| High Flight Chorale 3 parties SSA Boosey and Hawkes
SA Choral (SSA Choir) SKU: HL.1224660 Composed by David L. Brunner. Chora...(+)
SA Choral (SSA Choir)
SKU: HL.1224660
Composed by David L.
Brunner. Choral. Concert,
Festival. Octavo.
Duration 200 seconds.
Boosey and Hawkes
#M051500017. Published by
Boosey and Hawkes
(HL.1224660). UPC:
196288143635.
6.75x10.5x0.029
inches. Now
available for treble
voices. Royal Canadian
Air Force Pilot John
Magee wrote his popular
poem ââ¬ÅHigh
Flightââ¬Â when
he was just 19 years old.
In the poem, he describes
the delirious feeling of
wheeling and soaring, and
an intimate connection
with the divine. Setting
these words, the
composer's music soars
and dives and floats and
reflects the joy this
young pilot experienced
from the pilot's
chair. $2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| High Flight Carl Fischer
Choral SA choir and piano SKU: CF.CM9707 Composed by Austin Hunt. 8 pages...(+)
Choral SA choir and piano
SKU: CF.CM9707
Composed by Austin Hunt.
8 pages. Duration 3
minutes, 19 seconds. Carl
Fischer Music #CM9707.
Published by Carl Fischer
Music (CF.CM9707).
ISBN 9781491160121.
UPC: 680160918720. Key:
Db major. John Gillespie
Magee. Poem by John
Gillespie Magee,
Jr. Just weeks
after his nineteenth
birthday, John Gillespie
Magee, Jr. wrote the poem
High Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest chapters. Magee
had just completed his
seventh flight in the
iconic Spitfire Mk I
fighter plane, soaring to
heights well above 30,000
feet. These high altitude
exercises supplied his
inspiration for the poem,
which describes the long,
delirious, burning blue
and having touched the
face of God. Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase?. Just
weeks after his
nineteenth birthday, John
Gillespie Magee, Jr.
wrote the poem High
Flight while serving
in the Royal Canadian Air
Force. The year was 1941,
and World War II was
culminating toward its
darkest
chapters. Magee had
just completed his
seventh flight in the
iconic Spitfire Mk
IÂ fighter plane,
soaring to heights well
above 30,000 feet. These
high altitude exercises
supplied
his inspiration for
the poem, which describes
“the long,
delirious, burning
blue†and having
“touched the face
of God.â€Tragically,
Magee died in a training
exercise just months
after writing High
Flight. His words,
however, live on to lift
our hearts and stir the
imagination. After you
have learned High Flight,
ask yourself the
following questions: Are
you singing the text
clearly and articulately?
Are you properly
stressing the important
syllables and backing off
of non-stressed
syllables? Is there a
sense of energy
throughout the piece, in
both the lyrical, flowing
sections and the
up-tempo, faster
sections? Are you also
singing with a sense of
energy no matter what the
dynamic marking? Are you
singing phrases with
proper breath support and
a sense of rise and fall
to the phrase? $2.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight [Conducteur] Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902S
From Terra Nostra.
Composed by Stacy Garrop.
Full score. Duration
3:15. Theodore Presser
Company #312-41902S.
Published by Theodore
Presser Company
(PR.31241902S). UPC:
680160690589.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $20.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Chorale SATB Boosey and Hawkes
CME Conductor's Choice. Composed by David L. Brunner. Conductor's Choice. Conc...(+)
CME Conductor's Choice.
Composed by David L.
Brunner.
Conductor's Choice.
Concert,
Festival. Octavo. 16
pages.
Boosey and Hawkes
#M051484546.
Published by Boosey and
Hawkes
$2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano SKU:
PR.312419020 From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020). ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Boosey and Hawkes
(Windependence Series - Artist Level (Grade 5)). By Joseph Turrin (1947-). Score...(+)
(Windependence Series -
Artist Level (Grade 5)).
By Joseph Turrin (1947-).
Score and Parts. Boosey
and Hawkes Concert Band.
Grade 5. Softcover.
Published by Boosey and
Hawkes
$195.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| High Flight Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.49976S Composed by Chris M. Bernotas. Conc...(+)
Concert Band - Grade 3
SKU: AP.49976S
Composed by Chris M.
Bernotas. Concert Band;
Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score.
Duration 3:50. Alfred
Music #00-49976S.
Published by Alfred Music
(AP.49976S). ISBN
9781470658359. UPC:
038081575919.
English. This
exciting overture by
Chris M. Bernotas shares
a title with the poem
that inspired it, High
Flight. The poem by John
Gillespie Magee embodies
the spirit to explore and
dance freely in the sky.
This piece offers
students many musical
opportunities and
challenges and is the
perfect selection for a
contest, concert opener,
or closer. (3:50). $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight Theodore Presser Co.
Choral Cello, Flute, Harp, Oboe, Percussion, Piano, Viola, Violin 1, Violin 2, a...(+)
Choral Cello, Flute,
Harp, Oboe, Percussion,
Piano, Viola, Violin 1,
Violin 2, alto voice,
bass voice, soprano
voice, tenor voice
SKU: PR.31241902A
From Terra Nostra.
Composed by Stacy Garrop.
Set of Score and Parts.
Duration 3:15. Theodore
Presser Company
#312-41902A. Published by
Theodore Presser Company
(PR.31241902A). UPC:
680160690510.
English. Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her? $33.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flight Orchestre d'harmonie [Conducteur] - Intermédiaire Boosey and Hawkes
(Windependence Series - Artist Level (Grade 5)). By Joseph Turrin (1947-). Score...(+)
(Windependence Series -
Artist Level (Grade 5)).
By Joseph Turrin (1947-).
Score. Boosey and Hawkes
Concert Band. Softcover.
56 pages
$25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| High Flight Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 3 SKU: AP.49976 Composed by Chris M. Bernotas. Conce...(+)
Concert Band - Grade 3
SKU: AP.49976
Composed by Chris M.
Bernotas. Concert Band;
MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Young Symphonic.
Programmatic. Score and
Part(s). Duration 3:50.
Alfred Music #00-49976.
Published by Alfred Music
(AP.49976). ISBN
9781470658342. UPC:
038081575902.
English. This
exciting overture by
Chris M. Bernotas shares
a title with the poem
that inspired it, High
Flight. The poem by John
Gillespie Magee embodies
the spirit to explore and
dance freely in the sky.
This piece offers
students many musical
opportunities and
challenges and is the
perfect selection for a
contest, concert opener,
or closer. (3:50). $80.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| High Flight for SSSAAA Choir Musica Baltica
Choir Secular female choir/ensemble (SSSAAA) a cappella (Women's Choir) SKU: ...(+)
Choir Secular female
choir/ensemble (SSSAAA) a
cappella (Women's Choir)
SKU: PE.MB2190
For SSSAAA Choir.
Composed by Eriks
Eenvalds, words By John
Gillespie Magee, Jr.
Performance Music
Ensemble; Single Titles.
Musica Baltica. Secular.
Choral Octavo. 12 pages.
Duration 00:05:00. Musica
Baltica #98-MB2190.
Published by Musica
Baltica (PE.MB2190).
ISBN 9790265004264.
210 x 297mm inches.
English. An
atmospheric five-minute
piece for upper voices
with text written by
pilot John Gillespie
Magee, Jr. about
experiencing a euphoric
flight. $4.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| On Wings of Flight - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS244 Composed by
Michael Boo. Folio. Cps.
Set of Score and Parts.
1+8+8+4+8+8+2+2+4+4+2+2+8
+8+4+4+6+6+3+2+1+2+1+1+1+
4+4+2+20 pages. Duration
3 minutes, 16 seconds.
Carl Fischer Music
#CPS244. Published by
Carl Fischer Music
(CF.CPS244). ISBN
9781491157985. UPC:
680160916580. 9 x 12
inches. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On Wings of Flight [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass
Drum, Bass Trombone,
Bassoon, Bells, Clarinet
1, Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Mallet Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Piccolo,
Snare Drum and more. -
Grade 3 SKU:
CF.CPS244F Composed
by Michael Boo. Sws. Cps.
Full score. 20 pages.
Duration 3 minutes, 16
seconds. Carl Fischer
Music #CPS244F. Published
by Carl Fischer Music
(CF.CPS244F). ISBN
9781491157992. UPC:
680160916597. 9 x 12
inches. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Donat be
concerned if you donat
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isnat essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isnat critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes donat sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft. Don't be
concerned if you don't
have some of the lower
voice color instruments
such as bass clarinet,
baritone saxophone,
and/or bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn't essential
as it doubles tuba, but a
lack or scarcity of bass
trombone and/or tuba
isn't critical if you do
have those other low
woodwinds. The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being slurred.
When the accented whole
notes surrounded by rests
are played, be sure they
are held out for a full
four counts. Save the
crescendo for m. 19 and
quickly drop back down in
volume at m. 21. At m.
31, the whole notes do
not crescendo to the same
ff volume as the melody.
Those parts are to save
their crescendo for m.
35. Pay attention to the
instruments that do not
diminuendo at m. 39. In
the slower section after
m. 41, be careful that
the diminuendos on the
half notes don't sag in
pitch as the notes get
softer. Trumpets and
horns at m. 49 must not
play their notes as
accents. Give particular
attention to the
diminuendos in the melody
at m. 56, so that they
fade out as the volume of
the other instruments
grows. The accented notes
at mm. 85 and 86 should
each be heard through the
volume of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. On Wings of
Flight is a jubilant,
short overture that is
meant to convey the
wonder of soaring high
above the ground.
Programmatically, it can
represent either the
flight of birds or
aircraft.Don’t be
concerned if you
don’t have some of
the lower voice color
instruments such as bass
clarinet, baritone
saxophone, and/or
bassoon. Those
instruments are doubled
in the low brass. Bass
trombone isn’t
essential as it doubles
tuba, but a lack or
scarcity of bass trombone
and/or tuba isn’t
critical if you do have
those other low
woodwinds.The repetitive
eighth-note accents
should be lighter than
normal so the ongoing
effect is more propulsive
than heavy. Keep those
eighth-note patterns
locked into the tempo so
the band refrains from
unwittingly accelerating.
Think of the legato
accented notes as
slightly separated as
opposed to being
slurred.When the accented
whole notes surrounded by
rests are played, be sure
they are held out for a
full four counts. Save
the crescendo for m. 19
and quickly drop back
down in volume at m. 21.
At m. 31, the whole notes
do not crescendo to the
same ff volume as the
melody. Those parts are
to save their crescendo
for m. 35. Pay attention
to the instruments that
do not diminuendo at m.
39.In the slower section
after m. 41, be careful
that the diminuendos on
the half notes
don’t sag in pitch
as the notes get softer.
Trumpets and horns at m.
49 must not play their
notes as accents. Give
particular attention to
the diminuendos in the
melody at m. 56, so that
they fade out as the
volume of the other
instruments grows.The
accented notes at mm. 85
and 86 should each be
heard through the volume
of the rest of the
instruments, so that the
addition of each pitch is
adequately heard. If you
wish, you may place more
emphasis on the accents
in the last two measures
of the piece than you did
earlier throughout the
piece. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flight of the Griffin Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Brian Balmages. For concert band. FJH Concert Band. Full set (score and parts...(+)
By Brian Balmages. For
concert band. FJH Concert
Band. Full set (score and
parts). Score only also
available: B1192S. Grade
4.5. Score and set of
parts. Composed 2003
(1)$85.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Eagle's Flight Orchestre d'harmonie [Conducteur] - Intermédiaire Curnow Music
Grade 5 - Score Only. Arranged by James Curnow. (Score). Curnow Concert Band Fu...(+)
Grade 5 - Score Only.
Arranged by James Curnow.
(Score). Curnow Concert
Band Full Set. Size 9x12
inches. 64 pages.
Published by Curnow
Music.
$28.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Eagle's Flight Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Curnow Music
Grade 5 - Score and Parts. Arranged by James Curnow. Curnow Concert Band Full Se...(+)
Grade 5 - Score and
Parts. Arranged by James
Curnow. Curnow Concert
Band Full Set. Size 9x12
inches. Published by
Curnow Music.
(1)$139.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flight of the Eagle [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tambourine, Timpani,
Triangle, Trombone and
more. - Grade 2 SKU:
CF.YPS234F Composed
by Mark Lortz. Sws. Yps.
Full score. 12 pages.
Duration 1 minute, 50
seconds. Carl Fischer
Music #YPS234F. Published
by Carl Fischer Music
(CF.YPS234F). ISBN
9781491158210. UPC:
680160916818. 9 x 12
inches. Flight of
the Eagle is a driving
fanfare highlighting all
sections of the band.
Written in a mature
style, brass and
saxophones begin the
piece in a half-time feel
with accentuated
percussion interjections.
Rehearsal 16, the flutes,
oboes, and percussion are
the driving pulse, while
the other voices have the
melodic content. The
style is noticeably
different at Rehearsal 28
with accented notes
throughout. Rehearsal 35
introduces the new
rhythmic ostinato, which
should diminuendo so the
melody can be heard.
Rehearsal 67 is similar
to Rehearsal 28 to the
end, and percussion
should dampen on the
final note of the
piece. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flight of the Eagle - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Euphonium, Euphonium
T.C., Flute, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum, Suspended Cymbal,
Tambourine, Timpani,
Triangle, Trombone and
more. - Grade 2 SKU:
CF.YPS234 Composed by
Mark Lortz. Folio. Yps.
Set of Score and Parts.
8+2+4+4+2+2+5+2+2+4+4+3+3
+3+2+3+1+1+2+1+2+12
pages. Duration 1 minute,
50 seconds. Carl Fischer
Music #YPS234. Published
by Carl Fischer Music
(CF.YPS234). ISBN
9781491158203. UPC:
680160916801. 9 x 12
inches. Flight of
the Eagle is a driving
fanfare highlighting all
sections of the band.
Written in a mature
style, brass and
saxophones begin the
piece in a half-time feel
with accentuated
percussion interjections.
Rehearsal 16, the flutes,
oboes, and percussion are
the driving pulse, while
the other voices have the
melodic content. The
style is noticeably
different at Rehearsal 28
with accented notes
throughout. Rehearsal 35
introduces the new
rhythmic ostinato, which
should diminuendo so the
melody can be heard.
Rehearsal 67 is similar
to Rehearsal 28 to the
end, and percussion
should dampen on the
final note of the
piece. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Cornemuse - Intermédiaire Paterson Ltd
| | |
| Jóhann Jóhannsson -- Piano Works Piano seul - Intermédiaire Faber Music Limited
Piano - Intermediate SKU: AP.12-0571542506 Composed by Jóhann Jóhan...(+)
Piano - Intermediate
SKU:
AP.12-0571542506
Composed by Jóhann
Jóhannsson. This
edition: Limited. Piano -
Personality Book;
Piano/Vocal/Chords.
Classical; Movie. Book.
104 pages. Faber Music
#12-0571542506. Published
by Faber Music
(AP.12-0571542506).
ISBN 9780571542505.
English. Jóhann
Jóhannsson: Piano
Works presents
transcriptions of the
late composer's best and
most-loved piano works,
brought together in a
stunning high-end
cloth-bound hardback
limited edition book.
Featuring 30 accurate
transcriptions of piano
works from across his
albums and films,
including the soundtrack
for The Theory of
Everything, Free the Mind
and Flight From the City.
Suitable for intermediate
pianists, it also
includes a wealth of
striking photographs and
a specially commissioned
introduction from
American composer, Dustin
O'Halloran. $66.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solo Flight Orchestre d'harmonie [Conducteur] - Facile C.L. Barnhouse
Grade 2.5 SKU: CL.011-2914-01 Composed by Neeck. Young Concert Band. Comm...(+)
Grade 2.5 SKU:
CL.011-2914-01
Composed by Neeck. Young
Concert Band. Command
Series. Audio recording
available separately
(items CL.WFR187,
CL.WFR353 & CL.WFR354).
Extra full score.
Composed 1998. Duration 2
minutes, 43 seconds. C.L.
Barnhouse #011-2914-01.
Published by C.L.
Barnhouse
(CL.011-2914-01).
A wonderful way
to encourage and
challenge your best young
players is by featuring
them on a solo with band
accompaniment. Larry
Neeck’s Solo
Flight is a delightful
solo feature for
virtually almost any
instrument in the band
(Bb, Eb, C & Bass Clef
Solo Parts are included
with the set). Light in
nature, it will be a
welcome addition to any
concert. Playable and
enjoyable, this piece can
pay big dividends to your
band program! Recorded on
the CD A Lantern In The
Window by The Washington
Winds.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Flight of the Piasa Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
By Robert Sheldon. For Concert Band. Concert Band. Alfred Concert Band. Level: 4...(+)
By Robert Sheldon. For
Concert Band. Concert
Band. Alfred Concert
Band. Level: 4 (Medium
Difficult) (grade 4).
Conductor Score and
Parts. 368 pages.
Published by Alfred
Publishing.
(1)$78.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chase the Shouting Wind Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
Composed by Vince Gassi. Concert Band. Concert Band; Part(s); Score. Alfred ...(+)
Composed by Vince Gassi.
Concert Band. Concert
Band;
Part(s); Score. Alfred
Concert Band. Grade 4.
276
pages. Published by
Alfred
Music
$78.00 $74.1 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| As Spirits Take Flight Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Grade 4 SKU: CL.012-3589-01 Composed by Earl. Concert Band. Heritage of t...(+)
Grade 4 SKU:
CL.012-3589-01
Composed by Earl. Concert
Band. Heritage of the
March Series. Audio
recording available
separately (item
CL.WFR349). Extra full
score. Composed 2007.
Duration 7 minutes, 33
seconds. Opus III Wind
Orchestra Publications
#012-3589-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-3589-01).
Uplifting and
bright, this fine
overture was written for
the Salt Lake Symphonic
Winds. Images of flight
are suggested through the
composer's use of rhythm
and tempo. The middle
section has solo lines
for trumpet and clarinet
and is beautifully scored
utilizing the many
different colors
available to the wind
medium. Various cross
cueings allow the
conductor/director
freedom to tailor the
piece to fit a particular
ensemble. An excellent
choice for high school
and community bands
alike.
About Heritage
of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Chase the Shouting Wind Orchestre d'harmonie [Conducteur] - Intermédiaire Alfred Publishing
Concert Band - Grade 4 SKU: AP.41965S Composed by Vince Gassi. Concert Ba...(+)
Concert Band - Grade 4
SKU: AP.41965S
Composed by Vince Gassi.
Concert Band; MakeMusic
Cloud; Performance Music
Ensemble; Single Titles.
Alfred Concert Band.
Programmatic. Score. 24
pages. Alfred Music
#00-41965S. Published by
Alfred Music (AP.41965S).
ISBN 9781470664732.
UPC: 038081471334.
English. Inspired
by the poem, High Flight,
by American WWII pilot,
John Gillespie Magee,
Jr., this energetic work
calls to mind the thrill
and freedom of flight.
Opening with rhythmic
energy in the winds and
rich harmonic statements
in the brass, the mood
gives way to a sensitive
lyrical section. A
dynamic development of
the opening statement
leads, ultimately, to a
powerful and climactic
ending. An excellent
contest piece, this
selection will enhance
any program. This title
is available in MakeMusic
Cloud. $10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First Flight Orgue Oxford University Press
Solo organ SKU: OU.9780193551497 Composed by Cecilia McDowall. The Oxford...(+)
Solo organ SKU:
OU.9780193551497
Composed by Cecilia
McDowall. The Oxford
Organ Library. 12 pages.
Duration 6'. Oxford
University Press
#9780193551497. Published
by Oxford University
Press (OU.9780193551497).
ISBN 9780193551497. 12
x 9 inches. This
inventive work, composed
in 2019, owes its title
to that year's two great
anniversaries connected
to manned flight: the
50th anniversary of the
first moon landing and
the 500th anniversary of
the death of Leonardo da
Vinci. A range of highly
effective textures and
atmospheric harmonies
takes us on a journey
towards a gloriously
affirmative D major
ending. $13.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flight of the Pegasus Orchestre d'harmonie [Conducteur] - Facile Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-2583-75 Composed by Shaffer. Concert Band. Command Se...(+)
Grade 3 SKU:
CL.012-2583-75
Composed by Shaffer.
Concert Band. Command
Series. Audio recording
available separately
(items CL.WFR105 &
CL.WFR175). Oversized,
spiral-bound score.
Composed 1994. Duration 4
minutes, 58 seconds. Opus
III Wind Orchestra
Publications
#012-2583-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-2583-75).
A distinctive
original based on
mythical Greek
characters, Pegasus is an
excellent selection for
either concert or contest
use. EXCITING FROM START
TO FINISH!
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $30.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Real Bebop Book Hal Leonard
Bb Instruments SKU: HL.295068 Bb Edition. By Various. Fake Book. B...(+)
Bb Instruments SKU:
HL.295068 Bb
Edition. By Various.
Fake Book. Bebop, Jazz.
Softcover. 248 pages.
Published by Hal Leonard
(HL.295068). ISBN
9781540055200. UPC:
888680945091.
8.5x11.0x0.592
inches. Your new
official bebop bible!
Over 200 classics
arranged for Bb
instruments in Real Book
style. Titles include:
Anthropology * Au Privave
* Be-Bop * Boneology *
Boplicity (Be Bop Lives)
* Byrd Like * Cherokee
(Indian Love Song) *
Confirmation * Donna Lee
* Doxy * Epistrophy *
52nd Street Theme * Four
* Goin' to Minton's *
Good Bait * Groovin' High
* Hi-Fly * Hot House * In
Walked Bud * Jay Bird *
Lady Bird * Lennie's
Pennies * Moose the
Mooche * Move * Oblivion
* Oleo * Parisian
Thoroughfare * Rosetta *
Salt Peanuts * Solar *
Teaneck * Tin Tin Deo *
Tour De Force *
Tricrotism * Wail *
Woodyn' You * Yardbird
Suite * and more! Comb
bound. $34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| High Flyers Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000495-030 Composed by Andrew R. Mackere...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000495-030
Composed by Andrew R.
Mackereth. Set (Score &
Parts). 22 pages. Gobelin
Music Publications #GOB
000495-030. Published by
Gobelin Music
Publications
(BT.GOB-000495-030).
From the
composer:
High
Flyers are regarded as
people with promise and
potential.They are
winners. This is
music for
winners.
The
title, as well as being a
play-on-words, implies
the nature of the work.
It is a bright,
optimistic, and upbeat
piece attempting to
depict an exhilarating
ride on flying
carpet. The opening
rising chords immediately
suggest the gentle
elevation of the carpets'
ascent towards unknown
heights, leading to a
hint of a first theme in
the horns at Fig. B.
The first four notes
provide the thematic
material for the whole
work: C F G A. A
perpetual sense of
movement is achieved
through accented quaver
chords punctuating the
melodicmaterial of the
first main theme.
Fig. E sees the music of
the opening bars fully
realised, with flourishes
from the euphonium and
baritones representing
swirling clouds, shooting
stars, or passing birds
in flight. The same
subject is developed into
a lyrical second theme
with a new lush harmonic
treatment, evocative of
gliding over an expanse
of sparse
countryside.This section
ends with a note of
serenity but is shattered
by the urgent insistence
of the percussion
rhythms. The third
section introduces a new
idea with a slightly
distorted fanfare in the
cornets and
trombones. This
figure suggests for the
first time that there may
be trouble ahead. In
fact, there is no need to
fear and the journey can
continue without
aggravation. This fanfare
returns near the end to
signal a final note of
triumph. A new
rhythmic variant of the
cell motif emerges as the
third theme now
transformed by the
addition of a triplet
figure. The music
steadily gains momentum
before moving inexorably
towards the climactic
return of the music and
tonality of the opening
bars of the piece. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| High Flyers Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000495-130 Composed by Andrew R. Mackere...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000495-130
Composed by Andrew R.
Mackereth. Score Only. 22
pages. Gobelin Music
Publications #GOB
000495-130. Published by
Gobelin Music
Publications
(BT.GOB-000495-130).
From the
composer:
High
Flyers are regarded as
people with promise and
potential.They are
winners. This is
music for
winners.
The
title, as well as being a
play-on-words, implies
the nature of the work.
It is a bright,
optimistic, and upbeat
piece attempting to
depict an exhilarating
ride on flying
carpet. The opening
rising chords immediately
suggest the gentle
elevation of the carpets'
ascent towards unknown
heights, leading to a
hint of a first theme in
the horns at Fig. B.
The first four notes
provide the thematic
material for the whole
work: C F G A. A
perpetual sense of
movement is achieved
through accented quaver
chords punctuating the
melodicmaterial of the
first main theme.
Fig. E sees the music of
the opening bars fully
realised, with flourishes
from the euphonium and
baritones representing
swirling clouds, shooting
stars, or passing birds
in flight. The same
subject is developed into
a lyrical second theme
with a new lush harmonic
treatment, evocative of
gliding over an expanse
of sparse
countryside.This section
ends with a note of
serenity but is shattered
by the urgent insistence
of the percussion
rhythms. The third
section introduces a new
idea with a slightly
distorted fanfare in the
cornets and
trombones. This
figure suggests for the
first time that there may
be trouble ahead. In
fact, there is no need to
fear and the journey can
continue without
aggravation. This fanfare
returns near the end to
signal a final note of
triumph. A new
rhythmic variant of the
cell motif emerges as the
third theme now
transformed by the
addition of a triplet
figure. The music
steadily gains momentum
before moving inexorably
towards the climactic
return of the music and
tonality of the opening
bars of the piece. $26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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