15 Well-Known Original Pieces in Progressive Order. Composed by Johannes Brahms (1833-1897). Edited by Sylvia Hewig-Trösch er. At the Piano. Softcover. 56 pages. G. Henle #HN1814. Published by G. Henle

Clarinet; Piano (2 (2. auch Picc.) * 0 * 0 * 2 (2. auch Kfg.) - 2 * 0 * 0 * 0 - S. (Glsp. * Beck. [t.] * Tamt. [t.] * gr. Tr.) (1 Spieler) - Hfe. * gr. Cel. * Akk. - Str. (12 * 10 * 8 * 6 * 4 [alle mit 5. Saite H])) - difficult

SKU: HL.49045101

For Clarinet and Orchestra - Piano Reduc. with Solo Part. Composed by Joerg Widmann. Arranged by Erich Hermann. This edition: Saddle stitching. Sheet music. Woodwind Solo. Classical. Softcover. Composed 2006. 66 pages. Duration 19'. Schott Music #KLB96. Published by Schott Music (HL.49045101).

ISBN 9790001201537. 9.0x12.0x0.188 inches.

The sense of longing, characteristic of every elegy, is really made for the tonal world of the clarinet. In this attractive concert piece, however, it is 'loaded with barbed hooks', as the composer once stated.

Organ

SKU: HL.48180687

For Organ. Composed by Olivier Messiaen. Leduc. Classical. Softcover. 28 pages. Alphonse Leduc #AL18826. Published by Alphonse Leduc (HL.48180687).

UPC: 888680831998. 9.5x12.25x0.139 inches.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms, harmony and melodies, The Ascension for Organ is no exception to the composer's popular, distinctive style. The Ascension was originally composed for orchestra by Messiaen in 1932-1933. The composer described the work as Four Symphonic Meditations and the sections are; 1) Majesty of Christ praying that His Father should glorify Him, 2) Serene Alleluias from a soul longing for Heaven, 3) Alleluia on the Trumpet, Alleluia on the Cymbal, and 4) Prayer from Christ ascending towards His Father. Messiaen arranged The Ascension for solo organ a year later. The first, second and fourth movements are arrangements of the orchestral version, however, the composer created a new third movement; Outburst of joy from a soul before the Glory of Christ, which is its own glory. The Ascension is essential to all advanced organists seeking to expand and vary their repertoire.

2 Pianos, 4 Hands. Composed by Sergei Rachmaninoff (1873- 1943). Edited by Dominik Rahmer. Henle Music Folios. G. Henle #HN1214. Published by G. Henle

Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Christian Schaper, Ullrich Scheideler, and Marc-Andre Hamelin. Arranged by Feruccio Busoni. Henle Music Folios. Classical. Softcover. 28 pages. G. Henle #HN1479. Published by G. Henle

Compiled by Bernard Taylor. Collection for high voice solo and piano accompaniment. Text language Italian, German, French, English. 251 pages. Published by G. Schirmer, Inc.

Composed by Arvo Part (1935-). With Standard notation. Universal Edition #UE032667. Published by Universal Edition

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. Part. 26 pages. Published by Baerenreiter Verlag

Eulenburg Audio Score Study Score/CD. Composed by Johannes Brahms (1833-1897). Edited by Richard Clarke. This edition: Paperback/Soft Cover. Sheet music with CD. Eulenburg Audio Score. Classical. Study score CD, Softcover with CD. Op. 56a. 180 pages. Duration 10'. Eulenburg Edition #EAS 151. Published by Eulenburg Edition

(Study Score). By Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Book only. 100 pages

Violin, Piano - Level 3

SKU: BA.BA09428

Composed by Maurice Ravel. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part. Baerenreiter Verlag #BA09428. Published by Baerenreiter Verlag (BA.BA09428).

ISBN 9790006541362. 31 x 24.3 cm inches.

Ravel worked on his Sonata for Violin and Piano for four years (1923–1927) which was longer than he took for any other composition. According to the composer, the reason for his difficulties was the “fundamental incompatibility” of these two instruments. However, the interplay between two quite different partners is precisely what makes this sonata so charming. The violin and piano are independent, sometimes playing alongside each other and at other times with each other: here in a lyrical Allegretto, there in a jazz-inspired second movement, finally in a “perpetuum mobile” finale.

This new edition edited by Douglas Woodfull-Harris corrects numerous inconsistencies of earlier editions. It also includes the “Berceuse sur le nom de Faur” which is available for the first time in a scholarly-critical Urtext edition. This lullaby for violin and piano consists of variations on a theme derived from the letters of Faur’s name.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Violin Duet - easy

SKU: HL.49004661

2 Violins. Composed by Johann Sebastian Bach. Edited by Gustav Lenzewski. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 24 pages. Schott Music #ED4137. Published by Schott Music (HL.49004661).

ISBN 9790001048880. UPC: 884088215927. 9.25x12.0x0.084 inches.

The easy violin duos by Johann Sebastian Bach, arranged by Gustav Lenzewski, have always been very popular. Wolfgang Birtel has re-edited the collection, adopting the entire arrangement except for a few movements and adding further well-known pieces by Bach. The level of difficulty ranges from very easy to advanced. The original fingering and bowing have all been maintained; numerous articulation marks, however, have been deleted as they do no longer correspond to the modern way of playing Baroque music. The ideal edition for music lessons or music-making at home.

Guitar

SKU: UT.CH-387

Composed by Ferdinando Carulli. Edited by Romolo Calandruccio. Classical. Score. Ut Orpheus #CH 387. Published by Ut Orpheus (UT.CH-387).

ISBN 9790215328235. 9 x 12 inches.

Opus 114 is certainly one of Carulliâ??s most important didactic works, so much so that the author himself made a point of writing in the second edition of his famous Method op. 27 (1819): The student, when moving on to the second part, must continue to practise on the easy pieces which are to be found in opus nos. 50, 15, 35, 36, 93, 7 and above all in opus 114. He maintained this indication also in later editions of the Method itself, unlike what he did with other collections of studies which were no longer recommended.
The purpose of op. 114, in particular of the preludes, is clearly explained by the author himself in the preface of op. 265: I have already offered preludes in my opus nos. 71 and 114 to people, but they serve to study and learn to play all sorts of difficult passages, to practise modulating, and learn to improvise on the guitar. Carulli seems to want to provide his students with a large handbook of formulas typical of his musical writing and he does so by making use of the keys which, in his opinion, are most congenial to the guitar. In his Method he points out: Each instrument has its favourite keys: the guitar can be played in all keys, but the best ones are: A major and minor, D major and minor, E major and minor, C, G, F. The others are difficult; [â?¦]. However, some of the difficult ones are included but only in the fourth part. Of course, the easiness of a key essentially depends on the possibility of extensive use of the open strings, especially in the low notes, ensuring the accompaniment on the main degrees.
This edition has some unique features. First of all, it is the first complete modern edition of Carulliâ??s op. 114; it presents an important critical apparatus in which the Carullian technique is presented and analysed; finally, Carulli's original fingering is indicated in the score (including that of the thumb of the left hand) and the missing one was obtained from the comparison of his other fingerings present in other works. All this allows an easy and complete reading both for those who perform the pieces following the nineteenth-century performance practice with a historical instrument, and for those who play a modern instrument.

Cello; Piano Accompaniment (Cello Part And Piano Score)

SKU: HL.48025367

Cello and Piano. Composed by Simon Laks. Boosey & Hawkes Chamber Music. Classical. Softcover. Bote & Bock #M202538630. Published by Bote & Bock (HL.48025367).

UPC: 196288194286.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de'l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

Piano

SKU: HL.48025368

7 Pieces for Piano. Composed by Simon Laks. BH Piano. Classical. Softcover. Bote & Bock #M202538654. Published by Bote & Bock (HL.48025368).

UPC: 196288194293.

Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the “École de Paris”. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the “Association of Young Polish Musicians”, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak's enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year.

By Dvorak Antonin. Czech title: Symfonie 9 e moll op. 95 (uprava pro klavir na dve ruce). Published by Praha (Czech import).

(With Marked and Unmarked String Parts). Composed by Johann Baptist Georg Neruda. Edited by Sonja Gerlach and Zdenka Pilková. For Piano, Violin, Basso Continuo. Henle Music Folios. Softcover. G. Henle #HN1049. Published by G. Henle

Guitar

SKU: UT.CH-395

Composed by Giorgio Signorile. Classical. Score. Ut Orpheus #CH 395. Published by Ut Orpheus (UT.CH-395).

ISBN 9790215328587. 9 x 12 inches.

Il grande larice rosso; Piccole vite; Requiem per un bosco

Never before have I felt the urgency within myself to communicate with my instrument something which goes beyond just the notes, a desire to embrace with music parts of the world which I see as being so neglected and abandoned, as if man were no longer able to see beyond the narrow confines of his home and work spaces. The environment which surrounds us, free and pure, seems to bow more and more to the base instincts of abuse which man brings into play... the destruction of centuries-old forests and glaciers, the construction of harmful and disturbing, useless and polluting elements... and I wonder what we can do, what I, as a musician, can do, at least to show my disapproval of these situations. I have no straight answer but I know that writing the music I love to play, often born in natural and wild environments can help to dream of, or imagine a present time which is more on a human scale, thanks to the strong evocative power which music possesses and emanates.
This is the meaning of these compositions, dedicated to a tree, a 700-year-old specimen of the Stura Valley, Lu Merze Gros (The Big Larch), to the small beings which inhabit it, in the bark, among its foliage, in the surrounding soil and to my sense of frustration at seeing a forest of fir trees razed to the ground to allow the construction of a bobsleigh run.
This action of mine has been useless and nostalgic perhaps, but it has given me intense moments of emotion in the writing and moves me enormously during its performance.

Giorg io Signorile.

15 Well-Known Original Pieces in Progressive Order. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Sylvia Hewig-Tr�¶scher. At the Piano. Softcover. 64 pages. G. Henle #HN1812. Published by G. Henle (HL.51481812).

Critical Edition, Paperback Basso Continuo; Violin (Violin)

SKU: HL.50606939

Critical Edition $19.99 Subscriber price. Composed by Antonio Vivaldi. Arranged by ñ, Fabrizio Ammetto, Javier Lupiá, and ez. CRITICAL EDITIONS. Classical. Softcover. 56 pages. Ricordi #PR1457. Published by Ricordi (HL.50606939).

ISBN 9788881921225. UPC: 196288207344. 8.0x10.75x0.159 inches.

In a miscellaneous manuscript in the Este Music Collection belonging to the Österreichische Nationalbibliothek in Vienna, a new sonata for violin and basso continuo by Antonio Vivaldi has recently been identified. Although it has until now been attributed by default to the Bolognese Giuseppe Aldrovandini, by virtue of a heading written (but subsequently rubbed out) by the copyist of the manuscript on one of the pages of the violin part, this sonata has been recognized as an authentic composition by the Red Priest. This work - which can be placed chronologically no later than the middle of the 1710s - represents the most clear-cut example in Vivaldi's music of a “Sonate auf Concertenart”: more specifically, a kind of solo sonata for violin that the Red Priest could perform in order to show off his prowess on that instrument, as signalled by the presence of many passages featuring double stoppingor the use of the ultra-high register.