SKU: FP.FDW03

ISBN 9790570500789.

Goun od's classic piece, arranged for double bass, with piano accompaniment.

The music in the beginning tells the listener that two of the members of the Marionette troupe have had a duel and one of them has been killed. A party of pallbearers is organised and the procession sets out for the cemetery in march time.

The piece soon takes on a more cheerful spirit, for some of the troupe, wearied with the march, seek consolation at a wayside inn, where they refresh themselves and also descant upon the many virtues of their late companion. At last they get into place again and the procession enters the cemetery to the march rhythm -- the whole closing with the bars intended to reflect upon the briefness and weariness of life, even for marionettes.

SKU: JK.01898

UPC: 093285018983. 3 Nephi 11-28.

Said to be the next This is the Christ, The Day the Savior Came is sure to be a favorite among followers of Jesus Christ the world over. With a flowing lyrical melody, it tells the story of the long-promised day of Christ's visitations after his resurrection and the touching and unforgettable experience that was for those who witnessed first-hand. This song works beautifully for a male or female vocalist. Won award of merit in 1994 in the church writing and music contest.
*buy the SAB arrangement here.
*buy the SA arrangement here.
Range: Bb to F


Composer: Ann Luke Bailey
Arrangers: Barry, Grant, and Michael Gibbons
Difficulty: Medium-easy
Performanc e time: approx. 3:45
Reference: 3 Nephi 11-28

SKU: GI.G-9761

ISBN 9781622772636.

Musi c education majors are poised to enter one of the most enjoyable and meaningful professions on Earth. This no-nonsense guide is designed to help them get everything they can out of their student teaching experience. The authors of this book represent over 100 years of active involvement in music education. Each has taught in public schools and now serves in important music education positions at major universities across the United States. Their experience and hands-on work has provided them with great knowledge, insight, and vision of the student teaching experience—knowled ge they are eager to share. The result is informative, practical, thought provoking, and even entertaining. Each chapter includes an overview of the areas of immersion young music educators will face in their new profession, including: How to best develop observation skills and glean helpful techniques How to develop your own educational vision and ethics How to prepare for the overload that many feel of the never-ending litany of daily teaching and administrative tasks you must negotiate Throughout the book, the authors remind us that teaching music through performance is an important daily, weekly, monthly, and yearly goal. The Teaching Music through Performance series has had a profound impact on all aspects of the wind band community. With the creation of this affordable guide, funded in part with revenue set aside by the originators of the Teaching Music through Performance series, the future of the profession—with your participation—rema ins truly bright. As Larry Blocher states in the book, IT ALL STARTS WITH YOU! Dennis Fisher is Conductor of the Symphonic Band, Associate Director of Wind Studies, and Professor of Music in Conducting and Ensembles at the University of North Texas. Lissa Fleming May is Associate Dean for Instruction and Professor of Music Education at the Indiana University Jacobs School of Music. Erik Johnson is Associate Professor of Music Education at Colorado State University, where he teaches undergraduate and graudate courses in music education and conducts the 130-member CSU Concert Band.

SKU: BR.SON-451

ISBN 9790004803615. 9 x 12 inches.

The Overture for Harmoniemusik in C major op. 24 MWV P 1 by Felix Mendelssohn Bartholdy is a special work in two respects: on the one hand, it is unique in its instrumentation in the composer's oeuvre - in the main version for 23 wind instruments; on the other hand, it exists in several versions originating from Mendelssohn himself, namely a variant for eleven wind instruments from 1826 and two arrangements for piano four hands from 1838. These versions, called Nocturno and Overture for Harmonie- and Militairmusik respectively - form the content of the present volume. The outstanding position of the composition is also underlined by a considerable variety of sources, by a number of unresolved questions connected with its composition, e.g. concerning the specifics of the contemporary instruments to be used, and by the fact that the overture in the extended wind version was the only piece of this body of works that the self-critical composer considered worthy of publication. The inspiration for its composition ultimately goes back to a stay by Felix Mendelssohn Bartholdy and his father in 1824 at the Baltic Sea resort of Doberan (then: Dobberan), where the Grand Duke of Mecklenburg-Schwerin maintained a summer residence surrounded by members of his court orchestra of national renown. Thus, the music sketched there was initially not given a title, but was always referred to in the Mendelssohn family as Dobberan harmony music in reference to the place associated with it.

SKU: CF.CPS255

ISBN 9781491159835. UPC: 680160918423.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

SKU: CF.CPS255F

ISBN 9781491159842. UPC: 680160918430.

Ameri can Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4-12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble's texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition.
American Visions is a fast-paced and energetic composition featuring rousing brass fanfares, lively woodwind motives, and driving percussion. It was initially inspired to embody the sense of American vigor and patriotism. Musically, the main motive at mm. 4–12 runs throughout the piece and vacillates between duple and triplet rhythms. Players should be mindful to differentiate between the two rhythms, so there is clarity. Measure 39 represents a contrasting section, and should be thought of as dark and warm sounding as possible. I intended that the section would resemble the overall timbre of orchestral strings, and players could think of that when performing the piece. Measure 55 presents a triplet rhythmic motive that must be precise in timing and dynamics. At m. 66, be sure that the main melodic motive and the tenor saxophone, low brass, and chimes countermelody can be heard through the ensemble’s texture. Measure 73 uses bell tone articulations that build to standard articulations at m. 76. Thank you for playing my composition. .

SKU: AP.34705