Par . The Hal Leonard Melodica Method is designed for anyone interested in learning the basics of playing the melodica. This easy-to-use beginner's guide serves as an introduction to everything needed to begin playing with proper technique. It's filled with helpful diagrams and photographs and uses folk tunes that students can learn as they work their way through the book. Topics covered include: mouthpiece techniques, breathing, chords, rhythms, improvising, vibrato, trills, and glissando technique. Includes 90 audio tracks with demonstrations of every song in the book! / Date parution : 2023-06-01/ Méthode / Melodica

Raising the curtain on Christopher Norton's Micromusicals - exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12, each production lasts around 30 minutes and can be learned, rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:Succinct casting and direction suggestionsOptional props list with a wealth of additional downloadable resourcesStraightforward and catchy songs, with complete demonstration and backing tracks on an accompanying CDVoice and piano scores with guitar chordsA wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or bandPhotocopiable lyric sheets (also available as downloads for printing or projection)Wide-ranging cross-curricular teaching and classroom activity suggestionsA customisable poster to publicise performancesAncient Egypt is a popular area of study at Key Stage 2 and 3 History in England, as well as in schools elsewhere in the UK and further afield. This Micromusical focuses on Egyptian mythology and deities including Nut (the goddess of the sky) and Ra (the sun god). / Instruments Divers Et Piano

Expand your bass knowledge with the Bass Lesson Goldmine series! Featuring 100 individual modules covering a giant array of topics, each lesson in this Rock volume includes detailed instruction with playing examples presented in standard notation and tablature. You'll also get extremely useful tips, scale diagrams, chord grids, photos, and more to reinforce your learning experience plus 2 audio CDs featuring performance demos of all the examples in the book!This volume covers a huge variety of rock bass styles, techniques, and concepts are covered, including: first position notes- basic fingerstyle- basic slapping- fingerstyle rakes- drop D tuning- memorizing the fretboard- arpeggios- harmonics- Paul McCartney style- John Entwistle style- Geddy Lee style- Billy Sheehan style- Flea style- gallop rhythm- tapping- techno bass- walking- where to pick- and much more! / Guitare Basse

Guitar Lesson Goldmine Series. Expand your banjo knowledge with the Lesson Goldmine series! Featuring 100 individual modules covering a giant array of topics, each lesson in this volume includes detailed instruction with playing examples presented in banjo tablature. You'll also get extremely useful tips, chord and neck diagrams, photos and much more to reinforce your learning experience plus access to over 500 audio tracks with performance demos of all the examples in the book! A huge variety of styles, techniques and concepts are covered, including: clawhammer style, Scruggs-style licks, playing backup, playing in different keys, tunings, using capos, constructing solos, creating harmony parts, achievinggood tone, and much more. / Etudes et exercices / Méthode / Banjo

Expand your Bass knowledge with the Bass Lesson Goldmine series.Featuring 100 individual modules covering a giant array of topics, each lesson in this Funk/R and B volume includes detailed instruction with playing examples presented in standard notation and tablature.You'll also get extremely useful tips, scale diagrams, chord grids, photos, and more to reinforce your learning experience, plus access to online audio featuring performance demos of all the examples in the book.This volume covers a huge variety of funk and R and B bass styles, techniques, and concepts are covered, including: the pocket - fingerstyle funk - slap and pop techniques - hammer-ons and pull-offs - staccato and tenuto - funk fills and phrasing - dynamics - funk jazz - acid jazz - James Brown Fun - Bootsy Collins style - Larry Graham style - Louis Johnson style - Flea style - and more. / Guitare Basse

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

22 Complete Warm-Up Routines. Par GROEGER BERTRAND. We can’t do without it: every good rehearsal and successful concert begins with a warm-up. For this, you need motivation, variety, methods and imagination. And that’s where this book comes in: Warm Up the Choir offers 22 complete warm-up routines, lively and compact in increasing difficulty. Whether it’s a pop choir, church choir or professional training Warm Up the Choir has physical, breathing and singing exercises suitable for everyone. And here’s the best part: open it up and off you go!/ Etude / Choeur Mixte SATB