Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison...(+)
Chamber Ensemble
SKU:
BT.MUSM570209088
On Track. By Sadie
Harrison. Set (Score &
Parts). 15 pages.
University of York Music
Press #MUSM570209088.
Published by University
of York Music Press
(BT.MUSM570209088).
English.
13
specially commissioned
pieces which aim to
breathe new life into a
largely neglected
component of the GCSE/Key
Stage 4 Music syllabus,
Ensemble Performance. On
Track comes complete with
a CD-Rom containing all
the parts for all the
pieces and transpositions
for any instrument, and
these parts come with a
licence for printing as
many copies as needed,
directly from the CD-Rom.
A separate 'audio' CD
also contains recordings
of every piece. The book
contains scores for each
piece and extended notes
by the composers to aid
in the preparation of the
music: there are 5 pieces
for fixed ensembles and 8
pieces for flexible
ensembles. The editor of
the compilation, Sadie
Harrison, comments:
Playing in an ensemble
with one's peers is
perhaps the most
rewarding and satisfying
thing to do as a young
performer, and it is
crucial to nurture this
element of GCSE courses
to reflect this. On Track
is a fantastic collection
of many different styles,
approaches and sounds.
There is something in
here for everybody, at
whatever level, and on
whatever instrument. This
is what GCSE Music
teachers are crying out
for, and finally here is
something that really
hits the mark. Harrison's
comments are echoed by
recent examiners' reports
from EdExcel, one of the
largest examiners of GCSE
music. They describe how
the music they heard in
examinations demonstrated
'an extreme range of
standards and revealed
evidence of the very wide
range of instruments in
use'. The AQA (Assessment
and Qualification
Alliance) Examiners'
report in 2004 warns
schools against allowing
their students to present
solo music with a piano
accompaniment played by a
teacher or with a CD
accompaniment for the
ensemble performance
component. It continues,
saying that it is of
utmost importance that
the chosen ensemble
allows the candidate to
show rapport with the
other player(s). This is
a significant requirement
with which many
[examination] centres did
NOT comply. Fixed
Ensembles Sadie Harrison
— On the run!for
clarinet in Bb, violin,
'cello, piano Ed Hughes
— Matthew's Mazurkafor
piano duet Jeremy Dale
Roberts — 'Takes
three...' for trumpet,
'cello, piano Matthew
Roddie — Gone Clubbin'
for violin, 'cello Thomas
Simaku — From Across
the Sea for 2 flutes,
clarinet in Bb Flexible
Ensembles David Blake —
Piece for Luis and Justin
for four instruments
Anthony Gilbert — U-GO
for Arirang for four
instruments Jo Kondo —
A Birthday Toast for any
number of instruments
David Lumsdaine — A
tree dances for Orpheus
for three instruments
Paul Mealor — Swing
Slow for two instruments
Robert Saxton — There
and Back for three
instruments John Stringer
— Duo for two
instruments Lu s Tinoco
— Diversion for four
instruments.
Accordéon - Intermédiaire/avancé Alfred Publishing
Written by Bill Hughes, Bill Palmer. Instructional book for accordion. With intr...(+)
Written by Bill Hughes,
Bill Palmer.
Instructional book for
accordion. With
introductory text,
instructional text,
performance notes and
illustrations. 48 pages.
Published by Alfred
Publishing.
Written by Bill Hughes, Bill Palmer. For accordion. Format: instructional book. ...(+)
Written by Bill Hughes,
Bill Palmer. For
accordion. Format:
instructional book. With
introductory text,
performance notes and
illustrations.
Instructional. 48 pages.
9x12 inches. Published by
Alfred.
Arranged by Brian Edward Galante and J. Edmund Hughes. Pavane Choral. Christm...(+)
Arranged by Brian Edward
Galante and J. Edmund
Hughes. Pavane Choral.
Christmas, Concert,
Latin,
Traditional. Octavo. 8
pages. Pavane Publishing
#P1676. Published by
Pavane
Publishing
By Tim Hughes. Arranged by Dan Edwards. For 3-5 octave handbells or handchimes. ...(+)
By Tim Hughes. Arranged
by Dan Edwards. For 3-5
octave handbells or
handchimes. Beginning
Music - Very, Very Easy
, Contemporary Christian.
Level 1. Handbell score.
Published by Jeffers
Handbell Supply
Written by Bill Hughes, Bill Palmer. Accordion solo book and instructional book ...(+)
Written by Bill Hughes,
Bill Palmer. Accordion
solo book and
instructional book for
accordion. With
introductory text,
instructional text and
illustrations. 25 pages.
Published by Alfred
Publishing.
Edited by Paul Harvey, Rob Hughes. This edition: Saddle stitching. Sheet music w...(+)
Edited by Paul Harvey,
Rob Hughes. This edition:
Saddle stitching. Sheet
music with CD. Edition
Schott. Instruction.
Edition with CD. 13376.
32 pages. Schott Music
#ED13376. Published by
Schott Music
(HL.49018704).
Pianthology Piano seul University Of York Music Press
Piano SKU: BT.MUSM570360413 By Nicky Losseff. Classical. Book Only. Unive...(+)
Piano
SKU:
BT.MUSM570360413
By
Nicky Losseff. Classical.
Book Only. University of
York Music Press
#MUSM570360413. Published
by University of York
Music Press
(BT.MUSM570360413).
English.
Piantho
logy is a new collection
of seven contemporary
Piano works by living
composers which includes
a recording of each of
the works performed by
Nicky Losseff, the
volume's editor. Nicky
Losseff, who combines a
Senior Lectureship at the
University of York with
an active career as a
concert pianist, has
written extensive
performance and analysis
notes on all of the
works, giving helpful
suggestions about the
study and performance os
each piece in turn. The
anthology is aimed at
university and
conservatiore level Piano
students, but will serve
as an excellent
introduction to new music
for the Piano for any
dedicated player looking
to broaden their range.
The worksincluded in
Pianthology are: Anthony
Gilbert - Three Papillon
Postcards Sadie Harrison
- Impresa Amorosa Ed
Hughes - Third Orchid Jo
Kondo - A Dance For
Piano, 'Europeans' David
Lumsdaine - Six Postcard
Pieces Hilda Paredes -
Caligrama Thomas Simaku -
Des Pas Chromatiques
Pianthology was launched
at the York University
Spring New Music Festival
on May 8th 2008, when all
seven works were
performed, some by Nicky
Losseff and some by her
students from the
University of York.
Includes Nicky Losseff's
recordings of all works.
Three Papillon Postcards
Impresa Amorosa 1.
Arranged by Daniel Hughes. National/Emerson Fred Bock. A Cappella, Concert, En...(+)
Arranged by Daniel
Hughes.
National/Emerson Fred
Bock. A
Cappella, Concert,
English,
Folk, Madrigal. Octavo.
10
pages. National Music
Publishers #NM1025.
Published
by National Music
Publishers
String
Quartet – Score and
Parts. Composed by Ed
Hughes. Music Sales
America. Classical,
Contemporary. Set (Score
& Parts). 136 pages.
Duration 3600 seconds.
University of York Music
Press #M570365531.
Published by University
of York Music Press
(HL.14043376).
8.0x11.75
inches.
Ed Hughes '
Quartets For Liz for
String Quartet. Score and
parts. This work was
composed in 2012 and
comprises of 15 short
movements. Quartets For
Liz was recorded by
Susanne Stanzeleit,
Marina Gillam (Violins),
Gustav Carksson (Viola)
and Andrew Fuller (Cello)
at St. Silas Church,
Kentish Town, on 25 July
2012. See
www.edhughes.org.uk for
recording.
Ed
Hughes'
Quartets For
Liz for String
Quartet. Score and
parts.
This work
was composed in 2012 and
comprises of 15 short
movements.
Quartets For Liz
was recorded by Susanne
Stanzeleit, Marina Gillam
(Violins), Gustav
Carksson (Viola) and
Andrew Fuller (Cello) at
St. Silas Church, Kentish
Town, on 25 July 2012.
See www.edhughes.org.uk
for recording.
String
quartet, Score.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 52 pages.
University of York Music
Press #M570365524.
Published by University
of York Music Press
(HL.14043375).
8.0x11.75
inches.
Ed Hughes '
Quartets For Liz for
String Quartet. Score.
This work was composed in
2012 and comprises of 15
short movements. Quartets
For Liz was recorded by
Susanne Stanzeleit,
Marina Gillam (Violins),
Gustav Carksson (Viola)
and Andrew Fuller (Cello)
at St. Silas Church,
Kentish Town, on 25 July
2012. See
www.edhughes.org.uk for
recording.
Ed
Hughes'
Quartets For
Liz for String
Quartet.
Score.
This work
was composed in 2012 and
comprises of 15 short
movements.
Quartets For Liz
was recorded by Susanne
Stanzeleit, Marina Gillam
(Violins), Gustav
Carksson (Viola) and
Andrew Fuller (Cello) at
St. Silas Church, Kentish
Town, on 25 July 2012.
See www.edhughes.org.uk
for recording.
A Time for Singing [Conducteur et Parties séparées] University Of York Music Press
Cello; Clarinet; Piano (Score & Parts) SKU: HL.14043372 For Clarinet, ...(+)
Cello; Clarinet; Piano
(Score & Parts)
SKU:
HL.14043372
For
Clarinet, Cello and Piano
– Score and Parts.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 72 pages.
University of York Music
Press #M570365517.
Published by University
of York Music Press
(HL.14043372).
8.0x11.75
inches.
Ed Hughes '
A Time For Singing for
Clarinet, Cello and
Piano. Score and parts. '
My sister, the
clarinettist Alison
Hughes, is a member of
the Camilleri Trio who
gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1. Walk
with rainstorm 2. Song 3.
Scherzo 4. Until the day
break It is a kind of
narrative - in one sense
an imagined walk through
a changing landscape. A
very English one, in
other words one in which
it rains! But sometimes
lit up by sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer in
2010. I wanted to write a
piece that would remember
her and her
wonderfulenthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this piece.
Gillie was also a
profoundly spiritual
person. When she and John
Muddiman married in 2010
they asked me to write a
short song for the
wedding, 'Rise Up, My
Love', using words from
'Song of Solomon'. The
new work for the
Camilleri Trio,
commissioned by Jennifer
Hughes in memory of her
sister Gillian Nicholls,
also refers in the main
title, and in the last
movement title, to lines
from 'Song of Solomon':
the time of the singing
of birds is come - Song
of Solomon 2:12 Until the
day break, and the
shadows flee away - Song
of Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011. ' - Ed Hughes
Ed Hughes'
A Time For
Singing for
Clarinet, Cello and
Piano. Score and
parts.
'My
sister, the clarinettist
Alison Hughes, is a
member of the Camilleri
Trio who gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls.
The four
movements are:
1.
Walk with rainstorm 2.
Song 3. Scherzo 4.
Until the day
break
It is a
kind of narrative - in
one sense an imagined
walk through a changing
landscape. A very English
one, in other words one
in which it rains! But
sometimes lit up by
sunshine.
It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer
in2010. I wanted to write
a piece that would
remember her and her
wonderful enthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this
piece.
Gillie was
also a profoundly
spiritual person. When
she and John Muddiman
married in 2010 they
asked me to write a short
song for the wedding,
'Rise Up, My Love', using
words from 'Song of
Solomon'.
The new
work for the Camilleri
Trio, commissioned by
Jennifer Hughes in memory
of her sister Gillian
Nicholls, also refers in
the main title, and in
the last movement title,
to lines from 'Song of
Solomon': the time of
the singing of birds is
come - Song of Solomon
2:12 Until the day
break, and the shadows
flee away - Song of
Solomon 2:17
A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011.' - Ed
Hughes
Orchestra; Score (Full Score) SKU: HL.14043377 For Solo Clarinet and O...(+)
Orchestra; Score (Full
Score)
SKU:
HL.14043377
For
Solo Clarinet and
Orchestra – Full
Score. Composed by Ed
Hughes. Music Sales
America. Classical,
Contemporary. Softcover.
40 pages. University of
York Music Press
#M570365487. Published by
University of York Music
Press (HL.14043377).
11.75x16.5
inches.
Ed Hughes '
Sky Blue for solo
Clarinet and Orchestra.
A3 Conductor's score. '
This concerto for
Clarinet and Orchestra is
approximately eight
minutes long. It was
composed especially for
Alison Hughes
(clarinettist) and the
University of Sussex
Symphony Orchestra. Sky
Blue is inspired by a
painting of the same name
made in 1940 by Wassily
Kandinsky in which
figures appear to float
free across a clear blue
sky. The painting has
been described (by Mona
Molarsky, 2009) as 'an
ethereal, Miro-like
confection with
biomorphic squiggles that
buzz like glimmering
insects in the afternoon
sun'. The music is a
continuous single
movement with moments of
harmonic transparency
contrastingwith sections
of greater modal
complexity. There are
some sections which also
feature soloists in the
Orchestra, perhaps like
the free-floating figures
in Kandinsky's painting.
' - Ed Hughes (June 2014)
Ed Hughes'
Sky Blue
for solo Clarinet and
Orchestra. A3 Conductor's
score.
'This
concerto for Clarinet and
Orchestra is
approximately eight
minutes long.
It
was composed especially
for Alison Hughes
(clarinettist) and the
University of Sussex
Symphony
Orchestra.
Sky Blue
is inspired by a painting
of the same name made in
1940 by Wassily Kandinsky
in which figures appear
to float free across a
clear blue sky. The
painting has been
described (by Mona
Molarsky, 2009) as 'an
ethereal, Miro-like
confection with
biomorphic squiggles that
buzz like glimmering
insects in the afternoon
sun'.
The music is
a continuous single
movementwith moments of
harmonic transparency
contrasting with sections
of greater modal
complexity. There are
some sections which also
feature soloists in the
Orchestra, perhaps like
the free-floating figures
in Kandinsky's
painting.' -
Ed Hughes (June
2014)
Orchestra; Score (Study Score) SKU: HL.14043378 For Clarinet and Orche...(+)
Orchestra; Score (Study
Score)
SKU:
HL.14043378
For
Clarinet and Orchestra
– Study Score.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 40 pages.
University of York Music
Press #M570365500.
Published by University
of York Music Press
(HL.14043378).
8.0x11.75
inches.
Ed Hughes '
Sky Blue for solo
Clarinet and Orchestra.
A4 study score. ' This
concerto for Clarinet and
Orchestra is
approximately eight
minutes long. It was
composed especially for
Alison Hughes
(clarinettist) and the
University of Sussex
Symphony Orchestra. Sky
Blue is inspired by a
painting of the same name
made in 1940 by Wassily
Kandinsky in which
figures appear to float
free across a clear blue
sky. The painting has
been described (by Mona
Molarsky, 2009) as 'an
ethereal, Miro-like
confection with
biomorphic squiggles that
buzz like glimmering
insects in the afternoon
sun'. The music is a
continuous single
movement with moments of
harmonic transparency
contrasting withsections
of greater modal
complexity. There are
some sections which also
feature soloists in the
orchestra, perhaps like
the free-floating figures
in Kandinsky's painting.
' - Ed Hughes (June 2014)
Ed Hughes'
Sky Blue
for solo Clarinet and
Orchestra. A4 study
score.
'This
concerto for Clarinet and
Orchestra is
approximately eight
minutes long.
It
was composed especially
for Alison Hughes
(clarinettist) and the
University of Sussex
Symphony
Orchestra.
Sky Blue
is inspired by a painting
of the same name made in
1940 by Wassily Kandinsky
in which figures appear
to float free across a
clear blue sky. The
painting has been
described (by Mona
Molarsky, 2009) as 'an
ethereal, Miro-like
confection with
biomorphic squiggles that
buzz like glimmering
insects in the afternoon
sun'.
The music is
a continuous single
movement withmoments of
harmonic transparency
contrasting with sections
of greater modal
complexity. There are
some sections which also
feature soloists in the
orchestra, perhaps like
the free-floating figures
in Kandinsky's
painting.' -
Ed Hughes (June
2014)