| 100 Years of Broadway (Medley) (Singer's Edition) - SATB
Chorale SATB SATB [Conducteur] - Intermédiaire Hal Leonard
Arranged by Mac Huff. SATB Score for SATB chorus. With vocal score, lyrics and s...(+)
Arranged by Mac Huff.
SATB Score for SATB
chorus. With vocal score,
lyrics and spoken text.
55 pages. Published by
Hal Leonard.
(16)$5.15 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Country and Western Gospel Hymnal - Volume 2 (Book)
Chorale [Partition] Brentwood-Benson
For voice. Format: vocal songbook (spiral bound). With vocal score and chord nam...(+)
For voice. Format: vocal
songbook (spiral bound).
With vocal score and
chord names. Gospel and
Country. 9x12 inches.
Published by
Brentwood-Benson Music
Publishing. Click here
for Listening
Cassette (5)$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale SATB SATB [Conducteur] Hal Leonard
Arranged by Mac Huff. (SATB score). Broadway Choral. Size 9x12 inches. 96 pages...(+)
Arranged by Mac Huff.
(SATB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) - 2 Part Chorale 2 parties [Conducteur] Hal Leonard
Arranged by Mac Huff. (2-part score). Broadway Choral. Size 9x12 inches. 96 page...(+)
Arranged by Mac Huff.
(2-part score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
(1)$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Years of Broadway (Medley) Chorale [Conducteur] Hal Leonard
Arranged by Mac Huff. (SAB score). Broadway Choral. Size 9x12 inches. 96 pages....(+)
Arranged by Mac Huff.
(SAB score). Broadway
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz Standards with Strings (2 CD Set) Trombone [Partition + CD] Music Minus One
For Trombone. Jazz/RandB. Includes a high-quality printed music score; and two c...(+)
For Trombone. Jazz/RandB.
Includes a high-quality
printed music score; and
two compact discs with
complete versions (with
soloist) followed by
piano accompaniments to
each piece, minus the
soloist. Published by
Music Minus One
(2)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Cirque de L’étrange Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200F Composed by Matthew R. Putnam...(+)
Band Concert Band - Grade
2 SKU: CF.YPS200F
Composed by Matthew R.
Putnam. Young Band (YPS).
Full score. With Standard
notation. 16 pages. Carl
Fischer Music #YPS200F.
Published by Carl Fischer
Music (CF.YPS200F).
ISBN 9781491152881.
UPC:
680160910380. Step
right up, ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Focus [Complete Set] Orchestre à Cordes [Conducteur et Parties séparées] Jazz Lines Publications
By Stan Getz and Beaux Arts String Ensemble. By Eddie Sauter. Edited by Rob Dubo...(+)
By Stan Getz and Beaux
Arts String Ensemble. By
Eddie Sauter. Edited by
Rob Duboff, Jeffrey
Sultanof, Alex Chilowicz,
and Andrew Homzy.
Arranged by Eddie Sauter.
For string ensemble
(score and parts)
(Soloist (parts in
concert, B-flat, and
E-flat), Violin I (8
parts), Violin II (8
parts), Viola (5 Parts),
Cello (5 Parts) , Double
Bass (3 Parts), Harp,
Piano/Celeste, Percussion
(Snare Drum, Marimba,
Tambourine)). Advanced.
Score and parts.
Published by Jazz Lines
Publications
$399.98 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cirque de L’étrange Orchestre d'harmonie - Facile Carl Fischer
Band Concert Band - Grade 2 SKU: CF.YPS200 Composed by Matthew R. Putnam....(+)
Band Concert Band - Grade
2 SKU: CF.YPS200
Composed by Matthew R.
Putnam. Young Band (YPS).
Set of Score and Parts.
With Standard notation.
8+2+4+2+2+5+2+2+4+4+6+3+3
+2+1+3+16+4+4+2+2 pages.
Duration 2:15. Carl
Fischer Music #YPS200.
Published by Carl Fischer
Music (CF.YPS200).
ISBN 9781491152201.
UPC: 680160909704. Key: D
minor. Step right
up, ladies and gentleman,
boys and girls, step
right up! See the exotic,
the strange, and the
magical at the Cirque de
L’étrange, or
“Circus of the
Strange.†This
piece evokes a bygone era
when circuses and
carnivals provided people
from all walks of life a
chance to see human and
animal
oddities. Cirque de
L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups and is a
great way to expose
students to the march
form and style without
sounding like your
typical march. Step
right up ladies and
gentleman, boys and
girls, step right up! See
the exotic, the strange,
and the magical at the
Cirque de
L’étrange.
Welcome to the Cirque de
L’étrange,
known in English as the
“Circus of the
Strange.†This
piece evokes a time of a
bygone era, a time when
circuses and carnivals
provided people from all
walks of life a chance to
see human and animal
oddities that were
sources of both delight
and horror. While many of
these sideshow
attractions were deemed
fraudulent, it did not
deter the crowds from
flocking to be shocked
and awed. I have always
held a special place in
my heart for the
showmanship of carnivals,
because my grandfather
dearly loved them. For
much of his life, he
worked at fairs and
carnivals selling cotton
candy and candy apples. A
large portion of my days
when growing up were
spent running around
fairgrounds and helping
my grandfather with his
stand. He imparted in me
a love for the cunning,
magic, and sheer joy that
only carnivals and
circuses can bring. In
Cirque de
L’étrange, I
sought to capture the the
mirthful, yet uncanny
mood of the carnivals
that I grew up exploring,
thus transporting you to
a different time.Cirque
de L'étrange is an
original concert march
written in standard march
form, but its sound is
anything but standard.
This piece is playable by
younger groups, as it is
a great way to expose
students to the march
form and style while not
sounding like your
typical march.Opening in
D minor, the piece
combines the playful feel
of a march and a macabre
tango. The second time
through the First Strain
(mm. 5-23), the upper
woodwinds and bells add a
second counter melody
based in D harmonic
minor, which heightens
the peculiar nature of
the piece. The Second
Strain (mm. 24-43) by
contrast, is a little
more upbeat, thus evoking
the magical ebullience of
a circus, which is
further highlighted by
the xylophone part. The
Second Strain ends in the
key of F major and sets
up the transition to the
Trio in the key of G
minor. The Trio (m. 44)
begins with the G
harmonic minor melody in
the clarinets and a
counter melody in the
bassoon and tenor
saxophone. The rest of
the woodwinds and bells
join in at m. 60 while
the percussion adds a
Gypsy-like feel with
tambourine and triangle.
At m. 76 the full band
joins in the macabre
parade with the trombones
and baritones harmonizing
the counter melody. The
conclusion of the march
has the upper woodwinds,
adding a second counter
melody complete with
trills to bring the march
to an exciting and
dramatic finish.As the
World’s Greatest
Showman, P.T. Barnum, a
man my grandfather
greatly admired, once
said “The noblest
art is that of making
others happy.†It
is my hope that through
this piece you will
experience the thrill,
delight, and fright that
only carnivals can bring
as you visit the Circus
of the Strange! $70.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| HMS Pinafore - Vocal Score Piano, Voix [Vocal Score] - Intermédiaire Schirmer
(or The Lass That Loved a Sailor ) Lyrics by W.S. Gilbert, music by Arthur Sulli...(+)
(or The Lass That Loved a
Sailor ) Lyrics by W.S.
Gilbert, music by Arthur
Sullivan (1842-1900). For
mixed voice and piano.
Format: piano/vocal
score. With vocal score
and piano accompaniment.
Broadway and vocal
standards. 167 pages.
7.5x10.7 inches.
Published by G. Schirmer,
Inc..
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Feel the Spirit - Volume I
Chorale SATB SATB, Piano [Partition] Hal Leonard
Arranged by Moses Hogan. For SATB choir and piano accompaniment (for rehearsal ...(+)
Arranged by Moses Hogan.
For SATB choir and piano
accompaniment (for
rehearsal only) (SATB).
Hal Leonard Choral
Collection. Choral and
Gospel. Songbook. Vocal
score notation. 240
pages. Published by Hal
Leonard
(5)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Die Donau Orchestre Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches. Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$249.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Will Survive Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band - Grade 3 SKU: BT.DHP-0950643-2...(+)
Concert
Band/Harmonie/Fanfare
Band/Brass Band - Grade 3
SKU:
BT.DHP-0950643-216
Composed by D. Fekaris,
F. Perren. Arranged by
Ron Sebregts. De Haske
Pop Collection. Pop &
Rock. Score Only.
Composed 1995. De Haske
Publications #DHP
0950643-216. Published by
De Haske Publications
(BT.DHP-0950643-216).
This classic
disco hit was released by
Gloria Gaynor in 1978.
Following massive airplay
it reached number one in
pop charts around the
world and in 1980
received a Grammy for
Best Disco Recording.
Since then it has
appeared in many films
and television programs
and has been adopted by
many causes such as
HIV/AIDS awareness and
the campaign for
women’s rights. It
is also the
‘stadium
anthem’ for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der
größten Hits von
Gloria Gaynor erreichte
zur Fußball-WM 1998 in
der Version der Hermes
House Band Kultstatus. In
zwischen gehört der
Song zum
Standardrepertoire der
Fanclubs großer und
kleiner Vereine und wird
besonders im Jahr der
Fußballweltmeisterscha
ft in Deutschland wieder
in aller Ohren und Munde
sein!
Gloria
Gaynor (de son vrai nom
Gloria Fowles) est
considérée comme
une des plus grandes
divas de l'époque
disco. En 1978, elle
interprète la chanson
I Will Survive qui
devient un hymne de
l'émancipation
féminine. En 1997,
reprise par le groupe
Hermes House Band, elle
devient l'hymne des
rugbymen du Stade
Français, puis celui
de l'Équipe de France
de Football lors de la
Coupe du Monde 1998. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Peri's Scope Big band [Conducteur et Parties séparées] - Avancé Jazz Lines Publications
Arranged by Chuck Israels. For little big band. Swing, Jazz. Difficult. Score an...(+)
Arranged by Chuck
Israels. For little big
band. Swing, Jazz.
Difficult. Score and
parts. Published by Jazz
Lines Publications
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Destination Rock 'n' Roll (Choral Revue) Chorale 2 parties [Conducteur] Hal Leonard
Arranged by Mark A. Brymer. (2 Part Score). Discovery Choral. Size 9x12 inches....(+)
Arranged by Mark A.
Brymer. (2 Part Score).
Discovery Choral. Size
9x12 inches. 88 pages.
Published by Hal Leonard.
(1)$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Encore! The Music of Our Times (Medley) Chorale [Conducteur] Hal Leonard
Arranged by Mac Huff. (2 Part Score). Choral. Size 9x12 inches. 112 pages. Publ...(+)
Arranged by Mac Huff. (2
Part Score). Choral. Size
9x12 inches. 112 pages.
Published by Hal Leonard.
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Encore! The Music of Our Times (Medley) Chorale [Conducteur] Hal Leonard
Arranged by Mac Huff. (SATB score). Choral. Size 9x12 inches. 116 pages. Publis...(+)
Arranged by Mac Huff.
(SATB score). Choral.
Size 9x12 inches. 116
pages. Published by Hal
Leonard.
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Pop Forever (Medley) Chorale 2 parties 2 parties [Conducteur] Hal Leonard
Arranged by Mark A. Brymer. (2 Part Score). Choral. Size 9x12 inches. 96 pages....(+)
Arranged by Mark A.
Brymer. (2 Part Score).
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Pop Forever (Medley) Chorale SATB SATB [Conducteur] Hal Leonard
Arranged by Mark A. Brymer. (SATB score). Choral. Size 9x12 inches. 96 pages. Pu...(+)
Arranged by Mark A.
Brymer. (SATB score).
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Pop Forever (Medley) Chorale 3 parties SAB [Conducteur] Hal Leonard
Arranged by Mark A. Brymer. (SAB score). Choral. Size 9x12 inches. 96 pages. Pu...(+)
Arranged by Mark A.
Brymer. (SAB score).
Choral. Size 9x12 inches.
96 pages. Published by
Hal Leonard.
$30.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ron Odrich Plays Standards plus You Clarinette [Partition + CD] Music Minus One
For Clarinet. Standards. Includes a complete, high-quality printed music score w...(+)
For Clarinet. Standards.
Includes a complete,
high-quality printed
music score with
performance suggestions;
and a compact disc
containing the complete
version of each piece
with soloist and
accompaniment; then a
second performance with
accompaniments minus you,
the soloist. Published by
Music Minus One.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1st Corinthians 16:13 Chorale TTBB TTBB, Piano [Vocal Score] - Facile Word Music
(7 Powerful Arrangements for Bold Men of God). Arranged by Russell Mauldin, ...(+)
(7 Powerful Arrangements
for
Bold Men of God).
Arranged by
Russell Mauldin, Cliff
Duren,
Lari Goss and Marty
Hamby. For
TTBB choir, piano
accompaniment.
Collection. Be
Alert and on Your Guard;
Stand
Firm in Your Faith; Act
Like
Men and Be Courageous;
Grow In
Strength!. Easy/moderate.
Choral score. Published
by
Word Music
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Toner Fra Filmen Wilhelm Hansen
Voice SKU: HL.14022962 Arranged by Ulla Hjorth Nielsen. Music Sales Ameri...(+)
Voice SKU:
HL.14022962 Arranged
by Ulla Hjorth Nielsen.
Music Sales America.
TV-Film-Musical-Show.
Book [Softcover].
Composed 2005. 213 pages.
Edition Wilhelm Hansen
#WH30515. Published by
Edition Wilhelm Hansen
(HL.14022962). ISBN
9788759810941. Tune
s from the movie -
Musical, melodrama, farce
and comedy - well known
film genres have through
the last 70 years
produced film songs, that
deserve to be remembered,
played and sung. Many of
which have become beloved
evergreens. Toner fra
filmen contains 100 songs
that explain why. Tunes
from the movie - Toner
fra filmen is the first
Danish song book, that
concentrates on songs
written directly to the
film medium - from 1932
until 2002. From swing
music to a sailor's
waltz, from rock'n'roll
to rap music, and the
publication contains 100
compositions and lyrics
and with that the answer
to why a specific film
song book is relevant.
The answer is quality and
diversity.Toner fra
filmen is a song book
that is supposed to
strengthen the joy of
singing and the memory of
everyone interested in
songs and films.
Predictable catchy tunes
by eg. Sven Gyldmark
standing side by side
with surprises that have
almost been forgotten by
most but deserve a
renaissance. Toner fra
filmen is released now as
the quality in the
national film production
makes people walk away
from the television and
into the darkness of the
movie theatre to laugh
and cry. Back at the
television screen we
enjoy the old Danish
movies that make us wish
to refresh the film
songs. Most of us
seldomly remember more
than the refrain, and
then the need to look at
the score arises. The
songs chosen to Toner fra
filmen has of course been
an integrated part of the
movies' set up, but they
can manage on their own.
There are a lot of love
songs, but there are also
songs for every taste and
temperament, nice as well
as sexy, short, long,
poetic etc etc. The book
makes you want to sing
and play and is at the
same time a piece of
Danish cultural
history. $36.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I Will Survive Score And Parts Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 3 SKU: HL.44002405 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 3 SKU:
HL.44002405 Composed
by D. Fekaris and F.
Perren. Arranged by Ron
Sebregts. De Haske
Concert Band. Pop & Rock.
Score Only. Composed
1995. De Haske
Publications #950643.
Published by De Haske
Publications
(HL.44002405). UPC:
073999024050. 6.75x10.5
inches. This
classic disco hit was
released by Gloria Gaynor
in 1978. Following
massive airplay it
reached number one in pop
charts around the world
and in 1980 received a
Grammy for Best Disco
Recording. Since then it
has appeared in many
films and television
programs and has been
adopted by many causes
such as HIV/AIDS
awareness and the
campaign for women's
rights. It is also the
'stadium anthem' for the
Dutch football team
Feyenoord. Ensure your
audience leaves any
concert in an upbeat mood
with this disco
masterpiece.
I
Will Survive was in
de jaren zeventig een
megahit voor Gloria
Gaynor. In discotheken
werd het nummer
grijsgedraaid. Men begaf
zich destijds maar al te
graag op de dansvloer om
op de energieke klanken
van deze song te
swingen.In de jaren
negentig was I Will
Survive opnieuw een
enorm succes. Breng
tijdens uw concert met
deze bewerking van Ron
Sebregts leven in de
brouwerij!
Das
Remake eines der grossten
Hits von Gloria Gaynor
erreichte zur Fussball-WM
1998 in der Version der
Hermes House Band
Kultstatus. In zwischen
gehort der Song zum
Standardrepertoire der
Fanclubs grosser und
kleiner Vereine und wird
besonders im Jahr der
Fussballweltmeisterschaft
in Deutschland wieder in
aller Ohren und Munde
sein!
Gloria
Gaynor (de son vrai nom
Gloria Fowles) est
consideree comme une des
plus grandes divas de
l'epoque disco. En 1978,
elle interprete la
chanson I Will
Survive qui devient
un hymne de
l'emancipation feminine.
En 1997, reprise par le
groupe Hermes House Band,
elle devient l'hymne des
rugbymen du Stade
Francais, puis celui de
l'Equipe de France de
Football lors de la Coupe
du Monde 1998. $86.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Old Maid and the Thief Piano, Voix [Vocal Score] Alfred Publishing
By Gian Carlo Menotti. Vocal (Opera) Score. Masterwork. 192 pages. Published by ...(+)
By Gian Carlo Menotti.
Vocal (Opera) Score.
Masterwork. 192 pages.
Published by Alfred
Publishing.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hana wa Saku - 25 Japanese Nostalgic Songs for Cello Violoncelle, Piano [Partition + CD] - Intermédiaire/avancé Yamaha
Strings. Japanese Traditional Songs. Score and part with CD. Yamaha Music Medi...(+)
Strings. Japanese
Traditional
Songs. Score and part
with CD.
Yamaha Music Media
#GTW01091438. Published
by
Yamaha Music Media
$28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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