Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2

SKU: PR.11441429S

For String Sextet. Composed by Shulamit Ran. Contemporary. Full score. With Standard notation. Composed December 16 2008. 22 pages. Duration 15 minutes. Theodore Presser Company #114-41429S. Published by Theodore Presser Company (PR.11441429S).

UPC: 680160594054. 9.5 x 13 inches.

Written for Concertante, a string sextet which has commissioned six different works, each highlighting one of its players. In Ran's new work, the second cellist, Zvi Plesser, was spotlighted with an outgoing, intensely lyrical opening theme, according to a New York Times review. Yet, Lyre of Orpheus never overlooks the collaborative, conversational essence of the ensemble. Read the full review here: http://www.nytimes.com/20 09/03/18/arts/music/18con c.html?_r=1&adxnnl=1&part ner=rssnyt&emc=rss&adxnnl x=1286200920-wRrt7MJ416+F pOYAUe/IOQ For advanced performers.
Lyre of Orpheus was composed for Concertante, the New York-based string sextet, for its One Plus Five Project, a three-year, six-composer commissioning project designed to create six string sextets, each featuring one of Concertante’s core players. This particular commission was made with the goal of giving center-stage to the ensemble’s first cello, a choice I was especially grateful for, not only because it features Zvi Plesser, the outstanding Israeli cellist, but also because it gave ma an opportunity to highlight an instrument for which, from a very early stage in my life, I have felt a special affinity.  The cell’s “soul”, so naturally combining passion and lyricism, has always touched me in a special way. As sometimes happens, naming the piece was the final act in the process of creation.  Once titled, though, I found myself looking through the piece with a mixture of delight and astonishment – the narrative of the almost iconic mythological story of love and loss seems as one entirely plausible, and to my mind convincing, way to tract the unfolding of the musical events.  Of course, the music was written with no such tale (or any tale, for that matter) in mind.  But perhaps some stories are emblematic of so much that is part of our lives and psyches, of our desires, fears and wishes.  Orpheus, whose longing for Eurydice recognizes no boundaries of heaven and hell…  Love regained, then forever lost…  Orpheus’ lyre intoning his sorrowful yearning… Lyre of Orpheus, approximately fifteen minutes in length, composed in late 2008, is intermittently songful, caressing, passionate, pained, ferocious, longing.  The instrumentation consists of 2 violins, 2 violas, 2 cellos, the first of which is the soloist/protagonist, the second notable for having its lowest string tuned down a third to achieve extra lower notes. This commission has been made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.—Shulamit Ran.

Violin and piano

SKU: LM.26850

Composed by Jean Marc Allerme. Pop, jazz. Score and CD. Editions Henry Lemoine #26850. Published by Editions Henry Lemoine (LM.26850).

ISBN 9790230968508.

In the Emilie's Eyes - For a blue note - You miss her - Ballad for Jodie - I prefer the Blue - To sing for heaven - He would like that - Michel lives in USA - Romantic tune - The End for Eddy - I'll be in the show - Ongobongo's star - Ernie is coming back - Modernesk - Just for Babe.

Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello 1, Violoncello 2

SKU: PR.114414290

For String Sextet. Composed by Shulamit Ran. Contemporary. Set of Score and Parts. With Standard notation. Composed December 16 2008. 22+8+8+7+8+8+8 pages. Duration 15 minutes. Theodore Presser Company #114-41429. Published by Theodore Presser Company (PR.114414290).

UPC: 680160594030.

Writt en for Concertante, a string sextet which has commissioned six different works, each highlighting one of its players. In Ran's new work, the second cellist, Zvi Plesser, was spotlighted with an outgoing, intensely lyrical opening theme, according to a New York Times review. Yet, Lyre of Orpheus never overlooks the collaborative, conversational essence of the ensemble. Read the full review here: http://www.nytimes.com/20 09/03/18/arts/music/18con c.html?_r=1&adxnnl=1&part ner=rssnyt&emc=rss&adxnnl x=1286200920-wRrt7MJ416+F pOYAUe/IOQ For advanced performers.
Lyre of Orpheus was composed for Concertante, the New York-based string sextet, for its One Plus Five Project, a three-year, six-composer commissioning project designed to create six string sextets, each featuring one of Concertante’s core players.This particular commission was made with the goal of giving center-stage to the ensemble’s first cello, a choice I was especially grateful for, not only because it features Zvi Plesser, the outstanding Israeli cellist, but also because it gave ma an opportunity to highlight an instrument for which, from a very early stage in my life, I have felt a special affinity.  The cell’s “soul”, so naturally combining passion and lyricism, has always touched me in a special way.As sometimes happens, naming the piece was the final act in the process of creation.  Once titled, though, I found myself looking through the piece with a mixture of delight and astonishment – the narrative of the almost iconic mythological story of love and loss seems as one entirely plausible, and to my mind convincing, way to tract the unfolding of the musical events.  Of course, the music was written with no such tale (or any tale, for that matter) in mind.  But perhaps some stories are emblematic of so much that is part of our lives and psyches, of our desires, fears and wishes.  Orpheus, whose longing for Eurydice recognizes no boundaries of heaven and hell…  Love regained, then forever lost…  Orpheus’ lyre intoning his sorrowful yearning…Lyre of Orpheus, approximately fifteen minutes in length, composed in late 2008, is intermittently songful, caressing, passionate, pained, ferocious, longing.  The instrumentation consists of 2 violins, 2 violas, 2 cellos, the first of which is the soloist/protagonist, the second notable for having its lowest string tuned down a third to achieve extra lower notes.This commission has been made possible by the Chamber Music America Commissioning Program, with funding generously provided by the Aaron Copland Fund for Music, and the Chamber Music America Endowment Fund.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Suspended Cymbal, Tambourine, Timpani, Tom-tom and more. - Grade 2.5

SKU: CF.YPS265

Composed by Ed Kiefer. Set of Score and Parts. Carl Fischer Music #YPS265. Published by Carl Fischer Music (CF.YPS265).

ISBN 9781491163658. UPC: 680160922444.

The Rocky Road to Dublin is a song written by Irish poet D. K. Gavan in the mid-nineteenth century for English music-hall performer Harry Clifton and tells the story of an Irish man leaving his hometown of Tuam in the county of Galway in Ireland to go to Dublin to make money. Because of the Great Potato Famine at that time, large groups of Irish folks left their hometowns looking for food and work. Thousands ended up in America, in particular, Philadelphia, where many made their way south through the Appalachian mountains, settling in southwest Virginia, western North Carolina and eastern Tennessee. As the Irish began their new lives here in America, they would often sing these songs, which would bring back fond memories of their homeland. Many old-time fiddle tunes can be traced to Irish music, including this song. However, their music changed as the songs were passed around through other cultures in the mountains, with new verses about their new lives. Often the tunes and lyrics made their way back overseas where they would change yet again, so there are many versions of these songs found in both Ireland and America. This setting is close to the original and can be found in both places. It gets to the heart of having to leave one’s home to seek a better life.This tune is a fun one and should be played with a lilt until m. 43. At this point, the original material is more legato, but returns at m. 59 in the alto saxophone. Let the percussion play on their solis, especially at the end where some of them answer the band motifs. The straight eighth notes (as at m. 29) will perhaps look difficult to younger players, but once they understand the concept, it will be a favorite part. Have fun!

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Piccolo, Suspended Cymbal, Tambourine, Timpani, Tom-tom and more.

SKU: CF.YPS265F

Composed by Ed Kiefer. Full score. 20 pages. Carl Fischer Music #YPS265F. Published by Carl Fischer Music (CF.YPS265F).

ISBN 9781491164051. UPC: 680160922840.

The Rocky Road to Dublin is a song written by Irish poet D. K. Gavan in the mid-nineteenth century for English music-hall performer Harry Clifton and tells the story of an Irish man leaving his hometown of Tuam in the county of Galway in Ireland to go to Dublin to make money. Because of the Great Potato Famine at that time, large groups of Irish folks left their hometowns looking for food and work. Thousands ended up in America, in particular, Philadelphia, where many made their way south through the Appalachian mountains, settling in southwest Virginia, western North Carolina and eastern Tennessee. As the Irish began their new lives here in America, they would often sing these songs, which would bring back fond memories of their homeland. Many old-time fiddle tunes can be traced to Irish music, including this song. However, their music changed as the songs were passed around through other cultures in the mountains, with new verses about their new lives. Often the tunes and lyrics made their way back overseas where they would change yet again, so there are many versions of these songs found in both Ireland and America. This setting is close to the original and can be found in both places. It gets to the heart of having to leave one’s home to seek a better life.This tune is a fun one and should be played with a lilt until m. 43. At this point, the original material is more legato, but returns at m. 59 in the alto saxophone. Let the percussion play on their solis, especially at the end where some of them answer the band motifs. The straight eighth notes (as at m. 29) will perhaps look difficult to younger players, but once they understand the concept, it will be a favorite part. Have fun!

(Intermediate Sacred Solos for the LDS Pianist). Arranged by Kristen Allred. For piano solo. Difficulty: intermediate. Collection. 36 pages. Published by Porte

Piano Solo. By Fred Bock. Fred Bock Publications. Size 9x12 inches. 152 pages. Published by Fred Bock Music Company.

Bb Instruments

SKU: HL.295068

Bb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard (HL.295068).

ISBN 9781540055200. UPC: 888680945091. 8.5x11.0x0.592 inches.

Your new official bebop bible! Over 200 classics arranged for Bb instruments in Real Book style. Titles include: Anthropology * Au Privave * Be-Bop * Boneology * Boplicity (Be Bop Lives) * Byrd Like * Cherokee (Indian Love Song) * Confirmation * Donna Lee * Doxy * Epistrophy * 52nd Street Theme * Four * Goin' to Minton's * Good Bait * Groovin' High * Hi-Fly * Hot House * In Walked Bud * Jay Bird * Lady Bird * Lennie's Pennies * Moose the Mooche * Move * Oblivion * Oleo * Parisian Thoroughfare * Rosetta * Salt Peanuts * Solar * Teaneck * Tin Tin Deo * Tour De Force * Tricrotism * Wail * Woodyn' You * Yardbird Suite * and more! Comb bound.

Arranged by Brent Jorgensen. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01926. Published by Jackman Music Corporation

Chamber Music Piano

SKU: PR.140401330

Composed by R. Nathaniel Dett. Edited by Lara Downes. 32 pages. Duration 18 minutes. Theodore Presser Company #140-40133. Published by Theodore Presser Company (PR.140401330).

ISBN 9781491134412. UPC: 680160684939.

Natha niel Dett was among America’s leading composers in the early 20th century, and MAGNOLIA SUITE is a beautiful example of his rich, hybrid style. Deeply inspired by the music and mission of Samuel Coleridge-Taylor, Dett’s piano music springs from the late Romantic traditions of florid texture and embellishment, along with programmatic titles and raw emotion. It is notable for melody writing inspired by and paraphrasing African-American song. The 18-minute MAGNOLIA SUITE contains five movements, any of which may also be performed separately. This edition by Lara Downes provides a clean, new engraving that corrects the many errors and unclear indications appearing in the historical printing.
Robert Nathaniel Dett was born in a place that was built on freedom. The little village of Drummondville, Ontario was founded by enslaved Africans – Dett’s ancestors among them – who traveled the Underground Railroad out of the American South into Canada. Their journey brought them to a safe haven, a place where fortunes and futures could be transformed in the span of one generation, to lives full of new possibilities. You could call it “the place where the rainbow ends,” which is the title of the last movement of Dett’s Magnolia Suite.When Dett wrote these pieces, he was a young teacher at Lane College in Tennessee, a historically Black college that had been founded in 1882, the year of his birth. A place built on freedom, with the purpose of educating newly-emancipated slaves – a place designed to nurture the blossoming of ideas, the vibrant flowering of minds set free. This music is inspired by the gorgeous splendor of the magnolia blooms on that college campus, and also by the shared histories, experiences, and aspirations of the community that Dett found there.These five pieces pay affectionate tribute to lineage and legacy. They express gratitude for the bittersweet beauties of the present; nostalgia for the past (a bit romanticized, as the past always is); and an effervescent optimism for the future that awaits us in the place where the rainbow ends.

By Jean-Marc Allerme. For cello and piano. Pop / Jazz. Score and CD. 46 15 pages. Published by Editions Henry Lemoine

(Easy piano duets). Edited by Darwin Wolford. For 1 piano, 4-hands. Difficulty: easy. Playing score. 32 pages. Published by Porte

Arranged by Glenna Battson. For 1 piano, 4-hands. Early intermediate. Collection. 31 pages. Published by Porte

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4

SKU: CF.SPS94F

Composed by Cooper Minnis. Sps. Full score. 24 pages. Duration 7:48. Carl Fischer Music #SPS94F. Published by Carl Fischer Music (CF.SPS94F).

ISBN 9781491161838. UPC: 680160920518.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.

Unison/2-part choir - Easy

SKU: WD.080689652172

Composed by Dale Mathews. Choral, cantatas. Eastertide. Choral score and book. Word Music #080689652172. Published by Word Music (WD.080689652172).

UPC: 080689652172.

Easte r is a time for celebration and rejoicing! It is also a time when we can gather our children together to tell them the story of God’s great love and His plan of salvation…He sent His Son to be our Savior, to die on the cross for the sins of the world, and then, on the third day, He rose to life again! What Good News! And what better way to bring your congregation together on Easter Sunday than having your kids choir participate in your Easter services, leading your congregation in a special time of worship and celebration with Hosanna, He Lives!, the new 3-song micro-mini musical for Easter. With your children’s ministry in mind, Hosanna, He Lives! is specially designed to train and encourage young worship leaders while leading your congregation in a celebration of our risen Savior. Featuring three popular worship songs and hymns your kids will love to sing, you can use this resource as an Easter Sunday presentation, or as a collection of worship songs your children’s ministry can enjoy throughout the year! This versatile and adaptable resource contains a worship leader script which can be done with almost any number of kids—from 1 to several! Hosanna, He Lives! is perfect for encouraging your kids to discover a passion for leading worship!

Brass Band - Grade 1.5

SKU: BT.GOB-000726-030

Composed by Bruce Fraser. Set (Score & Parts). Gobelin Music Publications #GOB 000726-030. Published by Gobelin Music Publications (BT.GOB-000726-030).

Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its ownpeculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.

Durkle Bandrydge exists at the end ofyour street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest.
The music will introduce you to some of the characters who live in this unusual place.

The parts:
Somnanbulyss, who is a giant trollguarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy.

Long Gwysteen is a tall, mysterious, and somehow sophisticated character,who walls around with a shell on his back. His music glides along rather gracefully.

Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand.

Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight.

Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same.

Thistledoo Nicely is a lively character who spends and spends and spends with her credit card,buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life.

Marsyn Edginton is the Lord of the manor, the richest man in town, the‘big cheese’, the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king.

Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers.

Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them, what is a wonderful sight.
If you listen carefully, you will hear the melodies which belong to the characters as they march past.
Oh what a grand spectacle!

Durkle Bandrydge is de schijnwereld van de componist maar eigenlijk de onzichtbare droomwereld in elk van ons en die wereld zou elke naam kunnen dragen.
In de bijzonder kleurrijke suite van Bruce Fraser komen 8 personages (karakters)naar voren ieder met hun eigenaardigheden die van Durkle Bandrydge zo'n kleurrijke wereld maken.
Verschillen die personages nu zo erg van ons? Aan u het oordeel! Het laaste deel brengt alle personages op een wonderbaarlijkewijze samen.
In de score zijn de karakters uitgebreid en nader omschreven.

Performance note: Elk deel heeft een aantal leerinhouden die de moeite waard zijn om uit te lichten. Articulatie, dynamiek, stijlen, zuiverheid,balans, tempo en maatsoorten - het komt allemaal voorbij.

Tip: Maak de personages zichtbaar in een compleet theatergebeuren. Gebruik een spreekstem!

De delen van deze suite zijn:

1. Somnambulyss
2.Long Gwysteen
3. Squelfitch
4. Perfydlia
5. Maryann Lovely
6. Thistledoo Nicely
7. Marsyn Edginton
8. Jimmy McScotsmyn
9. Grand March of the Durkle Bandrydgators.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.GOB-000455-015

Composed by Bruce Fraser. Set (Score & Parts). 384 pages. Gobelin Music Publications #GOB 000455-015. Published by Gobelin Music Publications (BT.GOB-000455-015).

Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its ownpeculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.

Durkle Bandrydge exists at the end ofyour street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest.
The music will introduce you to some of the characters who live in this unusual place.

The parts:
Somnanbulyss, who is a giant trollguarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy.

Long Gwysteen is a tall, mysterious, and somehow sophisticated character,who walls around with a shell on his back. His music glides along rather gracefully.

Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand.

Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight.

Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same.

Thistledoo Nicely is a lively character who spends and spends and spends with her credit card,buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life.

Marsyn Edginton is the Lord of the manor, the richest man in town, the‘big cheese’, the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king.

Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers.

Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them, what is a wonderful sight.
If you listen carefully, you will hear the melodies which belong to the characters as they march past.
Oh what a grand spectacle!

Durkle Bandrydge is de schijnwereld van de componist maar eigenlijk de onzichtbare droomwereld in elk van ons en die wereld zou elke naam kunnen dragen.
In de bijzonder kleurrijke suite van Bruce Fraser komen 8 personages (karakters)naar voren ieder met hun eigenaardigheden die van Durkle Bandrydge zo'n kleurrijke wereld maken.
Verschillen die personages nu zo erg van ons? Aan u het oordeel! Het laaste deel brengt alle personages op een wonderbaarlijkewijze samen.
In de score zijn de karakters uitgebreid en nader omschreven.

Performance note: Elk deel heeft een aantal leerinhouden die de moeite waard zijn om uit te lichten. Articulatie, dynamiek, stijlen, zuiverheid,balans, tempo en maatsoorten - het komt allemaal voorbij.

Tip: Maak de personages zichtbaar in een compleet theatergebeuren. Gebruik een spreekstem!

De delen van deze suite zijn:

1. Somnambulyss
2.Long Gwysteen
3. Squelfitch
4. Perfydlia
5. Maryann Lovely
6. Thistledoo Nicely
7. Marsyn Edginton
8. Jimmy McScotsmyn
9. Grand March of the Durkle Bandrydgators.

Concert Band/Harmonie/Fanfare Band - Grade 1.5

SKU: BT.GOB-000455-215

Composed by Bruce Fraser. Score Only. 28 pages. Gobelin Music Publications #GOB 000455-215. Published by Gobelin Music Publications (BT.GOB-000455-215).

Durkle Bandrydge is the name of the composers imaginary world, but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser, 8 characters are featured, each with its ownpeculiarities, making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part, all characters come together in a special way.

Durkle Bandrydge exists at the end ofyour street. It is invisible to humans, but Durkle Bandrygators can watch us with great interest.
The music will introduce you to some of the characters who live in this unusual place.

The parts:
Somnanbulyss, who is a giant trollguarding the entrance to Durkle Bandryde. At least, he is supposed to, but he tends to sleep most of the time. His music is therefore very slow moving and sleepy.

Long Gwysteen is a tall, mysterious, and somehow sophisticated character,who walls around with a shell on his back. His music glides along rather gracefully.

Squelfitch is a rather unpleasant and smelly character who lives in a bog, which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand.

Perfydlia is a meddling old woman, who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight.

Maryann Lovely is a beautiful young lady, graceful, gorgeous, absolutely devine, and her music is obviously just the same.

Thistledoo Nicely is a lively character who spends and spends and spends with her credit card,buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life.

Marsyn Edginton is the Lord of the manor, the richest man in town, the‘big cheese’, the man with all the power and, of course, the biggest house. He is very grand and his music like he could be a king.

Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread, oatcakes, scotch eggs, porridge and drinks an enormous amount of Scotch Wisky, which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers.

Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them, what is a wonderful sight.
If you listen carefully, you will hear the melodies which belong to the characters as they march past.
Oh what a grand spectacle!

Durkle Bandrydge is de schijnwereld van de componist maar eigenlijk de onzichtbare droomwereld in elk van ons en die wereld zou elke naam kunnen dragen.
In de bijzonder kleurrijke suite van Bruce Fraser komen 8 personages (karakters)naar voren ieder met hun eigenaardigheden die van Durkle Bandrydge zo'n kleurrijke wereld maken.
Verschillen die personages nu zo erg van ons? Aan u het oordeel! Het laaste deel brengt alle personages op een wonderbaarlijkewijze samen.
In de score zijn de karakters uitgebreid en nader omschreven.

Performance note: Elk deel heeft een aantal leerinhouden die de moeite waard zijn om uit te lichten. Articulatie, dynamiek, stijlen, zuiverheid,balans, tempo en maatsoorten - het komt allemaal voorbij.

Tip: Maak de personages zichtbaar in een compleet theatergebeuren. Gebruik een spreekstem!

De delen van deze suite zijn:

1. Somnambulyss
2.Long Gwysteen
3. Squelfitch
4. Perfydlia
5. Maryann Lovely
6. Thistledoo Nicely
7. Marsyn Edginton
8. Jimmy McScotsmyn
9. Grand March of the Durkle Bandrydgators.