| Nora's Dance Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.140401310 Composed by Nora Holt. Edited by La...(+)
Chamber Music Piano
SKU: PR.140401310
Composed by Nora Holt.
Edited by Lara Downes.
Sws. Score. 8 pages.
Duration 2 minutes.
Theodore Presser Company
#140-40131. Published by
Theodore Presser Company
(PR.140401310). ISBN
9781491134153. UPC:
680160684250. 9 x 12
inches. Key: G
major. NORA’
S DANCE is a
jazz-influenced rag from
1921, and among the only
surviving compositions by
Nora Douglas Holt. A
charming and exciting
work rejuvenated by Lara
Downes’ 2021
recording for the Rising
Sun label, the rag is
both a fun 2 minutes for
pianists and audiences,
and also a fascinating
time capsule. Composed
several years after Scott
Joplin’s death,
and several years before
the Charleston pervaded
popular music,
NORA’S DANCE
blossoms with the energy
and jazz harmony starting
to emerge as The Roaring
20’s, using
ragtime and stride as the
seed for pianistic
style. My own life in
music has been driven by
a quest to find strong
female role models,
trails to follow,
shoulders to stand on. In
Nora Douglas Holt, I find
an inspiring example of
creativity, independence,
and resilience –
with a dash of
troublemaking. She was a
free spirit, a force of
nature, and she lived a
fascinating and eventful
life on her own terms.
She reinvented herself
through five marriages
and at least as many
careers. From her
beginnings at the piano
at age four, she explored
many avenues of musical
expression –
performing, composing,
music journalism,
broadcasting, teaching
– all with
inventiveness, style, and
zeal.She made the most of
the Roaring ’20s,
as an artist, socialite,
jetsetter, muse, and
patroness of the Harlem
Renaissance. In 1921 she
started an independent
arts journal called
“Music and
Poetry,†where the
charming piano solo
Nora’s Dance was
first published. I think
the piece captures
beautifully, in a little
under 2 minutes, the
energy and excitement of
those heady years.In
1926, Nora left New York
to travel the world,
performing in nightclubs
throughout Europe and
Asia. She put her
belongings in storage
before she left, and when
she came back she
discovered that many of
her things had been
stolen, including more
than 200 of her musical
compositions. She never
composed again.When the
Depression hit, she moved
out to Los Angeles, where
she studied music
education at USC, taught
music in the LA public
schools, and opened her
own beauty salon. She
returned to New York in
the ’40s and
worked as a music critic
for several major
newspapers, then launched
yet another career, this
time in broadcasting. Her
popular radio concert
series “Nora
Holt’s Concert
Showcase†broadcast
to New York’s
classical music audience,
with a focus on Black
composers and
performers.Ahead of her
time, larger than life,
full of ideas…. I
am so pleased to
introduce you to the
feisty and free spirited
Nora Douglas Holt! $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Elegy for a Firefighter - Intermédiaire/avancé Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Euphonium
T.C., Flute 1, Flute 2,
Horn 1, Horn 2, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Piccolo, String Bass,
Trombone 1, Trombone 2,
Trombone 3, Trumpet 1 and
more. - Grade 4 SKU:
CF.SPS87 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+4+2+2+2+8+8+4+2+4+4+2+2
+2+2+3+3+3+4+4+4+4+3+3+3+
6+4+4+2+2+1+1+1+1+4+24
pages. Duration 6
minutes, 28 seconds. Carl
Fischer Music #SPS87.
Published by Carl Fischer
Music (CF.SPS87). ISBN
9781491156445. UPC:
680160914982. 9 x 12
inches. About the
Work In the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty. Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite stirring.
Performance Notes The
sustained slower tempo
may prove a challenge for
some groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
organ-like); be careful
to stagger breathe. The
tempo change at m. 55
should not be much of a
challenge, but many
groups may tend to slow
back down to the original
tempo by m. 59; the
timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. About
the WorkIn the spring of
2008 a large number of
wildfires plagued the
west coast, including the
area where my wife and I
lived in northern
California. Firefighters
all along the West Coast
worked overtime in what
seemed like an endless
battle to protect
residents and their
homes. After hearing of a
number of firefighters
who had lost their lives
in the struggle, I
composed this work as a
dedication to them, in
honor of their sacrifice.
It is not dedicated to
any one person or group,
or even just to the
west-coast firefighters
who battled those
horrible wildfires;
instead, to all
firefighters who have
given their lives in the
line of duty.Although
designed as a standalone
work, I highly recommend
following this
composition with one of
the many fine band
settings of Amazing
Grace, as it is commonly
performed at firefighter
memorials. The one by
Frank Ticheli is superb,
and if you have access to
a good piper there is an
excellent version by Jay
Dawson which features a
solo verse for bagpipe;
both are quite
stirring.Performance
Notes The sustained
slower tempo may prove a
challenge for some
groups; as always,
emphasize subdivision.
Cues should be used only
if necessary due to
limited instrumentation.
The clarinet and
cup-muted trumpets at m.
39 should be very
sostenuto (almost
“organ-likeâ€)
; be careful to stagger
breathe. The tempo change
at m. 55 should not be
much of a challenge, but
many groups may tend to
slow back down to the
original tempo by m. 59;
the timpani player can
greatly assist in
avoiding this problem.
The coda at m. 82 may be
taken more slowly than
the indicated tempo if
your solo flutist can
manage the lengthy
sustained notes. $100.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Seafaring Swashbuckler - Intermédiaire Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 3.5
SKU: CF.CAS100
Composed by Matt Turner.
SWS FS. Carl Fischer
Concert String Orchestra
Series. Set of Score and
Parts. With Standard
notation.
16+16+10+10+4+4+10+16
pages. Duration 3
minutes, 12 seconds. Carl
Fischer Music #CAS100.
Published by Carl Fischer
Music (CF.CAS100).
ISBN 9781491146606.
UPC: 680160904105. 9 x 12
inches. Key: G
major. Spirited
dance figures, catchy
melodies in canon, and a
majestic chorale will
make you want to say,
Shiver me timbers! This
clever composition by
Matt Turner plays to the
students love of pirates
and sea shanties. This is
a great piece to solidify
student's understanding
of compound
meter. Perform this
piece with exuberance!
The first part of this
piece is composed of
various dance
figures—sometimes
in canon—and
dynamics should be
strictly followed to
ensure that the melody
can be heard . The
descant (violin I) in mm
. 25–36 should be
played quietly so that
the melody in the second
violin and viola parts
can be heard . Use much
of the bow—think
lush and full—in
the chorale section
beginning in m . 93 .
Articulations throughout
are particularly
important to create a
dance-like feel . Enjoy
as you set sail on your
voyage!
About Carl
Fischer Concert String
Orchestra
Series Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by: - Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
- More
comprehensive bowing
techniques
- Viola
T.C.
included
- Careful
selection of keys and
degree of difficulty for
advancing
musicians
$60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Klezmer Miniatures - Facile EMB (Editio Musica Budapest)
Chamber Ensemble - early intermediate SKU: BT.EMBZ14884 For Young Musi...(+)
Chamber Ensemble - early
intermediate SKU:
BT.EMBZ14884 For
Young Musicians.
Composed by Jávori
Ferenc. Educational Tool.
Set (Score & Parts).
Composed 2014. 70 pages.
Editio Musica Budapest
#EMBZ14884. Published by
Editio Musica Budapest
(BT.EMBZ14884).
English-Hungarian.
Klezmer Miniatures has
been compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically-varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can be
performed with different
combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. He is the
founder and leader of the
Budapest Klezmer Band.
Jávori was born into a
Hungarian-Jewish
community in Munkács
(Mukacheve, Ukraine),
where the years before
the Second World
Warwitnessed a golden age
of Klezmer, the
traditional, instrumental
folk music of
Yiddish-speaking Jewish
communities. He has
collected and compiled
numerous melodies and
songs from the last
representatives of this
formerly vibrant musical
culture. Each of the
Klezmer Miniatures
reflects a different
traditional genre of
Klezmer. In these pieces
Jávori has used
certain motifs from
Moisei Beregosky's folk
music collection.
Klezmer
Miniatures has been
compiled for young
musicians who, by playing
an instrument, would like
to become acquainted with
the musically varied
world of Klezmer. The
series comprises two
duos, four trios and two
quartets, which can
beperformed with
different combinations of
instruments - violin,
clarinet, flute, cello,
double bass, bass guitar
and trumpet. The
composer, Ferenc
Jávori, is a major
figure of world music in
Europe and is a prolific
composer, orchestrator
and performer. Each of
the Klezmer Miniatures
reflects a different
traditional genre of
Klezmer.
Die
Klezmer-Miniaturen
entstanden für junge
Musiker, die sich beim
Spielen auf ihrem
Instrument mit der
vielfältigen Musikwelt
des Klezmer vertraut
machen wollen. Diese
Ausgabe umfasst zwei
Duos, vier Trios und zwei
Quartette, die sich
inunterschiedlichen
Besetzungen sowohl auf
der Violine als auch auf
der Klarinette, der
Flöte, dem Cello, dem
Kontrabass, der
Bassgitarre und der
Posaune vortragen
lassen.
Klezmer
Miniatures a
été réalisé
pour les jeunes musiciens
qui voudraient se
familiariser avec le
style de musique Klezmer.
Ce recueil comprend des
duos, trios et quatuors
offrant de multiples
combinaisons
instrumentales (Violon I
& II, Fl teI & II,
Clarinette I & II,
Violoncelle).
K
lezmer Miniatures
è pensato per tutti i
giovani musicisti
interessati a
familiarizzare con lo
stile della musica
Klezmer. Questa raccolta
include duetti, trii e
quartetti che offrono
molteplici combinazioni
strumentali (Violino,
Clarinetto,Flauto,
Violoncello,
Contrabbasso, Chitarra
basso e Tromba). $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Concerto in F major, HWV 331 Orchestre Barenreiter
Orchestra SKU: BA.BA10252 Composed by George Frideric Handel. Edited by T...(+)
Orchestra SKU:
BA.BA10252 Composed
by George Frideric
Handel. Edited by Terence
Best. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. HWV 331.
Baerenreiter Verlag
#BA10252_00. Published by
Baerenreiter Verlag
(BA.BA10252). ISBN
9790006538775. 31 x 24.3
cm inches. Key: F major.
Preface: Terence
Best. Handelâ€
s Concerto in F major
(HWV 331) was long
considered a variant of
two movements from the
three suites of his
“Water Musicâ€
(HWV 348-350). Recently
our understanding of the
“Water Musicâ€
had to be thoroughly
revised owing to new
scholarly discoveries.
Not only did the
structure of the three
suites prove to be
unhistorical, but
Friedrich
Chrysander’s
19th-century view turned
out to be correct: the
two
“variantsâ€
actually constitute an
independent
concerto.
In
musical terms, HWV 331 is
related to two movements
of the “Water
Music†and is
frequently performed
alongside them. Now it is
available for the first
time in a performing
edition based on the
already revised volume of
the “Halle Handel
Editionâ€, which
reflects the current
state of scholarship
concerning the complex
source tradition of the
“Water Musicâ€
and the Concerto HWV
331.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$22.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Hole in the Sky (GIA ChoralWorks) GIA Publications
SKU: GI.G-995 Composed by James Jordan. GIA ChoralWorks. Music Education....(+)
SKU: GI.G-995
Composed by James Jordan.
GIA ChoralWorks. Music
Education. Choral score.
GIA Publications #995.
Published by GIA
Publications (GI.G-995).
UPC:
785147099529. â€
œI would tear a hole in
the sky so I could pull
out the heart of the moon
for thee.†From
“As I Walk the
Silent Earth†by
Thomas LaVoy Performed by
the Westminster
Williamson Voices,
conducted by James
Jordan. Works by: Ola
Gjeilo, Eric Whitacre,
Thomas LaVoy, Stephen
Paulus, Aaron Copeland,
Blake Henson, Benjamin
Britten, Tomás Luis de
Victoria, Dan Forrest,
Felix
Mendelssohn-Bartholdy,
Arvo Pärt, Alice
Parker, Anton Bruckner,
and Maurice Duruflé.
Produced by James
Whitbourn  A stunning
new recording from James
Jordan and the
Westminster Williamson
voices. Music opens us to
a more radiant and
brilliant life through
sounds and words. There
is music that, by its
very nature, “tears
a hole in the
skyâ€â€”the
“sky†of our
spirits and souls.
Certain music, certain
composers, and certain
performances have a way
of “tearing a
hole†into us
perhaps even bringing new
meaning to what we do and
how we live. The music of
Hole in the Sky has a
common thread in that all
the pieces, in some way,
provide an illuminative
hole, through both sound
and text, into a deeper
understanding of life and
living. It explores the
many worlds of choral
sound. From Ola
Gjeilo’s
“The
Spheres,†to
Mendelssohn’s
stunning work for
women’s choir,
“Veni,
Domine,†to
“She Weeps Over
Rahoon†by Eric
Whitacre, to the joyful
“Jubilate
Deo†of Benjamin
Britten, this music will
touch the depths of your
soul. Be bold, take a
breath, and dare to fall
through. Westminster
Williamson Voices under
James Jordan is one of
the great choirs of the
world. Theirs is a sound
which can set the soul at
rest. James Whitborn. $16.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Milton, The Melting Snowman Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4270-01 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-01
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Extra
full score. Composed
2014. Duration 2 minutes,
17 seconds. C.L.
Barnhouse #011-4270-01.
Published by C.L.
Barnhouse
(CL.011-4270-01).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Quilting Orchestre Chester
Orchestra (Full Score) SKU: HL.244904 For Orchestra. Composed by B...(+)
Orchestra (Full Score)
SKU: HL.244904
For Orchestra.
Composed by Bryce
Dessner. Music Sales
America. Classical.
Softcover. Composed 2017.
64 pages. Duration 1020
seconds. Chester Music
#CH83985. Published by
Chester Music
(HL.244904).
8.25x12.0x0.508
inches. Quilting,
co-commissioned by the
BBC Symphony Orchestra
and the Los Angeles
Philharmonic, is my first
stand alone work for
orchestraand is loosely
inspired by the American
tradition of quilt
making. I composed
Quilting while living
most of last year in
Paris.During my time
there, I thought a lot
about what it means to
compose symphonic music
as a young American in
the 21st century, when so
many of the many
masterworks which are
programmed year in and
out by orchestras across
the country are European.
I considered which
artistic traditions
defined the American
19th-century. I began to
think of the American
crafts-tradition of
quilting as a foilto the
high-art tradition of
European orchestral
composition. As the score
for my new work began to
take shape, I started
thinking about the
manuscript itself as an
object, its vertical and
horizontal planes create
a kind of patterned
geometry of their own.
Visually the way a
musical score is woven
together like patchwork
brought to mind quilts
and the great American
tradition of quilting. I
imagined about how
conducting an orchestra
can feellike stitching a
piece together, or sewing
together a large number
of musical ideas and
musicians into a coherent
and transcendent whole.
Quilting was an integral
part of American
vernacular in the 18th
and 19th centuries, the
African-American quilting
tradition is especially
fascinating, and the
quilts tell the stories
of the women and
communities who made
them. The names of the
quilt patterns themselves
can have their own sense
of narrative: 'jacobs
ladder', 'drunkards
path', 'solomon's
puzzle', and (my favorite
for its relevance to this
piece) 'the road to
California. - Bryce
Dessner. $33.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Divertimento for two Horns, two Violins, Viola and Bass in B-flat major K. 287 (271b, 271 H) "Zweite Lodronische Nachtmusik" Barenreiter
2 horn,2 violins,viola,Basso (Horns (2), Violins (2), Viola, Basso) SKU: BA.B...(+)
2 horn,2
violins,viola,Basso
(Horns (2), Violins (2),
Viola, Basso) SKU:
BA.BA08809 Composed
by Wolfgang Amadeus
Mozart. Edited by Albert
Dunning. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Score. KV 287 (271b, 271
H). Baerenreiter Verlag
#BA08809_00. Published by
Baerenreiter Verlag
(BA.BA08809). ISBN
9790006568970. 31 x 24.3
cm inches. Key: B-flat
major. Preface: Gudula
Schutz. Mozart
composed his two
â??Lodron Serenadesâ?
for open-air performances
on the name day of
Countess Antonia Lodron
in June 1776 and 1777.
Their bright â??al
frescoâ? character is
immediately recognisable.
Alfred Einstein
considered these two
divertimentos to be
â??among the purest,
gayest, most satisfying,
and most perfect that
ever assumed musical
formâ?.
For
both works Mozart chose
an ensemble of two horns,
two violins, viola and
bass instruments.
However, the second
Lodron Serenade, the
Divertimento in B-flat
major K. 287, stands out
from this sextet format
by assigning a remarkably
virtuosic solo role to
the first violin, from
the richly diverse
opening movement to the
finale with its almost
ironic recitative and an
exhilarating passage on
the folk song
â??Dâ??Bäurin hat
dâ??Katz verlornâ?.
Mozart himself played
first violin in the 1777
performance. Later he
wrote, â??They all
opened their eyes! I
played as though I were
the finest fiddler in all
Europeâ?.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$33.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Milton, The Melting Snowman Orchestre d'harmonie - Facile C.L. Barnhouse
Concert band - Grade 2 SKU: CL.011-4270-00 Composed by Orcino. Young Conc...(+)
Concert band - Grade 2
SKU:
CL.011-4270-00
Composed by Orcino. Young
Concert Band. Command
Series. Audio recording
available separately
(item CL.WFR383). Score
and set of parts.
Composed 2014. Duration 2
minutes, 17 seconds. C.L.
Barnhouse #011-4270-00.
Published by C.L.
Barnhouse
(CL.011-4270-00).
Who doesn't
like a sunny day in the
midst of winter? Who is
that statuesque figure
all decked out in his
winter finery? Who stands
proud, guarding the
family home? Why it's
Milton the Melting
Snowman! But alas, as the
day progresses and temps
rise a transformation
begins. Listen, as the
music evokes Milton's
dismay, I'm melting! The
musical adventure pays
tribute to this gallant
guardian, soon to be a
fond memory until next
year. Set your mind free
wander with this
whimsical winter musical
offering as the band pays
tribute to this pillar of
packed snow.
About C.L.
Barnhouse Command
Series The
Barnhouse Command Series
includes works at grade
levels 2, 2.5, and 3.
This series is designed
for middle school and
junior high school bands,
as well as high school
bands of smaller
instrumentation or
limited experience.
Command Series
publications have a
slightly larger
instrumentation than the
Rising Band Series, and
are typically of larger
scope, duration, and
musical content. $52.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa solemnis, op. 123 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Solo voices, SATB chorus,orchestra (Soprano solo, Alto solo, Tenor solo, Bass so...(+)
Solo voices, SATB
chorus,orchestra (Soprano
solo, Alto solo, Tenor
solo, Bass solo, Mixed
choir (SATB), Orchestra)
SKU: BA.BA09038
Composed by Ludwig van
Beethoven. Edited by
Barry Cooper. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 123.
Baerenreiter Verlag
#BA09038_00. Published by
Baerenreiter Verlag
(BA.BA09038). ISBN
9790006563838. 31 x 24.3
cm inches. Text Language:
Latin. Preface: Barry
Cooper. Beethoven
described his grandly
conceived â??Missa
solemnisâ? as â??my
greatest workâ? and
sold manuscript copies to
some of the subscribers
even before it had
appeared in
print.
This Urtext
edition takes into
account all the sources
including the old and the
new complete editions
whose relationship is
clearly explained in a
stemma. In several
passages the renowned
Beethoven specialist
Barry Cooper has arrived
at variant readings, such
as in the
â??Sanctusâ?, where
the choir enters instead
of the soloists, rather
than coming in at
â??Pleni sunt
coeliâ?. No less
worthy of mention is the
addition of the soloists
to the choir in most of
the â??Credoâ?. These
matters and many other
editorial decisions are
documented in the
detailed Critical
Commentary
(Eng).
The
appendix contains
Beethovenâ??s
arrangement of the
Gregorian chant
â??Tantum ergoâ? for
the first time. This was
composed at the same time
as the â??Missa
solemnisâ? and most
probably stands in a
close relation to
it.
This edition
is designed for everyone
seeking a combination of
a reliable musical text
and well-founded
editorial suggestions for
a successful performance
of this
masterpiece.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$145.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Durham Concerto Violon Schott
Chamber Ensemble (Study Score) SKU: HL.49046391 For Violin, Cello, Nor...(+)
Chamber Ensemble (Study
Score) SKU:
HL.49046391 For
Violin, Cello,
Northumbrian pipes,
Hammond Organ and
Orchestr. Composed by
Jon Lord. Edited by Paul
Mann. Study Score.
Classical. Softcover. 146
pages. Duration 3420
seconds. Schott Music
#ED23177. Published by
Schott Music
(HL.49046391). ISBN
9781540086549. UPC:
842819108696. The
general inspiration for
the music was an idea of
Durham, garnered from two
or three short visits and
a reading of a short
history - so a sort of
Durham of the mind, a
stylized Durham; 'my'
Durham, if you will,
imagined into music.
However, the
defininginspiration for
the piece was the
Cathedral. My first visit
to Durham in 2001 saw me
standing open-mouthed on
Palace Green, and then in
silent awe as I walked
into that formidable
magnificence inside. Most
of the themes came from
the days immediately
following my first
experience of this
extraordinary, inspiring
building. The feeling
that the very stones and
pillars themselves are
imbued with centuries of
prayer, withpeople's joy,
grief, despair, even
anger; gratitude and
hope. As the tunes and
chords and sounds started
to organize themselves in
my mind and onto
manuscript paper, I
realized that I was
writing a sort of day in
the life of Durham, and
that the Cathedral
wouldbe its beginning,
would be in its middle,
and would be at its
ending. The piece
consists of six
'pictures' arranged into
three parts - the
morning, afternoon and
evening of this imaginary
Durham city. Jon Lord,
2017. $55.00 - Voir plus => Acheter | | |
| Lazarus oder die Feier der Auferstehung D 689 Chorale SATB Barenreiter
3 soprano voice solos, 2 tenor voice solos, bass voice solo, SATB choir, orchest...(+)
3 soprano voice solos, 2
tenor voice solos, bass
voice solo, SATB choir,
orchestra (3Soprano Voice
Solo, 2 Tenor Voice Solo,
Bass Voice Solo, SATB
Choir, Orchestra) SKU:
BA.BA05526
Fragment of a
religious drama in 3
acts. Consists of act 1,
act 2 (incomplete)and the
end of a libretto. Urtext
based on the New Schubert
Edition. Composed by
Franz Schubert. Edited by
Reinhold Kubik. This
edition: complete
edition, urtext edition.
Linen. New Schubert
Edition (Neue Ausgabe
samtlicher Werke) Series
II, Volume 10. Complete
edition, Score. D 689.
Baerenreiter Verlag
#BA05526_00. Published by
Baerenreiter Verlag
(BA.BA05526). ISBN
9790006472215. 33.1 x
26.5 cm inches. Text:
August H
Niemeyer. Fragment
eines religiosen Dramas
in 3 Akten. 1. und 2.
unvollstandiger Akt,
Schluss des Lbrettos.
Uretxt der Neuen
Schubert-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$298.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Swingin' at the Riverside Orchestre d'harmonie - Facile Curnow Music
Concert Band/Harmonie and Saxophone Solo - Grade 2 SKU: BT.CMP-0991-06-010(+)
Concert Band/Harmonie and
Saxophone Solo - Grade 2
SKU:
BT.CMP-0991-06-010
Composed by Stephen
Bulla. Young Band. Set
(Score & Parts). Composed
2006. Curnow Music #CMP
0991-06-010. Published by
Curnow Music
(BT.CMP-0991-06-010).
9x12
inches. Feature
anywhere from one
Saxophone up to the
entire Sax section in
Stephen Bulla’s
jazzy new arrangement
titled Swingin’ at
the Riverside. The quick,
rhythmic swing-style
music is catchy to say
the least! It’s
the perfect opportunity
to “lighten
up†during the next
concert performance. In
addition, it’s a
good piece to program
just before or after that
large work that’s
taxing for the Brass
players. It’s lots
of fun for Brasses to
play but gives them
plenty of short rests
throughout so they can
refresh their chops.
Now’s the time to
let the Saxes
shine!Light-hearted
and fun!
Dit
is een lekker vlot en
swingend werk waarin een
hoofdrol is weggelegd
voor de saxofoon. De
interactie tussen het
orkest en de solist(en)
is leuk en boeiend voor
zowel de muzikanten als
het publiek. De titel
Swingin’at the
Riversideis
natuurlijk een zinspeling
op de alom bekende
spiritual Down by the
Riverside, die te
horen is terwijl de
muziek zich ontvouwt. Een
levendige aanvulling op
uw eerstvolgende
concertprogramma!
Rücken Sie einen
Saxophonisten oder auch
das ganze Register ins
Rampenlicht - mit Stephen
Bullas jazzigen Titel
Swingin’ at the
Riverside haben Sie
die Wahl! Die flotte,
swingende rhythmische
Musik ist absolut
eingängig, ein
strahlendes Highlight
für jedes
Konzertprogramm!
Idealerweise planen Sie
dieses Stück nach
einem für die
Blechbläser
anstrengenden
Programmpunkt ein, da sie
hier zwar auch jede Menge
Spaß, aber auch
genügend Pausen haben.
Nun sind die Saxophone
dran!
Cette
œuvre de Stephen
Bulla trouve ses origines
dans le swing et combine
avec originalité
l’un des plus
célèbres standards
du jazz
Nouvelle-Orléans,
Down by the
Riverside.
L’accompagnement
est brillant et les
solistes effervescents !
Questo brano di
Stephen Bulla nasce dallo
swing e combina con
originalit uno dei più
grandi successi del jazz
di New Orleans, Down
by the Riverside.
L’accompagnamento
è brillante ed i
solisti semplicemente
sfavillanti! $84.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ingressus II Barenreiter
Soli/instrumental (Soli, Instrument) SKU: BA.BA10553-01 Composed by Johan...(+)
Soli/instrumental (Soli,
Instrument) SKU:
BA.BA10553-01
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech,
Thomas Röder, and
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 3. Edition
of selected works, Score.
Baerenreiter Verlag
#BA10553_01. Published by
Baerenreiter Verlag
(BA.BA10553-01). ISBN
9790006553020. 33 x 25.5
cm inches. Text Language:
Latin. Preface: Paech,
Katharina Larissa /
Hirschmann, Wolfgang /
Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now. Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$236.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Arias Barenreiter
Voice/choir/instrument (Voice, Choir, Instruments) SKU: BA.BA10561 Compos...(+)
Voice/choir/instrument
(Voice, Choir,
Instruments) SKU:
BA.BA10561 Composed
by Johann Pachelbel.
Edited by Wolfgang
Hirschmann. This edition:
Edition of selected
works, Urtext edition.
Linen. Johann Pachelbel
Complete Vocal Works 11.
Edition of selected
works, Score, anthology.
Baerenreiter Verlag
#BA10561_00. Published by
Baerenreiter Verlag
(BA.BA10561). ISBN
9790006553105. 33 x 26.5
cm inches. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now. Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition The
edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$219.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Magnificat III Barenreiter
Voice, instrument (singing voice, Instruments) SKU: BA.BA10556-01 Compose...(+)
Voice, instrument
(singing voice,
Instruments) SKU:
BA.BA10556-01
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 6. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10556_01.
Published by Baerenreiter
Verlag (BA.BA10556-01).
ISBN 9790006553112. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now. Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$345.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Motets Chorale SATB Barenreiter
SATB choir/basso continuo (2 SATB Choir, Continuo) SKU: BA.BA10560 Compos...(+)
SATB choir/basso continuo
(2 SATB Choir, Continuo)
SKU: BA.BA10560
Composed by Johann
Pachelbel. Edited by
Wolfgang Hirschmann. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 10. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10560_00.
Published by Baerenreiter
Verlag (BA.BA10560).
ISBN 9790006553099. 33
x 26 cm inches. Language:
German/English. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$265.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Magnificat II Chorale SATB Barenreiter
SSATB choir/orchestra (SSATB Choir, Orchestra) SKU: BA.BA10555 Composed b...(+)
SSATB choir/orchestra
(SSATB Choir, Orchestra)
SKU: BA.BA10555
Composed by Johann
Pachelbel. Edited by
Katharina Larissa Paech.
This edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 5. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10555_00.
Published by Baerenreiter
Verlag (BA.BA10555).
ISBN 9790006553044. 33
x 26 cm inches. Text
Language: Latin. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$313.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerti III Barenreiter
Voice, instrument (singing voice, Instruments) SKU: BA.BA10559-01 Compose...(+)
Voice, instrument
(singing voice,
Instruments) SKU:
BA.BA10559-01
Composed by Johann
Pachelbel. Edited by
Thomas Röder and
Wilhelm Binder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 9. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10559_01.
Published by Baerenreiter
Verlag (BA.BA10559-01).
ISBN 9790006553082. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel's arias, vocal
concerti and large-scale
Magnificats have received
little attention up to
now. Church
musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in Pachelbel's
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel's surviving
vocal works in the best
possible form. It is
edited by the Institut
fur Musikwissenschaft at
the University of
Erlangen-Nuremberg and
the Institut fur
Kirchenmusik at the
Kunstuniversitat
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel's
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$329.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerti II Barenreiter
Mixed choir/orchestra (Mixed choir, Orch) SKU: BA.BA10558 Composed by Joh...(+)
Mixed choir/orchestra
(Mixed choir, Orch)
SKU: BA.BA10558
Composed by Johann
Pachelbel. Edited by
Thomas Röder. This
edition: Edition of
selected works, Urtext
edition. Linen. Johann
Pachelbel. Complete Vocal
Works, Volume 8. Edition
of selected works, Score,
anthology. Baerenreiter
Verlag #BA10558_00.
Published by Baerenreiter
Verlag (BA.BA10558).
ISBN 9790006553075. 33
x 26 cm inches. Language:
German. Preface:
Hirschmann, Wolfgang /
Paech, Katharina Larissa
/ Röder,
Thomas. The
Complete Vocal Works
Johann Pachelbel is known
today as a composer of
organ music and of a
world-famous instrumental
canon which frequently
features in concert
programmes and recording
catalogues. However, the
same can be said of only
a few of his vocal
compositions. At most,
the motets appear
occasionally in church
music repertoire.
Pachelbel’s arias,
vocal concerti and
large-scale Magnificats
have received little
attention up to now.
Church musicians and
musicologists have long
wished for a critical
edition of these
important works, which
survive in
Pachelbel’s
manuscript and were
largely composed in his
main places of work,
Erfurt and Nuremberg . As
always with such
ventures, new discoveries
are to be expected
regarding the body of
works, source material
and the context of the
works. This concerns not
only beautiful music, but
rather a deepening of our
understanding of
Pachelbel as a key figure
between southern and
central German
traditions, and the
recognition of an oeuvre
which has all too often
been pushed into the
shadows by the mighty
Bach. The
Critical Edition
The edition aims to make
available all of Johann
Pachelbel’s
surviving vocal works in
the best possible form.
It is edited by the
Institut für
Musikwissenschaft at the
University of
Erlangen-Nuremberg and
the Institut für
Kirchenmusik at the
Kunstuniversität
Graz. Two
volumes per year are
planned. As a
chronological order is
not possible in many
cases, the individual
works have been arranged
according to scoring
within their groups.
Fragments and works where
Johann Pachelbel’s
authorship is doubtful
appear at the end of the
respective group.
Each volume includes
an introduction (Ger/Eng)
and a Critical Commentary
(Ger). Format 25.5 x 32.5
cm; cloth-bound
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$379.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Frank Sinatra Hits Medley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Score and Parts Concert Band (Score and Parts) - Grade 4 SKU: HL.4006034 ...(+)
Score and Parts Concert
Band (Score and Parts) -
Grade 4 SKU:
HL.4006034 Concert
Band Score and Parts.
By Frank Sinatra.
Arranged by Naohiro Iwai.
De Haske Concert Band.
Classical, Standards.
Softcover. De Haske
Publications #0981116010.
Published by De Haske
Publications
(HL.4006034). ISBN
9781540058355. UPC:
888680952013. Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience. $170.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Frank Sinatra Hits Medley Orchestre d'harmonie - Intermédiaire/avancé De Haske Publications
Concert Band (Score) - Grade 4 SKU: HL.4006035 Concert Band Score....(+)
Concert Band (Score) -
Grade 4 SKU:
HL.4006035 Concert
Band Score. By Frank
Sinatra. Arranged by
Naohiro Iwai. De Haske
Concert Band. Classical,
Standards. Softcover. De
Haske Publications
#0981116140. Published by
De Haske Publications
(HL.4006035). UPC:
888680952020. Cheek
To Cheek, I Get A Kick
Out Of You, Everybody
Loves Somebody, I've Got
You Under My Skin and My
Way together form the
Frank Sinatra Hits
Medley. Frank Sinatra's
songs are timeless
classics and this
arrangement will
undoubtedly bring great
pleasure to all your
audience. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La damnation de Faust, op. 24 Holoman 111 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre - Intermédiaire/avancé Barenreiter
Solo voices, choir, orchestra (Mezzo Voice Solo, Tenor Voice Solo, BarSolo, Bass...(+)
Solo voices, choir,
orchestra (Mezzo Voice
Solo, Tenor Voice Solo,
BarSolo, Bass Voice Solo,
Mixed choir: SSTTBB,
children choir: SS, 3Fl,
2 Ob, 2 clarinet,
clarinet-B, 4bassoon,
4Hn, 2 Trp, 2 Pist,
3trombone, Op, Tb,
timpani, percussion, 8,
10harp, Str) - Level 4
SKU: BA.BA05448
Lègende dramatique
in four parts.
Composed by Hector
Berlioz. Edited by Julian
Rushton. This edition:
complete edition, urtext
edition. Linen. New
Berlioz Edition (Neue
Berlioz-Ausgabe - NBE)
Volume 8a/b. Complete
edition, Score. Opus 24.
453/556 pages. Duration 2
hours. Baerenreiter
Verlag #BA05448_00.
Published by Baerenreiter
Verlag (BA.BA05448).
ISBN 9790006471478.
33.2 x 26.5 cm inches.
Text Language: French.
Text: Berlioz, Hector /
Nerval, Gérard
de. In 1828 Berlioz
wrote the Huit scènes
de Faust. The work was
soon withdrawn but almost
twenty years later each
of the eight scenes found
a place in the Lgende
dramatique La damnation
de Faust dedicated to
Franz Liszt. The first
part of the Damnation
exposes the figure of
Faust and has an
introductory nature. From
the second part onwards,
the course of action is
largely based on
Goethe’s
drama.
Contrasting
characters and dramatic
effect are of central
importance in
understanding
Berlioz’s musical
thought and his
compositional process.
Magic and fairy tale,
incantations and ghosts,
have been the
ever-recurring themes of
opera since the Baroque.
It is precisely this
fantasy in Berlioz's
Faust, the “Opra de
Concert en Quatre
actsâ€, which comes
very close to the spirit
of Goethe's
presentation.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$872.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Island Elegy and Aubade Subito Music
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s...(+)
Soprano(s) & Piano (with
opt. Melodica) SKU:
SU.96050220 For
Soprano(s) & Piano (with
opt. Melodica).
Composed by Thomas
Parente. Vocal/Choral,
Solo Voice. Accompanied
by piano, Melodica.
Score. Subito Music
Corporation #96050220.
Published by Subito Music
Corporation
(SU.96050220).
1. My Beautiful
Island (in the present) -
The character is that of
a young woman who sings
joyfully and exuberantly
of the beauty of her
island - a magnificent
paradise. 2. Oh Home of
Sweet Tranquility (20
years later) - The woman
is beginning to realize
that her cherished island
is beginning to disappear
due to the encroaching
waves, storms and ever
increasing heat. The
bloom of her idealism and
youth has been replaced
with something more
dreadful. 3. The Song
Itself We Have Forgotten
(an additional 20 years
later) - The island
clearly is doomed due to
rising seas resulting in
the evacuation of the
entire island. She is
experiencing a slow
simmering shock, is
dis-regulated, mumbling,
and thoroughly
disbelieving in what is
taking place. Out in the
distance I imagined an
ocean liner on the
horizon. She’s
standing on a long line
to be transported to the
ship that will take her
to an unknown destination
and destiny. 4. Aubade -
(a love poem welcoming or
lamenting the arrival of
dawn) As expressed by a
seagull riding the wind
above the ocean, my take
of it relates to the arc
of universal existence -
Beginning, Middle (life
expressed), End.
Performance Note:
Island Elegy and Aubade
may be performed by 3
sopranos - one for each
song- or by one soprano.
In the latter case the
final Aubade may be
performed via a
previously recorded
multitrack rendering of
all three parts or two
parts with the soprano
singing the top part.
Alternatively, the
pianist can accompany the
soprano, (who sings the
top line) by playing the
bottom two parts on a
melodica, piano or
electric keyboard.
Soprano(s) & Piano (with
opt. Melodica) Duration:
ca. 25' Composed: 2023
Published by: Subito
Music Publishing. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A New Orleans Nutcracker Suite Orchestre d'harmonie - Intermédiaire Belwin
Concert Band - Grade 3.5 SKU: AP.50023S I. Overture II. Dirge for a Su...(+)
Concert Band - Grade 3.5
SKU: AP.50023S
I. Overture II. Dirge
for a Sugar Plum Fairy
III. Tremé Trepak.
Composed by Peter Ilyich
Tchaikovsky. Arranged by
Michael Kamuf. Concert
Band; MakeMusic Cloud;
Performance Music
Ensemble; Single Titles.
Belwin Concert Band.
Form: Fanfare. Christmas;
Multicultural. Score.
Duration 6:00. Belwin
Music #00-50023S.
Published by Belwin Music
(AP.50023S). ISBN
9781470659172. UPC:
038081576435.
English. Tchaikovsk
y strolls the streets of
the French Quarter!
Arranger Michael Kamuf
reimagines the Overture,
Dance of the Sugar Plum
Fairies, and Trepak
themes by using different
New Orleans-based
grooves, rich jazz
harmony, and plenty of
syncopation and rhythmic
twists. Students will
love playing these
themes, and your audience
will dance in the aisles!
A New Orleans Nutcracker
Suite is the perfect
addition to your holiday
program. Though written
as a suite, each movement
can stand alone.
(6:00). $15.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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