(Solo Version (Printed Edition)). By Sergei Rachmaninoff (1873-1943). Arranged b...(+)
(Solo Version (Printed
Edition)). By Sergei
Rachmaninoff (1873-1943).
Arranged by Peng-Peng
Gong. LKM Music. Hal
Leonard #X410103.
Published by Hal Leonard
Piano, Voix et Guitare [Partition] - Intermédiaire Music Sales
Performed by Simon And Garfunkel. For voice, piano and guitar chords. Format: pi...(+)
Performed by Simon And
Garfunkel. For voice,
piano and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Folk rock
and pop rock. 187 pages.
9x12 inches. Published by
Paul Simon.
Evolution Ensemble de cuivres - Intermédiaire/avancé Anglo Music
Brass Band - Grade 4 SKU: BT.AMP-338-030 Five States of Change. Co...(+)
Brass Band - Grade 4
SKU:
BT.AMP-338-030
Five States of
Change. Composed by
Philip Sparke. Anglo
Music Midway Series.
Concert Piece. Set (Score
& Parts). Composed 2011.
Anglo Music Press #AMP
338-030. Published by
Anglo Music Press
(BT.AMP-338-030).
9x12
inches.
English-German-French-Dut
ch.
Evolution was commissioned by
Kunstfactor for the 4th
section of the Dutch
National Brass Band
Championships (NBK) 2011.
It is dedicated to Jappie
Dijkstra and the Music
Information Centre (MUI),
Arnhem, Holland, in
acknowledgement of their
outstanding work in
developing brass band
repertoire. The composer
writes:-The idea for the
piece came when I was
reading an article about
a branch of Chinese
philosophy which is
abbreviated as Wu Xing,
which has no exact
translation but can mean,
for example, five
elements, five phases or
five states of change. It
is central to all
elements of Chinese
thought, including
science, philosophy,
medicine and astrology,
and in simpleterms tries
to create various cyclic
relationships between
five elements in all
walks of life. An example
is: Earth - Metal - Water
- Wood - Fire - (Earth)
etc. where (in one cycle)
earth bears metal, metal
changes to liquid (water)
when heated, water helps
trees grow, wood burns to
create fire, fire
produces ash (earth) and
the cycle continues.I was
particularly interested
in the cycle of emotions:
Meditation - Sorrow -
Fear - Anger - Joy -
(Meditation) etc. and
thought this cyclic
principle would provide
an effective emotional
journey for a piece of
music. So
Evolution has five
equal sections which
loosely characterise this
emotional cycle. I have
tried to make the music
grow organically, with
minimal repetition, and
each movement evolves
from the musical elements
at the end of the
previous one, with the
opening material
appearing, transformed,
at the end of the piece
to complete the cycle.
Evolution
is geschreven in opdracht
van Kunstfactor voor de
4e divisie van de NBK
(Nederlandse Brassband
Kampioenschappen) 2011.
Het werk is opgedragen
aan Jappie Dijkstra en
het MUI (Muziekuitleen-
en Informatiecentrum) te
Arnhem, als waardering
voor hun inspanningen met
betrekking tot de
ontwikkeling van het
brassbandrepertoire.De
componist schrijft:Het
idee voor
Evolution kwam in mij
op toen ik een artikel
las over een tak binnen
de Chinese filosofie
waarvan de naam wordt
afgekort tot Wu Xing -
waar geen exacte
vertaling voor is, maar
wat zoveel betekent als
vijf elementen, vijf
fasen of vijf stadia van
verandering. Het gaat om
een wezenlijk onderdeel
van allecomponenten
binnen het Chinese
gedachtegoed, inclusief
de wetenschap, filosofie,
geneeskunst en
astrologie. Simpel gezegd
draait het om het
creëren van diverse
cyclische verbanden
tussen vijf elementen die
in ieders leven een rol
spelen. Een voorbeeld:
Aarde - Metaal - Water -
Hout - Vuur - (Aarde)
enz. In deze cyclus bevat
aarde metaal; metaal
verandert in vloeistof
(water) door verhitting;
water helpt bomen te
groeien; hout dat brandt
creëert vuur; en vuur
produceert as (aarde). Zo
blijft de cyclus
voortgaan. Zelf was ik
vooral ge nteresseerd in
de cyclus van emoties:
Meditatie - Verdriet -
Angst - Boosheid -
Vreugde - (Meditatie)
enz. De gedachte aan dit
cyclische principe
leverde een reis door een
muzikale wereld van
emoties op.
Evolution bestaat
uit vijf delen die
betrekking hebben op de
emotionele cyclus. Ik heb
geprobeerd de muziek op
natuurlijke wijze te
laten ontstaan, met zo
weinig mogelijk
herhalingen. Elk deel
vloeit voort uit de
muzikale elementen uit
het slot van het
voorgaande deel. Het
openingsmateriaal komt,
in getransformeerde
gedaante, terug aan het
einde van het werk,
waarmee de cyclus wordt
afgerond.
Evolution
wurde von Kunstfactor
für die vierte
Abteilung der
Holländischen
Nationalen
Brass-Band-Meisterschaft
(NBK) 2011 in Auftrag
gegeben. Die Widmung gilt
Jappie Dijkstra und dem
Musik-Informationszentrum
(MUI) in Arnhem
(Holland), in Anerkennung
ihrer
außerordentlichen
Bemühungen um die
Entwicklung des
Brass-Band-Repertoires.De
r Komponist über sein
Werk:Die Idee zu diesem
Stück kam mir beim
Lesen eines Artikels
über eine Richtung der
chinesischen Philosophie,
die abgekürzt Wu Xing
heißt, was nicht
wörtlich übersetzt
werden kann, aber so viel
wie fünf Elemente,
fünf Phasen oder
fünf Stadien der
Verwandlung bedeutet.
Dieses Prinzip nimmt eine
zentrale Positionim
gesamten chinesischen
Gedankengut ein, sei es
in der Wissenschaft,
Medizin oder Astrologie.
Einfach ausgedrückt,
werden damit in allen
Lebensbereichen
verschiedene zyklische
Beziehungen zwischen
fünf Elementen
hergestellt.Zum Beispiel:
Erde - Metall - Wasser -
Holz - Feuer - (Erde) -
usw. In diesem Zyklus
enthält die Erde
Metall, das sich bei
Erhitzung verflüssigt
(Wasser); Wasser lässt
Bäume wachsen, deren
Holz verbrennt (Feuer)
und zu Asche wird (Erde),
womit der Kreislauf von
neuem beginnt.Mich
interessierte besonders
der Kreislauf von
Gefühlen: Meditation -
Trauer - Angst -
Ärger - Freude -
(Meditation) usw. Ich
dachte mir, dass dieser
Kreislauf eine
wirkungsvolle emotionale
Reise“ durch ein
Musikstück darstellen
könnte. Folglich
besteht Evolution
aus fünf gleichen
Abschnitten, die diesen
Kreislauf der Gefühle
grob nachzeichnen. Ich
habe versucht, die Musik
organisch wachsen zu
lassen mit möglichst
wenig Wiederholungen.
Jeder Satz entwickelt
sich aus den Elementen
vom Ende des
vorhergehenden Satzes und
das Material der
Eröffnung vollendet am
Schluss des Werkes den
Kreis.
Easy Blues Songbook Guitare notes et tablatures [Partition + CD] - Facile Music Sales
Written by Ed Lozano. For guitar. Includes instructional book and accompaniment ...(+)
Written by Ed Lozano. For
guitar. Includes
instructional book and
accompaniment CD. With
guitar tablature,
standard notation, chord
names, guitar chord
diagrams, instructional
text, guitar notation
legend and introductory
text. Learn to play and
blues. 102 pages. 9x12
inches. Published by
Music Sales.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Solo concerto.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 12'.
Breitkopf and Haertel #OB
5252-16. Published by
Breitkopf and Haertel
(BR.OB-5252-16).
ISBN
9790004334027. 0 x 0
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Melody instrument SKU: M7.AHW-1611 Composed by David Chesky. Sheet music....(+)
Melody instrument
SKU:
M7.AHW-1611
Composed
by David Chesky. Sheet
music. Treble Clef
Instruments. 64 pages.
Charles Colin Corp. #AHW
1611. Published by
Charles Colin Corp.
(M7.AHW-1611).
English.
It is
so easy to dismiss a
rhythm book as something
for beginners, not worth
a serious musician's time
and energy. We can
already read, what more
do we need? I felt this
way as well, then I was
VERY glad that I did not
put this book down after
the first few pages. Once
you get past the first 10
pages of basics you are
left with a book of such
creative jazz and rock
etudes that you wouldn't
even consider it to have
been written with the
intention of improving
your reading. This is a
fully fledged
contemporary jazz rock
etude book that gets you
reading complex grooves
that will keep you coming
back for more.
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Folder.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Set of
parts. 8 pages. Duration
13'. Breitkopf and
Haertel #OB 5251-30.
Published by Breitkopf
and Haertel
(BR.OB-5251-30).
ISBN
9790004332986. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
By Chris Tedesco. This edition: Paperback. Instructional. Blues, Jazz. Conductor...(+)
By Chris Tedesco. This
edition: Paperback.
Instructional. Blues,
Jazz. Conductor's score
and 2 CDs. Text Language:
English. 112 pages.
Published by Santorella
Publications
Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by U2. Piano/Vocal/Chords Songbook (Arrangements for piano and voice w...(+)
Performed by U2.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 128 pages.
Published by Hal Leonard.
Performed by Phil Collins. E-Z Play Today (Easy big-note right-hand-only arrange...(+)
Performed by Phil
Collins. E-Z Play Today
(Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Size 9x12
inches. 64 pages.
Published by Hal Leonard.
String Quartet SKU: BR.EB-9271 Composed by Christian Mason. Chamber music...(+)
String Quartet
SKU:
BR.EB-9271
Composed
by Christian Mason.
Chamber music. Edition
Breitkopf. New music
(post-2000); Music
post-1945. Sheet Music.
Composed 2018. Duration
21'. Breitkopf and
Haertel #EB 9271.
Published by Breitkopf
and Haertel (BR.EB-9271).
ISBN 9790004185711. 0
x 0 inches.
I fell
in love with the
remarkable singing of the
Tenores di Bitti on
hearing their recordings
as a student. Their
uniquely intense vocal
timbre, their harmony,
which seemed pure and
rough at once, and the
sense that this music
was, at root, not so much
about performance as
simply being together in
the world, in a community
of spirit. At the time, I
had no intention of using
this music to my own
creative ends, but now,
here we are: Sardinian
Songbook is the second in
a cycle of works for the
Ligeti Quartet, all based
on transcriptions of
music from different
throat-singing
traditions. Like string
quartets, the tenores
usually sing in groups of
four voices, but being
free from instruments
they stand very close
together enabling the
resonances of their
voices to blend and
interact in a special
way. The quartet, of
course, can only sit so
close before their bows
clash, so I have chosen
instead to reflect this
physical closeness
inversely, by getting the
players to stand
increasingly far from one
another as the piece
progresses. In so doing,
the initial state of
sonic blend gives way to
hocketing lines, opening
up the sense of
space.Christian Mason,
2018 The four movements
may be played separately
or as a collection. If
played together the
following order should be
observed (see table of
contents).
World
premiere: Sheffield/UK,
Firth Hall, April 14,
2018, Commissioned by
Ligeti Quartet.
Score SKU: HL.50603521 For Orchestra Score. Composed by Britta Bys...(+)
Score
SKU:
HL.50603521
For
Orchestra Score.
Composed by Britta
Byströ and m. Score.
Softcover. Edition
Wilhelm Hansen #WH33286.
Published by Edition
Wilhelm Hansen
(HL.50603521).
UPC:
840126931006.
This
work for orchestra was
commissioned by Arktisk
Filharmoni and was
premiered at the Stormen
Cultural Centre in Bodo
in February 2020. The
composer writes A Walk to
Beethoven is a walk to
Beethoven's Symphony No.
7. It is the main theme
of the second movement
that you can discern in
my piece. I chose that
theme partly because I
just love it, partly
because it has within
itself a wandering pace.
The work consists of 14
small parts (played
without breaks). I do not
regard it as 14
variations; it is rather
14 different versions,
like 14 flowers grown
from the same musical
seed. Or maybe: like 14
different paths, all
leading to
Beethoven..
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library). I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman). Solo
concerto; Baroque. Part.
4 pages. Duration 13'.
Breitkopf and Haertel #OB
5251-15. Published by
Breitkopf and Haertel
(BR.OB-5251-15).
ISBN
9790004332948. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Urtext. Composed
by George Frideric
Handel. Edited by Ton
Koopman. Stapled.
Orchester-Bibliothek
(Orchestral Library).
,I want to make an
edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote.' (Ton Koopman)
Solo concerto; Baroque.
Part. 8 pages. Duration
18'. Breitkopf and
Haertel #OB 5211-19.
Published by Breitkopf
and Haertel
(BR.OB-5211-19).
ISBN
9790004330852. 9 x 12
inches.
Ton
Koopman's new edition of
all 16 organ concertos by
Handel has drawn to a
close. The quality of
this edition has been
highly praised from all
quarters. Source-critical
responsibility goes hand
in hand with a high level
of performance practice
when Koopman provides
interpretative tips for
the ad libitum passages
in the organ part without
restricting the
creativity of the
interpreter who is
interested in stylistic
matters and prefers to
work out his own
solutions. I want to make
an edition that is not a
Koopman interpretation,
but contains only that
which Handel really
wrote. Nevertheless,
there are occasional
performance suggestions
in small print which are
elucidated in the
Critical Commentary. (Ton
Koopman in Concerto)
Koopman offers a
basically unmarked text,
thus leaving the
performance details up to
the performer. Especially
note-worthy is the clear
printing, extensive
preface and detailed
Critical Notes.
(Katholische
Kirchenmusik) Whoever
wishes to hear the entire
Koopman edition on CD can
look forward to the new
recording by Christian
Schmitt and the
Stuttgarter
Kammerorchester
(Brilliant Classics).
This is the first
recording for which all
16 new Koopman editions
were used as the basis
for the
performance.
,I
want to make an edition
that is not a Koopman
interpretation, but
contains only that which
Handel really wrote.'
(Ton Koopman).
Orchestra Automobile
Brake Drum, Bass Drum,
Bassoon, Bells, Cello,
Clarinet I, Clarinet II,
Contrabass, Flute, Gong,
Horn, Oboe, Snare Drum,
Timpani, Triangle,
Trombone, Trumpet I,
Trumpet II, Tuba, Viola,
Viola (treble clef),
Violin I, Violin II and
more
SKU: CF.YCO1
For Full or String
Orchestra, Full Score and
Parts. Composed by
Larry Clark. FS-SWS. The
Carl Fischer Young Full
or String Orchestra
Performance Series. Set
of Score and Parts. With
Standard notation.
1+1+1+1+1+1+2+1+1+1+2+1+6
+2+8+8+2+5+5+5+16 pages.
Carl Fischer Music #YCO1.
Published by Carl Fischer
Music (CF.YCO1).
ISBN
9780825840531. UPC:
798408040536. 8.5 X 11
inches. Key: B
minor.
An
aggressive, stern piece
that has vigorous
percussion writing, Clash
and Roar has been
designed to work as a
piece for full orchestra
or string orchestra. With
its rhythmic vitality and
colorful harmonic
language, it makes a
great introduction to
contemporary orchestral
style and will be a great
selection for showing
what the ensemble can do
at contest time.
Duration: 3'.
With activities by Joy Yelin. Book. Published by Music Sales. (YK21392) Sevent...(+)
With activities by Joy
Yelin. Book. Published by
Music Sales. (YK21392)
Seventy best loved songs,
nursery rhymes, play
tunes, and singing games
with activities. Easy
piano arrangements with
words and chord names.
(10 Contemporary Settings for Solo Voice and Piano For Recitals, Concerts, a...(+)
(10 Contemporary Settings
for
Solo Voice and Piano For
Recitals, Concerts, and
Contests (Medium High
Voice)).
By and arr. Jay Althouse.
For
Voice (High voice
(Medium-
High)). Book; Vocal
Collection. For Solo
Singers.
Patriotic. 52 pages.
Published
by Alfred Music
Publishing
(52 Favorites from the U.K. (Guitar TAB)). For Guitar. Book; Guitar Mixed Fo...(+)
(52 Favorites from the
U.K.
(Guitar TAB)). For
Guitar.
Book; Guitar Mixed Folio;
Guitar TAB. The New
Guitar TAB
Big Book. Rock. 272
pages.
Published by Alfred Music