Composed by Gabriel Faure (1845-1924). Edited by Fabian Kolb. Henle Music Folios. Softcover. G. Henle #HN1358. Published by G. Henle

By Johannes Brahms. For Choir. (SATB with S,Bar Soli). Choral Worship Cantata. Kalmus Edition. Masterwork; Sacred. Book. 96 pages. Published by Alfred Publishing.

Vocal Ensemble Piano Accompaniment; Vocal (High Voice)

SKU: HL.51480551

Song Cycle Original Keys for High Voice. Composed by Robert Schumann. Edited by Kazuko Ozawa. Sheet Music. Paperbound. Henle Music Folios. Original Keys for High Voice. Classical. Softcover. 80 pages. G. Henle #HN551. Published by G. Henle (HL.51480551).

ISBN 9790201805511. UPC: 888680950781. 8.25x11.75x0.295 inches.

1840 was Schumann's famous “year of song” that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated “to his dear bride,” Clara Wieck-Schumann. Besides famous songs such as “Widmung,” “Lotosblume” and “Nussbaum” to texts by German poets, the collection also saw Schumann venture further afield, whether to the Scottish Highlands with settings of Robert Burns or to Italy for the “Venetian Songs” of Thomas Moore. Schumann specialist Kazuko Ozawa has examined the first edition of 1840 and all the manuscript sources. Among the dedicatory autograph copies she has also discovered interesting early versions of individual songs that are here published in an appendix. Our Urtext edition is rounded off with an extensive history of how Myrthen was composed. This volume is a superlative addition to G. Henle Verlag’s series of Robert Schumann's song cycles.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SATB with S,Bar Soli (Orch.) (German Language Edition). Composed by Johannes Brahms (1833-1897). Choral (Sacred); Choral Worship Cantata; Larger Works; Masterworks; Performance Music Ensemble; Worship Resources. Kalmus Edition. Masterwork; Romantic; Sacred. Book. 96 pages. Kalmus Classic Edition #00-K06110. Published by Kalmus Classic Edition

Violin and Piano

SKU: HL.14030977

Composed by Bent Sorensen. Music Sales America. Classical. Book [Softcover]. Music Sales #KP00906. Published by Music Sales (HL.14030977).

ISBN 9788759862148.

Work for Violin and Piano dating from 1999. The composer writes: 'Sieben Sehnsuchte was written in 1999 for David Alberman and Rolf Hind. As the title suggests, it is in seven movements - each more insanely difficult and bothersome than the other. All sorts of possible and impossible playing techniques have been used, and the performers have to both whistle and sing. However, it is not the intention that the slightly more unusual sound should be heard as effects. Everything is supposed to fuse together into something that is in itself a little opera - a 'chamber piece'. It was written in a period when I was waiting impatiently for the libretto for Under the Sky, and I see it as a meeting (or seven meetings) between two people - two instruments - longing for each other; longing to merge together. The piece is a kind of sister work to Roses are Falling.'.

(Bass Section Feature). By Jacques Offenbach (1819-1880). Arranged by Richard Meyer. Orchestra. Masterworks; Part(s); Score; String Orchestra. Highland String Explorer. Form: Dance. Light Concert; Masterwork Arrangement; Romantic. Grade 1.5. 72 pages. Published by Alfred Music Publishing

In Happy Celebration. By Katherine Beard. Solo piano. For Piano Solo. Classical. Solo part. 38 pages. Published by Theodore Presser Company.

By H. Wolf. Edited by Gerhardt. For high voice, piano. (Eng-Ger). Published by C.F. Peters.

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

By Claude Debussy (1862-1918). Edited by Ulrich KrÌ_mer and Ulrich Kr. For String Quartet (Parts). Henle Music Folios. G. Henle #HN999. Published by G. Henle

The Complete Resource for Every Pianist!. Piano Solo Songbook (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 304 pages. Published by Hal Leonard.

By George Frideric Handel (1685-1759). Edited by Hans Joachim Marx. For soprano voice solo, alto voice solo, tenor voice solo, bass voice solo, SSATB choir , violin (2), viola (2), cello, basso continuo (cello, double bass, organ) (2 Solo Sopranos/Solo Al

Chamber Ensemble (Parts)

SKU: HL.256461

Violin & Percussion Parts. Composed by Nico Muhly. Music Sales America. Classical. Softcover. St. Rose Music #SRO10000701. Published by St. Rose Music (HL.256461).

UPC: 840126949346. 8.5x11.0x0.05 inches.

Contemporar y American composer Nico Muhly is a prolific writer and arranger who, at 32, is the youngest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble, Orchestra and Chorus. Muhly has collaborated widely. This Choral work manifests some influences of Phillip Glass, for whom he has previously worked. Like As The Hart is Muhly's response to Herbert Howells's setting of the psalm, though in this version elongated harmonies 'drag' melodic fragments behind them.

Composed by Johannes Brahms (1833-1897). Collection for low voice and piano. 208 pages. Published by G. Schirmer, Inc.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-209

Composed by Johann Sebastian Bach. Edited by Hafner,Klaus and Oswald Bill. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 209. Published by Breitkopf and Haertel (BR.BV-209).

ISBN 9783765102097. 9 x 14.5 inches. German.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

By Willcocks and John Rutter. For Choral Collection: Mixed Choir Spiralbound. Published by Oxford University Press.

Chorus (with soloists) and piano (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.EB-4063

Composed by Johann Sebastian Bach. Edited by Salomon Jadassohn. Arranged by Salomon Jadassohn. Choir; Softcover. Edition Breitkopf. Mass; Baroque. Piano/Vocal Score. 48 pages. Duration 38'. Breitkopf and Haertel #EB 4063. Published by Breitkopf and Haertel (BR.EB-4063).

ISBN 9790004162224. 7.5 x 10.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.CHB-3477-02

Composed by Johann Sebastian Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Mass; Baroque. Choral score. 20 pages. Duration 38'. Breitkopf and Haertel #ChB 3477-02. Published by Breitkopf and Haertel (BR.CHB-3477-02).

ISBN 9790004404218. 6.5 x 9.5 inches.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

100 Carols for Choirs by David Willcocks; John Rutter. For Mostly SATB and piano. Mixed Voices. . . . for Choirs Collections. Advent, Christmas, Epiphany, Easter, Sacred, Secular. Paperback. 388 pages. Published by Oxford University Press

By Various. Edited by Doerffel, Soldan. For soprano, piano. Collections of famous Arias from Cantatas,Oratorios and Operas(each in original language with German translation). Published by C.F. Peters.

Chorus (with soloists) and orchestra (solos: SAB - choir: SATB - 2.0.0.0 - 0.0.0.0 - str - bc)

SKU: BR.BV-217

Composed by Johann Sebastian Bach. Choir; Linen. Buchverlag Breitkopf & Hartel (Music Books). Mass; Baroque. Book. 64 pages. Duration 38'. Breitkopf and Haertel #BV 217. Published by Breitkopf and Haertel (BR.BV-217).

ISBN 9783765102172. 9 x 14.5 inches. English.

The Publication in facsimile of the auto graphic copy of Johann Sebastian Bach's Mass in A major BWV 234 at the occasion of the Bach Anniversary Year 1985 has been made possible thanks to the generous support of the publishing house which so carefully preserved this precious manuscript in its archives for almost 200 years. The manuscript was acquired long ago by Johann Gottlob Immanuel Breitkopf, the brilliant and dynamic forefather of the publishing house Breitkopf & Hartel, who conducted a prosperous business selling music transcriptions in Leipzig. It is still unclear as to how he obtained the manuscript. Perhaps it had belonged to the estate of Wilhelm Friedemann Bach, from whom Breitkopf apparently acquired a part of his Bach collection. The earliest reference to the manuscript's change of ownership is found in Breitkopfs Verzeichniss Musicalischer Werke of 1761, which includes Bach's Missa, a 2 Flauti, 2 Violini, Viola 4 Voci, Organo under the listing of copies of unpublished compositions. The copy was available at the price of 2 thl. (thalers) 12gl. (groschen). A few years later, in 1769, the same offer appeared again together with other works by Bach or ascribed to him in the Verzeichniss lateinischer und italianischer Kirchen-Musiken of Bernhard Christoph Breitkopf & Sohn. In more recent times, the work has been mentioned in Wilhelm Hitzig's Katalog des Archivs von Breitkopf & Hartel, revised in 1925, together with the continuo part, which was included with the copy and which was also originally written in Bach's own hand. The economic reorganization of the publishing house Breitkopf & Hartel after the Second World War made it necessary to sell the manuscript together with other works from the publisher's archives. This manuscript was to have been put up at auction by the auction house J. A. Stargardt. The catalogue, containing an informative commentary by Wolfgang Schmieder, was already printed, but before the auction could take place, the land of Hesse decided to purchase all the manuscripts, thus preventing the dispersion of this valuable collection. The manuscript was officially handed over to the Hessische Landes- und Hochschulbibliothek in Darmstadt on 29 October 1953. The A major Mass is still preserved there today, together with its fellow piece, the Mass in G major BWV 236.

Piano - easy

SKU: HL.49045430

Easy Recital Pieces for Piano. Composed by Barbara Heller. Edited by Veronika Nuenemann. This edition: Saddle stitching. Sheet music. Piano. Classical. Softcover. 44 pages. Duration 24'. Schott Music #ED22606. Published by Schott Music (HL.49045430).

ISBN 9790001161640. UPC: 841886031647.

This collection tells little stories on the piano, written for some very young pianists. Each title sets a musical and technical challenge. Individual pieces may be put together to tell a longer story. The pieces are ordered progressively, with some requiring simple preliminary exercises. Easy to start with (using grace notes, playing legato and staccato), they become gradually more demanding as different fingerings, pedal use, phrasing and dynamics are introduced. Articulation, phrasing and tempo markings in this edition represent one possible interpretation; they may be changed or varied at will. The composer is delighted for her creative work to be developed further: titles presented in two versions give examples of this, showing that the bird can shimmer in different colours.

Orchestra (Study Score)

SKU: HL.51489059

Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 58 pages. G. Henle #HN9059. Published by G. Henle (HL.51489059).

UPC: 840126932898. 6.75x9.5x0.22 inches.

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,” as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies” nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.” Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489060

Orchestra Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 64 pages. G. Henle #HN9060. Published by G. Henle (HL.51489060).

UPC: 840126932843. 6.75x9.5x0.226 inches.

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,” as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies” nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.” Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. Completed in 1788 according to the autograph manuscript, the Symphony in E flat major no. 91 astonishes, even for Haydn’s standards, with its many idiosyncrasies, such as the Baroque, contrapuntal theme of the first movement or the strings of trills in the slow variation movement. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy scorean ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

Orchestra (Study Score)

SKU: HL.51489058

Study Score. Composed by Franz Joseph Haydn. Edited by Andreas Friesenhagen. Henle Study Scores. Classical. Softcover. 63 pages. G. Henle #HN9058. Published by G. Henle (HL.51489058).

UPC: 840126932904. 6.75x9.5x0.232 inches.

Haydn's three Symphonies nos. 90-92 might rightly be dubbed his “Paris Symphonies Part II,” as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already composed his six “Paris Symphonies” nos. 82-87 just a few years earlier. Ironically enough, Haydn would later sell these three a second time to Prince von Oettingen-Wallerstein who requested he “receive 3 new symphonies from him.” Regardless of such mercantile entanglements, Haydn shows himself to be at the full height of his mastery as a symphonist in these works. According to the autograph manuscript, the Symphony in C major no. 90 was completed in 1788 and highlights its festive character with the addition of timpani and trumpets. This study edition adopts the musical text of the Haydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)