Solo voices, orchestra (5 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto Voice Solo, Tenor Voice Solo, Bass Voice Solo, Fl-Picc, 2 Fl, 2 Ob, 4Trp, timpani, harpisc., Str, Continuo)

SKU: BA.BA04033

Opera in three acts. Composed by George Frideric Handel. Edited by David R. B. Kimbell. This edition: complete edition, urtext edition. Linen. Halle Handel Edition (HHA) Series II, Volume 4, No. 1. Version of 1711. Oper, Barock (Opera, Baroque). Complete edition, Score. HWV 7A. Duration 1 hour, 39 minutes, 59 seconds. Baerenreiter Verlag #BA04033_00. Published by Baerenreiter Verlag (BA.BA04033).

ISBN 9790006443406. 33.1 x 26 cm inches. Text Language: Italian. Giacomo Rossi.

This was Handel’s first opera for London, first performed at the theatre in the Haymarket in February 1711. It was strong in both music (including recomposed versions of some movements that Handel had previously written for his operas in Italy) and staging: a contemporary described the opera as ‘filled with Thunder and Lightening, Illuminations and Fireworks’.

About Barenreiter Urtext

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MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano and Orchestra

SKU: HL.14030961

Composed by Bent Sorensen. Music Sales America. Classical. Score. 96 pages. Edition Wilhelm Hansen #KP00980. Published by Edition Wilhelm Hansen (HL.14030961).

ISBN 9788759857458. English.

Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'.

From Little Women. By Mindi Dickstein, Jason Howland. Arranged by Ed Lojeski. (Showtrax CD). Broadway Choral. CD only. Size 5x5.5 inches. Published by Hal Leonard.

By Johann Sebastian Bach. Arranged by Russell Howland. For Clarinet. Solo & Ensemble Music. Classical. Score. Published by Wingert-Jones Publications.

Vocal Selections. By Jason Howland, Mindi Dickstein. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 128 pages. Published by Cherry Lane Music.

By Johann Sebastian Bach (1685-1750). Arranged by Russell Howland. For clarinet. Solo and Ensemble Music. FEMA Editions. Print on demand. Classical. Medium-easy. Published by Wingert-Jones Publications

By Johann Sebastian Bach (1685-1750). Arranged by Russell Howland. For clarinet. Solo and Ensemble Music. FEMA Editions. Print on demand. Sacred, Classical. Medium. Published by Wingert-Jones Publications

By Mike Hannickel. (Score and Parts). This edition: 1194-08. Curnow Concert Band Full Set. Published by Curnow Music.

By Julius Fucik. Arranged by Brad Howland. Brass Quintet. For 2 Trumpets, Horn in F, Trombone, Tuba. Romantic March. Level: advanced. Full score and parts. Published by Cherry Classics.

(C Instruments). By Various. Fake Book. Softcover. 432 pages. Published by Hal Leonard

Composed by Greg Howlett. Sacred, Christmas. Lorenz Publishing Company #70/2066L. Published by Lorenz Publishing Company (LO.70-2066L).

(10 of His Original Piano Solos). Composed by Mike Springer. For Piano. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Favorite Solos. Recital. Early Intermediate; Late Elementary. 24 pages. Published by Alfred Music

Vocal and Piano

SKU: HL.14019200

Composed by Caroline Hoile. Music Sales America. Christmas. Cassette. Composed 2015. Golden Apple Productions #GA10925. Published by Golden Apple Productions (HL.14019200).

UPC: 884088435592. 2.75x4.25 inches. English.

It was Christmas Eve, and the frost air was cold and still. The house where the kittens lived was snug and warm. In a twinkling of an eye everything changed. One little kitten dashed out into the night through the unexpectedly opened front door. The search for the lost kitten takes us outside, where we encounter sneaky jumping mice, howling alley cats, snuffling hedgehogs and quacking ducks. In the end, all is happily resolved! Opportunities for mime, movement and dance. If you need to license a school/youth theatre performance of this product, please use the online application form.

By Antonin Dvorak (1841-1904). Arranged by Russell Howland. For clarinet. Solo and Ensemble Music. Print on demand. Concert and Contest. Medium. Score and parts. Published by Wingert-Jones Publications

By Felix Mendelssohn. Arranged by Russell Howland. For Clarinet Choir. Solo and Ensemble Music. FEMA Editions. Classical. Published by Wingert-Jones Publications.
Level: Medium.

by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.

Harmonica. Instruction, Blues Instruction. Softcover Audio Online. 80 pages. Published by Hal Leonard

Piano, Vocal and Guitar

SKU: HL.14019201

Composed by Caroline Hoile. Musical. Music Sales America. Musical Education. Book [Softcover]. Composed 2017. 28 pages. Music Sales #GA10913. Published by Music Sales (HL.14019201).

ISBN 9780711941625. UPC: 884088434991. 9x12 inches. English.

It was Christmas Eve, and the frost air was cold and still. The house where the kittens lived was snug and warm. In a twinkling of an eye everything changed. One little kitten dashed out into the night through the unexpectedly opened front door. The search for the lost kitten takes us outside, where we encounter sneaky jumping mice, howling alley cats, snuffling hedgehogs and quacking ducks. In the end, all is happily resolved! Opportunities for mime, movement and dance. Duration: 25 mins. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.

Eb Tenor Horn and Piano. By Carol Barratt. (Horn). Boosey and Hawkes Chamber Music. Published by Boosey and Hawkes.

Composed by Traditional. Arranged by Dave Howland. For 2, 3 octave handbells. Level 1+. Published by Ring Out Press

Chamber Music Organ, Trumpet

SKU: PR.114419810

Composed by Stacy Garrop. Set of Score and Parts. 33+12 pages. Duration 21 minutes. Theodore Presser Company #114-41981. Published by Theodore Presser Company (PR.114419810).

ISBN 9781491136638. UPC: 680160681921.

Stacy Garrop’s ROAD WARRIOR is music of real-life tragedy, expressed through the power of a trumpet/organ duo. Drawing inspiration from Neil Peart’s autobiographical book, “Ghost Rider: Travels on the Healing Road,” Garrop’s work grieves the loss of a friend’s young son and the journey to healing. ROAD WARRIOR’s evocative movement titles are drawn from passages in Peart’s book:1. I Am the Ghost Rider2. My Little Baby Soul3. Are You With Me Here?.
When Clarion members Keith Benjamin (trumpet), Melody Steed (organ), and I initially discussed possible topics for a new piece, Keith brought up his son Cameron, who had passed away at the age of seven from leukemia. While Cameron’s life ended too soon, he left an indelible and lasting mark on his those surrounding him. Keith asked if I could commemorate Cameron musically.In talking over possible ways to do this, Keith mentioned the book Ghost Rider: Travels on the Healing Road. The book was written by Neil Peart, who is well-known as the longtime drummer and lyricist of the band Rush. Peart suffered the heartbreaking loss of his daughter in 1997, followed by his wife 10 months later. In an effort to work through the grieving process, Peart did what his wife suggested before she passed: he got onto his motorcycle and hit the open road. Ghost Rider chronicles a year of Peart’s life in which he drove for 55,000 miles, zigzagging his way across Canada, the western portion of the United States, Mexico, and Belize. Peart’s powerful story illustrates how he coped with immense loss and eventually emerged on the other side to once again embrace life. Keith had found Peart’s book helpful in dealing with Cameron’s death; moreover, Mr. Peart sent Cameron a signed cymbal while he was in the hospital undergoing treatment. This unexpected gesture of compassion and generosity meant the world to both Cameron and Keith.I chose three phrases from Peart’s book to serve as the inspiration for the movements in Road Warrior. In the first movement, I am the ghost rider, I imagined the performers to be howling phantoms that are haunting drivers on a nearly deserted highway. Peart often mentioned that he felt haunted by ghosts from the past while on his journey, and sometimes felt like a ghost himself, moving through an immaterial world as he rode from town to town. The second movement, My little baby soul, references Peart’s wording to define his own inner essence that he was trying to protect and nurture while on his journey. In this gentle movement, I capture the innocence and simplicity of a newborn soul. The piece concludes with Are you with me here? In this movement, I depict the performers as they search to find connections to those they have lost, and to those still living.Over the course of his travels, Peart kept up a steady letter correspondence with his close friend Brutus. In one of his first letters, he repeatedly asks Brutus if he is with him in spirit. I found it to be very poignant that while in his self-imposed exile, Peart discovered that he still needed connections to humanity.I wish to thank Mr. Peart for granting me permission to use his phrases as the movement titles, and for serving as the inspiration for Road Warrior. Rarely do any of us make it through our lives without being touched by the loss of someone dear to us. I found Peart’s insights into his grieving and recovery process to be insightful, eloquent, and surprisingly comforting. His journey is a touching reminder that with enough fortitude and time, we can work through what fate deals us and continue down our own road of life.

By Benjamin Hanby. Arranged by Scott Watson. Concert Band. Concert Band; Part(s); Score. Challenger Band Series. Christmas; Fall; Halloween; Light Concert; Novelty; Winter. Grade 1.5. 130 pages. Published by Alfred Music Publishing