience for all of
their students.All the
string parts remain in
first position. The work
contains the less common
alternating meters of
ëand ò, and will
provide students with
insight into the unique
rhythmic style of the
Renaissance period. A
piano part is included
for rehearsal
purposes.Performance
suggestions: By listening
to a recording of the
original vocal
performance and focusing
on the lyrics, students
will understand where to
use a connected legato
bowing style for running
eighth-note passages and
for the longer note
durations, as expressed
in the lyric
“Ho-di-e,
Ho-di-e†that
alternates with a light
detached style
“No-e, No
–e, No-e.†A
most recent YouTube link
is suggested here:
www.youtube.com/watch?v=B
2rAkZE5UU0.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Composed
by Kelly Dugger. Full
score. 24 pages. Carl
Fischer Music #YPS240F.
Published by Carl Fischer
Music (CF.YPS240F).
ISBN 9781491159644.
UPC:
680160918232.
An
Ankh is an ancient
Egyptian hieroglyphic
representing the word
Life. The Ankh of
Eternity depicts an epic
journey through ancient
lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed? The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of Eternity
offers cultural and
historical inclusion
opportunities,
improvisation, unique
scales, rhythmic
challenges, and a
thrilling story.
Conductor Notes: Measures
45-61: Kaff is the
ancient Arabic art of
hand clapping over
improvised poetry. The
Kaff Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64-73: Experiment with
different cymbal noises,
such as scrapes with a
nail or coin, taps with
triangle beaters, bowed
cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners. An Ankh is an
ancient Egyptian
hieroglyphic representing
the word Life. The
Ankh of
Eternity depicts an
epic journey through
ancient lands to find the
mythical Ankh of Eternity
amulet promising eternal
life. The piece journeys
through the desert in a
caravan, with a stop for
a Kaff celebration, an
Arabic hand-clapping folk
art. The discovery of the
tomb is spine chilling
and eerie with special
percussion effects. After
the Ankh is discovered,
swarms of locusts descend
and our travelers run for
their lives. They may
have found eternal life,
but will they be forever
cursed?The Ankh of
Eternity uses an Arabic
or double harmonic-major
scale. Performers have
multiple soloing and
improvising
opportunities. Complex
but repeating rhythms
offer players a chance to
practice getting in the
groove. Players and
audiences alike will be
invigorated by the many
celebratory moments and
thrilled at the eerie and
downright scary moments!
The Ankh of
Eternity offers
cultural and historical
inclusion opportunities,
improvisation, unique
scales,
rhythmic challenges,
and a thrilling
story.Conductor Notes:
Measures 45–61:
Kaff is the ancient
Arabic art of hand
clapping over improvised
poetry. The Kaff
Celebration section
represents this art form.
The improvising soloists
should be designated by
the conductor and should
each be four measures
long . Alternatively,
soloists may copy the
phrase in the second
ending as a solo. The
AYE! should be shouted
joyously. The repeat may
be omitted for
performance time
concerns, or, of course,
repeated multiple times
for more solos. Measures
64–73: Experiment
with different cymbal
noises, such as scrapes
with a nail or coin, taps
with triangle beaters,
bowed cymbals, etc.
Water-cymbal techniques
should also be used. Fill
a storage tub with water,
and with the suspended
cymbal still on the
stand, hit the cymbal a
couple times with a soft
mallet, and lower the
cymbal into the water for
a glissando effect. The
overall effect should be
creepy cave-like echoes
bending around
corners.