By Kristin Campbell; Ruth Coleman. For violin and piano. General, Eastertide, Christmas. Sacred instrumental. Published by Exaltation Publications.

Violin and Piano

SKU: BT.PWM10399020

Composed by E. Iwan. Book Only. Polskie Wydawnictwo Muzyczne #PWM10399020. Published by Polskie Wydawnictwo Muzyczne (BT.PWM10399020).

By Eta Cohen. For Violin, Piano Accompaniment. Classical. Sheet Music. 42 pages. Published by Novello and Co Ltd.

By Nicolae Bogdan. For violin and piano/organ. Published by Musikk-Husets Forlag

Sonatas and Partitas, 4 Concertos, and Arioso. Composed by Johann Sebastian Bach (1685-1750). String Solo. Softcover. 88 pages. Published by G. Schirmer

By Elisabeth-Claude Jacquet de La Guerre. Edited by Carol Henry Bates. For violin and piano. Violin. First edition. Instrumental Music. Beginning. Score and part. Composed 1707. Published by Furore Verlag

Composed by Franziska Lebrun (1756-1791). Edited by Claudia Schweitzer. Violin. Volume I: Sonaten 1-3 (Sonata I (B), Sonata II (F), Sonata III (Es)). Instrumental Music. Full score. Published by Furore Verlag (FV.FUE-3970).

Composed by Johann Sebastian Bach (1685-1750). Collection for violin solo. With introductory text, performance notes, bowings and fingerings. Text language English, German, and French. 88 pages. Published by Schott.

Composed by Ludwig van Beethoven (1770-1827), edited by Sieghard Brandenburg. Collection and set of performance parts for Violin and piano. With bowings and fingerings. Urtext edition-paper bound. 159 pages. Published by G. Henle.

For Violin and Piano (Origianlly for Cello and Piano). By Frederic Chopin. Arranged by Behzad Ranjbaran. For Violin, Piano. Classical. Solo part with piano reduction. Opus 65. 44 pages. Published by Theodore Presser Company.

Chamber Music Cello, Piano, Violin

SKU: PR.414411630

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 28+28+20+24+20+24 pages. Duration 20 minutes. Theodore Presser Company #414-41163. Published by Theodore Presser Company (PR.414411630).

ISBN 9781491114551. UPC: 680160089956. 9.5 x 13 inches.

EXCURSIONS is a one-movement work exploring two “characters.” A rhapsodic, descending passage is introduced by the cello, followed by a  static, chorale-like phrase for the violin and cello. Their individual developments are separated by a slow, contrasting middle section. The composer has written: “This is analogous to situations in life: we stand by a crossroad, choosing one option and forfeiting the other. But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination… or can we? It is symbolic that in this work both roads eventually lead to the same place.”.
Excursi ons for violin, cello and piano, is a one-movement work of tripartite structure in which materials explored in the first of three large sections are brought back in the last section.  The traditional statement-contrast-restat ement form, which is readily suggested by such a description, is, however, not at all in the mold in which the work is cast.  Rather, my aim was to subject the essential materials of the piece (two “characters” –the rhapsodic, descending passage played by the cello in the very opening and, later, a static, slow moving, chorale-like phrase for the violin and cello) to two entirely different developments separated by a slow, contrasting middle section.  This is analogous to an exploration of the ramifications that two divergent choices made by the same person might lead to.  In life, as we stand by a crossroad, choosing one option usually means having to forfeit the other.  But in art, the realm of the imagination, we can perhaps afford to pursue more than one route to its ultimate destination…or can we?  It is, I believe, symbolic that in this work both roads eventually lead to the same place: in composing Excursions, it seemed absolutely inescapable that at the end the slow, contrasting middle sections – both more resigned and peaceful than the battling spirits of the outer parts – should return briefly to end the work. The piano trio combination (once highly favored, but to this composer still as challenging today) is approached here as a collaborative effort of three equal soloists – partners.  Of the available pairings, the two strings find themselves occasionally approached as a team pitted against the piano.  The cello-piano combination is also not uncommon here, and there is an extended violin cadenza toward the end of the piece.  The writing for the three instruments is closely and at times interlinked, but the players are all instructed to play from scores. Excursions was first performed at Brandeis University in 1982.

Violin, piano

SKU: FG.55011-754-9

Viulusonaatti. By Walter Wolff. By Yrjö Kilpinen. Classical. Book. Fennica Gehrman #55011-754-9. Published by Fennica Gehrman (FG.55011-754-9).

ISBN 9790550117549.

Yrj� �¶ Kilpinen (1892-1959) is most known for his hundreds of lieds and song cycles. His instrumental compositions have been less know, ie. the six piano sonatas and suite for gamba and piano. Large-scale Sonata for violin and piano is dated in 1935 with opus number 87. The work was never finished, and National Library in Helsinki holds several sketches and versions in its Kilpinen collection.

In 2015 violinist Frida Backman commissioned a completion of the Sonata from composer Walter Wolff. Wolff worked on the sketches and versions until 2018, when the work was completed and the Sonata premiered.

The present publication is the first publication of the Sonata. It sheds light to Kilpinen as an instrumental composer.

The movements are: Allegro - Andante - Andante Moderato - Allegro

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Yrjö Kilpinen (1892-1959) tunnetaan lähinnä lied-sävellyksistä� �¤n, joita aktiivisina sävellysvuosina syntyikin satoja. Vähemmälle huomiolle ovat jääneet hänen instrumentaalisävellyk sensä, mm. kuusi pianosonaattia, sellosonaatti, sarja gamballe ja pianolle sekä muutamat pikkukappaleet.

Vuodelle 1935 päivätty neliosainen, laajamuotoinen sonaatti viululle ja pianolle (op. 87) jäi keskeneräiseksi. Suomen Kansalliskirjaston Kilpinen-kokoelmassa oli useita luonnoksia ja eri versioita. Sonaatin osista neljäs oli keskeneräisin.

Viulutaiteilija Frida Backman tilasi konserttiaan varten sonaatin täydennöksen säveltäjä Walter Wolffilta. Hän sai työnsä päätöksen 2018, jonka jälkeen sonaatti kantaesitettiin.

Fennica Gehrmanin julkaisu on sonaatin ensipainos, ja siten laajentaa kuvaamme Yrjö Kilpisestä instrumenttiteosten säveltäjänä.

Teoksen osat: Allegro - Andante - Andante Moderato - Allegro.

(Double Concerto) for two Violins and Orchestra - Piano Reduction. By Johann Sebastian Bach. Edited by Hans Eppstein. Piano reduction by Johannes Umbreit. Violin. Pages: Score = III and 24 * Vl I Part = 8 * Vl II Part = 8. Piano Reduction-paper bound. Published by G. Henle.

By George Frideric Handel (1685-1759). Dowani Book/CD. Play Along. Book and CD. 16 pages. Dowani International #DOW4519. Published by Dowani International

With online audio of piano accompaniments. By Various. By Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Violin & Piano

SKU: SU.29020160

For Violin & Piano. Composed by Reinaldo Moya. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #29020160. Published by Subito Music Corporation (SU.29020160).

In 4 movements (I. The Island with Many Calendars; II. The Island with the Imaginary Moons; III. The Island at Noon. IV. The Island with the Imagined Birds) a rhythmically vibrant, virtuosic duo. Features the influences of American minimalism, and Venezuelan folk rhythms and melodies.Violin and Piano Duration: 20' Composed: 2012 Published by: Distributed Composer.

By Antonio Vivaldi. Edited by John Craton. Chamber ensemble. For Violin, piano. Chamber Music. For violin scordatura and orchestra, this version is for violin and piano. Baroque. Score and part. 26 pages. Duration 15:00. Published by Wolfhead Music. (WM515) Level: Advanced.

(Violin and Piano With Marked and Unmarked String Part). Composed by Claude Debussy (1862-1918). Edited by Ingolf Turban and Thomas Kabisch. For Violin, Piano Accompaniment. Henle Music Folios. Softcover. G. Henle #HN1246. Published by G. Henle

Violin & Piano

SKU: SU.28120210

For Violin & Piano. Composed by Alla Pavlova. Strings, Violin. Accompanied by piano. Score & Parts. Subito Music Corporation #28120210. Published by Subito Music Corporation (SU.28120210).

Violin & Piano Duration: 7' Composed: 2015 Published by: Alla Pavlova.

Violin, piano

SKU: FG.55011-694-8

Classical, pedagogical. Book. Fennica Gehrman #55011-694-8. Published by Fennica Gehrman (FG.55011-694-8).

ISBN 9790550116948.

The volume G of the Colourstrings Violin ACB tutors by Géza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the book G5 (ISMN 9790550116948) includes the piano accompaniments of the performing pieces included in Colourstrings Violin ABC: Book G5 – Sixth and Seventh Positions.

Click “sample to have a look inside and “table of contents to see the complete list of the pieces included.

More about the Colourstrings method: https://www.fennicagehrma n.fi/sheet-music/colourst rings/ Contents in alphabetical order:
Bériot, Charles de: Air varié
Bohm, Carl: Introduction and Polonaise
Brahms, Johannes: Hungarian Dance No. 5
Dancla, Charles: Second Solo
Drdla, Frantisek: Souvenir
Glazunov, Alexander: Spanish Serenade
Kodály, Zoltán: Kallo Double Dances I-III
Kuula, Toivo: Chanson sans paroles
Mozart, Wolfgang Amadeus: Minuet
Pergolesi, Giovanni Battista: Siciliana
Pugnani-Kreisler: Tempo di Minuetto
Rachmaninov, Sergei: Vocalise
Sibelius, Jean: Romance
Sonninen, Ahti: Karelian Dance
Wieniawski, Henryk: Mazurka
Žilinskis, Arvīds Mazurka.

Music by John Williams. For violin solo and piano accompaniment. Includes instrumental solo book and accompaniment CD. With solo part, standard notation, bowings, piano accompaniment and black and white photos. Movies. 66 pages. 9x12 inches. Published by Alfred Publishing.

Violin and piano

SKU: M7.JO-11-02

For violin and piano. Composed by Walter Gieseking. This edition: Saddle-wire stitching. Sheet music. Piano reduction with solo part. Composed 1938. 36 pages. Duration 18'. MDS (Music Distribution Services) #JO 11-02. Published by MDS (Music Distribution Services) (M7.JO-11-02).

ISBN 9790001215381. UPC: 842819116295.

Violin and piano

SKU: HL.49045822

For violin and piano. Composed by Vijay Iyer. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 2015. 72 pages. Duration 15'. Schott Music #ED30264. Published by Schott Music (HL.49045822).

ISBN 9781540024749. UPC: 888680737764. 9.25x12.0x0.29 inches.

The Kreutzer Sonata was originally dedicated not to Rudolphe Kreutzer (who never performed it) but to George Bridgetower, a famed 18th-century Afro-European concert violinist. In an early draft, Beethoven jokingly labeled the piece in starkly racialized terms: Sonata Mulattica composed for the mulatto Brischdauer, big wild mulatto composer.Beethoven and Bridgetower performed the premiere, which was by all accounts a success, and even featuring some improvised embellishment by the violinist. While celebrating afterwards, the two quarreled about what Beethoven construed as Bridgetower's insult of a female acquaintance; the composer then revoked the original dedication, adding Kreutzer's name instead. The work gained acclaim, while Bridgetower's career languished; he eventually died in poverty.Bridgetower has been the subject of considerable research and speculation, most notably in poet Rita Dove's book, Sonata Mulattica. From our 21st-century vantage, considering Bridgetower's unique circumstance, we can only see him as an ambiguous figure who, in embodying difference, provoked inspiration, fantasy, desire, anger and, finally, erasure.My piece is a collection of imaginings about George Bridgetower. It is not programmatic, but it takes on an episodic character, assembled from contrasting fragments. The dance rhythms, recurring figures and gestural contours are intended to feature the embodied expertise and expressivity of the performers, who at times must access liminal sounds and execute complex synchronies. I am grateful to Jenny Koh and Shai Wosner for involving me in their beautiful, virtuosic music-making.