Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext. 1x
31.133/21 oboe d'amore 1,
1x 31.133/22 oboe d'amore
2, 1x 31.133/31 cornett.
Stuttgart Urtext Edition:
Bach vocal. Harmony
parts. Sacred vocal
music, Christmas. Set of
Orchestra Parts. Composed
1724. BWV 133. Duration
20 minutes. Carus Verlag
#CV 31.133/09. Published
by Carus Verlag
(CA.3113309).
ISBN
9790007207977. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300.
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music, Christmas.
Set of Orchestra Parts.
Composed 1724. BWV 133.
152 pages. Duration 20
minutes. Carus Verlag #CV
31.133/19. Published by
Carus Verlag
(CA.3113319).
ISBN
9790007141127. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and parts available
separately - see item
CA.3113300.
Cantata for the 3rd
day of Christmas.
Composed by Johann
Sebastian Bach. Edited by
Tobias Rimek. Arranged by
Paul Horn. This edition:
urtext. Stuttgart Urtext
Edition: Bach vocal.
Sacred vocal music,
Christmas. Full score.
Composed 1724. BWV 133.
36 pages. Duration 20
minutes. Carus Verlag #CV
31.133/00. Published by
Carus Verlag
(CA.3113300).
ISBN
9790007097486. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note
figures.
Choir SKU: CA.3113305 Cantata for the 3rd day of Christmas. Compos...(+)
Choir
SKU:
CA.3113305
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Christmas. Choral
Score. Composed 1724. BWV
133. 4 pages. Duration 20
minutes. Carus Verlag #CV
31.133/05. Published by
Carus Verlag
(CA.3113305).
ISBN
9790007161934. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score available
separately - see item
CA.3113300.
Cantata
for the 3rd day of
Christmas. Composed
by Johann Sebastian Bach.
Edited by Tobias Rimek.
Arranged by Paul Horn.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Organ. Sacred
vocal music, Christmas.
Single Part, Organ.
Composed 1724. BWV 133.
16 pages. Duration 20
minutes. Carus Verlag #CV
31.133/49. Published by
Carus Verlag
(CA.3113349).
ISBN
9790007207984. Language:
German.
The cantata
Ich freue mich in dir was
first performed during
Bach's second year as
Thomaskantor, on the 3rd
day of Christmas, and
belongs to the so-called
annual cycle of chorale
cantatas. Here the focus
of the composition is the
hymn of the same name by
Philipp Ziegler, in which
the first and final
strophes were adopted,
word for word, in the
first and sixth movements
of the cantata. The
soprano, which carries
the chorale, is supported
by the conrnett (Zink),
which already at this
time had become a
seldom-used instrument.
The joyful, lively choral
movement with
instrumental interludes
directly follows the
first aria, and begins
with a marked, ascending
motive at the word
Getrost! (safely). The
oboes d'amore which
accompany the alto lend
the movement a special
color. In the second aria
(for soprano), Bach again
shows himself to be the
master of text
interpretation. The words
Wie lieblich klingt es in
den Ohren are emphasized
in an exchange between
open strings and
sixteenth note figures.
Score and part available
separately - see item
CA.3113300.
Brass Quintet SKU: HL.14031968 Composed by Brian Kelly. Music Sales Ameri...(+)
Brass Quintet
SKU:
HL.14031968
Composed
by Brian Kelly. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12051301.
Published by Music Sales
(HL.14031968).
Contemporary
British composer Brian
Kelly has composed a
series of place-inspired
suites, including the
Cuban Suite and the New
Orleans Suite. The Suite
Parisienne's four
movements suggest the
Paris of years gone by -
Quartier Latin,
Promenade, Memoire,
Moulin Rouge - in music
that shows a deep
understanding of brass
instruments and a lively,
sophisticated setting of
melodies that are almost,
but not quite, French
tunes. The solistic
opportunities for each
instrument are generously
shared and the three
livelier movements make a
brilliant frame for the
longing tone of the
Memoire movement.
Double Bass; Orchestra (STUDY SCORE) SKU: HL.51487451 Study Score....(+)
Double Bass; Orchestra
(STUDY SCORE)
SKU:
HL.51487451
Study
Score. Composed by
Serge Koussevitzky.
Edited by Tobias Glö
and ckler. Henle Study
Scores. Classical.
Softcover. 92 pages. G.
Henle #HN7451. Published
by G. Henle
(HL.51487451).
UPC:
196288158110.
6.75x9.5x0.294
inches.
Thanks to
its skilful combination
of Romantic melody and
sparkling virtuosity,
KoussevitzkyÂ’s Double
Bass Concerto op. 3 has
been one of the most
popular works of its
genre since its Moscow
premiere in 1905. No
wonder, for the virtuoso
double bass player
Koussevitzky had composed
it for his very own
instrument. As early as
1906/07 a first piano
reduction was published
in Moscow, followed by a
second in 1910 in
Leipzig. However, both
contain so many mistakes
in the solo part that
there is still
uncertainty about the
correct musical text in
many passages to this
day. The double bass
player Tobias Glöckler
has therefore prepared
his Urtext edition using
several sources: as well
as the manuscript
performance material and
the piano reductions
published during the
composer's lifetime, he
has also studied
recordings with
Koussevitzky as soloist -
thereby finally producing
a
thoroughly-researchedUrte
xt edition of the
orchestral score and
piano reduction of this
classic of the double
bass literature. As with
all double bass concertos
published by Henle
Publishers, this edition
also contains the piano
reduction by Christoph
Sobanski in two keys (E
minor and F sharp minor)
for performance with solo
or orchestral tuning.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481532
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN1532. Published by G.
Henle (HL.51481532).
UPC: 840126989298.
9.25x12.25x0.357
inches.
After the
great success of his
first Piano Trio in d
minor op. 49, some five
years passed before
Mendelssohn set to work
on a new composition for
this formation. But then
the c-minor Trio came
into being in a
relatively short period
in March/April 1845 and
was published around a
year later. Much more
sombre in character than
the sibling work, this
second trio is also
considered much more
difficult in terms of
technique (above all in
the piano part). Thus, it
has always stood somewhat
in the shadow of the
earlier trio. However,
chamber music aficionados
generally regard it as
the more mature and
challenging work in terms
of compositional
technique. The trio,
taken from the volume
Mendelssohn • Piano
Trios HN 957, is now
available from Henle for
the first time also as a
practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51481561 Piano Solo. Composed by Franz ...(+)
Piano (Piano Solo)
SKU: HL.51481561
Piano Solo.
Composed by Franz
Schubert. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 39 pages. G.
Henle #HN1561. Published
by G. Henle
(HL.51481561).
UPC:
196288308119.
9.25x12.25x0.15
inches.
Schubert
composed his piano sonata
in a minor in May 1825;
it is one of Schubert's
few piano works that was
published during his
lifetime. The four
movements are expressive
but each in its own way:
a ballade style in the
first piece, a songful
second movement, surging
restlessness in the third
and eruptive passion in
the final movement.
Together, however, they
constitute a uniform
work. Since the autograph
is lost, this revised
Urtext edition is based
exclusively on the first
edition that was
authorised by Schubert.
The preface and comments
provide detailed
information on the
genesis of the work and
on open questions
concerning the musical
text. Carefully
thought-out fingerings by
Schubert expert Martin
Helmchen round off the
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano Trio (Ensemble) SKU: HL.51481525 Composed by Robert Schumann. Edite...(+)
Piano Trio (Ensemble)
SKU: HL.51481525
Composed by Robert
Schumann. Edited by Ernst
Herttrich. Henle Music
Folios. Classical.
Softcover. 80 pages. G.
Henle #HN1525. Published
by G. Henle
(HL.51481525).
UPC:
840126989762.
9.0x12.0x0.296
inches.
The Fantasy
Pieces op. 88 are
Schumann's first
contribution to the genre
of the piano trio and
date from his very
prolific “chamber
music year†1842.
However, Schumann needed
an unusually long time to
give the work its final
form: the Fantasy Pieces
were released only in the
autumn of 1850 after
several revisions. The
brevity and the modest
technical demands of the
four charming character
pieces make them an ideal
entry into the world of
Schumann's chamber music
also for non-professional
musicians. The Fantasy
Pieces, taken from the
volume Schumann •
Piano Trios HN 916, are
now available from Henle
for the first time also
as a practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51481614 Piano Solo. Composed by Arnold...(+)
Piano (Piano Solo)
SKU: HL.51481614
Piano Solo.
Composed by Arnold
Schönberg. Edited by
Ulrich Krä and mer.
Henle Music Folios.
Classical. Softcover. 47
pages. G. Henle #HN1614.
Published by G. Henle
(HL.51481614).
UPC:
196288206934.
9.0x12.0x0.16
inches.
The Five
Piano Pieces op. 23 are a
transitional work in
which Schönberg made
the decisive step from
free atonal music to
composition based on tone
rows, which however did
not yet necessarily have
to contain all twelve
chromatic tones. Begun in
1920 as a contribution to
a memorial album for
Debussy, the cycle was
completed – now as
an independent work
– only in 1923.
The most famous piece in
it is certainly no. 5,
“Waltzâ€, an
ironic playing with genre
traditions that at the
same time is a
swift-moving piece of
music! Our editor, Ulrich
Krämer, is one of the
most distinguished
Schönberg scholars,
while the fingerings are
provided by specialist
Shai Wosner. The clear
and neatly set score is
an ideal basis on which
to explore this
fascinating piano
universe.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
[Cembalokonzert Nr. 1
D-Moll BWV 1052] Study
Score. Composed by
Johann Sebastian Bach.
Henle Study Scores.
Classical. Softcover. G.
Henle #HN7380. Published
by G. Henle
(HL.51487380).
UPC:
840126932881.
6.75x9.5x0.251
inches.
Bach's
harpsichord concerti,
extremely popular among
pianists, are presumably
reworkings of pieces
originally written for
the violin. Bach,
however, succeeded in
transferring the diverse
idiosyncrasies of violin
technique to the keyboard
with such ingenuity that
most of today's pianists
also include these
concerti in their
standard repertoire. The
first concerto in D minor
is perhaps the most
popular - not least
because of its jaunty
outer movements and the
eminently forceful solo
part. Now, as a prelude
to a series of all of
Bach's harpsichord
concerti, G. Henle
Publishers presents a
piano reduction and study
edition (score) of the
D-minor concerto. None
other than András
Schiff, the outstanding
Bach expert, has provided
fingering
suggestions.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Horn; Piano Accompaniment (Horn/Piano) SKU: HL.51481332 Horn in F and ...(+)
Horn; Piano Accompaniment
(Horn/Piano)
SKU:
HL.51481332
Horn
in F and Piano.
Composed by Richard
Strauss. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. 12 pages. G.
Henle #HN1332. Published
by G. Henle
(HL.51481332).
UPC:
196288308133.
9.25x12.25x0.07
inches.
In the
summer of 1888, while
also working on his tone
poem Don Juan, Richard
Strauss composed this
brief Andante for his
father, Franz Strauss, a
member of the Munich
Court Opera and one of
the greatest horn players
of his age. The Andante
was intended as the slow
movement âof a still
unfinishedâ sonata
that Strauss, however,
never did complete (to
the chagrin of all horn
players). The piece thus
remained unpublished
until 1973. For the new
Urtext edition by G.
Henle Publishers, the
original autograph
manuscript held at the
Munich Public Library was
able to be examined
directly. The Andante is
of only moderate
difficulty and is ideally
suitedfor teaching
purposes and as an
effective Romantic
performance piece.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano solo) - x, x, x SKU: HL.51481404 Piano Solo. Composed...(+)
Piano (Piano solo) - x,
x, x
SKU:
HL.51481404
Piano
Solo. Composed by
Bela Bartok. Edited by
Lá, Somfai, and
szló. Arranged by
Denes Varjon. Sheet
music. Paperbound. Henle
Music Folios. Classical,
Folk, Multicultural.
Softcover. 32 pages. G.
Henle #HN1404. Published
by G. Henle
(HL.51481404).
ISBN
9790201814049. UPC:
888680738020.
9.0x12.0x0.105
inches.
In a note
for the planned first
edition of his Hungarian
Peasant Songs in 1914,
Bartók wrote that
âthe melodies
published here are
folksongs in the truest
sense of the word; more
precisely, peasant
songs.â Bartók
initially withdrew this
work from publication,
however, and added new
pieces to it using folk
music he had collected in
the meantime. The first
edition was only finally
published in 1920. The
Bartók scholar
László Somfai
explains the work's
complicated genesis in
his preface. The comments
at the close of this
edition include important
indications regarding
performance practice
derived from the two
recordings that the
composer made of several
of its pieces in 1927 and
1936. The musical text
here follows that of the
corresponding volume of
the Bartók Complete
Edition that is currently
in preparation. This is
yet another highly
popular Bartók work
from G. Henle
Publishers!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Study Score) SKU: HL.51487121 Early Viennese Quartets ...(+)
String Quartet (Study
Score)
SKU:
HL.51487121
Early
Viennese Quartets Study
Score. Composed by
Wolfgang Amadeus Mozart.
Edited by Wolf-Dieter
Seiffert. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN7121. Published by G.
Henle (HL.51487121).
UPC: 840126946178.
6.75x9.5x0.299
inches.
After
Volumes IV and III of the
series with Mozart's
complete string quartets
appeared as Henle Urtext
editions in early 2017
and 2019 respectively,
Mozart expert Wolf-Dieter
Seiffert now presents
Volume II. Included are
the “Early Viennese
Quartets†from
1773, K. 168-173. Entries
in the autograph
manuscript by the
composer's father
Leopold, however, suggest
that the ordering of the
six works into a unified
series of quartets was
his doing. In his
preface, Wolf-Dieter
Seiffert shares brand-new
findings on the actual
chronology of the genesis
of these quartets.
Moreover, he succeeds in
correcting what in prior
editions were occasional
inaccuracies in dynamics
and articulation, thereby
producing a new, assured
musical text. With
artistic input from the
Armida Quartet, Volume II
of the String Quartets
also sets the benchmark
in the Mozart Edition!
Contents: String Quartet
in F Major, K. 168 String
Quartet in A Major, K.
169 String Quartet in C
Major, K. 170 String
Quartet in E-flat Major,
K. 171 String Quartet in
B-flat Major, K. 172
String Quartet in D
minor, K. 173.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano Solo) SKU: HL.51481626 For Piano Solo. Composed by Fr...(+)
Piano (Piano Solo)
SKU: HL.51481626
For Piano Solo.
Composed by Franz Joseph
Haydn. Edited by Georg
Feder. Henle Music
Folios. Classical.
Softcover. 16 pages. G.
Henle #HN1626. Published
by G. Henle
(HL.51481626).
UPC:
196288215844.
9.0x12.0x0.078
inches.
The b-minor
Sonata is part of a group
of six piano sonatas
which, according to
Haydn's own handwritten
catalogue of works, was
composed in 1776. The
autograph has not
survived, and the first
edition of 1778 was not
authorised. However,
numerous copyist's
manuscripts have survived
in which Haydn had his
six sonatas disseminated.
The separate Urtext
edition from the volumes
containing Haydn's
complete piano sonatas
presents this
transmission, which is
quite typical for the
composer, in a way that
is optimally
comprehensible for every
Haydn enthusiast. The
musical text, edited
according to all the
rules of the art on the
basis of the Haydn
Complete Edition, is
supplemented by ergonomic
fingerings by Stephen
Hough – and thus offers
the ideal conditions to
discover this treasure
among Haydn's
sonatas.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
2
Horns (F), 2 Violins,
Viola and Basso Set of
Parts. Composed by
Wolfgang Amadeus Mozart.
Edited by Felix Loy.
Sheet Music. Paperbound.
Henle Music Folios. Bass
part can be played by
cello and/or double bass.
Classical. Softcover. 88
pages. G. Henle #HN1150.
Published by G. Henle
(HL.51481150).
ISBN
9790201811505. UPC:
888680925079.
9.25x12.0x0.275
inches.
The
Divertimento K. 247 in
F-flat major was composed
for the name day of
Countess Antonia Lodron,
and was first performed
on 18 June 1776 in
Salzburg. The little
March K. 248 was
presumably used to
accompany the arrival and
departure of the
musicians on that
occasion - it shares the
same date of composition
as the Divertimento, is
in the same key, and is
scored for the same
instruments. Mozart later
returned several times to
this “First Lodron
night musicâ€, and
posterity appreciated it
too: the Divertimento was
published just a few
years after his death,
and was also available in
numerous 19th century
copies. The only
authorised sources for
our Urtext edition,
however, were the two
autographs. Here,
incidentally, the lowest
part is designated
“Basso,â€
which leaves open the
question as to whether it
was to be played by a
cello, a double bass or
both - a typical case of
“as you like
it†in the music of
the 18th century!
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Piano (Piano solo) - x SKU: HL.51481343 Piano. Composed by Frederi...(+)
Piano (Piano solo) - x
SKU: HL.51481343
Piano. Composed by
Frederic Chopin. Edited
by Norbert Mü and
llemann. Arranged by
Hans-Martin Theopold.
Sheet music. Paperbound.
Henle Music Folios.
Single edition from HN
886. Detailed critical
commentary available for
download free-of-charge.
Classical. Softcover. 40
pages. G. Henle #HN1343.
Published by G. Henle
(HL.51481343).
ISBN
9790201813431. UPC:
888680924911.
9.0x12.0x0.144
inches.
Chopin
published his Scherzi
nos. 1 3 at more-or-less
regular intervals, in
1835, 1837 and 1840
almost as if he'd planned
them in advance. He
published his fourth and
final work in this genre
after a further three
years, in 1843. When
compared with its
predecessors, which were
largely bleak in mood,
this Scherzo no. 4 is
surprisingly cheerful.
With its sparkling runs
and its chains of chords
like dappled brush
strokes, this work seems
to summon up the
fairy-like spirit of
Mendelssohn's scherzi. In
editorial terms, however,
it is problematical.
Three parallel first
editions were published
in Germany, France and
England and the many
variants between them
have to be investigated
one at a time to
determine their
authenticity. This is a
task that has been solved
meticulously in this
revised, stand-alone
Urtext edition, which
explains the transmission
of this work in an
exemplary, transparent
manner for today's
pianists.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Low Voice and Piano. Composed by Robert Schumann. Edited by Kazuko Ozawa. Hen...(+)
Low Voice and Piano.
Composed by Robert
Schumann.
Edited by Kazuko Ozawa.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1465. Published
by
G. Henle
Composed by Robert Schumann. Edited by Charles Timbrell. Book; Masterworks; Pian...(+)
Composed by Robert
Schumann. Edited by
Charles Timbrell. Book;
Masterworks; Piano
Collection; Piano
Supplemental. Alfred
Masterwork Edition. Form:
Suite. Masterwork;
Romantic. 56 pages.
Published by Alfred Music
(AP.45955).
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.48025445 For Violin...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.48025445
For Violin and
Piano. Composed by
Hans Winterberg. Boosey
and Hawkes Chamber Music.
Classical. Softcover.
Duration 420 seconds.
Boosey and Hawkes
#M202538852. Published by
Boosey and Hawkes
(HL.48025445).
ISBN
9783793145820. UPC:
196288216438.
Hans
Winterberg's
extraordinary life was
written in two chapters,
one Czech and one German,
split right down the
middle by the experience
of the Shoah, which
Winterberg, unlike his
colleagues Ullmann,
Krása, Haas and Klein,
miraculously survived. In
1947, the Prague-born
composer moved to Munich,
where he worked for the
Bavarian Broadcasting
Corporation. As a student
of Alexander Zemlinsky
and Alois Hába, he
belongs both to the Czech
tradition following
Janácek and to the
circle of the Second
Viennese School. He saw
himself as a bridge
builder between Western
and Eastern culture. The
circumstances under which
Winterberg was able to
compose during the war
years are still unclear.
Although his “mixed
marriage” initially
saved him from
deportation, he had to
perform forced labour and
was eventually sent to
the Terezin ghetto in
January 1945. The Suite
for Violin and Piano was
composed in 1942, the
year in which both
Winterberg's mother and
his piano professor
Thérèse Wallerstein
were murdered by the
Nazis. Compared to the
violin sonata from 1936,
the Suite is much more
condensed, lasting less
than seven minutes. A
melody dominated by
chromatic turns and
expressionist harmony
lend the work its
melancholy character,
which gives way, however,
to an almost
irrepressible defiance in
the rhythmically
percussive last
movement.
Composed by Jean-Baptiste Breval. Edited by Christoph Sassmannshaus. Stapled...(+)
Composed by Jean-Baptiste
Breval. Edited by
Christoph
Sassmannshaus. Stapled.
Barenreiter's
Concert
Pieces. Piano reduction,
part(s). 7/12 pages.
Duration 8:00.
Baerenreiter
Verlag #BA 10698.
Published
by Baerenreiter Verlag