| Check Your Swing (Full Score) Ensemble Jazz - Facile Kendor Music Inc.
Jazz Ensemble - Grade 3 SKU: KN.42468S Composed by Doug Beach. Threshold ...(+)
Jazz Ensemble - Grade 3
SKU: KN.42468S
Composed by Doug Beach.
Threshold Series. Kendor
Music Inc #42468S.
Published by Kendor Music
Inc (KN.42468S). UPC:
822795424683. Here'
s one to ensure your
swing chops are in good
working order.
Commissioned by noted
jazz educator Dr. John
Bradley, this chart is a
wonderful vehicle for
sharpening both ensemble
and solo skills. Written
solos for all are
provided on a
supplementary part, and
rhythm section parts are
notated with chords cued.
Duration 3:42. Available
in SmartMusic. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1-2-3 Fingerstyle Guitar DVD Guitare notes et tablatures [DVD] EMedia
For Guitar. 1-2-3 Fingerstyle Guitar is designed for intermediate to advanced fl...(+)
For Guitar. 1-2-3
Fingerstyle Guitar is
designed for intermediate
to advanced flat-pick
players who are ready to
throw down that pick for
a while to finally get a
handle on fingerstyle.
That's the secret
ingredient of this study
program -- its a
beginning fingerstyle.
DVD. Published by eMedia
Music
$24.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Church Pianist's Library, Vol. 21 Piano seul Lorenz Publishing Company
Composed by Various. Sacred. Lorenz Publishing Company #70/2059L. Published by...(+)
Composed by Various.
Sacred.
Lorenz Publishing Company
#70/2059L. Published by
Lorenz Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloria!
Instruments en Sib [Partition + CD] - Intermédiaire Curnow Music
Arranged by Stephen Bulla. Instrumental solo songbook and accompaniment CD for B...(+)
Arranged by Stephen
Bulla. Instrumental solo
songbook and
accompaniment CD for Bb
instrument. With
introductory text. 16
pages. Published by
Curnow Music.
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria! Instruments en Do [Partition + CD] Curnow Music
Arranged by Stephen Bulla. Instrumental solo songbook and accompaniment CD for C...(+)
Arranged by Stephen
Bulla. Instrumental solo
songbook and
accompaniment CD for C
instrument. With
instructional text. 16
pages. Published by
Curnow Music.
(1)$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Arpalinea Guitare Gehrmans Musikforlag
Guitar solo SKU: GH.GE-11464 Composed by Benjamin Staern. Duration 15 min...(+)
Guitar solo SKU:
GH.GE-11464 Composed
by Benjamin Staern.
Duration 15 minutes.
Gehrmans Musikforlag #GE
11464. Published by
Gehrmans Musikforlag
(GH.GE-11464). ISBN
979-0-070-11464-6. A4
inches. Work note
by the composer:
When I received the news
of this commission, I had
no idea what it would
lead to. Writing for
guitar solo is not the
same as composing for
orchestra where you have
forty voices where you
can easily mask an entire
section. Here you are
very naked to the
bone. The starting
point for this work was
from J.S. Bach's Chaconne
in D-minor that Johannes
had performed in concert,
originally written for
violin but there is a
version transcribed for
guitar and piano made by
Ferruccio Busoni. When I
went to Cortona (in
Tuscany, Italy) completed
the southern mentality of
this work.
Arpalineais
actually a merged word in
Italian language.
Arpa means
harp, however in a
musical context it's more
or less resembled with
the word arpeggio,
which means broken
chords. Lineameans
line. The
work is divided in three
parts. I. Arpeggio:
It starts with an opening
chaconne-like sequence
and is marked with a
certain depth in which
the chords starts to
separate from the organum
note in the bass and it
culminates into a section
called with rhythmical
focus. These sections
alternates, variates
which each other. The
middle section has a
playful and childish
atmosphere where the
guitarist knocks on the
body of the guitar
resembling a Spanish folk
instrument cajon. This is
leading to a section
which tends more to a
very aggressive
fusion-like riff that
loses control and reaches
its climax at the
end. II. Linea:
The static rhytmical
pulse is now
disintegrated and it
forms more or less sort
of a free,
improvisational state in
a rubatolike tempo. The
character is described as
a very hot day with
temperatures rising above
37! C (or 100! F) where
you can hardly do
anything just sitting
dozed off and pespiring
because of the extreme
heat watching a huge fog
coming up in the evening
that spreads around the
Tuscan atmosphere.
III. Finale: It
starts off with fast
one-note ostinati then
more and more notes pop
up like a gradual rain
storm with thunder
strikes! And eventually
it leads to that is a
large flood through the
streets of an medieval
Southern town. The work
ends with a short circuit
slapped strings along
with extremely fast
tremolos that reaches
higher and louder as
possible!
Benjamin
Staern $26.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Church Pianist's Library, Vol. 19 Piano seul - Intermédiaire Lorenz Publishing Company
For piano. Sacred. Intermediate. Lorenz Publishing Company #70/2005L. Published ...(+)
For piano. Sacred.
Intermediate. Lorenz
Publishing Company
#70/2005L. Published by
Lorenz Publishing Company
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gloria! [Partition + CD] - Intermédiaire/avancé Curnow Music
Arranged by Stephen Bulla. Instrumental solo songbook and accompaniment CD for E...(+)
Arranged by Stephen
Bulla. Instrumental solo
songbook and
accompaniment CD for Eb
instrument. With
introductory text. 16
pages. Published by
Curnow Music.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria! Cor [Partition + CD] Curnow Music
Arranged by Stephen Bulla. Instrumental solo songbook and accompaniment CD for F...(+)
Arranged by Stephen
Bulla. Instrumental solo
songbook and
accompaniment CD for F or
Eb french horn. With
introductory text. 28
pages. Published by
Curnow Music.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Gloria! [Partition + CD] Curnow Music
Arranged by Stephen Bulla. Instrumental solo songbook and accompaniment CD for b...(+)
Arranged by Stephen
Bulla. Instrumental solo
songbook and
accompaniment CD for bass
clef instrument. With
introductory text. 16
pages. Published by
Curnow Music.
(1)$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hungarian Rhapsody No. 5 Piano seul G. Henle
Piano (Piano Solo) SKU: HL.51481637 Piano Solo. Composed by Franz ...(+)
Piano (Piano Solo)
SKU: HL.51481637
Piano Solo.
Composed by Franz Liszt.
Edited by Peter Jost.
Henle Music Folios.
Classical. Softcover. 20
pages. G. Henle #HN1637.
Published by G. Henle
(HL.51481637). UPC:
196288278726.
9.0x12.0x0.077
inches. The Fifth
Hungarian Rhapsody,
published in 1853,
emerged from several
earlier versions. The
double character
indicated in the
sobriquet
âHéroïde
élégiaqueâ is
based on the two contrary
themes: a
âheroicâ theme
in minor and an
âelegiacâ theme
in major, seasoned with
characteristics of
Liszt's âstyle
hongroisâ such as
augmented seconds and
sharp dotted rhythms.
Thanks to the slow tempo,
No. 5 is one of Liszt's
less difficult rhapsodies
and thus offers a
wonderful introduction to
these musical
reminiscences of his
Hungarian homeland.
Involved in this Henle
Urtext edition, which
also takes the autograph
into account for the
first time, were two
eminent Liszt
specialists: Mária
Eckhardt provided the
preface, Vincenzo
Maltempo the
fingerings.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the workÂ
- Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
- most beautiful music
engravingÂ
- page-turns, fold-out
pages, and cues where you
need themÂ
- excellent print
quality and
bindingÂ
- largest Urtext
catalogue
world-wideÂ
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$12.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Viola Alto seul Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Cello Violoncelle [Partition] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Trumpet Trompette [Partition] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Trombone Trombone [Partition] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Violin Violon [Partition] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Clarinet Clarinette [Partition] Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Alto Sax Saxophone Alto Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Horn Cor Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Classical Themes for Tenor Sax Saxophone Tenor Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 88 pages. Published by ...(+)
Composed by Various.
Instrumental Solo.
Softcover. 88 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| St. John Passion TWV 5:30 Chorale SATB - Intermédiaire Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Alto Voice Solo, 3Tenor Voi...(+)
Solo voices, choir,
orchestra (2 Soprano
Voice Solo, Alto Voice
Solo, 3Tenor Voice Solo,
3Bass Voice Solo, SATB
Choir, recorder-A, 2 Fl,
Ob, Ob-dam, bassoon, Trp,
Str, Continuo) - Level 3
SKU: BA.BA05310
Ein Lammlein geht und
tragt die Schuld.
Composed by Georg Philipp
Telemann. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Telemann
Musical Works. Band 29.
1745. Passionen (Passion
Music, Easter). Edition
of selected works, Score.
Composed 1745. TWV 5.
Duration 1 hour, 50
minutes. Baerenreiter
Verlag #BA05310_00.
Published by Baerenreiter
Verlag (BA.BA05310).
ISBN 9790006497881.
33.1 x 25.9 cm
inches. In the
autumn of 1721, when
Georg Philipp Telemann
became cantor at the
Hamburg Johanneum and
music director of the
city’s five
principal churches, he
faced the challenge of
composing and performing
a new Passion setting
every year.
The
ninety-minute St. John
Passion of 1745 was
written in a winningly
clear and transparent
style, with two large
choral numbers, six
chorales (probably joined
by the congregation) and
several turbae that pose
interesting yet
manageable demands on the
chorus. The plain and
unassuming recitatives
and the eleven sharply
defined yet contemplative
arias give soloists broad
leeway for artistic
interpretation. This
volume follows the Urtext
of vol. 29 of the
Telemann Edition, thereby
offering a reliable text
at the pinnacle of modern
scholarship.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$349.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sweet Emma Ensemble Jazz [Conducteur] - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.50079S Composed by Nat Adderley. Arrang...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.50079S
Composed by Nat Adderley.
Arranged by Mike Kamuf.
Jazz Ensemble;
Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Jazz. Score. 16 pages.
Duration 4:35. Alfred
Music #00-50079S.
Published by Alfred Music
(AP.50079S). ISBN
9781470662875. UPC:
038081580081.
English. Beginning
with a brief chorale, the
gospel-inspired groove
kicks in at 104 BPM. Alto
1 and trumpet 2 state the
melody, with suggested
written solos for both.
Trumpet 1 range is to
written F-sharp top line.
There's a sweet shout
chorus at the modulation
with some drum fills
intertwined. A funky
chart that will please
the band and the audience
for sure! (4:35). $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sweet Emma Ensemble Jazz - Facile Alfred Publishing
Jazz Ensemble - Grade 2.5 SKU: AP.50079 Composed by Nat Adderley. Arrange...(+)
Jazz Ensemble - Grade 2.5
SKU: AP.50079
Composed by Nat Adderley.
Arranged by Mike Kamuf.
Jazz Ensemble; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Young Jazz Ensemble.
Jazz. Score and Part(s).
Duration 4:35. Alfred
Music #00-50079.
Published by Alfred Music
(AP.50079). ISBN
9781470662868. UPC:
038081580074.
English. Beginning
with a brief chorale, the
gospel-inspired groove
kicks in at 104 BPM. Alto
1 and trumpet 2 state the
melody, with suggested
written solos for both.
Trumpet 1 range is to
written F-sharp top line.
There's a sweet shout
chorus at the modulation
with some drum fills
intertwined. A funky
chart that will please
the band and the audience
for sure! (4:35). $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Blue Horizons [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet ...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Chimes, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Crash Cymbals,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3 and more. - Grade
5 SKU: CF.SPS85F
Composed by Jeremy
Martin. Sws. Sps. Full
score. 44 pages. Duration
7 minutes, 8 seconds.
Carl Fischer Music
#SPS85F. Published by
Carl Fischer Music
(CF.SPS85F). ISBN
9781491156438. UPC:
680160914975. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy. Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Orphée et Euridice Chorale SATB Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Tenor Voice Solo, SATB Choi...(+)
Solo voices, choir,
orchestra (2 Soprano
Voice Solo, Tenor Voice
Solo, SATB Choir, ballet,
2 Fl, 2 Ob, 2 clarinet, 2
bassoon, 2 Hn, 2 Trp,
3trombone, timpani, harp,
2 Violin, Viola, Cello,
Double Bass) SKU:
BA.BA02282
Tragédie-opéra
(Drame héroïque) in
three acts. Composed
by Christoph Willibald
Von Gluck. Edited by
Ludwig Finscher. This
edition: complete
edition, urtext edition.
Linen. Christoph
Willibald Gluck. Complete
Works. Series I, Volume
6. Paris Version 1774.
Complete edition, Score.
Composed 1774. Duration 2
hours. Baerenreiter
Verlag #BA02282_00.
Published by Baerenreiter
Verlag (BA.BA02282).
ISBN 9790006419555. 33
x 26.5 cm inches. Text
Language: French, German.
Preface: Ludwig Finscher.
Text: Pierre-Louis
Moline. Christoph
Willibald Gluck’s
most popular opera
“Orphe et
Euridice†was
performed in 1774 in
Paris to sensational
success. This new
adaption followed the
original Viennese version
with Italian text that
was first performed in
1762 under the direction
of the composer in the
Burgtheater. For the
Paris version Gluck
changed the leading part
Orpheus from an alto to a
tenor role and composed
new recitatives.
Both versions of
Gluck’s reform
drama are based on a
libretto by Ranieri
de’ Calzabigi and
revolutionised
metastasian opera of the
18th century. Solo and
choral music,
instrumental music,
pantomime and dance are
all closely connected;
the myth replaces a
historical plot
surrounded by intrigue;
where there would have
been a da-capo aria there
are now simple song forms
and coloratura is largely
abandoned. These
meticulously revised
vocal scores of both
versions are also newly
set.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$530.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lucio Silla, KV 135 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (4 Soprano Voice Solo, 2 Tenor Voice Solo, Mixed c...(+)
Solo voices, choir,
orchestra (4 Soprano
Voice Solo, 2 Tenor Voice
Solo, Mixed choir, 2 Fl,
2 Ob, 2 bassoon, 2 Hn, 2
Trp, timpani, harpisc.,
Str) SKU:
BA.BA04590-01
Dramma per musica in
three Acts. Composed
by Wolfgang Amadeus
Mozart. Edited by
Kathleen Kuzmick Hansell.
This edition: complete
edition, urtext edition.
Linen. Edition in 2
volumes. Complete
edition, Score. K. 135.
Duration 4 hours.
Baerenreiter Verlag
#BA04590_01. Published by
Baerenreiter Verlag
(BA.BA04590-01). ISBN
9790006451296. 33 x 26 cm
inches. Text Language:
Italian. Text: Giovanni
de Gamerra. On 13
December 1769 Leopold
Mozart and his son
Wolfgang set out on their
first tour of Italy. It
was not until 28 March
1771 that they finally
returned to Salzburg. The
trip brought the young
composer two commissions
for opere serie. In March
1770 he was commissioned
to write Mitridate, K.87
(74a), for the 1770-71
Carneval season at the
Regio Ducal Teatro in
Milan. Mozart started
work on the opera in
Bologna on 29 September
1770, and the premiere
duly took place on the
Feast of St. Stephen (26
December) in 1770. The
second, Lucio Silla (K.
135), again commissioned
for the 1771-72 Carneval
season in Milan,
doubtless resulted from
the success of Mitridate.
News of the commission
reached the Mozarts in
March 1771 in Verona,
where they had stopped on
their return to Salzburg.
(At roughly the same time
Wolfgang received an
invitation from Vienna to
supply a serenata
teatrale for the wedding
of Archduke Ferdinand,
the third son of Maria
Theresia, scheduled to
take place in Milan in
October 1771. This
invitation ultimately
resulted in Ascanio in
Alba, K. 111.)
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$463.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Tantum ergo, op. 55 N 110a - Intermédiaire Barenreiter
Solo voices, SATBB chorus,organ,harp/piano,d ouble bass ad lib (Tenor solo or So...(+)
Solo voices, SATBB
chorus,organ,harp/piano,d
ouble bass ad lib (Tenor
solo or Soprano solo,
Mixed choir (SATBB),
Organ, Harp or Piano,
Double bass ad libitum) -
Level 3 SKU:
BA.BA25143 Motet
for solo Tenor or
Soprano, five-part Mixed
Choir, Organ, Harp or
Piano and optional Double
Bass. Composed by
Gabriel Faure. Edited by
Helga Schauerte-Maubouet.
This edition: urtext
edition. Stapled.
Barenreiter Urtext.
Choral score. Opus 55. 11
pages. Baerenreiter
Verlag #BA25143_00.
Published by Baerenreiter
Verlag (BA.BA25143).
ISBN 9790006575091.
29.5 x 21 cm inches. Text
Language:
Latin. The motets
and choral pieces,
composed with the
distinctive features of
the Madeleine organ in
mind, enchant with their
colourful, floating
harmonies and convey a
certain intimacy even
with their ritualized
Latin texts. These works
are very well suited for
performances by small
vocal ensembles. A
novelty is the inclusion
of the double bass part
(ad libitum) which does
not appear consistently
in the first editions but
corresponds to the
musical practice at the
Madeleine.
Numerou
s gems such as the
“Cantique de Jean
Racine†or the
“Messe basseâ€
are published in
performing editions based
on the musical text of
the “Gabriel Faur
– Œuvres
complètesâ€. <
/p> About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Glagolitic Mass Chorale SATB Barenreiter
Solo voices, choir, orchestra (SATB voice Solos, SATB Choir, 4Fl(Flote 3 muta in...(+)
Solo voices, choir,
orchestra (SATB voice
Solos, SATB Choir,
4Fl(Flote 3 muta in
Piccolo-Flote), 2 Ob,
EnglHn, 3clar, clar-B,
3bsn, bsn-Co, 4Hn, 4Trp,
3tbn, Tb, timp, Tri,
Tr-Kl, Be, Be-Hang, Tam,
Glsp, Gl, Cel, 2 harp,
Org, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA06862
Final version.
Composed by Leos Janacek.
Edited by JirÃ
Zahrádka and Leoš
Faltus. This edition:
complete edition, urtext
edition. Linen. Complete
Critical Edition of the
Works of Leos Janacek.
Series B, Volume 5-I.
Complete edition, Score.
Duration 40 minutes.
Baerenreiter Verlag
#BA06862_00. Published by
Baerenreiter Verlag
(BA.BA06862). ISBN
9790260105300. 34.2 x
27.3 cm inches. Text
Language: Church
Slavic. The
Glagolitic Mass, one of
the 20th century
masterpieces of sacred
music, has a very complex
genesis and constitutes
an intricate editorial
challenge.
The
recently published
scholarly-critical
edition presents two
different versions of the
work in two separate
volumes: the
“September
1927†version (BA
6863) which the composer
completed before the
first rehearsals and
subsequent premiere in
Brno and the version he
partly reworked for the
first Prague performance
in April 1928 (BA 6862).
This second version was
then revised further and
published after
Janácek’s death
by Universal Edition Wien
in 1930. Known as the
“final authorised
versionâ€, it has
been newly edited for
this publication which is
based on the
engraver’s copy of
the score prepared by
Janácek’s
regular copyist Václav
Sedlácek. The
“final authorised
version†is the
significant version and
most suited to
performance purposes. The
instrumentation is
richer, it is more
straightforward to
rehearse and several
important passages are
more coherent than in the
earlier version. It is
the later version that is
presented in the vocal
score. The Old Church
Slavonic text has been
prepared by the slavicist
Radoslav Vecerka.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$370.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jephta HWV 70 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, choir, orchestra (2 Soprano Voice Solo, Mezzo Voice Solo, Tenor Voi...(+)
Solo voices, choir,
orchestra (2 Soprano
Voice Solo, Mezzo Voice
Solo, Tenor Voice Solo,
Alto Voice Solo, Bass
Voice Solo, Mixed
choir:SSATB, Fl, 2 Ob, 2
bassoon, 2 Hn, 2 Trp, 3V,
Va, Bassi(Vc, double
bass, bassoon, harpisc.,
Org)) SKU:
BA.BA04014
Oratorio in three
acts. Composed by
George Frideric Handel.
Edited by Kenneth Nott.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 30. Complete
edition, Score. HWV 70.
Baerenreiter Verlag
#BA04014_00. Published by
Baerenreiter Verlag
(BA.BA04014). ISBN
9790006442935. 33 x 26 cm
inches. Text Language:
English. Preface: Nott,
Kenneth. Text: Thomas
Morell. “Jeph
tha†is
Handel’s last
oratorio. Handel had to
break off from composing
several times because of
his increasing blindness
in 1751. The first
performance at the Covent
Garden Theatre in
February 1752 was the
last performance he
conducted before he went
completely blind. In
“Jephthaâ€,
Handel succeeded in
achieving the perfect
fusion between a biblical
plot and the spirit of
classical tragedy. With
great intensity and
dramatic expression he
highlighted in particular
the fates of Jephtha and
Iphis , thereby
portraying convincing and
complex
characters.
The
chorus “How Dark, O
Lord, are Thy
Decrees†at the end
of part two is of crucial
importance in the work
and is regarded as the
dramatic high point of
the oratorio.
The
vocal score is based on
volume I/30 of the
“Halle Handel
Edition†(BA 4014),
which contains the
complete critical version
of the music of the
oratorio for the first
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$541.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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